Cambodia’s trade union leaders, alongside young environmentalists fighting to preserve the country’s environment, have been imprisoned and censored for demanding just ecological policies and labor conditions. As the Cambodian monarchy continues to harpoon advocates with falsified charges ranging from conspiracy to “disbelieving a court decision,” movement leaders continue to demonstrate, knowing the people’s struggle for personal and environmental dignity transcends the carceral means of the state. · THE VERTICAL Reportage · Phnom Penh Cambodia’s trade union leaders, alongside young environmentalists fighting to preserve the country’s environment, have been imprisoned and censored for demanding just ecological policies and labor conditions. As the Cambodian monarchy continues to harpoon advocates with falsified charges ranging from conspiracy to “disbelieving a court decision,” movement leaders continue to demonstrate, knowing the people’s struggle for personal and environmental dignity transcends the carceral means of the state. Sophie Neak Hang On, no.18 (2015) c-print photograph Paean to Mother Nature In Cambodia, activists are facing a crackdown on their fundamental rights, including freedom of expression, association, and peaceful assembly. The state is particularly targeting those advocating for environmental and labor rights, and as civil society space continues to shrink and tolerance for dissent wanes, the government is increasingly resorting to arrests to silence perceived opposition. “We have fallen deeply in love with nature, and we don’t want it to be destroyed by corruption. People’s livelihoods depend on natural resources, and they don’t want to lose their land, their home, their culture. We understand them, we feel the pain, so we want to protect them. Our lives are inspired by nature, and that motivates us to take the risk of standing here.” These are the words of a young activist from Mother Nature Cambodia , a youth-led environmental rights organization that launched in 2012. He requested to remain anonymous due to fear of reprisal. Since the organization’s launch, its members have campaigned on a raft of environmental issues in Cambodia, leading to multiple arrests, members being jailed, and authorities attempting to silence their voices. In July 2024, 10 young Cambodians were sentenced to between six and eight years in prison, convicted on charges of plotting against the government and insulting the king. Three of them, including Spanish co-founder Alejandro Gonzalez-Davidson , who was deported for his environmental activism in 2015 and permanently banned from re-entering Cambodia, were sentenced to eight years in jail and fined USD2,500. The others were handed six-year terms. Five, including Gonzalez-Davidson, were sentenced in absentia. Ahead of the verdict at Phnom Penh Court of First Instance, 26-year-old Long Kunthea, who has already been imprisoned for her activism, told a group of supporters who had gathered around her that she would not be silenced, encouraging her peers to remain undeterred. “May you all not be hopeless but continue your work in protecting the environment, your rights, your land. Although we are in jail, we will be strong. They can only arrest our bodies, but they cannot arrest our will and conscience,” she said. The sentencing has been condemned by various international organizations, who are lobbying for the release of those imprisoned. “The verdict is devastating for the 10 activists, who face between six to eight years in prison for their efforts to protect Cambodia’s environment,” said Bryony Lau, the Deputy Director for Asia of Human Rights Watch, in a statement in 2024. “It also sends an appalling message to Cambodia’s youth that the government will side with special interests over the environment every chance it gets.” Amnesty International’s Deputy Regional Director for Research, Montse Ferrer, said in a statement that the convictions were “another crushing blow to Cambodia’s civil society,” adding, “Mother Nature Cambodia is a renowned activist group that has brought attention to environmental degradation fuelled by long-standing corruption in the country. “Instead of listening to young leaders at the forefront of the environmental movement, the Cambodian government has chosen to jail those that dare to speak out. The government has shown time and time again that it will not tolerate any dissent.” Attempts to silence the defenders Since 2012, Mother Nature Cambodia has lobbied on environmental issues from illegal sand dredging and lake-infilling to pollution and protesting against mega hydropower dam projects. The organization has successfully campaigned to halt the Chinese-led construction of a mass hydropower dam in Areng Valley in southwest Cambodia, that threatened the Indigenous community, as well as the delicate ecosystem of the area. Mother Nature Cambodia also played an instrumental role in ending illegal sand dredging operations in Koh Kong. Mother Nature’s philosophy has resonated strongly with Cambodian youth keen to protect the environment for future generations. The environmental defenders, however, have also repeatedly been targeted by authorities. “The main environmental issue is the corruption in the systems, and these diseases are getting harder to solve because environmental crimes are happening all over the country under development projects,” a member of Mother Nature anonymously told SAAG. However, the arrests and intimidation have failed to dampen spirits, instead fuelling members’ determination to continue their mission. “We must empower and mobilize youth in the country to speak up. They must speak up against repression as we continuously demand an end to devastating actions against nature. We stay focused, resilient and innovative,” he said. “People’s voices are needed to lobby the government to give our friends back their freedom. We won’t stay silent if our friends are still not free. We, Mother Nature Cambodia, are demanding power for the people, not the regime.” In September 2023, Mother Nature Cambodia became the first Cambodian organization to win Sweden’s Right Livelihood award for its “fearless and engaging activism to preserve Cambodia’s natural environment in the context of a highly restricted democratic space.” Fighting for the disappearing rights of workers It’s not only environmental activists whose voices are in danger of being silenced. Recent years have seen a targeting of Cambodia’s union leaders, who have been peacefully advocating for workers’ rights amid claims of human rights abuses, unfair dismissals and wages, and mass layoffs. On September 16, trade union leader Chhim Sithar, 37, was released after serving two years in Prey Sar, a notorious prison on the outskirts of Phnom Penh. Sithar is the head of the Labour Rights Supported Union of Khmer Employees (LRSU) and was charged with incitement to commit a felony. Sithar led a year-long series of peaceful protests that started in December 2021 against the mass layoff of 1,329 employees at NagaWorld—a casino giant in Phnom Penh—during the pandemic. Hundreds of workers took to the streets outside the casino in protest of the dismissals, with LRSU demanding 365 union members be reinstated and that all those who lost their jobs receive fair compensation from the Malaysian-owned casino. In May 2023, Sithar was sentenced to two years behind bars (having already served almost two years), for incitement to commit a felony, while eight other union members were handed lesser suspended sentences or monitoring orders. “They were convicted for simply exercising their rights to freedom of peaceful assembly and association, protected by both the Cambodian Constitution and the International Covenant on Civil and Political Rights ratified by Cambodia in 1992,” UN Human Rights Office spokesperson Jeremy Laurence said in a statement . “The rights to peaceful assembly and association include the right to hold meetings, sit-ins and strikes, and the right of individuals to interact and organize among themselves to collectively express, promote, pursue, and defend common interests.” Cambodian authorities have maintained that citizens have the right to exercise freedom of speech and hold peaceful gatherings, as stated in the law, and arrests are only made when laws are broken. Khleang Soben, LRSU Secretary General, joined 70 Cambodian civil society organizations and many international organizations, including Amnesty International, HRW, and the US Department of State, in lobbying for Sithar’s release while she was in prison. “Until now, I’m curious about why she was detained as this is a labor dispute between workers and the company,” she told me. “But they accuse worker representatives of inciting social chaos. For me, it’s too much and unexpected that they turn the victim into the perpetrator. It’s very unfair.” In April 2024, Sithar’s “fight for democracy and respect for human rights” earned her the Swedish government’s annual Per Anger Prize, which celebrates courage, capacity to act and engagement. “She is a vital source of support for Cambodian women who are forced to work under appalling conditions. They are demanding to have their voices heard and their rights respected at their places of work,” the judges said. Sithar’s case is one of a series of targeted attacks by authorities. Despite this, Soben remains determined to ensure Sithar’s voice is not silenced, and pledged to continue the fight for the rights of her members. “Recently, we’ve seen the arrest of many youth and union activists. Saying I’m not afraid isn’t completely true. But I won’t give up as it’s a valuable job that benefits many Cambodians,” she said. “Union work is undervalued and it is unsafe when we stand up for workers and refuse to undertake activities that exploit the labor force and workers' interests. We will continue our nonviolent demands until there is a solution. Even if I am scared, it won't stop me.” Yang Sophorn, President of the 16,000-member strong Cambodia Alliance of Trade Union (CATU), also came under fire during the NagaWorld protests. On 4 August 2022, authorities accused her of conducting illegal activities and threatened her with an unspecified punishment for supporting the ongoing strikes. “We know that when we work in this field, there are a lot of people who are not happy with us, but we still do it for the sake of our members and to fight for their rights. The reason we continue this work is because of love, passion and wanting to help people in need,” she said. “It’s an injustice” “I’ve had violence committed against me and been arrested many times, but I still take on the challenge because I work for the rights of people. I’m not involved with politics, only labor rights. I suffer and have a lot of pressure to stop, but I have no choice. I have to promote the rights of workers,” Ath Thorn told SAAG. The former president of the Cambodian Labour Confederation (CLC) , a role he served for 18 years until May, and president of the Coalition of Cambodian Apparel Workers Democratic Union (CCAWDU) , Thorn has spent the majority of his working life fighting for the rights of garment factory workers. He launched CCAWDU in 1997 while working in a factory, in response to the unfair treatment he witnessed from his employer. “I saw and experienced a lot of labor abuse, violations and cheating on the ground. There was nobody to respond to these problems. So, I established the trade union to address the challenges and negotiate with the employer.” During his time serving as union leader, however, he has been the victim of multiple legal actions and arrests, violence, threats, and intimidation. “As an independent, democratic trade union, we work to promote workers’ interests and benefits, and the authorities and companies abuse us,” he said. “Some of us are arrested and charged, violated and discriminated against, beaten and dismissed without pay. So, there are a lot of cases against us, and a lot of pressure and challenges.” A 2022 HRW report, ‘ Only “Instant Noodle” Unions Survive: Union Busting in Cambodia’s Garment and Tourism Sectors , based on interviews conducted between March and June 2022, found “widespread violations of workers’ rights to register, form and join independent unions at garment factories, a casino and other places of business.” On May 7, Mam Rithy, Vice President of CLC, became one of the latest voices to be silenced when he was detained after Phnom Penh Municipal Court convicted him for “inciting to commit a crime” and “disbelieving a court decision”. The charge against the well-known advocate for the labor rights of Cambodian factory workers was in relation to a video he posted on Facebook on February 24, 2022 commenting on the arrest of a female union leader in Sihanoukville in relation to a Chinese casino. The 35-year-old was handed a 1.5 year prison sentence and a two million riel (USD480) fine. “Vuthy has now been in jail more than four months and did not expect to be detained for long. It’s really tough for him and an injustice,” Thorn said. While the threats to these activists remain real, it has only served to strengthen their fight. “The arrests only make people get mad at the violent injustice to innocent people without any sense,” a Mother Nature member stated. “We have to strengthen our mental health and capacity-building to keep inspiring more people to become defenders. The more they arrest our members, the more defenders rise up. We will always be here, fighting for environmental justice.”∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Reportage Phnom Penh Climate Cambodia Mother Nature Unions Environmental Science Environmentalist Youth Youth Protest Censorship Ecology Labor Policy Movements Climate Security Community Security Freedom Free Speech Labor Rights Civil Society Civilian Activism Corruption Natural Resources Mother Nature Cambodia Anonymity Imprisonment Alejandro Gonzalez-Davidson Deportation Banned Phnom Penh Court of First Instance Hope Political Will Human Rights Watch Amnesty International Dissent Hydropower Dam Hydropolitics Areng Valley Indigenous Spaces Ecosystem Koh Kong Future Generations Empowerment Silence Disappearance Worker Rights Prey Sar Labour Rights Supported Union Khmer Employees Peaceful Protest Monitoring Victimization Targeted Attack State Government Narrative Cambodia Alliance of Trade Union CATU NagaWorld Protests Injustice Violence Political Violence Cambodian Labour Confederation CLC Coalition of Cambodian Apparel Workers Democratic Union CCAWDU Garment Factory Labor Abuse Arrest Threats Intimidation Union Busting Capacity-building Environmental Justice Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 25th Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Sudan’s ongoing war, which erupted in April 2023 between the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF), has devastated the country, displacing millions and crippling public services. Civilian-led groups, particularly the Resistance Committees (RCs) and professional unions, continue to provide humanitarian aid despite severe repression, learning from the rich history of Sudanese unions active since the 20th century. Today, emergency committees and medical unions work tirelessly to support war victims, exemplifying resilience amid chaos. Their struggle highlights a stark contrast between civilian solidarity and military destruction. · THE VERTICAL Reportage · Sudan Sudan’s ongoing war, which erupted in April 2023 between the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF), has devastated the country, displacing millions and crippling public services. Civilian-led groups, particularly the Resistance Committees (RCs) and professional unions, continue to provide humanitarian aid despite severe repression, learning from the rich history of Sudanese unions active since the 20th century. Today, emergency committees and medical unions work tirelessly to support war victims, exemplifying resilience amid chaos. Their struggle highlights a stark contrast between civilian solidarity and military destruction. Hashim Nasr Boxed (2022) digital photograph Through Thick and Thin On April 15, 2023, one of Sudan's most brutal wars erupted between the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF). This signaled a collapse of the alliance between two-armed factions. Even before the April fallout and subsequent war, their armed alliance had brought nothing to the Sudanese people but bloodshed and death; the alliance staged the military coup in October 2021 that terminated the civilian-military power-sharing agreement known as the Transitional Government which was installed in the wake of the December Revolution in 2018 . The Transitional Government (2019-2021) was composed of both military and civilians, with a rotating presidency that started with the military. The December Revolution was primarily led by millions of youths, particularly women, called the “Resistance Committees” (RCs). Although lacking in direct organizational links with the existing civilian groups, the RCs coordinated their mass protest actions very closely with them, particularly the Sudanese Professional Association . Remnants of Sudan’s Islamist military dictatorship (1989-2019) comprised two factions that had each previously attempted to seize power in the country. Working together, on June 3rd 2019, they enacted the most heinous massacre . Hundreds of peaceful protesters were brutalized, raped, drowned, and killed. On June 30th, 2019, under the combined leadership of civilian groups, millions of Sudanese took to the streets, demanding accountability for the massacres and a full transfer of power to civilians. The military eventually relented, resulting in the civilian-military power sharing agreement in August 2019. This illegitimate and violent political transformation has led to the ongoing war which has resulted in hundreds of thousands of deaths, over 12 million internally displaced persons (IDPs), and over three million refugees in neighboring countries. As the war has intensified since April 2023, the total repression of civilian activism has destroyed health, education, municipal and other civilian infrastructure, and deepened the economic crisis. In immediate response to the war, Sudan’s Resistance Committees (RCs) have morphed into Emergency Committees (ECs), while abroad, Sudanese communities collectively mobilize resources to save lives and restore livelihoods destroyed by the war. There are now numerous humanitarian, educational, and professional activities, both inside and outside Sudan seeking to help those most affected by war. Although repression inside Sudan and the lack of formal status outside Sudan limits this organizing, the collectives nevertheless strive to implement what they can. They continue to play a major role in organizing assistance and representing the Sudanese people at humanitarian and ceasefire negotiations mediated by international entities. With unwavering determination, the humanitarian aid effort by Sudan’s civilian bodies shines amidst the darkness of this horrific war. With the disintegration of the state apparatus and the collapse of public services, the RCs face highly complex challenges. Attempting to regroup and organize their membership, they continue to provide services to millions of displaced Sudanese people. Thus, a stark contrast emerges. While the military forces continue their war against each other and on the country’s resources, civil forces race to save what can be saved. These civilian forces continue amidst severe repression, killing, forced disappearances, illegal detention, torture, rape, and ethnic cleansing. The History of Trade Unions in Sudan As a central organizing force, political parties, civil society organizations, professional associations, and trade unions draw upon a long tradition of highly active political engagement that started before Sudan’s independence in 1956. Sudan has had union organizations since the early 20th century. In 1908, forest workers under British-Egyptian colonial rule, announced a strike demanding better wages and working conditions. In 1947, the first union of railway workers was established. As a result of the pressure exerted by the union movement, colonial authorities conceded the right to union organization. A labor law was issued in 1948, granting the Sudanese union movement legal status. By becoming a primary force in resisting and changing authoritarian regimes, however, the movement became a target of colonial oppression. One of the earliest decisions in subsequent military coups was the dissolution of existing unions, confiscating their properties and funds. By mobilizing their members, the unions quickly regained their strength and ability to lead. The Front of Associations (a coalition of professional, labor, and farmers' unions) led the October 1964 revolution , dominating a seat majority in the first transitional government, before being overthrown by infighting. Led by the Union Alliance, unions played a prominent role in the April 1985 uprising and the downfall of the Jaafar Nimeiri dictatorship regime. Omer Al-Bashir’s regime in 1989 resisted workers’ attempts at unionization—seeking to dismantle and control them by dismissing employees through the Public Interest Law. The labor movements, however, were ceaseless. Following the successful Sudanese Doctors Union strike of November 1989 , several professional associations organized strikes and protests in 1994 and 1996. They also continued efforts with regional and international organizations to isolate the military regime and its façade of regime-friendly unions. Therefore, during the 30 years of the Islamist military dictatorship, trade unions and associations operated through professional bodies which were strategically founded to counter the regime’s compliant civilian bodies and trade unions. In 2005, following the signing of the Comprehensive Peace Agreement between the military dictatorship and the Sudan People's Liberation Army/Movement (SPLA/M), Sudan witnessed a relative expansion of political space and public sector workers showed increased interest in unionization. Medical bodies inside and outside Sudan organized networking and coordination. Lawyers' organizations confronted repressive laws and defended public freedoms. Journalists exposed and documented violations, defending freedom of expression. Teachers gathered to address wage issues and demanded educational reform. The Sudanese Professionals Association (SPA) served as the unifying platform leading the Revolution for the downfall of the Islamist dictatorship regime, especially when the-then SPA joined political and civil society organizations to create the opposition platform called Forces of Freedom and Change (FFC) . The 2019 post-revolution transitional phase represented a glimmer of hope. Institutions were being rebuilt, preparing the country for a democratic transition . Most professional bodies sought to gain legitimacy by organizing member elections. Some of them, like the Sudanese Journalists' Union (SJU) and the Sudanese Doctors Union (SDU) succeeded in completing free and fair internal elections. Many believe that the October 2021 coup was staged by SAF and RSF precisely due to the rising tide of organized and elected professional associations and trade unions. The Birth of the Sudanese Professionals Association Actual collaboration among opposing union factions began with the rise of popular resistance against the Inqaz or the NCP regime, especially after South Sudan's secession and the 2010 election and following economic collapse. Professional and other civilian groups started organizing their bases to hold democratic grassroot union elections. They also worked to establish effective union alliances to challenge the regime's policies and its monopoly over power and political decisions. This culminated in the formation of what was then known as the Sudanese Professionals Union in 2012 (later called the Sudanese Professionals Association or SPA in 2013) through joint coordination between the Teachers' Committee, the Sudanese Journalists Network, the legitimate Sudanese Doctors' Union, and the Democratic Lawyers' Association. The SPA page on Facebook , which played a crucial role in the December 2018 Revolution, was created towards the end of 2012. Starting approximately in 2016, the professional forces that eventually formed the nucleus of the SPA continued expanding their coalition as an anti-Inqaz political front. They continued to link their presence to specific labor demands, gaining more support. Simultaneously, civilian unrest and discontent with the Inqaz regime was boiling under the surface until it exploded. First, in September 2013 (heavily repressed by the Inqaz/NCP regime) and then, more successfully, between 13 December 2018 and 6 April 2019. Importantly, these peaceful mass protests started by RCs in the city of Mayirno (Sennar State) spread to the RCs in Atbara (River Nile State), Damazin (Blue Nile State), before blazing across Sudan.This rising tide of protests was mutually-synergistic between the SPA and the RCs movements. The SPA and RCs quickly adjusted their demands from merely raising the minimum wage and protesting against the rising cost of living, to instead calling for continuous marches aiming to entirely overthrow the Inqaz/NCP regime. Taking the lead in the December Revolution, the SPA and the RCs participated in developing the charter of the Forces for Freedom and Change (FFC) on 1 January 2019 which adopted the RCs and SPA slogan of “freedom, peace, and justice.” These efforts culminated in the fall of the tyrant Omar al-Bashir on 11 April 2019 and continued throughout the transitional period that followed. Unfortunately, when the SPA’s constituent bodies began union-building processes, their lack of recent practical experience in union work and managing political conflicts, led to the disintegration of the FFC, with disruptive impacts on the SPA and other civilian bodies. The political alliances represented by the FFC began disagreeing on priorities. The RCs wanted to prioritize the creation of the Transitional Legislative Assembly; however, other political parties and professional associations did not see it as a priority. These disagreements deepened and widened, negatively impacting the civilian front. On August 30, 2022, in a historic step, Sudanese Journalist Union announced the successful election of their first post-Inqaz committee, followed by the Sudanese Dramatists Union. The Sudanese Doctors Union was reestablished in March 2023—just weeks before the war broke out mid-April 