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The Vertical

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After the March
Ghostmother
Letter to History (II)
Letter to History (I)
Ten Rupee Note
Gardening at the End of the World

LATEST

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Beyond the Lull
BANGALORE
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The Tortured Roof
PALESTINE
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To Posterity
LAHORE

VOL 2. ISSUE 1

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“Euphemisms and doublespeak concealed disappearance at an unprecedented transnational scope.”

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Resistance Until Return

For years, “The Urgent Call of Palestine,” a rallying cry from the 1970s by Zeinab Shaath, was a lost cultural artifact until it was recovered in 2017. In 2024, British-Palestinian label Majazz Project and LA-based Discostan released an EP with the titular song, sitting with startling ease alongside contemporary Palestinian music.
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Palestinian-American actor and playwright Sadieh Rifai confronts the mental toll of occupation, war, and the American dream in her world premiere, The Cave.
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“Food organization at Columbia’s Gaza Solidarity Encampment began as the effort of just seven students organizing the chaotic assortment on the tarp, but it quickly evolved into a network attracting several student groups, professors, community members, and even other encampments, including the NYU and City College encampments.”
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Fugitive Ecologies

Lima's Forsaken
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Paean to Mother Nature
Cracks in Pernote
Sinking the Body Politic
During the general election, prominent Indian political parties vied for villagers' affection in the Sundarbans, albeit turning a blind eye to the ongoing climate catastrophe. As demands for climate-conscious infrastructure and humanitarian relief go unappraised, people in the region are reckoning with the logical consequences of that apathy.
Gardening at the End of the World
Descendants of enslaved and indentured labourers cultivated life amidst the ruins of climate catastrophe in nineteenth-century Mauritius. Today, deforestation and the sugar industry have left a legacy of natural disasters and public health crises. What path forward remains for the unification of the political and scientific in service of the island’s labouring population?

An internationalist, leftist literary magazine seeking an activist approach to representation.

Colophon inspired by Rabindranath

Tagore's "Head Study"

Four Lives
"How would Rafi Ajmeri have fared in the Progressive era that was dawning just then?  Would his liberal attitudes have hardened into dogma, or would he have swung to conservatism in the Pakistan to which his brothers migrated as he too probably would have?"
Alien of Extraordinary Ability
"Go back to sleep Ms. Chowdhury, the American situation is strange"
Six Poems
"In Ayodhya’s sacked Mogul masjid / vultures scrawl Ram on new temple bricks. / Brother, from this mandir of burning"
SAAG’s 2024 In Reading
Fictions of Unknowability
Chats Ep. 9 · On the Essay Collection “Southbound”
Dalit Legacies in Mythology, Sci-Fi & Fantasy
On Class & Character in Megha Majumdar's Debut Novel
Experimentalism in the Face of Fascism
“Welcome! Models politicians auto drivers butchers bankers accountants actors liars cheat saints masters slaves herpes gonorrhea HIV syphilis tops bottoms bottoms who top tops who bottom preferably top miserably bottom white black pink yellow brown blue high caste low caste no caste...”
"There was no one else in the four-berth compartment. I was comfortable. Somewhere near the Andhra-Orissa border I woke up and found everything dark. The train wasn’t moving either. Pitch dark. You couldn’t see anything out of the window."
A Premonition; Recollected

Rubble as Rule

The Changing Landscape of Heritage
Fictions of Unknowability
Cracks in Pernote
Kashmiri homes and livelihoods are disintegrating, with major infrastructural developments and mining projects inducing landslides, disrupting water and electrical channels, and destroying agricultural trade in the region–all in the name of increasing Kashmir's connectivity. Impractical in scope, these infrastructural projects defy all recommendations geological researchers have urged developers to consider for decades: and the government is content leaving Kashmiris in unlivable conditions, so long as the homes are not yet one with the earth.
Bulldozing Democracy
Since his electoral victory in 2014, Narendra Modi’s Hindutva brigade has attempted to render Muslims invisible through hypervisibility. Mob-lynchings "don’t just happen” to Muslims. Thook Jihad is to be expected. By applying microscopic, misinformative attention to Muslim businesses, homes, and livelihoods throughout the country, the BJP has forced Indian Muslims to constantly create hideouts for their humanity. However, as Modi’s monumental loss in the recent Lok Sabha polls indicates, Muslims refusing to accept the social and psychological invisibilization are already leading the charge for a brighter electoral future.
“Not only has the neighborhood lost much of its middle-class transnational identity, but it is also being erased in the media and from the collective memory of Dubai. The livelihoods and lifestyles of Karama’s former inhabitants are threatened as the space for economic participation diminishes with the establishment of more exclusive, privatized, and upper-class modes of living and leisure in the area.”
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Totes
Riso Prints
COMING SOON

INTERVIEWS

The Mind is a Theater of War
The Craft of Writing in Occupied Kashmir
Radical Rhetoric, Pedagogy & Academic Complicity
A State of Perpetual War: Fiction & the Sri Lankan Civil War
Kashmiri ProgRock and Experimentation as Privilege

From Raags to Pitches

For years, “The Urgent Call of Palestine,” a rallying cry from the 1970s by Zeinab Shaath, was a lost cultural artifact until it was recovered in 2017. In 2024, British-Palestinian label Majazz Project and LA-based Discostan released an EP with the titular song, sitting with startling ease alongside contemporary Palestinian music.
KOKOKO!, an experimental music collective from the DRC, has navigated political censorship and the country’s struggles with energy exploitation to create a sound that electrifies the present. Using repurposed household materials as instruments and makeshift cables for amps, they fuse French and South African house with Congolese folk to produce innovative live and stereo listening experiences. Their latest album, BUTU— “the night”—calls on audiences to bear witness to the cacophony of Kinshasa after dusk as a commentary on the political state of Congo at large.
“Loneliest star, shining so brightly / For no one to see. / Loneliest star, tell me your secret / You shouldn't keep it.”
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