2023. The Resistance Committees: An Inspiring Experience The initiation and driving force behind the December Revolution is attributed to the most recent type of civilian body in Sudanese politics the RCs which also included the Coordination Committees of IDP camps in Darfur. RCs are unique grassroots organizations formed at the neighborhood level, which expanded to cities and different Sudanese states. They deliberately retain their horizontal nature and firmly reject hierarchical leadership, in order to avoid infiltration by the authorities or political factions. The presence of RCs has played a decisive role in keeping the flame of the revolution alive. The RCs formulated a comprehensive political vision, embodied in the “ People's Power Charter .” The Charter’s first draft was released for discussion in January 2022, underwent public discussions, and was revised in March 2022. Despite prevailing political divisions among FFC’s political forces and the military coup's control of power, the RC’s People’s Power Charter generated a significant amount of debate. The RCs played a more significant role in the political scene, surpassing the leadership of traditional civilian bodies (parties and unions), by supporting but also holding accountable the transitional government, and working within local governance structures. Undermining Inqaz/NCP supporters at the state level, RCs took on the responsibility of monitoring the flow of commodities such as flour, gasoline, diesel, and cooking gas. They contributed to resolving the transportation crisis, power outages, and other artificially created crises. This led to defeating the Inqaz regime’s black marketeers. The War: Massive Responsibilities Throughout the transition period, a widespread civil movement spread—undeterred by the October 2021 coup. Instead, professional unions and RCs regarded themselves as a primary tool of people power in the civil-military conflict. The union bodies, led by the preparatory committee of the newly formed Sudanese Doctors Union (SDU), established Emergency Rooms, communal shelters for IDPs, communal kitchens, and neighborhood mutual aid under the leadership of the RCs. These Emergency Rooms continue to provide life-saving food, water, medicine, and urgent supplies to millions of war-affected people, as well as the millions of IDPs fleeing the war. Similarly, the SPA’s constituent professional unions have intensified their efforts towards denouncing the war, calling for peace, providing basic humanitarian aid, exposing and documenting gross human rights violations and war crimes, defending activists detained in war zones, and organizing campaigns to stop the war and aid those affected, both inside and outside Sudan. Some professional unions have also begun envisioning the required reconstruction, recovery, and reform needed in their respective sectors once the war stops. Civilian Testimonies Shedding light on the experiences of workers’ unionization and the efforts of the medical and humanitarian emergency, offered here are the accounts of two prominent contributors. They reflect the significant efforts exerted by civilian forces amidst the ongoing war. Activist Moez Elzein is a project manager at the Al-Ayam Center for Cultural Studies and Development and a founding contributor to the humanitarian Emergency Rooms (ERs). Elzein is currently based in Kampala, Uganda, where he recently sought refuge from the horrors of the war in Sudan. He explained that since the outbreak of the war and collapse of public services, groups of RC members, professionals, and young men and women, began establishing ERs in war zones across Sudan. Inspired by the concept of “Nafir” (a mobilization call to humanitarian action, significant in Sudanese culture as voluntary and cooperative work during humanitarian disasters), they vowed to keep their work free of political affiliations and biases, which helped the idea to evolve and attract more volunteers. Elzein pointed out that ERs began their work with the idea of mutual aid rather than humanitarian aid. The idea started spontaneously among Sudanese through financial transfers to support those affected by the war, followed by the idea of ERs. Moez's words reveal the organizational capacities and experience these young people possess, developing a Coordination Council for Grassroots Work of ERs which is the largest indigenous civilian coordinating body operating across Sudan since the war began. This Council was formed based on the local governance system of Khartoum State, the most populous state in the country, with approximately eight million inhabitants according to the latest census projections from 2018. Initially, seven central ERs were formed for the seven localities, along with grassroots rooms for residential neighborhoods under them to ensure coordination and networking based on the administrative structure between administrative units, grassroots rooms, local ERs, and central rooms. Elzein indicated that the Council would evolve into a national council after including Sennar, Darfur, and other regions, thereby linking humanitarian intervention to grassroots work and local governance. Elzein describes how the ERs in Khartoum consist of 130 grassroots rooms in neighborhoods, in addition to seven central rooms. In Sennar, there are 15 grassroots rooms in neighborhoods and around seven central rooms, as well as one room in El-Suki. He noted that women's emergency rooms have also started to appear in eastern Sudan, as is the case in Gedaref and Kassala States, and there are 200 grassroots ERs in different Darfur states. Regarding how these rooms fund their activities, Elzein says, “the rooms initially received support from Sudanese people through bank transfers as donations, in addition to support from some international organizations. However, after the decline in capabilities due to the ongoing war and the worsening conditions of millions of Sudanese, the primary reliance now is on donors like the Sudan Humanitarian Fund (SHF).” Sudanese national organizations in turn, distribute funding to ERs, alongside other international organizations. Currently, the ERs depend entirely on funding from foreign organizations. Elzein continues, “there is a disparity in the number of participants in the rooms, depending on the population size in different areas and the level of interaction, even within Khartoum. For example, there are differences in the ability to communicate with various parties. Some rooms can communicate with SAF or RSF commanders in their areas, such as Karari in Omdurman and East Nile, to ensure safe passage of some food supplies needed for central kitchens or to secure the release of detained activists or residents of neighborhoods, while some areas lack this capability due to the hostile nature of the forces in control or due to pre-conceived aversion by grassroot activists to any coordination with neither SAF nor RSF.” For Elzein, one of the most significant challenges facing ERs is the repressive targeting and human rights violations faced by their members at the hands of both RSF and SAF. He adds, “in areas controlled by SAF and RSF, youth workers in emergency rooms have faced repeated arrests and severe human rights violations such as torture and beatings. Three weeks ago, one of the key workers in the emergency rooms in Eastern Nile State was arrested and falsely accused of killing a member of RSF.” Dr Hiba Omar was interviewed within the context of writing this article, to better understand the role of the medical ERs. Omar is the elected President of SDU’s Preparatory Committee and one of the prominent leaders of SPA. She has been repeatedly arrested and displaced. She says, “When the war broke out, the SDU was only a month old, and the Preparatory Committee was elected to perform specific tasks, including drafting a constitution, compiling a membership register, calling for a full general assembly, and holding free and fair union elections. We found ourselves faced with the daunting task of providing medical services to thousands of war victims after many hospitals shut down and were attacked by airstrikes and indiscriminate military attacks on them.” She recounts the details of the first hours after the war broke out, “I went to East Nile Hospital in the Al-Haj Youssef neighborhood in Khartoum and worked there for three consecutive days due to the severe shortage of staff. While we were working inside the hospital, it was bombed by SAF aircraft and then it was evacuated. So, I moved to the Ban Jadeed Hospital in a nearby area, but found it had closed. This situation, along with reports of many hospitals being out of service, prompted us to think about establishing medical ERs. We called on the RCs to support and assist us, and then we formed the first ER at Ban Jadeed Hospital.” She continues, “The war was very intense and was raging in the center of Khartoum State. This war violated all international humanitarian conventions and laws of war, with no regard for the neutrality of medical services and facilities nor protection of health workers. In fact, they were specifically targeted by both sides of the war. The expansion and intensity of the war and the targeting of hospitals, and the use of some health facilities as military platforms led to the loss of the ER’s capacities and the inability of patients to reach them, in addition to the killing of many medical staff and emergency room workers, the evacuation of patients, and the destruction and looting of hospitals.” Omar adds, “There were great difficulties in getting medical staff to hospitals, so most resided inside the hospitals, and we worked to fill the shortage due to the inability of some doctors to reach hospitals by training volunteers from RCs in medical services. The RCs provided oxygen and intravenous fluids in dangerous areas under shelling and bombing, as well as meals for patients and staff, and also transferred patients and the injured to other hospitals.” In her testimony as a doctor who witnessed the horrors of this war, Omar indicates the importance of the civil society organizations to the medical aid effort, “as a union, we contributed alongside Sudanese medical diaspora bodies such as SAPA (Sudanese American Physicians Associations) to securing critical information for the Sudanese Medical Council amid the shelling and battles; first transferring it to Al-Jazirah State and then after clashes broke out there, transferring the equipment containing the information to the Northern State in order to protect the interests of more than 10,000 doctors. The Council is responsible for training, certificates, and appointments of doctors and their specializations.” This major collapse caused by the war led Pmar Hiba, and her SDU colleagues, to work with other union bodies to establish the “Union Front,” and to expand it to include all workers in various fields who have been facing difficult conditions since the outbreak of the war, primarily the suspension of their salaries by the state for over a year and a half. “Addressing all these issues is almost impossible without stopping the war and, therefore, besides our work on professional issues, we continued work with other union bodies to achieve our shared struggle to stop the war, demand accountability, restore the revolution, and collectively defend workers' rights. We represent a broad sector of the Sudanese people together, and our positions express a large base that rejects the war, stands against its crimes, seeks justice, redress for the victims, the restoration of professionals' roles, and the enhancement and improvement of their conditions.” Continuous Work Despite the War After nearly a year and a half of horrific war, amidst the destruction caused by the military and militias allied with warring parties in Sudan, civil revolutionary forces are rising. These forces are working inside the country’s conflict areas as well as outside Sudan, where millions of Sudanese have sought refuge. Many are working to build bridges of communication with similar unions in host countries. Some have successfully traced their members dispersed in different countries as well. Various groups have started organizing training courses to enhance their capacities to deal with the war and its aftermath, while some unions are preparing to assess the scale of the destruction and thinking of how to reestablish a peaceful transition to democracy. Others yet, have begun documenting the violations and war crimes committed against civilians—and legally classifying them. Meanwhile, most unions are quietly working to provide as much assistance and support to their members by facilitating financial donations from Sudanese people worldwide and communicating with organizations that help and support refugees and professional advocacy groups. They are also negotiating with authorities in some asylum countries to ensure their members’ welfare and safety. In conclusion, the Sudanese civilian bodies such as the SPA, Resistance Committees and professional unions continue their decades-old tradition of democratic grassroot organization and advocacy for democratic freedoms despite the war. The collective experience they accumulated during the December Revolution continues to drive their commitment and inform their decision-making. They remain resolute that wars and military coups will never dent their resolve to create a free, peaceful and just. The December Revolution’s slogan, “Freedom, Peace and Justice” remains a beacon of hope for Sudan.∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Reportage Sudan Egypt Armed Forces Resistance Movement Resistance Resistance Committees Unions Medical Union Healthcare Community Civilian Solidarity War Sudanese Armed Forces Rapid Support Forces Military Coup Power-sharing Transitional Government December Revolution of 2018 Sudanese Professional Association Islamist Massacre Protest Political Dissidents Political Violence Violence Internally Displaced Persons Refugees Repression Civilian Activism Civil Society Infrastructure Dictatorship Emergency Committees Sudanese Diaspora Mobilization Humanitarian Aid Organizing Ceasefire Negotiations Trade Union Independence Colonialism 20th Century Railway Workers Colonial Oppression Front of Associations Coalition Labor Farmer Union Alliance Jaafar Nimeiri Omer Al-Bashir Public Interest Law Sudanese Doctors Union Strike Economy Grassroots Movements Inqaz NCP Regime South Sudan Secession Democracy Teachers Journalists Lawyers Doctors Facebook Social Media Civilian Unrest Sennar State River Nile State Blue Nile State Peoples Power Charter Flow of Commodities Monitoring Civilian Testimonies Cultural Studies Census Al-Ayam Center for Cultural Studies and Development Moez Elzein Activist Human Rights Violations Human Rights Youth Workers Torture Emergency Room SDU Preparatory Committee Hiba Omar Airstrike Khartoum State Sudanese Medical Council Al-Jazirah State Hope Conflict Revolution Advocacy Freedom Peace Justice Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 23rd Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

KOKOKO!, an experimental music collective from the DRC, has navigated political censorship and the country’s struggles with energy exploitation to create a sound that electrifies the present. Using repurposed household materials as instruments and makeshift cables for amps, they fuse French and South African house with Congolese folk to produce innovative live and stereo listening experiences. Their latest album, BUTU— “the night”—calls on audiences to bear witness to the cacophony of Kinshasa after dusk as a commentary on the political state of Congo at large. · BOOKS & ARTS Review · Congo KOKOKO!, an experimental music collective from the DRC, has navigated political censorship and the country’s struggles with energy exploitation to create a sound that electrifies the present. Using repurposed household materials as instruments and makeshift cables for amps, they fuse French and South African house with Congolese folk to produce innovative live and stereo listening experiences. Their latest album, BUTU— “the night”—calls on audiences to bear witness to the cacophony of Kinshasa after dusk as a commentary on the political state of Congo at large. BUTU (2024) album cover. Image courtesy of KOKOKO! Lights Out in Kinshasa At a show in Kinshasa, electric wires glow red and drip from the ceiling. Massive grooves do not relent. Then, the amp explodes. Still, electronic group KOKOKO! and their audience are undeterred. “When this happens, nobody panics,” KOKOKO! producer and keyboardist Xavier Thomas tells me over Zoom. “We just rewire some things; maybe we don't tell people how long it's going to be. Then, the gig comes back at full intensity.” The duo came together in 2017, when Thomas aka Débruit, who is French, traveled to Kinshasa to work on a documentary about the city’s performance art scene. While there, he met Makara Bianko, a Congolese musician who was putting on daily live music performances, at the time, that lasted for hours and involved dozens of dancers. Thomas, Bianko, and a number of other musicians began by playing at a block party inside a building that was under construction. They had such a great time that they decided to form a group together. KOKOKO! Image courtesy of the artists. A video they released shortly afterwards featured snippets of their songs. In it, the group explained how they fashioned instruments out of everyday objects like detergent bottles and tin cans because they love electronic music but don’t always have access to instruments to make the music in conventional ways. KOKOKO!’s experimental production approach garnered so much attention that they were invited to go on a 12-stop tour of Europe before even releasing a single. They went on to tour the US, release their critically acclaimed 2019 debut album, Fongola , and play shows like Boiler room and NPR’s Tiny Desk concert series. KOKOKO! make a maximal, frenetic, and innovative blend of punk, trance, Congolese folk, and bits of Kwaito – a genre of house music that originated in South Africa. Makara Bianko, who is the vocalist and band leader, sings with propulsive, declarative wail delivered in “fast short loops.” And Débruit, who has been DJing French house music (combined with musical influences from Turkey, Tunisia, and of course, The Congo) for over two decades, takes production credits for his signature squirming basslines, blaring, distorted synths, and booming percussion. Though, it’s not just the intensity of KOKOKO!’s performances that causes the equipment at their shows to glow and burst at shows. The Congo produces a number of resources that are used to make technology like smartphones, batteries, and laptops. 70% of the world’s cobalt is mined in the country. Citizens rarely benefit from these resources or from the prosperity possible from its sale. On the contrary, a quarter of the country’s population of 111 million people. Interviews with over 130 people led Amnesty International to report that entire communities are being forced to leave their homes as mining companies expand operations. “The cables we were using were really cheap,” Thomas says in his diagnosis about the exploding amplifier. “I would take a plug apart and it would be just one thread of metal instead of a bunch of braided ones. The people in the Congo produce so many resources, but most can’t benefit from them.” It’s how people living in Kinshasa adapt to and resist this neglect that inspires KOKOKO!’s new album BUTU , which means ‘the night’ in Lingala. Scientists estimate that the Congo River that runs next to the city generates around 100,000 MW of electricity—enough to power the entire country of France. Locals, however, confront frequent power cuts as energy is largely sold outside of the country. According to the World Bank, only 19% of the country’s citizens have access to electricity. Due to its location near the equator, night falls early and quickly in the city. So, in the sudden, consuming darkness, the sounds of daily life—cars whizzing down the street, people finishing off their last errands of the day before heading home, churches competing with nearby clubs for passerbys’ attention — are amplified. “Kinshasa is never quiet,” Bianko says, “there is always somewhere to go party, always a performance, whether it’s in everyday life and how people act to be resourceful or the way people dress. People in Kinshasa do everything to stand out from the chaotic and difficult backdrop of the city. Everyone wants to be one special character out of 18M.” In capturing the night, KOKOKO! also bring a sense of mystery into their music. On opener “Butu Ezo Ya,” Bianko welcomes the listener into his world: “The night is coming /Come in enter all of you / The darkness is coming / Come enter and witness it.” As the chanted vocals layer and wind through field recordings of car horns grinding synth, you feel swathed in the falling night and all the disarray and excitement it will bring with it. The forthcoming details of the night are never specified, but you know they will be notable enough to warrant witnessing together. KOKOKO! Image courtesy of the artists. It appears that this communal witnessing serves as a political tool, too. The citizens of the DRC face intense censorship from the government. The government regularly shuts down the internet, especially during election periods. They can also criminalize journalism without stating any specific reasons, and in 2021 banned songs that were critical of the government. BUTU shares frustration at this political reality with the listener. There are moments of explicit critique: one song is titled “My country doesn’t like me” but most of the lyricism is opaque to avoid censorship. “Here in DRC, sometimes we need to disguise some meaning. Either the story is about something else but the message is the same, or we use words that sound similar to forbidden ones. We can’t really talk openly so it’s for the listener to discover.” “Mokili” begins with a handful of chanted imperatives: “Leap! Makes you jump! Grab it! Defeat him! Help! Open!” that transition into a melody about the world turning upside down. As with “Butu Ezo Ya,” it’s unclear if the words are sung with a sense of excitement or dread. Sonically, KOKOKO! pushed their production forward with Butu to capture this sense of political overwhelm. “We wanted the rolling rhythms, the music loops, and Macada’s powerful voice to be almost overwhelming,” Thomas says, “We wanted the music to have lots of information, lots of rhythms, and lots of vocals.” Fongola had a raw, improvised feeling that’s been replaced with lusher, more cohesive electronic production on KOKOKO’s latest album. While the earlier compositions relayed a sense of verve and spontaneity, the songs on BUTU build into tidal waves of emotion. On “Telema,” the call and response vocals enliven an already propulsive backdrop of grumbling synth and drums that surge forward like a forest fire. “Mokolo Lukambu” spotlights the honeyed undulations of Bianko’s vibrato, which relays a tangible feeling of longing. These burning, fluorescent songs are so poignant because of their multivalence. With BUTU , KOKOKO! celebrate the beauty of their city and lives while protesting the inhumane conditions the government imposes on them there. They keep playing even as the amp explodes, inviting us to bear witness, all while keeping the dance alive.∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Review Congo Music KOKOKO! BUTU Arts Experimental Music DRC Censorship Politics French South African Live Music Production Bandcamp Instruments Recycled Materials Fongola Debut Boiler Room NPR Tiny Desk Punk Trance Folk Kwaito House music Turkey Tunisia Synth Percussion Technology Natural Resources Cobalt Environmental Science Migration Performance Resist Congo River Lingala Energy Electricity Equator State Government Narrative Banned Music Journalism Criminality Critique Kinshasa Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 17th Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

In 2020, New Delhi’s National Museum Institute was relocated to NOIDA’s industrial outskirts and renamed the Indian Institute of Heritage. Once ideal for the study of history amidst the city’s rich heritage, this institutional shift reflects a larger trend since the rise of the Modi government in 2014, where historical studies have been politicised, censored, and shaped by majoritarian ideologies. As textbooks are altered and dissent silenced, the institute’s move from heritage-rich Delhi to a modern, industrial zone exemplifies how urban development and academia are increasingly intertwined with political agendas, raising questions about the future of historical study. · FEATURES Essay · Delhi In 2020, New Delhi’s National Museum Institute was relocated to NOIDA’s industrial outskirts and renamed the Indian Institute of Heritage. Once ideal for the study of history amidst the city’s rich heritage, this institutional shift reflects a larger trend since the rise of the Modi government in 2014, where historical studies have been politicised, censored, and shaped by majoritarian ideologies. As textbooks are altered and dissent silenced, the institute’s move from heritage-rich Delhi to a modern, industrial zone exemplifies how urban development and academia are increasingly intertwined with political agendas, raising questions about the future of historical study. Prithi Khalique Corroded Chromas (2025) 3d rendering and collage 720 x 1080px The Changing Landscape of Heritage I’m on the outskirts of NOIDA, a planned city in New Delhi’s National Capital Region, and I’m lost. The uncharacteristically bright April sun is beating down on me, Google maps keeps rerouting, and it looks like I chose the wrong day to wear heels. Around me are wide, solitary roads, farmland, roaming cattle, and jarring glass office buildings that appear out of place in this landscape. After half an hour's worth of directions from the Noida Electronic City metro station , I finally reach the Indian Institute of Heritage. A majestic stone structure, this arts building is a welcome sight in the midst of engineering colleges, multinational corporations’ headquarters, and bank offices. The institute’s relocation is proof that New Delhi’s culture has trickled outwards to NOIDA. Proof that even as new urban spaces are produced, they will eventually house at least one arts campus. The journey all the way from New Delhi, however, has been a slog. Till a few years ago, the campus was more centrally located in Janpath, a neighbourhood in Lutyens’ Delhi, making it much more accessible for city folk. Named after British architect Edwin Lutyens (1869–1944), this geographical area boasts a concentration of India’s political elite: it comprises the 1927 Rashtrapati Bhawan, government offices, dignitaries’ residences, and even India’s National Museum. Outside the museum’s gates lie the National Archives, Indira Gandhi National Centre for the Arts, and the old & new Parliament Houses—to name a few. Altogether, these institutions are arguably the most venerated cultural institutions in the country and have greatly influenced the study and practice of Indian history. Until 2021, the Indian Institute of Heritage (IIH) was housed right inside the National Museum . Originally called the National Museum Institute, it was an ideal place for the study of history because of its location in the heart of the historically significant capital; it cultivated rich, lifelong careers in history since its inception in 1989 . An entire ecosystem of archival studies was nurtured because of its accessible address. Theorists could connect with real life historians and conservation students learnt from the museum’s technical staff. Students were by default the first visitors to museum exhibitions: they had to walk through its galleries every day to get to class. This daily interaction with objects of historical import made their educational experience unique and holistic, enhancing the quality of the technical courses taught there. All of this changed in 2021, when the institute was separated from the National Museum and moved to Sector 62, NOIDA. Earlier, the students at the IIH lived in Delhi, an ancient, storied city whose earliest recorded histories date back to the 8th century AD. In comparison, NOIDA is practically infantile. Short for New Okhla Industrial Development Authority , the city came into administrative existence on 17 April 1976 in the National Capital Region (NCR) . This took place during Indira Gandhi’s Emergency term—a state of governance that authorised the prime minister to rule by decree. During this twenty-one-month period, all civil liberties were halted, elections were paused, Gandhi’s opponents were imprisoned, and the press was censored. In the midst of this political turmoil and inter-communal tension, NOIDA was established in the mythologically-rich region of Braj in Uttar Pradesh. Built primarily for industrial growth, infrastructural development in NOIDA began in 1976, while citizens in the rest of the country were victim to mass-sterilisation, censorship, judicial control, and deteriorating constitutional rights. Over the next fifty years, the city kept growing. Today, it houses frontrunners in tech, pharma, finance, and, most recently, full-fledged universities. Studying history is often an afterthought to the people developing modern Indian urban landscapes. NOIDA is no exception. Cities are first built on capital and industry, followed by hospitals and residences, schools and banks, and then gradually, they house libraries, archives, and museums. While NOIDA is a new city and home to many polluting industries, it also has a budding arts education ecosystem with colleges like Shiv Nadar University , Galgotias University , and Gautam Buddha University . The brand-new Indian Institute of Heritage is an addition to NOIDA’s growing miscellany of urban institutions, many of which are an afterthought in this primarily industrial land. As I walk through the expansive lands of NOIDA, I am forced to question why the National Museum Institute was moved out here? Does “place” matter for the study of history? National Museum in Janpath (2024). Image courtesy of the author. Relocation & Rebranding Today, the National Museum Institute has officially become the Indian Institute of Heritage. Sudeshna Guha , Faculty at Shiv Nadar University’s School of Humanities and Social Sciences, spoke to me about the relocation of the campus, and the role of the politics of space and place in India’s long relationship with its National Museum. She posited that while the initial move, with its merging of the Archaeological Survey of India and the National Museum of India, was about space, the two institutions’ combined clout has now allowed the government to peddle a very specific version of Indian history. “Politics comes in when the ASI and NMI join hands, and decide to teach the kind of Indian history they do. Earlier, the Institute of Archaeology would regularly get professors from Deccan College, Pune, and MSU , Baroda, to teach specialised courses in archaeology which the latter has developed. But now the focus is on heritage studies, and they are establishing through the courses Hindutva histories—the innately Hindu heritage of pre-colonial India.” For decades, the National Museum Institute was connected to New Delhi’s progressive academic ecosystem, its student resistance movements, and the city’s active participation in national social issues. Moving NMI to Delhi’s outskirts happened at the same time as the renaming, as well as the altering of the types of history taught there. Creating a new university outside of New Delhi’s congestion may have been an inevitable symptom of urban development. It's hard to ignore, however, the ways the IIH’s relocation has created hindrances in students' access to educational resources. While students still venture beyond the campus on field trips and guest lecturers are invited to the new campus, the question remains: what happens to the study of the old when it’s forced into a place so sterile, so clinically new? Relocation is not the only change that has taken place since 2021. Rebranding is an extensive process, and the National Museum Institute has been rechristened as the nebulous “Indian Institute of Heritage.” As Dr Guha pointed out: “What they teach are technical courses. But what the heck will a heritage school do? Heritage doesn’t exist out there; it’s something that is created.” Wouldn’t it be better, she asked, if the institution could reflect on the practice of heritage-making? “The National Museum has shut its doors to researchers and the [IIH] students are not taught the importance of both historiography and materiality, which inform the many histories of a particular phenomenon, and of the many histories of a collection and an object. So how can they advance knowledge about the collections of the Museum or enhance collections management protocols? Besides, the curatorial lapses in the Museum are glaring to the visitors. Look at the displays. The object labels show the lack of research catalogues and databases.” Guha’s questions are fundamental; after all, if a technical school does not question historicity, then it will have detrimental effects on maintaining collections, databases, research catalogues, and deciding displays. Contentment and Complacency in the National Museum’s Institutions Seeking answers to the changes that the school has undergone, I met with administrative and faculty members of the National Museum & Indian Institute of Heritage. BR Mani, the Museum’s director general and vice chancellor of the Indian Institute of Heritage, welcomed me to an online and in-person interview. He spoke with me at length about the campus relocation, saying, “Anyone would admire the new campus as it provides better infrastructure and study facilities.” IIH is now giving out diplomas through the Institute of Archaeology and Bhopal’s Indira Gandhi Rashtriya Manav Sangrahalaya museum. Apart from this, the university has also co-opted programs with the IGNCA and National Archives, among others, and is planning to connect the academic wings of various institutions to the IIH. Development is what the museum’s admin wants to focus on, and not the imminent possibility of demolition. When asked about the National Museum’s rumoured demolition , BR Mani spoke about the upcoming Yug Yugeen Bharat Museum . “The Yug Yugeen Bharat museum is bound to be the biggest one in Asia yet, ” he said. “With 950 rooms, all of the best artefacts from this building will be shifted there. There is work undertaken to build a North Block and South Block for the National Museum, and this present building might continue to remain if not demolished.” With all of these positive changes, I asked him why the institution needed rebranding. “IIH is one overarching umbrella. Courses should be regulated by one authority. It is possible that in the future, with some act of parliament, it could be a full-fledged university. Professionally, I feel happy in finding better space and infrastructure at NOIDA, which was not there in the National Museum.” Manvi Seth echoed a similar sentiment during my interview with her. Dr Seth has been affiliated with the institute, as both a student and a faculty member, since 1997. She is currently the head of the Department of Museology at the Indian Institute of Heritage. When I asked her why the word “heritage” was chosen to represent the institution, she said “...it is all encompassing. For instance, when you say culture, you mean only natural heritage. Heritage is the only all-encompassing word.” Being “all-encompassing” also gives the IIH power over an “all-encompassing” national history. When I visited the Noida campus, I met with some numismatics & conservation students. One art history student candidly told me, “Noida is disgusting, and there are only some other institutes and office buildings around. It’s completely deserted. There’s no reason to leave the campus because, well, there’s nothing here. Also, the National Museum library is better than the one here, but we have to travel one and a half hours just to borrow a book.” Other students focus on the positives: larger conservation labs, exciting heritage field trips, and the school’s reputed name. Some even go as far as likening the IIH to the IITs and IIMs of India. One student told me, “We talk about how the Indian Institute of Heritage will keep growing, and hopefully become like the IITs and IIMs of India.” The Indian Institutes of Technology and Indian Institutes of Management are galaxies of their own, orbiting modern India’s dreams of national progress and development. Highly coveted by most of India’s population, these competitive technical schools have campuses all over the country, offering students an incomparable asset: respect. Attempting to create a similar ethos for the IIH, however, is jarring. It seems as though students and administration alike are prioritising optics first and education second. Perhaps that is why questioning historicity becomes secondary to being part of a consolidated, proud, national endeavour. The latter is a pressing priority and very often controls the kind of history we study and the narratives we wish to follow. This student’s ambitious hope mirrored Dr BR Mani’s response to my question regarding the institute’s relocation, “There were positives and negatives to the situation as the Institute was not getting expanded and remained in a confined location” they said. “Now, it has its own infrastructure and entity to expand and coordinate with other departments of the Ministry of Culture.” It’s ironic that connection and expansion is reliant on a place surrounded by barren land, bank headquarters, and only one metro station in sight. All other departments of the Ministry of Culture are still in Lutyens Delhi. Controversies around History, Culture, Heritage, and Urban Development Lutyens Delhi, where the National Museum resides, is where the heart of India’s cultural pulse thrives. Studying there is ideal for students of art, history, heritage, and culture—unlike the corporate glass and concrete buildings that are peppered around NOIDA. One alum of the erstwhile NMI, art historian and scholar Gaurav Kumar told me, “The location of the National Museum Institute within the National Museum itself and amidst the vibrant art scene of Janpath was highly impactful during my time as a student. As an art student, it provided easy access to numerous important institutions such as the Triveni Kala Sangam cultural centre , AIFACS Gallery ( All India Fine Arts and Crafts Society ), National Gallery of Modern Art , and more, enriching my learning experience through exposure to diverse artistic expressions.” He went on, “Additionally, being near cultural landmarks, like the 100-year old India Gate, 16th century Purana Qila, and Lodhi Gardens, further enhanced the immersive environment for exploration and study.” Analysing the Indian Institute of Heritage’s displacement and development is an indication of how selective a national history can be. It’s important to recognise that this has occurred against the larger, terrifying backdrop of Hindutva nationalism —a political ideology that prides in Hindu histories while erasing other religious narratives. Union Culture Minister G Kishan Reddy wrote in parliament that “the [IIH] will be a “world-class university” that will focus on the conservation and research in India's rich tangible heritage, while offering research, development and dissemination of knowledge, excellence in the education of its students and activities associated with heritage that contribute to the cultural, scientific, and economic life of India.” But what about our shameful past and present, and all that is not tangible and glorious? According to historian Dipesh Chakrabarty, “heritage means acknowledging both our ‘successes’ and our ‘failures.’” This acknowledgement is lacking in Minister Reddy’s statement. Any acknowledgement of “failures” in our history is being shunned, as the Indian government increases their monopoly over historical records. In 2015, the Murty Classical Library, which features English translations of some of the greatest works of Indian literature, was the victim of Hindutva censorship . American scholar Sheldon Pollock was forcefully ousted from the MCL after he signed two statements condemning government action against Delhi University’s Jawaharlal Nehru University, and senior editorial members were dismissed as well. Elsewhere in the country, Amritsar’s Jallianwalla Bagh was entirely remodelled . In 1919, British General Dwyer mercilessly massacred 1,000 Indians there, and since then, it has stood as a symbol of India’s independence struggle. Recently, however, the government covered up century-old bullet holes and injected the site with cosmetic changes, turning it into a tasteless exhibition of honour. Its walls have been replaced with scriptures and the “martyr’s well” has been enclosed with a glass shield. What was once a chilling experience of walking through those narrow, bullet-ridden corridors, has now been replaced with an amusement park-like journey that tells you a history instead of allowing you to experience it for yourself. Back in New Delhi, it seems like the BJP-run government is rushing to rewrite India’s story with the Central Vista redevelopment project . Launched in 2019, the project is well underway. The government is revamping the Central Vista, India's central administrative area located near Raisina Hill, New Delhi. Their reason is “ to house all facilities needed for efficient functioning of the Government ”. This project involves hollowing out or demolishing the current National Museum and moving its collections to the Rashtrapati Bhavan’s North and South Blocks. The upcoming Yug Yugeen Bharat will be the “largest museum in Asia,” as Prime Minister Modi declared during the G20 event in New Delhi. Astha Rajvanshi wrote for TIME Magazine about the new parliament, “the whole project—which began in the middle of a brutal second wave of the COVID-19 pandemic in 2021—has been met with widespread criticism for its cost, environmental damage, and disregard for heritage buildings.” Prem Chandavarkar addressed the effects of these changes for The Wire , “The redevelopment removes public institutions that sustain culture and heritage from the Central Vista, replacing them with government offices and facilities… Many citizens have expressed anguish over how the spatial heart of our democracy is being transformed from a public landscape energised by cultural institutions to become a space dominated by the visual spectacle of governmental bureaucracy.” Even the National Archives was to be demolished until a furore erupted against breaking down Grade-I heritage structures. Now the plan has been modified to break down only the annexe, with no clear reason as to why. Chandavarkar explained concerns regarding having the old parliament’s North and South Blocks co-opt the current National Museum. First, official records state that these plots of land are still termed as “Government Use”, while they need to be deemed as “Public/Semi-Public”—the basic requirement for a citizen’s museum. Second, no feasibility study was conducted to figure out whether the two blocks are workable sites for a national museum. Third, this location’s proximity to the Prime Minister’s Office and the Vice-President’s Residence implies that security audits are needed, especially if it will be open to the public. No such study has surfaced to date. Rashtrapati Bhavan’s North & South Blocks. Source: A Pravin, Wikimedia Commons. The IIH has been displaced to the city's outskirts, away from the country's social and political milieu, amidst a time of unprecedented censorship and a wilful subversion of history and heritage. While the Indian Institute of Heritage’s faculty members assured me that they have never faced pressure from the Ministry of Culture or any member of parliament to teach a particular history, throughout the country, history is being weaponised to bring another term of Hindutva regime to power. How can a historical institution not address this development? Given the current cultural milieu, any museum that does not explicitly reject the ongoing oppression of minorities, is implicitly adding to it. The Trickle Down Effect Inside the National Museum, displays of ancient sculptures are poorly exhibited, insufficiently labelled, and even found in the building’s basement and parking lot areas—unlikely spaces of conservation. While the National Museum suffers, Modi’s Hindutva-led government has promised to create an “ international museum ” at the newly consecrated Ram Mandir in Ayodhya. This will include “new-age technology like kinetic art, holograms, animatronics, and augmented artificial reality to provide a live experience of the Ramayana and the Ram Temple movement,” Sreeparna Chakrabarty told The Hindu . The Ram Mandir Museum project reinforces the right-wing, Hindutva narrative that we all come from one singular religion and history. Built on the desecrated Babri Masjid, the Ram Mandir site has been long contested between Hindus and Muslims . Faded labelling in the National Museum (2024). Image courtesy of the author. Other historical suppressions have been witnessed around the country as well. When an ancient civilisation (dating back to the 6th century BCE) called Keezhadi was discovered in Tamil Nadu, it was covered widely in the press. Ten years on, news of that archaeological site is missing from mainstream media. Sowmiya Ashok believes this to be a consequence of the fact that the Keezhadi discovery disproves the right-wing, nationalist notion that Vedic culture is fundamental to the origins of Indian civilisation. Keezhadi’s excavations point to early signs of language and the possibility of a Dravidian origin story for Indians. Ashok notes that “in popular media, the findings are likely to be reduced to the question of whether the Keeladi people were more like Aryans, the protagonists of Vedic civilisation, or Dravidians, the forebears of Tamil culture.” Last year, news broke that the National Council of Educational Research and Training (NCERT) textbooks have now erased all traces of Mughal history in India. Even though Mughal histories are now obliterated, subaltern and Dalit histories have never even been part of the discourse. Vidhi Doshi explains how Indian Dalits are sidelined from academia, and have resorted to archiving their own community’s history, “[Vijay Surwade’s] collection includes everything from documents and photos to Ambedkar's broken spectacles and dentures, all housed in shoe boxes and concertina files in Surwade's apartment in the western city of Kalyan, about 45 km northeast of Mumbai. It is among a number of informal archives collected by ordinary Dalit people who say their stories otherwise risk being lost, undermining their cultures and the fight against caste-based discrimination.” Grand buildings and palaces are being turned into proud markers of our heritage; light and sound shows will create carnivals out of them. There are other ways, however, in which we honour our living history. A derivative of heritage is inheritance—passed down generation after generation. Preserving History, Defining Heritage I think about the histories I have inherited on my walk back to the metro station from the IIH Noida campus at 2 pm. I cannot wait to curl up in an air-conditioned train back to New Delhi and stroll around Janpath. My patience is rewarded. In Lutyens Delhi, I am surrounded by overwhelming history—stone structures, Mughal architecture, multiple languages, with gardens everywhere. Inside the National Museum, an open verandah and cafe become a picnic spot for families, couples, and even stray dogs. Today is Eid, and people have come in their best attire, sharing meals and spending the day together. We bask in this glorious heritage until the time we will all return to our decidedly less glorious lives once these gates close. If heritage comprises parts of the past that continue to live on to this day, then my heritage is everything that I experience once I am outside these institutions. The miserable heat, the stares from men, the station-side chole bhature , the broken, Brahmin Tamil I speak with my family, and the accented Hindi I employ in North India. All that seems intangible yet integrated into everyday life: food, language, patriarchy, and casteism. It is a messy, flawed heritage, one that stands proof of violence and oppression. It is also the heritage that we do not see inside these institutions. It is not covered at the Indian Institute of Heritage. As I step into the older, less affluent neighbourhoods of Chandni Chowk and Nizamuddin Dargah, I see people in ancient, crumbling buildings, eating and working and praying in structures that are on the verge of collapse. My immediate thought is an urban, privileged one: why can’t these buildings be cosmetically preserved? Of course, the fear of turning into what Jallianwalla Bagh’s remodelling became—a tasteless performance of honour more concerned with vanity than the Indian freedom struggle—is always lurking at the horizon of heritage conservation projects. But these buildings do not carry the traumatic weight that Jalliwanwalla Bagh does; they could be architectural representations of our everyday heritage. Dr Mrinalini Saha reminds me, however, that “one person’s heritage is another person’s livelihood. Delhi is littered with ancient monuments. Preserving them, sprucing them up is one thing, but it also means dislocating the people who live there.” Tangible history is complicated, maybe just existing amidst ruins is a sufficient act of conservation. I meander between New Delhi’s Outer Ring Road and Inner Ring Road in a crackling autorickshaw, passing through parts of the Red Fort that was built by Shah Jahan in 1639. Living heritage. When I met Dr Manvi Seth, she gave me a handful of books and pamphlets published by the Indian Institute of Heritage. A teacher’s handbook to History, Museum Goes to Hospital , Gandhi Hai Sabke Liye ( Gandhi is for Everyone ), Museum Safari for Lucknow’s State Museum etc. The institution’s efforts to spread historical awareness are impressive, yet, I cannot help but see this for the sanitised narrative that it is. Where are the Dalit histories, the tribal histories, the feminist histories? And what about the academic strain that argues that Gandhi is in fact not for everybody? Books and pamphlets published by the Indian Institute of Heritage (2024). Image courtesy of the author. In Old Delhi, I travel past dug-up roads and sewage, a reminder of how caste is ubiquitous even in big cities. Most manual scavengers and construction workers come from disenfranchised castes and communities and make up a major part of India’s migrant workers. Later in the evening, I go through Vasant Vihar in South Delhi which houses the infamous “Coolie Camp” slum, which was hidden behind giant green curtains while India hosted the G20 . Is this failure of our nation-state not part of our heritage? Dr Chakrabarty said it perfectly, “It is when you feel insecure about your past that you produce a one-sided version of it. To present the past as a site of disputation takes a greater sense of security about one’s own collective sense of self. But if you think this representation will threaten the sovereignty of the nation, then representing the past becomes a matter of either/or choices. It’s either Shivaji or Aurangzeb, Ram Mandir or Babri Masjid.”∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Essay Delhi India Heritage Culture History Disappearance Nationalism Hindu Extremism Displacement Education Erasure Infrastructure Isolation Edwin Lutyens State Government Narrative National Archives Museum India National Museum Institutional Forgetfulness Indian Institute of Heritage National Museum Institute Archive Archival Studies NOIDA Ancient History Mughal Dalit Tamil Dravidian Indira Gandhi Uttar Pradesh Interethnic Conflict Internally Displaced Persons Intercommunal tension Industrial Deterioration Censorship Constitution Urban Development Urbanization Development Shiv Nadar University Galgotias University Gautam Buddha University Relocation Rebranding Branding Sudeshna Guha Archaeological Survey of India Archaeology Hindutva Pre-colonial Resistance Movement Visitor Researcher Idolatry 11th century BR Mani Demolition temple demolition Asia South Asia Manvi Seth Department of Museology Numismatics Conservation Preservation Gaurav Kumar Art Historian Art History Janpath AIFACS Gallery India Gate 16th Century Lodhi Gardens Union Culture G Kishan Reddy Parliament Murty Classical Library Sheldon Pollock Jawaharlal Nehru University Amritsar Jallianwalla Bagh General Dwyer 20th Century Massacre Independence Martyr Martyrdom Central Vista Raisina Hall Rashtrapati Bhavan North and South Yug Yugeen Bharat G20 Astha Rajvanshi TIME Magazine COVID-19 Pandemic environmental hazard Prem Chandavarkar The Wire Democracy Bureaucracy Government Use Public Space Outskirts Ram Temple Ram Mandir Museum Sreeparna Chakrabarty The Hindu Babri Masjid 6th Century BCE Keezhadi Tamil Nadu Sowmiya Ashok Right Wing Vedic Aryans Vidhi Doshi Vijay Surwade Kalyan Mumbai Anti-Caste Caste-based inheritance Chandni Chowk Nizamuddin Dargah Mrinalini Saha Outer Ring Road Inner Ring Road Red Fort Shah Jahan 17th Century Disenfranchisement Migrant Laborers Vasant Vihar Coolie Camp Sovereignty Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 13th Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Palestinian-American actor and playwright Sadieh Rifai confronts the mental toll of occupation, war, and the American dream in her world premiere, The Cave. · BOOKS & ARTS Interview · Chicago Palestinian-American actor and playwright Sadieh Rifai confronts the mental toll of occupation, war, and the American dream in her world premiere, The Cave. Poster, and photos of the play, courtesy of A Red Orchid Theatre (AROT) . The Mind is a Theater of War Sadieh Rifai has performed on Chicago’s premier stages, working with the likes of Pulitzer Prize- and Tony Award-winning playwrights Tracy Letts and Stephen Karam. Following the preview performances of her playwriting debut at A Red Orchid Theatre (AROT), where she is an ensemble member, we spent precious dwindling hours discussing theater as a collaborative form, the Islamophobia of the 1990s, and what it means for her to stage a play that explores (among other things) the haunting afterlife of violence under occupation, in the shadow of Israel’s genocide in Palestine. Ahsan Butt Tell me what it was like being in the room with Tracy Letts workshopping August: Osage County , which, of course, went on to win the Pulitzer Prize for Drama. How did you get there? Sadieh Rifai When I first came to Chicago, I auditioned for the school at Steppenwolf, where the ensemble members taught viewpoints, and Sheldon Patinkin, who helped invent Second City, led the improv sessions. It was an incredible experience. After I finished there, I was asked to audition for a new play by Tracy Letts, August: Osage County . I had no idea how important it was going to be. I auditioned, but they wanted a Native American woman for the role. Still, they asked me to participate in the workshop. It lasted about a week and included Michael Shannon, who would later become my fellow ensemble member at AROT, Mike Nussbaum, the oldest living actor before he passed, and Amy Morton, one of my favourite actors. Sitting at that table, I learned so much. Tracy opened up about the play, explaining that it was based on his life—his grandfather had committed suicide, and this was the story of that. I remember him saying that when he showed the play to his mother, she told him, “Thank you for being so kind to my mother.” That always stuck with me because if you have seen the play, you would think that woman is a monster. But Tracy was so vulnerable in the room. The title of the play came from a poem written by his mentor. Before that, I had always assumed that playwrights did not want even a single word changed—that every line had to be said exactly as written. But in that room, I saw true collaboration. Amy Morton would ask, “Can I cut this word? It is getting caught in the sentence.” Tracy would say, “Cut it, cut it.” There were things he fought for, but in other moments, he was so open. That experience made me aware of what I wanted to create one day. I wanted to write my own story. But I did not yet have the confidence to do it. Still, it was my dream to build something like what they had in that room. AB Did you always want to be in theater? SR At my wedding, my younger brother told a story about our childhood. We grew up in our grandparents’ house in Galesburg, Illinois, which was an old schoolhouse. It had an auditorium, classrooms that became our bedrooms, and even lockers. The building was run-down but magical. There was also a stage. We used to put on puppet shows, slipping behind the curtains to perform. He asked, “Do you remember this?” When I said no, he just went, “Great, glad I brought it up.” My brother is incredibly smart. He could do no wrong as a student. I, on the other hand, am dyslexic. I was never a good student, never understood. But one day, my mother took me to see Jesus Christ Superstar . Ted Neeley was performing—he was the original Jesus—and Carl Anderson, the Judas from the movie, was there too. Afterwards, we got to talk to Ted Neeley. He was the nicest guy, telling us about filming in the Middle East. I think my mother knew early on that I was not going to be some kind of scholar. The things that interested me were always art, music, and theatre. And acting, though I was not good at anything yet, there was a part of me that just knew I could do it. We also lived in Vegas when I was young. My mom was a change-girl, and my dad worked in another hotel. She would take us to see this show called Splash— women dressed like mermaids, holding their breath underwater, and performing synchronized swimming routines. We also saw Sigfried & Roy , all the magic shows, David Copperfield . For us, until it became a dangerous place, when my cousin was murdered, it was like the schoolhouse: magical. Milla Liss, H. Adoni Esho, Aaliyah Montana, and Kirsten Fitzgerald in The Cave by Sadieh Rifai at A Red Orchid Theatre. Photo by Evan Hanover. AB Your play, The Cave , follows a mixed family like your own, a Palestinian father and Swedish-American mother with two kids, who also move from Las Vegas to a more suburban, white town after the murder of their nephew (the kids’ cousin). The father, Jamil—under the strain of the tragedy, their new life, the specter of a coming war, and past experiences he’s never talked about—begins to hear voices. Some may see it as a post-9/11 play because Islamophobia is such a prevalent theme, but the play is set in the ’90s, during the first Gulf War. For those of us, who are…a bit older, we remember what that time was like. What was your experience during the period in which the play is set? SR I still remember one of my teachers taking me in front of the classroom and saying, “This war is happening and Sadieh’s family believes Sadaam Hussein is in the right. And we are fighting that. So just know that is what her family believes.” There were other instances where she wouldn’t allow me to sit near other kids. I knew she didn’t like me and that’s a weird thing to know when you’re a kid. It’s difficult to explain to people who don’t want to believe it. But my parents believed me. They had a parent-teacher conference and whatever happened behind closed doors with that teacher led to me and my brother being home-schooled for a while. We knew we were being blacklisted within the community. At first, everyone was friendly. But then we stopped getting invited to birthday parties, and parents wouldn’t let their children play with us. I don’t know if we’ll ever know the reason. Maybe it was because they saw my dad dressed in a thobe and assumed he was radical. Maybe they were afraid of Islam. But a friend of mine, Sara, recently showed me a 1990 Atlantic cover—a brown man with a beard, the words “The Roots of Muslim Rage” plastered over his face, an American flag reflected in his eyes. Seeing that image was important to me because that was the climate back then. The propaganda was thick. Of course, after 9/11, it only got worse. AB What was your dad’s attitude toward assimilation? SR My father never wanted his children to erase their culture. He wanted us to fit in, but he also wanted to ensure we understood what it meant to be Palestinian. We had loads of Palestinian shirts. Even if we got sent home for wearing them, he would say, “Wear the shirt. If they send you home, we will change you.” He wanted us to learn Arabic, go to Friday prayers, know the Quran, understand the beauty of the religion. And we were interested in McDonald’s and the mall. Even when he tried to do things we enjoyed, like taking us to the mall, he would still have to pray. I remember him stepping into the JC Penney bathroom and coming out to do a short prayer. And I remember turning red, convinced everyone was looking at us. Now, I think that is beautiful, but at the time, I was embarrassed. Natalie West, John Judd and Aaliyah Montana in The Cave . Photo by Evan Hanover. AB What drew your parents together? SR Honestly, they both had a lot of growing up to do. They met young. There was an excitement in meeting someone so eager to learn about another culture. And my mother was unlike any woman he had ever met. She did not take shit from anyone. She rode motorcycles. She grew up in Knoxville, Illinois—this tiny place—with a lot of poverty. She had no wealth, no prestige. And then my father came into her life and saw her for who she was. There was nothing on paper that said they should match, but they just got each other. They loved razzing each other. They laughed a lot. When you spend your whole life with one idea of what the world is, and someone comes along and completely changes the narrative, that is thrilling. They learned from each other. AB There are many biographical similarities between your father, Shawki, and Jamil, the father in the play. Is Jamil your father? SR Jamil isn’t my father, but they share traits. They are also at different points in their lives. I do remember my dad at the time the play is set, but not in the way he is now. There was such a heavy burden on his shoulders then; he was a different person. My dad now is very light. He is more of a storyteller and prankster. He can tell a joke, and it will last ten minutes, with the punchline being Ross Perot—so old and outdated—and he will be crying with laughter. But that was part of who he was then too. My mom tells this story: when she met my dad’s brothers for the first time, she wanted to make a good impression, so she asked my dad how to say “It is so nice to meet you” in Arabic. My dad told her a phrase. She went up to each of my uncles and said it. My dad was laughing so hard. She turned to him and asked, “What did I just say to them?” He said, “You told them they have shit on their mustache.” AB That’s so interesting to me as a writer. There’s a memory aspect to it, because Jamil isn’t who your father is now, and it feels like there’s maybe a fog around that period…and then it’s also necessarily an act of creation, because you have to fit the character to the play. SR I had a conversation with a friend, a director in the ensemble, Shade Murray. I was having a hard time writing dialogue between Bonnie and Jamil. I said, “I cannot remember the things my parents would talk about.” He said, “You do not have to write your parents. You are married. You know what it is like to be in a marriage. You know what those conversations are.” I noticed that I was pausing the writing to try to find what they would have said—something I did not have access to because we were sent out of the room for difficult conversations. Aaliyah Montana and H. Adoni Esho in The Cave . Photo by Evan Hanover. AB Jamil has a romanticism about Palestine. Did your father as well? SR My dad was born in Hebron, seven years after the Nakba. He was one of ten kids. He only speaks in short stories, never with detail. But he told me once that he was holding his newborn sister when his mother said, “Run.” He said people had come into the house. There was screaming. They had guns. And he held his sister, running, not knowing where he was going. He would have been four. That was one of those moments that changed him, experiencing real fear. Having his mother tell him to leave—not knowing if that meant it was the last time he would see her. He tells another story from when he was older. A soldier came up to him and said, “I want to meet with you, Shawki,” They were trying to get information from him. They kept offering him tea, coffee, cigarettes. He said he felt that if he accepted anything, he would be cooperating with them, that he would be used as a spy or a pawn. So he put three cigarettes in his socks to make it clear he did not want anything from the soldier. When he first came to the United States, my uncle picked him up from the airport. They were driving when a police officer pulled them over. My dad immediately reached for all of his paperwork. My uncle said, “Shawki, I was speeding. They are not here to check your paperwork.” My dad realized then that there were no checkpoints everywhere. He had assumed every state had them. So he would just drive, drive, and drive. There was safety in that. But he never wanted to lose his citizenship. He had to go back every four years. By that time, he was already an American citizen, but he needed to fly back and stay long enough to renew his citizenship. Many people could not afford to go back and lost theirs, but he always made a point of it, no matter our financial situation. He loves Palestine and hates it. There is the desire to be there—and then, when he is there, the realization that he is under occupation. Photos of Sadieh's father, Shawki, courtesy of her. AB How did you write this play? SR I was at a low point in 2020. I was not working as an actor. At one stage, my husband and I moved to Indiana, and I took a job at Trader Joe’s. I struggled with depression, and it became overwhelming. I kept listening to podcasts where actors and directors would say, “Just write it; write the bad play.” But the idea had lived in my head for so long that I was afraid to put it on the page. I did not even know what software to use. I did not feel intelligent enough to structure it properly. Then I started, slowly. A paragraph, then another. Eventually, I had a scene. Then I thought there should be a scene before it, or after it. It was such a gradual process, and it took a long time. I was terrified to show it to anyone. Kirsten Fitzgerald, our artistic director at AROT, and my friend Jess McCloud kept encouraging me: “Just write it, even if it is bad—you will have written a play.” Kirsten even said, “If you need some money, we can find some through AROT to help you keep writing.” That allowed me to reduce my hours at Trader Joe’s. AROT kept asking when I would have some pages, and I kept saying it is not ready. That went on for a year. When I finally handed in a first draft, it was not even a play—just twenty chaotic pages. But they trusted me and told me to keep going. They gave me another check, and I wrote another draft, then another. I think I am on draft thirty now, and I still have rewrites to finish before tonight. Guy Van Swearingen and Aaliyah Montana in The Cave . Photo by Evan Hanover. AB Does your acting experience help? SR As an actor, I know when something is overwritten. If a line does not fit naturally in your mouth or keeps slipping from memory, it means something is off. During workshops, I can hear when dialogue should be condensed or when more context is needed. I am always thinking from the actor’s perspective because I have been that actor in the room. When actors make a “mistake” and swap out a word, it is usually because they have instinctively chosen a better one—something that flows more naturally. AB Your career, and the plays you have been involved in, tell a dark and compelling story about America. You were in the world premiere of The Humans by Stephen Karam, a Pulitzer Prize finalist and Tony Award winner for Best Play. I saw it in Los Angeles, and it unsettled me. There is an explicitly haunting moment, but more than that, the play feels like a failed exorcism of post-9/11 American anxiety. The Cave carries a similar ambient anxiety, but its source is inverted—it is the experience of the “other” in America. What is your relationship to this country? SR I consider myself very lucky that Stephen Karam is a friend. I love him dearly, and he is a genius. When we first received the script for The Humans , we knew it would have a major Broadway run, but we began with a Chicago production, where Stephen made significant revisions. I remember getting goosebumps reading that play. He had already written successful works, but this one was deeply personal, full of uncomfortable moments. We all knew from that first table read that it would resonate powerfully. It takes you on a journey you are not prepared for. But my relationship with America is complicated. You are referring to these quintessentially American plays, yet I have also played Dorothy three times. I loved playing her, even though I knew I did not look like her. I wanted to capture her hope, innocence, and dream-like qualities. Even in The Humans , they are all Irish. Stephen told me there are darker Irish people in Ireland! I love that I have been able to play these roles, albeit with a caveat. As for American culture, it is everything I know—SNL, Sesame Street. If I am overseas and Arachnophobia is playing in Arabic, I can sit through it and understand it completely. The language is irrelevant; I know the beats. I am American—for better or worse. AB Are you feeling pressure putting this play up? SR I do not sleep at night. Some of the things I think about—things AROT would rather I did not dwell on—my mind refuses to let go of. They are investing a lot of money into this play. It’s a large cast. It’s a world premiere, which means no one knows what this play is yet. Even the word “Palestinian” appearing in flyers and emails is enough to be seen as taking a side. We have two young actors—amazing young women—and I feel an instinct to protect them. When I see news reports about fake bombs being planted at venues where Middle Eastern singers are set to perform, about death threats and targeted violence, it is really scary. It was suggested that, since I love podcasts, we should pitch my family’s story to This American Life . My immediate fear was for my father and family in Texas. Not only am I worried about this new play going up, about whether it will be received well in the city, or about the theatre potentially losing money, but I am also worried about people being harmed. And I do not want to disappoint anyone. During rehearsal, someone asked me, “Are you afraid people will think Jamil is a bad man?” That is something I have thought about for over a decade. I do not want anyone in this play to fit into simple categories of good or bad. People are a combination of millions of things that make them human. The last thing I want is to paint someone in broad strokes—as a good person, or a good father. What matters to me is that we see Jamil trying. Milla Liss, H. Adoni Esho, Kirsten Fitzgerald, and Aaliyah Montana. Photo by Evan Hanover. AB Given the last year of day-after-day, live-streamed genocide, during which most American theaters have proven their irrelevance, what do you feel and what do you wish for the future of the form and its institutions? SR The silence speaks volumes. It’s the realization, within your own group of people, of who doesn’t stand by you. I have watched babies in incubators cry and starve until they are black and decaying. I feel as though I’ve seen the worst in humanity. As someone who seeks the good in people, it is the worst sort of darkness I can imagine. I had a friend say, “You can’t spend hours watching those videos,” and I thought, how dare you . All we can do is witness: witness somebody’s pain, understand that it's real, somebody screaming for their children. That’s all I can do right now, besides marching and boycotting. In fifteen years, I hope there will be no hesitation in putting these stories on stage. That when the genocide is in history books and taught in schools, theatres will feel compelled to tell Palestinian narratives as part of their regular programming, rather than treating them as a special selection. There are many theatres eager to stage plays by non-white playwrights. AB Will you feel a bitterness if that future comes to fruition and theaters begin tackling this genocide fifteen, twenty years from now? SR It is something I long for so much that I hope I would only feel relief. The history of being a woman has taught me that we fought for centuries to secure the rights we have now. I know others struggled before me, and I hope, when that time comes, we will acknowledge that there was a period when our voices were silenced, when we were afraid to tell these stories. I hope to sit in those theatres and see how far we have come. The Cave opened on January 30 at A Red Orchid Theatre in Chicago . The regular run begins on February 13 and continues till March 16. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Chicago Palestine A Red Orchid Theatre Sadieh Rifai American Dream Theater of War The Cave Palestinian-American Actor Playwright Occupation Gulf War Conflict Nakba Theater Play Islamophobia History Mental Health Premiere Storytelling Memory Middle East United States Assimilation Migration Culture Biography Community Family Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 10th Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

For Roma feminist scholar Nicoleta Bitu, Roma identity is intrinsically linked to intersectional feminism. Drawing on the familial lessons of her upbringing and her exposure to political activism as she came of age, Bitu introduces a new intellectual framework of gender equality and women’s liberation—one that not only benefits members of her ethnic community but also enriches broader discourse on feminist theory. · FEATURES Profile · Bucharest For Roma feminist scholar Nicoleta Bitu, Roma identity is intrinsically linked to intersectional feminism. Drawing on the familial lessons of her upbringing and her exposure to political activism as she came of age, Bitu introduces a new intellectual framework of gender equality and women’s liberation—one that not only benefits members of her ethnic community but also enriches broader discourse on feminist theory. Anna Rabko Roma night (2024) Digital illustration Theorizing the Romnie When asked how she became a Roma activist and built an entire career out of it, Nicoleta Bițu replied, with her childlike smile: “Well, it's a long story…” Bițu grew up in an exceptional Roma family where both parents proudly displayed their Roma identity during the communist era, a regime that spanned four decades and, like the rest of Eastern Europe, ended in 1989. While many “integrated” Roma hid their identity out of shame and fear of social repercussions, Bițu's parents lived their Roma identity publicly, almost like a manifesto. “My father was born and raised in a hut,” Bițu recalled. At 13, he ran away from home, went to Bucharest, and enrolled in an automotive school with a boarding facility. At that time, the left-wing Romanian state was strongly encouraging poor people to pursue an education, which allowed Bițu's father to stay in a boarding school. He was later recruited for the non-commissioned officers' school and continued with evening Law Faculty. Bițu emphasized how Romania’s left-wing government was crucial in giving her father the opportunity to become a general. “I wouldn't be here with you today if that socialist state hadn't given him that chance,” she stated. “Do you understand how important it is for a state to take responsibility for the education of poor children, creating human resources?” Bițu laments the loss of social democracy, which she saw as a benchmark in the 1990s. The communist regime in Romania lasted from 1947 to 1989 . A hopeful project which—according to historian Alexandru Groza—stopped the royalty from leeching off society and attempted to eliminate social inequalities in Romania, it transformed—during its implementation stage (before ‘64) and in its last two decades–into one of the cruelest dictatorships in 20th-century Europe. “My father was dedicated to Romania, loyal if you will,” Bițu said, “and he remained left-wing until he died.” Sometimes he was even “too nationalist” for her taste, which would cause disputes between them. “The entire police force knew him as Biță Țiganu ( Biță The Gypsy ),” she added, “because, no matter what, he never hid his identity.” Bițu comes from both a family of Roma aristocrats—from her mother’s side—and one of traditional coppersmiths dressed in skirts, vests, and headscarves, from a compact Roma community. She believes this background is why her family reacted seriously to every injustice. When racial discrimination was not even a topic of conversation in Romania, she grew up hearing the word “racism.” For Bițu, what she saw in her parents’ house was also a form of activism. In Roma culture, you have an obligation to help the extended family, and she remembers that the four-room apartment, in a neighborhood almost devoid of Roma, was always occupied. “Some came to attend school, some came to go to the doctor, some cousins ran away from home because her husbands beat her,” Bițu recalled. “We were somehow a family with resources—not necessarily material resources—we were never rich—but [in] resources of information, networks, space [instead].” In 1977, Nicolae Gheorghe , who would become the father of Romani civic activism in Romania and Nicoleta Bițu’s husband, entered Bițu Țiganu ’s family. In the Romania of the '90s, society was marked by riots between Romanians, Hungarians, and Roma, leading to the destruction of hundreds of houses, deaths, and the displacement of large groups of Roma population. Hatred against others boiled in the blood of post-communist Romanian society. Nicolae, who had brought the necessary funds for rebuilding houses burned during an interethnic conflict, took Bițu to work with the Roma. She was 21 and it was her first year being an activist. One year later, in 1992, she was admitted to the Faculty of Sociology and Social Work in Bucharest, among the first generation that occupied the special places reserved for Roma students. “I was fascinated by Nicolae Gheorghe's personality,” she reflected, “though I don't think there was anyone who wasn't. But Roma activism was our inspiration. We protested. We went out into the field. Somehow, it gave you a sense of purpose. It was hard not to fall in love with him; I don't think I was the only one. He had extraordinary courage to fight everyone for the Roma.” At the age of 40, in 2010, Bițu began her Ph.D. at the National School of Political Science and Public Administration in Bucharest. Her thesis, Roma Women and Feminism, was the first in Romania to address the subject of Roma feminism. In 1993, she became one of the founders of the Romani CRISS center , an NGO that provides legal assistance in cases of abuse, remaining with them until she left the country for the first time in 1999. Bițu lived with her husband and two daughters in Warsaw, Poland, for seven years. For Biţu, the anchor remained her proximity to her community and her responsiveness to their suffering. “It didn't matter to me what non-Roma people said about us,” she said. ”Perhaps it was due to the dignity with which I was raised, that I didn't require validation from non-Roma individuals to know who I am.” Although she was very proud of her father as a public figure, Nicoleta Bițu strongly disapproved of many of his behaviors within the family. She believes her becoming a feminist was no coincidence—that the violence she witnessed (her father's against her mother) played a decisive role. She raised her voice at every opportunity, claiming she didn't believe a father who beat his wife could truly love his children. “I was very young when I started asserting this in the family,” Bițu recalled. “I had no contact with feminist literature back then, I was just reacting to injustice the way I was taught to.” As a student in 1993, she wrote her first essay about Roma women in conflicts and how they ensure the continuity of everyday life, based on her fieldwork from conflict-affected communities. “Little did I know that it was feminism,” Bițu reflected. There were also moments when Bițu clashed with some of her male Roma colleagues over how they treated her. In the 1990s, the tendency to control women's sexuality was pronounced, especially among Roma women, who were severely punished for engaging in sexual relationships outside marriage. “I was the subject of such discussions where I was called a whore,” confessed Bițu, who then started reading everything she could find on the subject of women’s rights and female sexuality. In 1998, at a meeting of Roma women in Budapest she met the directors of the women’s program at the Soros Foundation in New York, who invited her overseas the following year. Bițu was 28 at the time but had over nine years of activism experience, with just two breaks, worth three months each, to breastfeed her children. It was only in New York that Bițu received her first real feminist books from one of the directors with whom she developed a deep friendship, including bell hooks, Simone de Beauvoir, Angela Davis, and Kimberlé Crenshaw. “My bible was Ain't I a Woman by bell hooks,” shared Bițu, for whom the book provided answers to many of her personal questions in the Roma movement. “I never let go of that book; I felt that woman was speaking to me.” In 1999, Bițu presented the first report to the Council of Europe on the situation of Roma women in Europe and has since continued tirelessly on the path of feminism. Her discourse has evolved over time, she said, from blaming Roma culture to focusing on racism and later on misogyny. “When I first heard the concept of intersectionality, the sky lit up for me,” Bițu reflected. “These were such moments of enlightenment that helped me reinterpret and reach a nuanced discourse, sufficient to do justice to my people, but also to help me understand myself, as a person and a woman, from a historical and intersectional perspective.’ When she began her Roma feminist trajectory, she was called a traitor to her people for “distracting attention from the racism against Roma” to address a portion of it towards Roma feminism. “Intersectionality somehow gives you the opportunity to analyze the problem as a whole,” Bițu shared. “It gives me the example of early marriages, which are not just about misogyny but also about historical racism.” Early and forced marriages are still a problem in Romania. The 2021 census revealed that 521 girls aged 11 to 14 were living in so-called “consensual unions.” Although this type of abuse is not unique to Roma communities, it is believed to be partly an inherited consequence of the so-called “right of the first night ” of Romanian landowners over their Roma slaves, during the centuries-long Roma slavery on Romanian territory. To prevent their masters from exercising this right , Roma families often preferred to marry their daughters at a very young age. For Bițu, feminism has brought to light a historical perspective that did not exist before. From the way she understood feminism and the responsibility she felt over reconstructing the suppressed identity of her people, she turned towards art, culture, and historical documentation. During the last decade and a half, Nicoleta Bițu’s life has been marked by the construction of spaces, identity, and culture, different from the traditional, oral ones, that are lived in communities. She contributed to the Roma digital archive, European Institute of Roma Art and Culture, and the Roma Museum. “Unfortunately, today there are [even] fewer women in the Roma movement than there were in my time,” Bițu claimed. “It's a very tough men's world,” she continues decisively, almost with anger. “It's very hard to stand upright. I'm talking about myself now. I can't speak for others. The thing is, they [men] won't accept you as an equal, and when you reach the same level as them, you become a danger, and they come after you.” Are there any Roma male feminists in Romania? “No,” she answered. “Nobody. In words only, yes. But not in their personal lives and inner beliefs.” In 2019, Bițu migrated to England without a concrete plan. Initially, Bițu worked at a product packaging warehouse, in her own words, “experiencing humility in a dignified manner.” However, her path took a significant turn when she attended a job fair organized by a foundation dedicated to aiding the homeless. There, she applied for a position as a social worker and secured an interview, eventually joining the team in central London devoted to assisting 120 Roma individuals experiencing homelessness. Bițu couldn't help but question the twists of fate that led her back to a similar situation, thousands of kilometers away from home. Her family teased her about the irony of her journey, yet she came to realize that she hadn't left behind her people, but rather expanded her engagement with the Roma movement beyond Romania. With newfound determination, she dedicated the next four years to establishing a comprehensive service focused on supporting Roma living on the streets of London, proudly securing its funding until March 2025. In 2023, a spate of assaults targeting women sleeping on London's streets within three months signaled societal shifts: Brexit, the ascent of the right-wing, and the passing of anti-migration legislation , akin to a tightening noose around Bițu’s neck. Last year, she returned home; after feeling she had been away from her daughters for too long and preferring to spend her remaining years with them. Bițu is presently on hiatus, yet she vows to remain steadfast in the Roma cause until her last breath. Her time in London taught her that regardless of her whereabouts or endeavors, she cannot escape herself or her work as a Roma activist. Numerous Roma feminists are marked by Nicoleta Bițu’s work and personality. One of them is Ionela Pădure. She met Bițu in 2005, at the age of 19, and described her as the first Romani feminist voice she remembers. “For me,” Pădure shared, “Nicoleta Bițu was, and still is, a complex Roma woman because she embodies all these roles: the mother of two beautiful daughters, the wife of Nicolae Gheorghe, an intellectual, and an activist–roles that, in Romania, were often seen as vulnerabilities. Yet, she knew how to juggle them, turn them into strengths, and carve out a space for herself in a male-dominated world, all while coming from a traditional community. To this day, she remains a dedicated mother, an activist working on the ground, and an intellectual who writes academic articles.” Pădure comes from a family of settled Roma, musicians, and blacksmiths. She holds a degree from the Institut National des Langues et Civilisations Orientales in Paris and has taught French at a college in France. However, she decided to return home to teach the Romani language in a village 40 km from the capital. Recently, she left formal education and, together with her husband, founded CPCD Vizurești, an NGO that organizes activities for village children, including Indian dance, drumming, Romani language lessons, boxing workshops, and more. Pădure described Bițu as a reference point for younger Romani women activists, who are just at the beginning of their careers—a mother they can talk to about anything. “Knowing she’s by my side gives me a sense of security,” Ionela said. She also credits role models like Bițu for helping her imagine herself and set new expectations. “I, too, married young and wanted to be a mother,” Pădure reflected. “Meeting Nicoleta and seeing her embodying all those roles made me realize that I could also make them all.” Oana Dorobanțu, similarly, is a queer feminist author, former journalist, human rights communication expert, and co-editor, together with Carmen Gheorghe, of one of the key books examining anti-roma racism in Romania. She doesn’t want to be called an activist or a feminist. “Shouldn’t we all be activists and feminists?” Dorobanțu asked, refusing to define herself. “I don’t know how words could ever do justice to all the admiration, respect, and love I have for this person,” she said, referring to Bițu. “I met Nico when I was 27, and she was by my side in the period after I decided to publicly acknowledge that I am of Romani ethnicity. The fact that she immediately accepted me as a Romnie (Roma woman in Romani language) was of great support for me.” For Dorobanțu, Bițu “embodies feminism.” She believes that all Romani feminists, not just in Romania, owe Bițu a great deal. "Many may see her as being in the shadow of her husband, Nicolae Gheorghe, who was also a major activist,” Dorobanțu noted, “but they were together because they were equals in every sense." One of the things Dorobanțu learned from Bițu is that there is no room for pride in activism, that you get involved in the movement for liberation, not for a résumé, ego, or reputation. She also learned that it’s important to know when to step back from the fight and when to return stronger, when to stay silent despite insults, and when to fight back. “Nicoleta was never didactic or pedantic,” Dorobanțu recalled, “but she influenced us indirectly through her nature, her charisma, and her way of being.”∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Profile Bucharest Roma Romnie Feminism Activism Political Activism Liberation Gender Equality Politics of Ethnic Identity Feminist Theory Nicoleta Bitu Communist Era Eastern Europe History Leftism Democracy Romania 20th Century Europe Bita The Gypsy Aristocracy Community Injustice Nicolae Gheorghe Civic Activism Riots Civil Society Conflict Interethnic Conflict Political Science Roma Women and Feminism Romani CRISS Center NGO Violence Domestic violence Feminist Literature bell hooks Simone de Beauvoir Angela Davis Kimnerle Crenshaw Council of Europe Misogyny Racism Intersectional Forced Marriage Right of the first night Suppression Reconstruction Space Place Identity Tradition Oral History Archive European Institute of Roma Art and Culture Roma Museum Roma Movement Migration Homelessness St. Mungo's Anti-migration Legislation Academia Culture The Romanian Problem Hecate CPCD Vizurești Oana Dorobanțu Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 3rd Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

In Mexico, over 116,000 people are registered as missing, many due to violence linked to the war on drugs. In the absence of timely support from the authorities, relatives of the missing are forced to create their own missing person posters, which serve as vital tools to mobilize local communities and gain leads, though they come with risks, such as extortion by criminals. With thousands of disappearances unresolved, unofficial, family-led searches for missing individuals continue, highlighting a broken system and the desperate need for more effective responses to the crisis. · THE VERTICAL Reportage · Mexico In Mexico, over 116,000 people are registered as missing, many due to violence linked to the war on drugs. In the absence of timely support from the authorities, relatives of the missing are forced to create their own missing person posters, which serve as vital tools to mobilize local communities and gain leads, though they come with risks, such as extortion by criminals. With thousands of disappearances unresolved, unofficial, family-led searches for missing individuals continue, highlighting a broken system and the desperate need for more effective responses to the crisis. Soumya Dhulekar Untitled (2024) Digital Collage The Faces of Mexico's Disappeared On the afternoon of July 19, 2023, Abraham Flores and his wife, Beatriz Cárdenas, celebrated their daughter’s first birthday with a rainbow cake and a small family gathering at Flores’s parents’ house in northern Mexico. Around 10:30 pm, Flores dropped Cárdenas and their child off at their home. Flores, a 32-year-old ride-hailing driver, then went to pick up a passenger outside of the application. He assured his family he would be back soon. At 12:30 am, Cárdenas, 28 years old, warned her husband via WhatsApp about a shooting that had occurred a few blocks from their home in the municipality of Santa Catarina, Nuevo León. Flores didn’t respond. She messaged him an hour later and then fell asleep. Early in the morning, she tried to contact him once more and saw that his last connection was at 4:15 am. Since then, Cárdenas has been searching for him. “Hours passed. It was 5 p.m. and I couldn’t take it anymore. I went straight to my in-laws, and they said, ‘Maybe he went out with friends.’ But I knew it wasn’t normal,” Cárdenas asserted. “He could go out drinking or with friends, but he would always come back. I mean, he always came back. And now, he hasn’t.” Across Mexico, there are over 116,000 people officially registered as missing or disappeared, primarily since 2006 when the government launched the “war on drugs” and began militarizing the streets as part of its strategy. Families of the disappeared have united in search collectives , often risking their safety and facing numerous obstacles such as a lack of resources and information, physical threats, and a slow, negligent response from authorities. The missing person poster has emerged as a vital and accessible tool during the crucial early days of a disappearance, though it has its limitations. All images courtesy of the author (2024). Since the General Law on the Forced Disappearance of Persons was approved in 2017–following the intensive work and advocacy of families of the disappeared–the National Search Commission, the General Prosecutor’s Office, and their state counterparts have been responsible for investigating disappearances. However, the implementation of the law has been hampered by a lack of political will from authorities and insufficient human and material resources. The law mandates immediate searches, but authorities often refuse to file reports in the initial hours, despite the increased likelihood of finding a person alive during this critical period. Without a filed report, the official missing person poster, known as “ficha de búsqueda” (search form), cannot be issued. May-ek Querales, an anthropologist with the Social and Forensic Anthropology Research Group (GIASF) , explained that issuing a missing person poster also means that an investigation is officially opened. "Therefore it [authorities] will always have it on its agenda and will not stop looking for your loved one, in theory. Unfortunately, that’s not always the case,” Querales added. Despite official protocols, authorities told Cárdenas that they needed to wait at least 24 hours before filing a disappearance report. Many families are forced to create their own posters and distribute them through personal networks, such as WhatsApp chats, Facebook neighborhood groups, and word-of-mouth, in order to initiate the search for their missing loved ones. María de la Luz López Castruita, who has been searching for her daughter Irma Claribel since 2008 in the northern state of Coahuila, highlights the importance of the poster as an accessible search tool for families, but also as a communication tool to engage with society and ask for help. “It's a huge support for us because we think if more people spread it, the more likely it is that it will reach people who have seen our loved ones,” she said. Despite the limitations that the poster may encounter in its circulation, it can also become a valuable emotional object for families experiencing the pain and uncertainty of a disappearance for the first time. Faced with the overwhelming prospect of beginning the search for a loved one in a country with thousands upon thousands of missing people, the poster can be the first step that a family member takes to proactively search without depending on the authorities. “It also has a symbolic function so that people do not go crazy in the process of not having an answer from their loved one,” Querales said. In the initial hours after her husband’s disappearance, Cárdenas felt she couldn’t wait any longer. She created a missing person poster in Word, using a photo from their daughter’s birthday celebration. “It was literally the photo we had taken of him that night,” explained Cárdenas. “It was that photo, with red letters saying ‘MISSING,’ a description of what he looked like, what he was wearing…exactly as he appears in the photo is what he was wearing [at the time he disappeared].” The lack of immediate institutional support often makes families more vulnerable. Cárdenas used her personal phone number in that initial poster she created herself, a common practice among families hoping that a relative’s number will ensure more attention to any leads via incoming calls. Querales warned that this can put families at risk of extortion by organized crime , who are always looking for opportunities to profit. Cárdenas and her in-laws were extorted for about $600 dollars. “In their desperation, when someone tells them that they have information about their loved one, families are often overwhelmed and begin to share personal information that can include transferring money,” Querales said. “The non-institutional missing person poster has that risk because you do not have a phone, separate from your personal ties, that can provide you with protection.” Disappearances in Mexico are perpetrated by various actors with diverse motivations. Mónica Meltis, founder of Data Cívica , an organization using data to support victims of human rights violations, explained that Mexico had a history of enforced disappearances from the 1960s to the 1980s —a period known as the ‘Dirty War’ — primarily used to target political dissidents . While enforced disappearances perpetrated by state agents have not ceased, various actors, mainly linked to organized crime , now carry out disappearances, often with the complicity of, or permission from, state agents. “Forced disappearance continues to exist, although in reality it is now more complex because there is not only disappearance by the State, but now something called ‘disappearance by individuals’,” Meltis added. Starting the Search It was not until three days after Flores’s disappearance that the official missing person poster began to circulate. Despite how recently the photograph used in the poster was taken, the Nuevo León Search Commission made two mistakes in the details. They incorrectly stated that Flores was wearing a white hat (it was black) and black pants (they were blue jeans). To date, the commission has only corrected the color of the pants. Often, families do not have a recent or updated photo, and sometimes the shock of the events they are experiencing causes memory lapses. It becomes difficult to remember the physical features of their loved one, their particularities, or the details of the clothes they were wearing. This cannot only take a great emotional toll on them, but can also make the search much harder. López, who also leads “ Voz que Claman Justicia ,” one of hundreds of search collectives led by families of the disappeared, said she has seen this frustration in family members who are unable to remember. That’s why she often suggests being accompanied by someone close when filing the report. “We often make the mistake of giving incorrect information because of the pain that it brings. It is a lot of pain,” she said. In many of these cases, having a distinctive feature that truly differentiates the person can be a significant advantage when filing a report. López explains how tattoos, for example, can help to further individualize the person, or even make visual identification easier if a body is found. “When there are scars or tattoos, it’s easier. [Previously] I used to be critical when someone got a tattoo, but now I say how important it is to have one. That way, when bodies are found, they can identify them easily. Or, not only bodies, but homeless people too,” López said. “When I see my compañeras immediately looking for the tattoo, it leaves me feeling helpless because my [missing] daughter didn’t have any.” Families, mostly mothers, lead local search groups and offer guidance about the steps to follow after a disappearance as institutions often don’t provide necessary information, or fail to coordinate or collaborate with other authorities. “If someone disappears, the recommendation is to look for the collectives. They are the ones who will truly help you search, not the State,” said Meltis. Séverine Durin, an anthropologist and researcher at the Center for Research and Higher Studies in Social Anthropology (CIESAS) , explained that families often find a lack of coordination among the institutions officially responsible for supporting them, which can be confusing and make the search process much more exhausting. If there is evidence that the person could have disappeared in a different state than the one in which they reside, it can be even more complicated. Frustrated by the inefficiency of the authorities and their slow response, Cárdenas decided to join a collective of families of the disappeared in Nuevo León a month after her husband went missing. “To see the inefficiency of the authorities, and then experience the advice, support, or guidance [the families] give you,” Cárdenas said. “It's such a different experience to be with them.” After a disappearance, most families go from government institution to government institution without finding any answers, impacting their job security or livelihood. Beyond sharing the pain of not knowing the whereabouts of a loved one, Durin explained that collectives of families offer mutual support, and are able to exert stronger pressure on authorities than a single person. “Definitely, they [collectives] will support you and you are going to be able to put pressure on the institutions to fulfill their duty of searching,” Durin added. "They can create search plans and agreements and obtain resources and security [for the searches].” Victims’ families primarily conduct two types of searches. One, where the search efforts are focused on finding their loved ones alive, involves roaming the streets, hospitals, prisons, and other such locations where someone under peril may find themselves. Although authorities must always act under the principle of presumption of life as mandated by the general law on disappearances, in practice authorities often suggest that the person might be dead, directing relatives to the Forensic Medical Service. This often revictimizes family members already contending with the trauma of losing a loved one in this manner. On the other hand, visits to the Forensic Medical Service have become increasingly important due to the country’s backlog of unidentified remains. "When the report is filed, the institutions immediately orient the search toward death,” explained Querales. “In other words, they talk about a field search, but in reality, it is already assumed that the person who disappeared has lost their life… the authorities themselves thus rule out the activation of immediate search protocols.” The other type of search involves hundreds of victims’ collectives combing through fields, hills, deserts, and vacant lots across the country to search for human remains, often in clandestine graves. According to local prosecutors, between 2006 and June 2023, 4,565 clandestine graves were identified, as reported by the Citizen Platform for Graves, a database created by Data Cívica and other organizations. At least 6,253 human bodies and 4,662 fragments were found during this period. Family members of the disappeared have learned about forensics to identify soil types, smells, and the proper care of human remains. They mobilize to obtain more detailed information for the missing person poster, and then circulate it to receive tips. They then start their own investigations, following the trail, and often putting their well-being at risk, to find any indication of clandestine burials. “They search in the mountains, or in other areas where they have information that there could be missing people,” explained Durin. “It’s difficult to understand for relatives of missing people, but it is important to find them, regardless of whether they are alive or not.” López, who focuses on both types of searches, emphasized the importance of sustaining searches under the presumption of life. While the official discourse often links disappearances to organized crime, the vast majority of cases suggest a complex web of factors, including militarization, corruption, impunity, and other forms of violence that disproportionately affect vulnerable populations. The search brigades that López carries out along with other families have found people who were reported as missing, incarcerated under a different name, or on the streets dealing with substance abuse. “We know that the searches of clandestine graves are there, and we cannot keep piling up so many remains and so many bodies. We know that there are many missing persons alive who want to be found, but nobody looks for them alive,” said López. “If we have seen that kind of search yields results, why not do it?” Information gap and Added Pressure on Families More than a year after her husband’s disappearance, Cárdenas still has no answers. At one point, authorities told her they had already identified two suspects but lacked enough evidence for an arrest. While balancing work and being a single parent to her now two-year-old daughter, Cárdenas also makes frequent efforts to review her case. Although the investigation is the duty of the prosecutors, families are often obliged to find the information on their own and deliver it to authorities in charge of the case. In most cases, if families do not provide the information, the authorities neglect the case. Being part of a collective helps, as there’s constant collective pressure to review the cases of all group members or pursue search actions. Additionally, authorities often warn families against making their case public, claiming it could jeopardize the investigation. However, in effect, this is likely to prevent any progress in the investigation. In fact, this tactic incites even more fear in families. Authorities also often suggest not publishing the search form or discussing the cases on social media or in the media. This is not in fact meant to aid the victim, but a method of subterfuge to downplay the growing numbers of disappearances. Although Cárdenas saw the poster she created immediately being shared on social media and in her group chats, she said that one of the challenges she encountered was social indifference. “The truth is, myself included, we don't really pay attention to other people's faces, you know? That's why I don't see much of a case for making a poster. In other words, people don’t take the time to observe the people around them,” Cárdenas said. While many families mobilize across Mexico and put up posters in public spaces, over 116,000 people remain missing. Querales explained that the collectives organize awareness brigades in different parts of the country, filling the streets or central plazas with missing person posters. However, the sheer number of posters can be overwhelming for people transiting through these public spaces. “Confronted with so many faces, how many people really stop to pay attention to those individualizing features?” Querales asked. “How are they to determine that perhaps that young boy in a street situation that they saw on the corner, or that person they crossed paths with on the metro, or someone who they ran into on any street, could be a face on a search poster?” Every day, new search posters are added to those already circulating in public and digital spaces as resistance against the state’s insistence on silence. The faces of Mexico’s disappeared are exposed over and over again in every place [that] families can access, defying government efforts to downplay the crisis. Families struggling in the wake of disappearances use the posters not only to mobilize the search, but also as daily reminders that their struggle will continue until all their loved ones are found. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Reportage Mexico Missing Person Disappearance Extortion Criminality Government Safety War on drugs Militarism Negligence General Law on the Forced Disappearances of Persons Forced Disappearance National Search Commission Political Will Search and Rescue Emergency Response Human Security Anthropology Social and Forensic Anthropology Research Group GIASF Missing Person Poster Social Media WhatsApp Facebook Community Collective Accessibility Vulnerable Populations Protection Data Civica Dirty War Political Dissidents Organized Crime Disappeared by individuals Nuevo Leon Search Commission Misinformation Missing Information Voz que Claman Justicia Memory Local search groups Center for Research and Higher Studies in Social Anthropology CIESAS Institutional Forgetfulness Citizen Platform for Graves Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 31st Jan 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Wielding terror and fear in the absence of credibility, extrajudicial detention is a defining strategy of political terror. In this comprehensive survey of the tactics of illegal detention employed by the American, Israeli, and Assad regimes, enforced disappearance emerges as the swan song of decaying empires on the brink of collapse. · FEATURES Essay · Syria Wielding terror and fear in the absence of credibility, extrajudicial detention is a defining strategy of political terror. In this comprehensive survey of the tactics of illegal detention employed by the American, Israeli, and Assad regimes, enforced disappearance emerges as the swan song of decaying empires on the brink of collapse. Image courtesy of Jacobo Alonso. Periplo - Safe Migration (2024) 18 laser cut modules of polyester felt, 300cm each. Damnatio Memoriae In his Prison Notebooks , Gramsci describes the interregnum of a dying civilization as it gives birth to a new state order. “Now,” he writes, “is the time of monsters.” In our time of monsters, enforced disappearance reemerges as an extrajudicial tool for “extraordinary” times. Such Orwellian simplicity belies the systematic practice of one of the worst crimes of the twenty-first century. Millions of people across the globe have disappeared in political terror schemes as part of a practice that has only increased over the last few decades, tied to the wars of the current era. Enforced disappearance is a crime distinct even from arbitrary detention or mass incarceration–rather than leveraging the known carceral architectures of the state, enforced disappearance relies on parallel hidden networks created to remove someone entirely from visibility. The International Convention for the Protection of All Persons from Enforced Disappearance formally defines the practice as: the “arrest, detention, abduction, or any other form of deprivation of liberty” by state or para-state agents followed by the state’s “refusal to acknowledge the deprivation of liberty or by concealment of the fate or whereabouts of the disappeared person, which place such a person outside the protection of the law.” There are no exceptions to this protection under international law. The practice of enforced disappearance, when widespread or systematic, constitutes its own independent crime against humanity. While kidnapping by the state is deemed extrajudicial—exceeding boundaries of the law and the ordinary—the state, in emergency, engages in the conspiracy to kidnap with impunity. Total wars waged by imperial powers abroad, dictatorial regimes within, and occupying powers against indigenous populations deploy enforced disappearance as a defining strategy of political terror. Three contemporary cases exemplify, even define, each horrific model: the U.S.’s global war on terror, the Assad regime in Syria, and the Israeli genocide in Gaza. In each case, the carceral architectures of the state or occupying power expanded grossly in wartime settings to conduct systematic disappearance campaigns against tens and hundreds of thousands of people. Such campaigns were inevitably, and by design, tied to a litany of other crimes including torture, sexual violence, arbitrary detention, collective punishment, and extrajudicial killing. Collectively, they represent among the worst cases of enforced disappearance in this century. An Archipelago of Disappearance: the U.S. Global War on Terror In 2001, the United States launched its ‘global war on terror,’ initiating a new mode of warfare for the many imperial wars and military campaigns fought thereafter, including the U.S. invasions of Iraq and Afghanistan, and the expansive military campaigns undertaken in the Middle East, North and East Africa, and Southeast Asia. As part of this global war, the U.S. developed a conglomerate of overseas carceral architectures to facilitate the capture and detention of individuals across territorial borders or even arenas of war. The physical infrastructure of these architectures were created in tandem with new legal arguments inventing new categories of persons—i.e., the “unlawful combatant”—to systematically deprive those taken of their fundamental rights and protections. In Iraq and Afghanistan, these structures took on more traditional forms of carceral architectures under foreign military occupation: military detention camps, internment facilities, and converted prisons run by U.S. and coalition forces. Hundreds of thousands of Iraqis and Afghans, overwhelmingly civilians, were captured and held indefinitely without charge. One report puts the total number of Iraqis arrested in the first five years of the invasion alone at 200,000, of whom 96,000 spent time in U.S.-run prisons and camps. Their capture under the new “unlawful combatants” regime stripped them of age-old prisoner of war protections under the Geneva Conventions. Arbitrary detention, torture, abuse, and sexual violence were widespread and systematic in these prisons, cemented in infamy by Abu Ghraib in Iraq and Bagram in Afghanistan. ‘ De facto’ disappearance, first termed in a 2004 ICRC report , was endemic to the mass detention campaigns undertaken by U.S. forces, who rarely informed the detained individual or their family where or how long they would be taken. Beyond the localized carceral architectures in Iraq and Afghanistan, the United States, as part of a broader war aim superseding delineated boundaries and war zones, created new extraterritorial carceral architectures to facilitate the forcible disappearance of hundreds of Muslim men and boys. Perhaps no site symbolizes this more than the notorious penal colony in Guantánamo Bay. Yet it was not the only one. Between 2001 and 2009, the CIA Rendition, Detention, and Interrogation Program ran a transnational network of covert prisons, known as black sites, for the secret detention and brutal torture of men captured in the “war on terror.” Euphemisms served as a doublespeak to conceal a secret disappearance scheme of an unprecedented transnational scope. “Rendition” was the act of enforced disappearance, “detention,” secret and incommunicado, and “interrogation,” simply torture. The locations of the secret prisons remain classified. Information that has been declassified is enough to paint a macabre network of torture sites across the world. Some sites were run entirely by local “host” nations, some collaborated with local security forces, and others remained under exclusive American control on foreign territory. Men captured and transferred to CIA custody were “rendered” across black sites, in what a Guantánamo defense lawyer once described as an “international criminal enterprise” of human trafficking between foreign “torture pits.” According to the U.S. Senate report on torture, at least 119 men were known to have been held in the CIA torture program. Torture in the black sites, authorized by secret legal memos written by the U.S. Department of Justice, took on perverse and methodical forms including waterboarding, sleep deprivation, walling, sodomy, mock executions, and pure human experimentation. At least one detainee died in CIA custody; no exact number is known. An untold number of individuals died in U.S. custody elsewhere in Iraq and Afghanistan. Then there is Guantánamo, the most infamous and enduring piece of the extraterritorial carceral architecture created in the U.S.’s global war on terror. A prison island—or, more accurately, an American penal colony on Cuban territory—the military detention camp encompassed the most diverse population of Muslim men and boys captured by U.S. or allied forces and disappeared across seas. Nearly eight hundred men from 48 countries were held in Guantánamo. When the prison first opened in 2002, only the nationalities of prisoners were disclosed. In 2004, the U.S. began revealing the names of the men and boys held, propelling efforts by international organizations, monitoring groups, and civil society to represent the men and contact their families. Testimony by survivors reveal the physical and psychological torture endemic to the first several years of the camp. Two decades of domestic and global backlash, litigation, and advocacy campaigns forced the release of most of the men. Twenty-seven prisoners still remain , including sixteen approved for transfer and three “forever prisoners.” Each carceral site or network in Iraq, Afghanistan, Cuba, or undisclosed locations across the world did not operate in isolation. Rather, they formed parallel and at times intersecting networks under the U.S.’s global war on terror. Many Muslim men captured and held in the U.S. military detention center in Bagram, Afghanistan, or tortured in CIA black sites, for example, were sent to Guantánamo. For many, the revolving door between carceral institutions across nations continued even after release. In this era, the U.S. pioneered powerful models of war and propaganda to conceal and acquit a disappearance and torture campaign amounting to war crimes and crimes against humanity under international law. Their proclaimed success foretold models others sought to follow. "Apátrida / Stateless" (2024), performance, isothermal emergency flag, 210x180cm. Courtesy of Jacobo Alonso. Annihilation and Enforced Disappearance in Syria Post-2011 Enforced disappearance has deep roots in Syria, practiced for decades under the Assad regime of both father and son—Hafez and Bashar al-Assad. Political dissidents, activists, and their relatives were routinely disappeared in secret intelligence and military prisons across Syria. These numbers first climaxed in the late 1970s and early 1980s under the reign of Hafez al-Assad, when tens of thousands of Syrians were disappeared in a systematic campaign culminating in the Tadmur prison massacre of 1980 and the Hama massacre of 1982. By then, Syrian prisons had gained a reputation for depravity, torture, and extrajudicial killings in an Arab world dominated by carceral states. The regime, entrenched in permanent ‘emergency’ doctrines and past successes quelling rebellion, was primed to respond existentially to any threat to its rule. In March 2011, a popular revolution arose in Syria, as Syrians joined the wave of Arab revolutions unfolding in the region. The response of the son mimicked the father: a total campaign of arrests, indiscriminate killings, siege, and collective punishment. In post-2001 fashion, Bashar borrowed the discourse du jour of an existential ‘war on terror’ necessitating extreme violence to ensure internal state survival. The results of the ensuing war were catastrophic: at least 350,000 Syrians were killed , 14 million displaced , and 155,000 forcibly disappeared . In this war, enforced disappearance became a primary tactic of state political terror and collective punishment. An integrated military-intelligence regime targeted civilians for mass arrest and torture. Hundreds of thousands of men, women, and children were kidnapped during protests, at military checkpoints, schools, hospitals, and from their homes, held incommunicado, and subject to horrific physical and psychological torture, including rape and sexual violence. The carceral architecture of the state expanded vastly to absorb the sheer volume of detainees. Military field courts issued interminable prison sentences and thousands of extrajudicial death sentences in secret trials lasting minutes. Sites like Tadmur military prison, closed in 2001, were reopened in 2011 to hold new populations of prisoners. The disappeared did not vanish in the fog of war. Smuggled documents, photos, and testimonies by survivors, defectors, and witnesses alike prove a meticulous record of the regime’s own systematic disappearance scheme. As early as 2014, the ‘Caesar’ photographs revealed over 28,000 pictures smuggled out by a military forensic photographer tasked with documenting the deaths of those killed in regime detention centers. The pictures evidence a perverse organizational scheme run by the state with bodies clearly marked by torture. State documentation and witness testimony elsewhere further uncovered the secret network of military hospitals, military-intelligence branches, ad-hoc detention sites, and prisons responsible for directing the arrest, torture, and killings of hundreds of thousands of civilians. In 2016, Amnesty International collaborated with Forensic Architecture to create the first 3D model of one such site: the infamous death chambers of Saydnaya Military Prison, where a then-estimated 13,000 prisoners were executed. Silence imposed on prisoners held in Saydnaya became a crude weapon of torture by the regime. Digital reconstruction of Saydnaya relied on architectural and acoustic modeling based on interviews with four survivors in a counter mapping effort that sought to break down both the physical and psychological architecture of silence imposed by disappearance. It was a powerful disruption to a structure that, until mere weeks ago, was impervious to time or human cost. The regime, backed by an impunity ‘won’ territorially in a war of annihilation, began issuing hundreds of death certificates for prisoners disappeared years earlier. Families who received the certificates were denied access to their bodies or any other means of verification. Enforced disappearance became its own phenomenon in Syria, spurring countless UN reports and proposed mechanisms that were all but paralyzed in achieving any resolution or accountability. In November 2023, the International Court of Justice issued a ruling against Syria, recognizing enforced disappearance as a violation of the Convention Against Torture, but fell short of ordering specific measures such as providing information of detainees’ whereabouts or allowing access to independent monitors. Elsewhere in Europe, former Syrian detainees and families of the disappeared pursued new avenues of accountability to bring individual perpetrators to account. In 2020, the first trial dealing with state torture in Syria took place in Germany against two former state officials who were convicted of crimes against humanity for their role in overseeing torture, sexual violence, forced imprisonment, and extrajudicial killings. As the fight for Syria’s disappeared stagnated, a Syrian rebel offensive launched in late November radically shifted the territorial status quo, culminating in the overthrow of the Assad regime ten days later. The liberation of each city was marked by the liberation of each prison within it, a metaphor physically upended by the breaking of each cell door. Once at Saydnaya, excavation teams worked for days to secure the release of the remaining detainees, some in levels below ground, captivating a nation scrambling to find their loved ones. Even now, the fate of over 100,000 detainees remains unknown . Enforced Disappearance As Genocide: Gaza After October 7 In Palestine, carcerality fundamentally underpins Israel’s settler-colonial project. Military occupation and an expansive apartheid regime form the larger prison within which the physical carceral architecture organizes the mass incarceration of hundreds of thousands of Palestinians. Since 1967, over 850,000 Palestinians have been arrested and imprisoned under the auspices of the Israeli military judicial system, the central mechanism of the occupation ruling over the West Bank and Gaza. Under this system, civilians are routinely arrested and tried according to an expanding set of Israeli military orders in military courts at a conviction rate of over 99%. Hundreds more are held indefinitely without charge or trial under administrative detention. It is a system bound up in innumerable individual human rights violations—arbitrary detention, fair trial violations, torture, forced deportation, the systematic prosecution of children—amid larger war crimes and crimes against humanity. One of them is the crime against humanity of apartheid. International human rights organizations and UN reports all describe dual legal regimes—military courts for Palestinians and civilian courts for Israeli settlers—that systematically privilege one racial group over another in a broader policy of domination and control under an apartheid regime. Other war crimes include the widespread prosecution of Palestinian civilians in military courts, the intentional deprivation of their right to a fair trial, the deportation of the occupied population to prisons and detention centers in the occupying power, and torture . Enforced disappearance comprises yet another feature of the Israeli carceral regime. Disappearance predates the creation of the military judicial system in 1967 and continued as an intermittent practice over the next several decades, often disguised by a patchwork of legal frameworks. In 2002, the Israeli Knesset passed the Unlawful Combatants Law , modeled after its U.S. post-9/11 predecessor , to retroactively legitimate the indefinite detention of Lebanese hostages. Three years later, the same law was applied to Palestinians from Gaza, enabling periods of secret and indefinite detention constituting de facto disappearance. More sinisterly, it laid the legal and structural groundwork for the total war on prisoners waged today. In retaliation to the breach of Gaza’s open-air prison on October 7, the Israeli regime issued a series of orders dramatically expanding its carceral architecture as it launched its genocidal war on Gaza. Palestinian prisoners held in Israeli prisons were cut off from almost all outside contact as conditions drastically deteriorated, prisoner abuse escalated, and Israeli occupation forces ramped up arrests across the occupied territory. Emergency amendments to the 2002 Unlawful Combatants Law broadened the scope of secret detention, which Israeli authorities immediately leveraged against the Gazan population. New secret military detention camps were erected exclusively to detain Gazans: Sde Teiman in the south and Anatot near Jerusalem. Elsewhere at Ofer Military Prison, Gazan detainees were cordoned off to open-air tent camps and the secret wing of Section 23 , held incommunicado, and hidden even from the larger Palestinian prisoner population. Beyond the known existence of these three sites, Israeli occupation forces disappeared thousands of Gazan men, women, and children across makeshift military barracks, settlements, prisons, hospitals, and open fields. The new clandestine regime served as an appendage to Israel’s larger carceral architecture. Whistleblower reports and testimonies by former detainees point to an integrated network of horrific torture camps across Palestine’s occupied geography. Among them, Sde Teiman stands as an emblem of the torture and abuse of Palestinian detainees, acquiring the same diseased colonial reputation of Abu Ghraib. Palestinians held in Sde Teiman are kept blindfolded in barbed wire ‘pens,’ starved, severely beaten, and subject to interrogations and torture that include electrocution, sexual violence, rape, waterboarding, and medical experimentation. In an adjoining ‘field hospital,’ injured Palestinian detainees were tied to hospital beds and practiced on by medical staff. Elsewhere across Israeli prisons and detention camps, Palestinian prisoners were subject to the same practices of torture, starvation, and deliberate medical negligence. The crime of enforced disappearance is central to the larger crime of genocide, a conclusion outlined months ago by Palestinian human rights groups and echoed in Amnesty’s latest report . Disappearance, like genocide, is practiced methodically: the population of Gaza is physically tagged, catalogued, and, if not forcibly displaced or killed , disappeared to unknown sites. Numbers accounting for the full magnitude of these crimes are still unknown, ranging between the tens and hundreds of thousands. They are, at the time of this writing, enduring crimes of no known boundaries. In October 2024, shortly after Israel launched its full war on Lebanon, a new amendment to the Unlawful Combatants Law designated two new military camps for detention in the north, prompting concerns they may be used to hold Lebanese detainees. This is the circular expansion of a law that first sought to legitimate the enforced disappearance of Lebanese detainees twenty-two years ago and which commandeers the legal architecture of disappearance today. The fate of the disappeared and detained remains central to ceasefire negotiations and emerging forums of accountability. "UN-Safe Migration" (2024), Polyester felt and laser cut fabric installation. Courtesy of Jacobo Alonso. The disappeared, in their absence, loom large over the present. Impunity granted to one political terror scheme emboldens another, cementing permanent states of emergency and creating varied national, transnational, and extranational architectures of disappearance. They are examples of a twenty-first century reality with the potential to produce even more destructive results, leveraging evolving surveillance technologies and age-old carceral traditions. It is an inevitability readily taken for granted; an inevitability, too, that serves the fear intended by these schemes. And yet, the enormity of resources required to sustain the secret disappearance of tens of thousands of people ultimately fail under their own grandiosity. The secrecy and structures of such crimes are untenable, even as they undeniably produce incalculable human loss. Our current moment only proves their frailty. Across the globe, the edifices of once horrific sites are being quietly shuttered by the state or actively dismantled by popular forces in the face of enduring local and global resistance. As Guantánamo turns twenty-three this month, another eleven Yemeni detainees held without charge were transferred to Oman, leaving only fifteen men remaining. In Palestine, the fight for tabyeed el-sujoun —to ‘cleanse the prison walls’—is carried on across all fronts by resistance groups, civil society, and transnational coalitions, including prisoners’ coalitions in the U.S. The breaking of prison doors in Syria, inspiring renewed efforts in places like Egypt , now beckons the daunting task of what comes after. New modes of documentation, accountability, and rehabilitation seek to tackle the crime of disappearance, with a particular focus on the survivors and families of the disappeared. The future of these structures, whether carcerality may emerge in new forms, will always remain a threat to the hard-won achievements of the present. Nevertheless, a rupture of a sort has begun, and the seam must be unraveled to its end. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Essay Syria Enforced Disappearances Disappearance Dissent Discourses of War Forced Disappearance Guantanamo Bay Gitmo Alienation Archive of Absence Archive Assad Regime Israeli Regime Sedneya Sednaya Prison Sde Teiman detention carcerality 9/11 post-9/11 world order prisoner's coalitions Hama War on Terror War Crimes CIA Abu Ghraib unlawful combatant Muslim Invisibilizing Muslims West Bank Gaza Palestine fair trial unfair trial Unlawful Combatants Law Anatot Nageb Ofer Military Prison Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 22nd Jan 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Since his electoral victory in 2014, Narendra Modi’s Hindutva brigade has attempted to render Muslims invisible through hypervisibility. Mob-lynchings "don’t just happen” to Muslims. Thook Jihad is to be expected. By applying microscopic, misinformative attention to Muslim businesses, homes, and livelihoods throughout the country, the BJP has forced Indian Muslims to constantly create hideouts for their humanity. However, as Modi’s monumental loss in the recent Lok Sabha polls indicates, Muslims refusing to accept the social and psychological invisibilization are already leading the charge for a brighter electoral future. · FEATURES Opinion · Madhya Pradesh Since his electoral victory in 2014, Narendra Modi’s Hindutva brigade has attempted to render Muslims invisible through hypervisibility. Mob-lynchings "don’t just happen” to Muslims. Thook Jihad is to be expected. By applying microscopic, misinformative attention to Muslim businesses, homes, and livelihoods throughout the country, the BJP has forced Indian Muslims to constantly create hideouts for their humanity. However, as Modi’s monumental loss in the recent Lok Sabha polls indicates, Muslims refusing to accept the social and psychological invisibilization are already leading the charge for a brighter electoral future. Saara Nahar Play (2023) Watercolour on Paper 22 x 30 inches Bulldozing Democracy When I was a child I was fascinated by the bulldozer that visited my street everyday and picked up trash from a nearby dumpyard. Bulldozers served as a good spectacle for us kids. We were intrigued by its ability to pick tonnes of trash in a matter of minutes. If you look up the term, “JCB ki khudai” (Bulldozer digging) on YouTube , you'll find dozens of innocuous videos with millions of views. In recent years, however, that imagery has changed. Today, these bulldozers produce the most horrid spectacle for kids and adults alike. Many Indian Muslims see the bulldozer as akin to an armoured tank, a tool of terror, seeking to uproot what holds their families together and stores their tangible memories and artefacts—their home. In recent years, the bulldozer has transformed from a harmless machine to a super villain serving extrajudicial punishment to its victims without trial. What stands in the way of its unrelenting arm is “enemy” territory, and the bulldozer shows no mercy. A few months ago, a dozen Muslim homes were bulldozed in Madhya Pradesh for allegedly storing beef, and men were jailed under the NSA (National Security Act) in what many Muslims widely perceived as vengeful action by the state government. In July , a Muslim man committed suicide after his home was demolished in an anti-encroachment drive in Lucknow city in Uttar Pradesh, in which hundreds of homes were demolished in a Muslim majority neighborhood. The Indian state suggested that displaced people buy alternative housing, similar to their statements on resettlements in 2015 . Other adjoining posh neighbourhoods were also meant to be demolished but were spared after an intervention by leaders of the ruling BJP and protests by the locals. In August, a sprawling 20,000 square feet bungalow—that belonged to Haji Shahzad Ali, a Muslim and former leader of the Congress party in MP—was bulldozed after he was accused of violence. A 2024 estimate by the Housing and Land Rights Network ( HLRN ) shows that government at the local, state, and federal levels demolished 153,820 homes in 2022 and 2023, resulting in the forcible eviction of more than 738,438 people from rural and urban areas across the country. Muslims were among the worst victims of these bulldozer drives. Illegal housing is a prominent issue in India. Ghettoisation, socioeconomic inequality, and mass migration to metropolitan cities like Delhi and Mumbai adds to the problem of illegal housing. News outlets have reported between 55,000 and 65,000 illegal housing developments in India between 2016 and 2024. The issue becomes uniquely problematic when homes of Muslims are selectively targeted and are considered a fight against “ Land Jihad. ” Every now and then, there's news of a major demolition drive against the so-called “illegal homes” belonging to Muslims. Similar to the Haji Shahzad Ali case, the demolition is alleged to happen as a response to crime. Later, however, the public is informed that the demolition and the crime are unrelated, although the way it plays out is as explicit revenge. The mainstream media hails it as quick justice, all while the underlying principles of natural justice are openly violated. In November 2024, the Supreme Court of India finally passed a strong verdict against these arbitrary bulldozer drives putting an end to the retributive demolition drives, but by now much damage has already been wrought. What about those who’ve already fallen victims to this “lawlessness?” After every forced demolition and eviction, I used to wonder where these people are meant to disappear off to? They can't bury themselves underground or dive into the sea, but we hardly hear of them once the dust of the bulldozer's destruction settles. As much as this violence instils fear, it can never successfully lead to the psychological and physical retreat of an entire community. This may make you wonder—what is the best way to invisibilize over 200 million people? Bulldozing is only a symptom of the malaise that plagues India today—a cog in the larger machinery of violence. You cannot press a big red button and expect them to immediately disappear for once and all. You can’t erase them through force and violence. So, what do you do then? A real life solution to this rather troubling rhetorical question has been developed by the Hindutva nationalist forces, who relentlessly target Muslims throughout India. All while, encouraging non-Muslim citizens to distance themselves from the Muslims for their own safety. Let me demonstrate this with a recent example of the insidious way in which, through hypervisibility and violence, Muslims are forced to disappear from public life. A recent 'directive’ in the state of Uttar Pradesh asked eateries that were situated along the path of a Hindu pilgrimage to display their names. A move intended to make the “Muslim” identities of the servers, cooks, and owners clear to the buyers and discourage commerce. It started after an anti-Muslim boycott was called by a far-right Hindutva cleric, who accused Muslims of mixing meat in vegetarian food and thook jiha d —a conspiracy that Muslims spit in the food of Hindus to wage a holy war. Despite the dehumanising, absurd, and defamatory nature of this message, the state did nothing to counter the request and instead mandated shopkeepers to prominently display their names on their shops. Consequently, many Muslims were forced to shut down their shops to avoid conflict, police harassment, and mob attacks. Many faced economic losses. Some were fired by their employers after allegedly being pressured by the police. It's important to note that Uttar Pradesh is opposed to Halal food certification, which is limited to the nature of food (vegetarian or non-vegetarian) and not the identity of the person cooking, serving, or selling it. The government knows that most things that are Halal for Muslims are permissible for Hindus as well, and nobody can stop Hindus from selling them. Here, however, the state was adamant that merely displaying the religious identity of vendors and cooks can ensure the purity of food and protect the religious rights of Hindu devotees. The process is simple. First, a campaign is initiated to make Muslims seem impure, unhygienic, and Thook jihadists. Naturally, Muslims are compelled to refute these false narratives. Due to the meat sales facing on and off bans, many Muslim businesses already suffer without any compensation. To rub salt in the wound, Muslims who run vegetarian eateries get accused of mixing meat in the food. Subsequently, a demand for segregation is imposed, and Muslim businesses are singled out, marked as targets by the state—by the very state that falsely claims to be against mixing the rules of food with the rules of religion. Where's the escape from all this? It's a heads-you-lose and tails-I-win dynamic. If you’re a Muslim, you can't cook meat on holy days for Hindus. If you do then you are probably mocking someone. If you don't, then you are conspiring to pollute vegetarians. You’ll be targeted either way. While the order has faced backlash, and has now been stayed by the Supreme court, it's not a one-off instance. In the last decade, we have witnessed this strategy play out in real time with the spread of an all pervasive vitriol that targets every aspect of Muslim life in India—from the God they pray to, to the clothes they wear, the food they eat, the language they speak, and now their homes, jobs, and families. What is supposed to be an innocuous and essential activity for others becomes a malicious conspiracy for Muslims. Undoubtedly, this humiliation has been sustained through violence and victim blaming. In one month since the election results were declared on June 4 , at least 12 Muslim men were brutally lynched across India. Perhaps, even most Muslims with no knowledge of English now know the meaning of the rather complex English word ‘lynching’. It's something that worries all of them and yet it has gradually become so mundane that it outrages only a few of them. After the recent wave of attacks, many Muslims questioned the silence of a now significantly stronger opposition party and even forced them to raise their voice in Parliament. For the opposition parties, however, this silence was a matter of convenience. In the past, they sought Muslim votes by acknowledging the threat of Hindutva, but continued to do nothing. They gaslit Muslims into not saying a word. For their voices to be heard, Muslims need to make their votes count and use every platform to organise, speak, and negotiate. Modi's reduced numbers in the parliament in 2024 has already proven this. The growing menace that systematically works to erase Muslim voices from the national discourse through various forms of terror is comprehensive. Sometimes it is done through withholding online content and other times through threats and legal cases. This is what happened with the fact checker, Mohammad Zubair , who was arrested in six consecutive trumped up cases. He was recently booked under sedition for exposing a hate speech. Note here that the severity of action against the hatemonger is nothing compared to the charges against Zubair. In August 2024, two Muslim migrant workers from West Bengal were attacked by a mob of cow vigilantes in Haryana. One of them succumbed to his injuries. The other , however, managed to escape. Haryana Chief Minister Nayab Singh Saini said that "It is not right to call it mob lynching,” because beef is illegal in Haryana. We don't know how the CM assumed that the two men had consumed beef. Around the same time, an elderly man was assaulted in a moving train by a mob on accusations of eating beef. On July 6 2024, the police in Uttar Pradesh booked two Muslim journalists for calling the murder of a Muslim man a ‘mob-lynching’. They were charged for creating communal unrest through malicious misreportage. All they did was report the family's version of the event. This is not an isolated incident in which those reporting on violence against Muslims have been targeted. On one hand, the Indian government has stopped publishing data on lynchings after calling its own methodology unreliable and on the other it attacks and tries to discredit every voice that investigates it. The few voices reporting on the lynchings are facing threats and censorship, gradually forcing them into silence. Indian Muslims see meanings twisted out of context everyday. For instance, a lynching is not reported as a lynching. Instead, it’s reported as the response to or punishment for a “robbery,” “child kidnapping”, or something similar. At the same time, a group of prominent right-wing clerics openly calling for genocide is dismissed and those calling them out might be booked under criminal charges. Reporting on this type of speech is considered “disturbing the peace.” The mainstream media has also shown little interest in these cases. The last decade saw a wave of hateful attacks through the news, social media, films, poetry, and music, to further invisibilise Muslims. Hate speeches are not confined to obscure corners, they dominate public discourse and are amplified by TV anchors and prominent social media influencers. A recent Human Rights Watch report pointed out that 110 out of 173 poll speeches by PM Modi contained Islamophobic remarks. Modi referred to Muslims as infiltrators and people producing more children. He even alleged that if the opposition won power, they'll give away the gold of Hindu women including their Mangalsutras to Muslims. Throughout the polls, BJP constantly published cartoons depicting Muslims as evil people eyeing the resources that belonged to Hindus. The PM’s message trickled down into the abyss of the bottomless cesspit, leading to more unhinged commentary by other leaders. This kind of hate mongering during elections is a first for India. It's a culmination of years of propaganda by WhatsApp troll armies and TV anchors like Suresh Chavhanke who dehumanise Muslims on live TV, and clerics like Yati Narsinghanand Giri who openly support the idea of a genocide of Muslims. The combination of these tactics seeks to marginalise Muslims and to systematically erase their presence in public life. The burden of proof and the onus to act in an "acceptable" way disproportionately falls on the Muslims. If they protest or turn bitter, that would reinforce negative stereotypes. Muslims must stay aware of these traps and not become silent. Be it the Citizenship Amendment Act (CAA) protests or the biggest political upset of Mr Modi's career in the recent Lok Sabha polls–in which he lost the majority in the parliament–Muslims have played a great role in these pushbacks. They have displayed resilience and resistance on many occasions which proves that they haven't given up on their citizenship. So, silence should not be an option. As a strategy, it is suicidal. Instead, they need to make their presence felt and reclaim public space. They must seek accountability from both the ruling party, as well as the opposition they voted for in large numbers. It's hard to predict how Muslims can break this cycle of violence and propaganda but what is clear is that they'll have to firmly stand up for themselves first if they want others to join them. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Opinion Madhya Pradesh Demolition Uttar Pradesh Hindu Extremism Hindu Fascism Hindutva Thook Jihad Halal Muslim invisibility hypervisibility Invisibilizing Muslims Citizenship Amendment Act mob-lynching Dehumanization Land jihad bulldozing bulldozers Ghettoisation Ghettoization illegal homes BJP National Security Act Religious Conflict religious divide Lok Sabha Archive of Absence Career Politicians Modi Civil Society Displacement Economy Vendors Construction Despotism Disappearance Dissent Enforced Disappearances Extrajudicial Killings Execution Forced Disappearance Ghost Workers Human Rights Violations India democratic backsliding nationalism democracy housing urban development Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 10th Jan 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Fleeing violent persecution in Pakistan, Ahmadi Muslims have scattered across the globe—including to Brazil. In Petrópolis, a city historically associated with exiles, one missionary imam and his family spent 11 years constructing an Ahmadi mosque open to all. While promoting pacifism, the Ahmadiyya community continues to express itself politically through international missionary activity, including in Israel. · FEATURES Profile · Petropolis Fleeing violent persecution in Pakistan, Ahmadi Muslims have scattered across the globe—including to Brazil. In Petrópolis, a city historically associated with exiles, one missionary imam and his family spent 11 years constructing an Ahmadi mosque open to all. While promoting pacifism, the Ahmadiyya community continues to express itself politically through international missionary activity, including in Israel. Prithi Khalique antage of Baitul Awal Acrylic painting and graphic artwork 12 x 8 inches The Ahmadis of Petrópolis The Baitul Awal mosque is a surprise. Located in Petrópolis, Brazil, a mountain city of about 300,000 , a little more than 40 miles outside Rio de Janeiro, the mosque's expanse belies its unconventional setting. A handsome white structure that rises from a fringe of gardens, it sits halfway up a mountain slope with houses hanging off. A sign says that it belongs to the Ahmadi Association of Islam in Brazil. When you assume its vantage point, looking in the direction it faces, you see a shallow valley that blurs into the Serra dos Órgãos mountain range. Brazil may not be a country known for its Muslim population, but it is where enslaved Muslims from West Africa led one of the most important revolutions against slavery in the Americas in 1835. Roughly around the same year—sources vary—Mirza Ghulam Ahmad was born in Qadian, Punjab, then part of British India. In 1889, Ahmad established a new Islamic movement called the Ahmadiyya Jamaat and declared himself its first caliph. One year prior, slavery was finally abolished in Brazil. The fifth and present caliph, Mirza Masroor Ahmad, has governed the Ahmadiyya community since 2003. Wasim Ahmad Zafar, an Ahmadi Muslim imam and missionary from Rabwah, Pakistan, organized the construction of the Petrópolis mosque. He has lived there with his family since 1993; before this, he was posted in Guatemala. Among Islam's heterogeneous adherents, Ahmadi Muslims distinguish themselves by explicitly subscribing to a missionary ethos, sending emissaries around the world to proselytize. Despite having outposts in virtually every country of the world, they make up only about 1% of Muslims. “The Ahmadiyya Jamaat isn’t another school of thought,” Zafar said in an interview. We spoke in Urdu after lunch at his home. “Our school of thought is Islam.” According to Ahmadi Muslims, Mirza Ghulam Ahmad was sent to unify the Muslim community in response to its fragmentation during the late colonial period. They view him as the messiah and mahdi, a ruler prophesied to arrive in the end times to integrate a variegated global faith. Although they preach nonviolence, they have been subject to violent persecution from many other Muslims. Meanwhile, the community has also experienced a fracture, with the 1914 separation of Lahori Ahmadis. “In the whole world, there is only one Muslim community with a caliph,” Zafar said. “And to have a caliph, this assures us that Allah Ta’ala is with our community.” There is a disconnect between how a large number of Muslims perceive them—as foreign to Islam—and how they perceive themselves—as torchbearers of its essence. Ahmadi Muslims regard their centralization under a living caliph as evidence of divine sanction and yearn to bring others under the umbrella. The community even has a motto: "Love for All, Hatred for None." The Baitul Awal Mosque, located in Brazil's Petropolis. Courtesy of the author. This April, following Eid ul-Fitr, Zafar and his family hosted the 30th jalsa salana , or annual assembly, at the mosque. It was presented as an inter-faith exchange, with speakers including a Jewish woman leader, Black Buddhist monk, Umbanda priest, and representative of the civil police. His sons, Nadeem, Ijaz, and Takreem, alternately emceed, translated speeches into Portuguese, and sang Urdu ghazals, and the woman sitting in front of me teared up. Zafar presented a single red rose to every speaker. Afterwards, the women of the family served a meal in the garden that they had prepared. I spoke to Zafar's youngest daughter, Aila, a dentistry student who had invited her friend, an Indigenous biologist-in-training who talked about the jewelry she makes out of insect wings. For our interview a few months later, the women cooked another meal. Zafar's wife, Anila, and their daughters-in-law, Nida and Maria, brought chicken curry, chickpeas, pulao, parathas, salad, fruit, and gajar ka halwa to the table. They served it in their home, which is situated next to the mosque. Zafar pinched red chili powder from a bowl and sprinkled it over his plate. He had just returned from a jalsa tour of sorts: from Virginia, to Toronto, to the global Ahmadiyya headquarter s in the town of Islamabad in Surrey, England, where 43,000 guests had joined. In keeping with the Ahmadi motto, outsiders are encouraged to come as they are to the mosque. This stands in contrast to the majority of mosques, which police women's dress, yet can also feel geared towards conversion. “Some time ago, a women’s group came, with girls too. It’s obvious that non-Muslims will be without dupattas, with bare heads. I uploaded photos of them like that and some Muslims messaged me saying that I did something wrong allowing these women inside,” Zafar said. “So I responded to them with love, saying that if we don’t allow someone inside and don’t show them the beauty [of our faith], how will they realize it?” The first time I went to the mosque, the weekend before Ramadan, I was wearing a jumpsuit covered with red zebra stripes. No one seemed to mind. I was struck by the hedge in front landscaped to read “Paz,” or peace, and the second-floor library with copies of the Qur'an translated into 60 languages as widely ranging as Bhojpuri and Russian. Select copies of the Qur'an written in multiple different languages housed at the Baitul Awal Mosque. Courtesy of the author. Ijaz, Zafar's middle son and a civil engineer who aims to improve Petrópolis' resilience to landslides, led a tour of the mosque, showing the visitor apartments built into it. His youngest son, Takreem, brought freshly brewed chai and biscuits from the house. He said that he wanted to be a missionary like his father and perhaps go to Africa. For the Zafar grandchildren, the third generation here, the garden is a playground. Switching between Urdu and Portuguese, they run around looking for hummingbirds and butterflies. As of 2024, Zafar said that there are approximately 53 Ahmadi Muslims in Brazil. He claimed that the community used to be larger, but many professionals moved on to Canada or the US for work. His missionary activity in Brazil involves traveling — he has visited all 26 states — and using political platforms to increase awareness of Islam as a religion of peace. Several Brazilian converts appear to be married to members of his extended family who are based in the country. The community's small numbers in Brazil do not seem to deter Zafar. "Our work isn’t to bring people in, unless their hearts are in it,” he said. Since its beginning, the missionary tradition has been a fundamental aspect of Ahmadi Islam. The earliest overseas Ahmadiyya mission dates to 1913, in London. By 1920, missions had spread to the Middle East, Southeast Asia, China, West Africa, the Caribbean, North America, and Europe, according to historian Nile Green . For many communities around the world, the Ahmadiyya community was their first introduction to Islam. I wondered if, and how, this family in Petrópolis thought about the damage evangelical missionaries have historically wrought in Brazil, from incursions into Indigenous territories to pro-Bolsonaro pentecostalists in favelas. Green notes how the multiplicity of religious organizations that emerged in South Asia at the turn of the twentieth century worked in a competitive religious marketplace, borrowing methods from Christian evangelicals and contributing to the “ market production of sectarianism. ” Ahmadi Muslims made a point of building mosques in their new territories and taking advantage of the technologies available to them, founding and distributing newspapers to disseminate their beliefs. Newspaper articles tend to follow Zafar's travels. After the interview, he pulled out a binder to show me Portuguese clippings he has collected about the community since the 1990s. "The media here is so good,” he said. "They write what we believe, even when it’s different from what they believe.” But he added, "In freedom, they [Brazilians] have gone very far. And they don’t want any prohibitions. With affection and love, we want to show them that freedom happens within a limit. If you go outside of the limit in the name of freedom, then it will not be freedom.” He drew a parallel with the need for traffic rules while driving. "This is a simple matter that we’re trying to teach them. It will take time, but with love, we’re guiding them.” This kind of paternalism is perhaps intrinsic to the missionary project, regardless of religious tradition. A clipping from a local newspaper covering the Ahmadi community in Brazil. Courtesy of the author. Zafar opened the mosque in 2016, having begun the process in 2005. It took a long time to get permission from the Petrópolis city council to build it, because the neighborhood it is in was zoned as residential. Designed by a Pakistani architect, its construction was funded by the Ahmadiyya community. "We do dua that Allah brings faithful people to our masjid and it fills up," Anila Zafar told me. Pakistan has the world’s largest population of Ahmadi Muslims. Here, the competitive marketplace of Islamic variants has hardened into institutionalized persecution of non-Sunnis. Declared non-Muslims by the constitution in 1974, Ahmadi Muslims are forbidden from basic Islamic practices, such as saying salam, playing the adhan from their mosques, or referring to their mosques as such . They have to identify themselves on their documents, which leads to discrimination at school and work, affecting livelihoods and economic mobility. In recent years, they have again lost the right to vote , as well as, Zafar chuckles at the absurdity of this, to carry out qurbani , or sacrifice animals for the hungry, on Eid ul-Adha. The latter contributes towards zakat, one of the five pillars of Islam. Most gravely, they face a constant threat of arbitrary arrests and detention by the state and state-sanctioned extrajudicial violence, disappearances, and murder just by virtue of their interpretation of Islam. Zafar was born in Rabwah, Pakistan, in 1959, the city created post-Partition as a home for the Ahmadis . When he was a teenager, he began the seven-year-long process of missionary training, where he had a scriptural education in the Quran and hadiths, as well as in how to cultivate qualities important to a missionary such as patience and restraint. His family is originally from Qadian, the birthplace of Ahmadi Islam, and his grandfathers on both sides converted. While he acknowledges his pain at the mistreatment of Ahmadi Muslims in Pakistan, this also shores up his faith: "We forget that any prophet meets disbelief and resistance from the people,” he said. His preferred method of arbitration lies in the spiritual realm, even though he engages with the political sphere in Brazil—a duality ingrained in the Ahmadi Muslim approach. When we first met, he had just returned from Brasilia, the capital, where he said he had been providing a Muslim perspective on Palestine. Although the Ahmadiyya caliph has released statements in support of Palestine , pointing to the Ahmadi Muslims who live and have suffered in Gaza, the community continues to maintain a mosque in Haifa, Israel . "I've heard of it, but I've never seen it," Anila Zafar said. "There is one in every country…We have a presence everywhere." There does not seem to be a point at which the community will boycott Israel, closing their center or reducing their missionary presence there. What does it mean to be a persecuted Muslim minority with a missionary presence in Israel, supportive of Palestine but also conveniently painted by Israel as the “ good Muslims ”? "If there is oppression in Palestine, if all this is happening in Pakistan, should I gather a group here, go on the road, bother people, what’s the use of that? If I break some car windows here, will that have any use? That’s why this isn’t what the Ahmadiyya community does. If we have certainty in our hearts, that there is God, and Allah Ta’ala loves us, then what else do we need?” Wasim Zafar asked. He referred to an incident in Pakistan in 2010 in which Ahmadi mosques were attacked and over 90 Ahmadis were massacred. Following that, he stated, there were no Ahmadis on the roads protesting because of their motto. They chose peace, he said. To him, the conflicts that have affected Muslim states are further proof of their dividedness. According to Zafar, the fate of places like Palestine and Iraq, and the reason for their experience of oppression, has been the lack of unity among Muslim states. The reason the Arab countries have not been able to handle Israel is also a result of their lack of unified leadership. This focus on division within the Muslim world echoes the position of the global Ahmadiyya leadership, departing from mainstream clerics in places like Pakistan and the United States who frequently point to empire's excesses to explain contemporary crises. The German immigrants who initially settled Petrópolis recreated an alpine community in the subtropical Serra dos Órgãos mountains. Similarly, the Zafars and the community they have built have rooted themselves here, bringing with them perceptions, leanings, and desires from their homeland. Anila Zafar leads the women's wing, which was meeting the afternoon I was there. "Women can understand what other women say better," she said. She closed her words with a Portuguese-Urdu-Arabic mashup: "Vamos fazer dua.” Let’s make dua. It may not be surprising after all that there is an Ahmadi Muslim mosque in Petrópolis. The city, named after the Brazilian emperor Dom Pedro II, is associated with exiles. Probably the most famous is Stefan Zweig, the Austrian writer who overdosed on barbiturates along with his wife Elisabet, upon realizing that they could not leave behind the horrors of war in Europe, even when in the mountains of Brazil. Their house is now a memorial to exiles. Petrópolis is also synonymous with its many house museums. There is of course the Brazilian royal family's summer palace , comprising a dual escape: from Napoleon in Europe and from the heat in Rio. Then there is the Franco-Brazilian aviation pioneer Alberto Santos-Dumont's house without a kitchen. Finally, just down the road from the mosque where the Zafars live, there is the House of Seven Errors, whose right and left sides are purposely incongruous—not unlike the curious intersection of a community persecuted at home, while willingly serving as missionaries abroad. Among this list of house-museums and exiles, settlement and flight, lies the Ahmadi Association of Islam in Brazil. Courtesy of the author. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Profile Petropolis Brazil Ahmadi Ahmadiyya Baitul Awal Mosque Persecution Religious Conflict religious divide Pakistan Lahore Punjab Ahmadi Association of Islam Brazil Ahmadi Association of Islam pacifist pacifism Jalsa sectarianism messianic faiths Islam extrajudicial violence Extrajudicial Killings syncretism religious syncretism Atlantic forest diaspora missionary missionary faith dawa market production of sectarianism Mirza Ghulam Ahmad Mirza Masroor Ahmad Ahmadiyya Jamaat Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 21st Jan 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

For decades, rural Peru has relied on journalists, human rights advocates, and indigenous organizers for protection from crossfire between state and vigilante militants that has weakened the region and enabled the growth of illicit trade activity. As indigenous Peruvians defend their land from exploitation and chemical damage in the service of the coca leaf industry, the government’s neglect of these native leaders’ efforts has led to their systemic and routine killing. · THE VERTICAL Features · Peru For decades, rural Peru has relied on journalists, human rights advocates, and indigenous organizers for protection from crossfire between state and vigilante militants that has weakened the region and enabled the growth of illicit trade activity. As indigenous Peruvians defend their land from exploitation and chemical damage in the service of the coca leaf industry, the government’s neglect of these native leaders’ efforts has led to their systemic and routine killing. Image courtesy of Tania Wamani. Police repression against Andean Indigenous Quechua-speaking women from Puno occurred in the capital city, Lima, during the demonstration for justice for the civilian victims killed by the police during the protests in Puno in January 2023. Lima's Forsaken For 24 days , Mariano Isacama was missing. Calls to the indigenous leader’s phone suddenly stopped going through on June 21, following threats he had been receiving through WhatsApp messages. The 35-year-old was a spokesperson for the Puerto Azul community, which is part of the broader Kakataibo indigenous group in Peru’s Ucayali province. He worked with the Kakataibo federation, FENACOKA, one of many indigenous-led organizations across Peru that aims to provide self-governance for communities. Coworkers quickly filed complaints with the police and human rights prosecutors against people they suspected of involvement and launched search parties. Isacama, like many leaders in Peru’s native communities, was not facing abstract threats. In the past nine years, 35 indigenous leaders have been killed in the country amid threats from various organized criminal groups. Leaders face near constant harassment for their public positions defending the environment. Illicit trades have grown around these native communities, so leaders are routinely threatened to either turn a blind eye or participate. Almost none of the murder cases have led to arrests or support for impacted families and communities. What happened to Mariano Isacama “They had time to find him alive,” said Herlin Odicio, a Kakataibo leader who helped search for Isacama, incessantly filing complaints with the state for weeks. “Unfortunately the justice officials did nothing in that respect.” Odicio had been working with Isacama for a while. The two would attend conferences and workshops together, or if one couldn’t go, the other would represent the Kakataibo community. Isacama’s deep involvement with the work made him a target. On July 10, more than two weeks after his disappearance, 40 members of La Guardia Indígena’s Kakataibo division arrived to search. As an autonomous, fluid structure that has gained support among Latin America’s indigenous communities in the past two decades, La Guardia Indígena attempts to train communities to protect themselves in ways the governments won’t. They carry out patrols and build strategies to confront armed violence through collective and grassroots action. The volunteer program is neither a political body nor an armed resistance organization, but rather a loose mechanism that’s been adapted and replicated within communities across Latin America. Courtesy of Tania Wamani. In Ucayali, they put together teams to head into the woods to look for Isacama. While they were searching, threats to the search party themselves were reported from nearby non-native settlers. Isacama’s body was found on July 14, hidden away in the wilderness. “We’ve already identified suspects,” Odicio said, “We hope the justice system will do its duty, which we’ve pushed for. If they don’t, and they do the opposite, the justice system we have as indigenous people is going to be something very different.” Odicio himself has been facing threats for years, and lives on the run as a result. In 2020, he was approached by cocaine producers and asked to ignore planeloads of the drugs flown off makeshift runways on his community’s land. He rejected the money, making him a target. His continued advocacy work and public profile as an environmental defender further puts him at risk. He reports having to change his location constantly, moving his family between cities and homes, and routinely receiving threatening messages—even from other members of the community. “Emotionally, I’m not doing well,” he said, after four years of living under threat and reflecting on Isacama’s murder, “It’s complicated, you know? But what else can I do? Keep working, that’s it.” How militarism gave way to cartels In recent years, lethal threats facing Peru’s indigenous leaders have grown into a crisis as various illicit trades in the Amazon and Andean regions flourish under state negligence. Indigenous leaders, local journalists, and human rights researchers have all documented growing cases of cultivation and transportation of cocaine, illegal logging and mining , construction of unplanned roads that facilitate these extractive programs, and the violence and corruption necessary to keep these operations functional. These problems started several decades ago in the wake of a shifting political and economic reality within the country. Peru’s government spent decades centralizing its population and economic policies around the capital of Lima. Rural areas struggle under neglect across the country, but in the particularly remote indigenous communities in the country, this has evolved into a crisis. Ángel Pedro Valerio, president of the indigenous organization Central Ashaninka of Río Ene (CARE), noted that the problem has grown over the past 40 years. Valerio’s Ashaninka community is located in VRAEM, a region that’s become defined by cocaine production, poverty, and the presence of the Shining Path militant group. “Inside our communities, since the ‘80s and ‘90s and 2000s, the Ashaninka people and the entire central region of the rainforest have suffered from terrorism,” Valerio said. “Many of us have had family members disappeared or killed. This political and social problem hasn’t gone away.” During an era of violence between the Shining Path and the central government, areas like Valle de los Rios Apurimac, Ene y Mantaro (VRAEM) were particularly hard hit. They were caught in the crossfire between a communist group accused of brutal attacks on civilians (including children) and a military run by dictator Alberto Fujimori, who was later sentenced to 25 years in prison for human rights violations. Fujimori died on September 11, 2024, several months after being released from prison for medical reasons. In the 1980s and 1990s, Lima’s population exploded as the armed conflict drove people away from Peru’s provincial areas. According to official state inquiries , Fujimori’s government was responsible for hundreds of forced disappearances and executions, including the killing of journalists and children , all under the guise of fighting terrorism. Civilians in rural areas were the most at risk, so many fled to the capital . In 1993, Lima had six million residents. In 2024, the city’s population is about 11 million –nearly one-third of all Peruvians live there. In the aftermath, rural areas were broadly left without infrastructure or police presence, as all modernization efforts focused on the capital. While skyscrapers fill the wealthier neighborhoods of Lima, infrastructural basics characterize much of the rest of the country. A 2023 United Nations report highlighted how hundreds of thousands in Peru live without basic nutrition, education, and healthcare. Earlier this year, a report in Infobae showed that 92% of the country’s high schools lack basic resources. Courtesy of Tania Wamani. VRAEM, though, has become defined by poverty and neglect. It’s known to be the home of what’s left of the Shining Path. “In recent years, the presence of illegal coca leaf growers has grown exponentially,” Valerio said of VRAEM. “They’re coming to invade the territory of native communities and those of us who live there can’t do anything about it. They’re opening large farms and deforesting the area, contaminating the water and the environment, degrading the soil. These coca leaves take a lot of chemicals to grow.” He pointed out that each time his organization files a complaint about threats from narcotraffickers, the state refuses to take action. He adds that state inaction puts them at greater risk. “Many of our brothers mention that they can’t file complaints because if they do, the first thing that happens is more threats,” Valerio said. “They brand us snitches and send us a warning.” A prosecutor’s vision In Lima, the central prosecutor’s office attempted to address this problem after years of neglect. In late 2023, they announced funding secured through the European Union to launch three task forces or workshops which would oversee environmental crime, human trafficking, and assassinations of indigenous leaders. “These problems have certainly grown because of a lack of attention from the central government,” said Jorge Chavez Cotrina, who oversees the attorney general’s division on organized crime. “Because the problem isn’t just to fight organized crime through police and prosecutors and the courts, but also has to be addressed by the executive branch. That is to say, before taking corrective actions we also have to take administrative actions—as in, prevention is key.” Cotrina said the three teams are mainly focused on partnering with indigenous leaders and working on building trust in the state by sending more officers into the field, participating in training programs, and sponsoring events. He said they’ve dismantled organized crime networks and opened investigations into murder cases of indigenous people. He argued, however, that this work is complicated by the lack of funds the central government provides them, pointing out that of the $3 billion budget his office was officially granted, they’ve only been disbursed $80 million. As a result, he said, they lack staff, forensic equipment, judges, and the ability to reach native communities that are the most remote. On top of that, Cintora points out that the problems can’t simply be addressed through arrests, and that prevention must consider economic development and increased governmental presence in the area. The centralized perspective of the government can exacerbate the problem by creating easier conditions for organized crime to flourish. Late last year, Peru passed a so-called “anti-forest law” swiftly denounced by activists, indigenous organizations, and leading environmental groups. The SPDA, a Peruvian legal watchdog and environmental NGO, declared that the law would openly promote and legalize deforestation in the Amazon, while putting local agriculture and communities at risk. Their legal opinion showed that the country would be violating its own laws by allowing this through and ensuring Peru's failure to meet international commitments regarding climate protection. Courtesy of Tania Wamani. “The legislature definitely has put in place a series of regulations without knowing the reality,” Cintora said. “When someone writes a regulation from their desk without knowing the reality, these are normally well-intentioned. But when you explain to them the reality, it’s counterproductive. And that’s what’s happening with issues like deforestation, illegal mining and the environment…The idea instead should be to call upon the rural communities that can give their opinion on regulations that would affect their territories.” A balance in trust Leaders like Odicio and Valerio remain skeptical of the state. Cintora’s vision is to work alongside communities, so they begin to trust police and prosecutors with time. “Our job is to gain their trust,” Cintora said, “and through these task forces, we’re having many meetings with different communities in the Peruvian Amazon, and we are on the right track.” One case took prosecutors and police a decade to resolve . In 2014, in the small town of Saweto, four indigenous leaders were killed. The case didn’t go to trial until 2022, when the state eventually won convictions against four men they accused of being involved. In 2023, those cases were declared null by a regional judge. For many in Peru’s activist communities, this signaled an important lesson: even in the rare case that the state seeks a conviction in these murders, the courts can’t be trusted. Only in April 2024, did the case finally go to the Superior Court of Ucayali and the sentences were restored. Cintora saw the case as a win, as it affirms faith in the prosecutor’s office for native communities. Despite funding problems, he hopes that this kind of work can make a difference in restoring collaboration with these communities. “With the small amount of resources we have, we do what we can,” Cintora said, “because we can’t sit around crying that there’s no money.” ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Features Peru Lima Indigenous self-governance Ucayali Rural strategic underdevelopment VRAEM Valle de los Rios Apurimac Ene y Mantaro Shining Path Central Ashaninka of Río Ene Kakataibo Militarism Cartel Drugs Cocoa Plant Amazon Rainforest Andres Mountains Trade Route Illicit Trading Forced Disappearance Free Speech Militant Anti-Forest Law Journalism Execution Underdevelopment Development Filmmaking Photography Human Rights Activism NGO Agriculture Climate Change Deforestation Community Security Climate Security European Union Human Trafficking Assassination Whatsapp Puerto Azul Conflict Justice La Guardia Indigena Volunteer Program Latin America South America Protest Search Party Aviation Transportation Logging Mining Construction Violence Corruption Politics Economy Poverty Terrorism Disappearance State Sanctioned Violence Policing Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 18th Nov 2024 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

“The severed words of the dead, the words of the survivors which now had no place to go—these lay soaking endlessly inside me alongside the voices in my memories.” · FICTION & POETRY Fiction · Japan “The severed words of the dead, the words of the survivors which now had no place to go—these lay soaking endlessly inside me alongside the voices in my memories.” The Place of Shells by Mai Ishizawa. Cover design and illustration by Janet Hansen. Image Courtesy StudioM1. Into the Sea It isn’t just images that become memories. Different parts of my body stored up memories, which they silently retained. Those afterimages carried that way in the body would most likely never be erased. Skin cells regenerate periodically, becoming new, but the time that passed after the earthquake and sensations from that period seemed to linger on, as a transparent layer on my skin. And yet, when I tried to pass beyond my memories, all I could see was a two-dimensional whiteness. Connecting together all my physical memories only left me with a dense accumulation of fragments—I never managed to summon up a complete picture of that day. The attributes of the memories held by each part of my body may have been a part of me, but I couldn’t combine them into any self-identifying symbols, like those of the saints. Being in a place so far away from the sea and nuclear power plants had loosened my grip on my memories of that day, obscuring my connection to them. Eventually, this sea inside me was overlayed by images of numerous paintings, which yielded new impressions. My connotations with the sea came to include those folds of pale green out of which Botticelli’s Venus rose; Caspar David Friedrich’s desolate icy sea, with the blue-black shape of the wanderer gazing out mutely at it; the sea as rendered by the impressionists, with its musical depiction of the particles of light and color dancing there; Canaletto’s sea inextricably bound to his crisp renditions of Venice; and then the peaceful blue gaze of the sea meeting the sky in Albrecht Altdorfer’s The Battle of Alexander at Issus. This final version merged with the sea as Nomiya had described it. The peaceful times before dawn, or after sunset. The dialogues in blue that one witnessed there. Even as it served as a giant mirror reflecting the sky through which the colors flowed and passed, the powerful force of its current eddied and whirled around beneath. Yet the impressions making up this stratum had been swallowed up by the sea that March, and had vanished. None of my own memories of water were violent. I was one of those who’d watched those video clips of the sea as it destroyed everything—those scenes of destruction shown repeatedly on TV and online. That weighty gray, white and black mass surging through the town, growing heavier with the things it acquired along the way, forming new masses, encroaching still further. Watching these videos, my eyes superimposed on Nomiya’s final moments, which they’d never actually seen. Those scenes of agony that my eyes took in, the spatial and temporal holes gaping wide open in a way that could never be depicted in a painting, covering over all my other connotations. What I saw in those photos and videos hadn’t integrated with the impressions of the sea that lived inside me. Now, there wasn’t so much as a trace remaining of the pool I’d visited as a child. The pine forest, too, had been irrevocably damaged by the sea’s violence. Since seeing the destruction, the places that I’d visited had been ripped apart into tiny fragments, which returned my gaze in inert silence. This was the silence of words that had been stewing for too long. The severed words of the dead, the words of the survivors which now had no place to go—these lay soaking endlessly inside me alongside the voices in my memories. As I looked at the city, the place I’d once lived would quietly flicker past, a pale shadow. There, memories of the sea’s violence assumed particular shapes: monuments attesting to the dangers of tsunamis, the remains of a school where many people had lost their lives. How should we carry with us the memories of those who had disappeared to the other side of time? Was it a case of endlessly tracing their contours in our memories, until their names were eventually rubbed away, forgotten? The sea, which contained so many like Nomiya who’d never returned, didn’t bear their names—it was always people’s memories that did so. Nine years later, they continued searching, quietly yet unceasingly, to bring home the dead who had vanished into the sea. Even knowing that the city of Göttingen contained dark, bitter elements to its memories, like the rings of a tree, I was still enticed by the impression it left on me—the twisting alleys and dead-ends that my feet traced, the lush greenery spilling forth, the movement of all kinds of shadow patterns woven by the sun. Wandering around someplace, without any particular focal point, letting my eyes roam across the scenery in front of me, I would find a portrait of the city, of that particular location rising up before me. When I saw a new face of this kind that I couldn’t comprehend except through my feet, my eyes would do their best to understand how it had shifted over time. The multiple faces buried within the strata comprising numerous eras and memories would merge, then peel apart. The city reflected those different faces in flashes, like the blinking of an eye—including the face from that time when it had been known by those three characters, 月沈原. Tracing the portraits from various times with my eyes, my feet kept on pushing forward, until I reached a white plastered building with a red wooden frame creating a geometric pattern. This was the Junkernschänke—squires’ tavern—which dated back to the fifteenth century. The building had changed expression through the decades depending on its owner: from private accommodation to a vacant house, from a hardware business to a wine dealership. Its traditional wooden structure had sustained considerable damage in the March 1945 air raid, but over time, repairs had restored it to its original form. The walls were decorated with pictures rendered in multicolored wood, a number of faces peering out from small circular portraits. The sets of eyes peering out from those portholes onto a distant time belonged to seven astrological gods: those for the planets from Mercury through to Saturn—excluding Earth—plus those of the Sun and the Moon. Coincidentally enough, the seven planets as they were classified at the time of the geocentric system were preserved here, right inside the old town. The swords, scepters, bows, and other objects that the gods bore so carefully were drawn according to traditional symbolism. Here, too, their attributes protected them from anonymity, bringing their names into relief.∎ Excerpted from The Place of Shells by Mai Ishizawa, translated by Polly Barton (New Directions, March 2025). SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Fiction Japan Japanese Literature Translation Debut Novel Mai Ishizawa Experimental Fiction Survivors Earthquakes Environmental Disaster Memory Trauma Disappearance Sensory Identity Seascape Seam Contemporary Literature Melancholy Tender Imagery Ecology Disaster Göttingen Gottingen's Scale Urban Solar System Iconography NDP New Directions Excerpt Time & Space Magical Realism Literary Poetry Akutagawa Prize Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 27th Apr 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note: