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THE
VERTICAL

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LATEST

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VOL 2. ISSUE 1

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Kunduz Map

“GIS-based technologies, most notably involving drones, were instrumental to US imperial violence in Afghanistan.”

Kunduz Map

THE SISTER STATES

In Mizoram, new geopolitical and security measures are dismantling long-standing community bonds and obstructing essential trade in a region accustomed to fluid boundaries. These controls lay bare the disruptions to daily life wrought by political decisions on both sides of the Indo-Myanmar border.
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Violent clashes along the Assam-Mizoram border have a 150-year-old history. The recent border flare-ups may appear most visibly in the superficial disputes of state parliaments, but they have, in truth, roots in both militarism and political economy—particularly the illicut trade of the areca nut—that undergird the construction of ethnic identities.
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“Welcome! Models politicians auto drivers butchers bankers accountants actors liars cheat saints masters slaves herpes gonorrhea HIV syphilis tops bottoms bottoms who top tops who bottom preferably top miserably bottom white black pink yellow brown blue high caste low caste no caste...”
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THE LABOR BEAT

The Artisan Labor Crisis of Ladakh
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Paean to Mother Nature
The Ambivalent Voter
مادری زبانیں
انداز الگ / 
تاریخ الگ
 / بھاؤ الگ
 / باریک الگ
India's Vector Capitalism Model
“The Indian government has been pushing for health IDs with people's biometric data (Aadhaar). It was supposedly voluntary, but it was also required for food subsidies. Health spending in India was less than one percent in 2020—now, the government is commercializing its citizens' health data. Workers are made to work for data without meaningful consent. Many are not even told what they're signing up for.”

An internationalist, leftist literary magazine seeking an activist approach to representation.

Colophon inspired by Rabindranath

Tagore's "Head Study"

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THE AESTHETIC LIFE

Fictions of Unknowability
Origins of Modernism & the Avant-Garde in India
Returning to the Sundarbans
“The most central aspect of what we call literary modernity is that it's centered around humans: Western humans. It's not just that it excludes other kinds of beings, it also excludes most of the species we now call humanity. This doesn't change with post-1945 Western avant-gardism. If anything, that experimentalism resulted into the absolute withdrawal of the human into abstractions.”
Chats Ep. 5 · Tamil translation & Perumal Murugan's “Poonachi”
There's really no shortage of Tamil works to translate, according to N Kalyan Raman, the acclaimed Tamil translator of Perumal Murugan's novel “Poonachi.” On the docket: plays, poems, and works by radical Modernist Tamil literary figures spanning much of the 20th century.
Art historian Partha Mitter challenges the cultural purity predicated on nationalist myths: natural corollaries of the denial of both the existence of the avant-garde in colonial India. and the very real flow of politics and aesthetics that allowed for the emergence of global modernism. Indian avant-garde art was cosmopolitan, concentrated in Calcutta, Lahore, and Bombay, but it remains a challenge to art historiography nonetheless.

INTERVIEWS

The Pakistani Left, Separatism & Student Movements
Bengali Nationalism & the Chittagong Hill Tracts
Public Art Projects as Feminist Reclamation
Photo Kathmandu & Public History in Nepal
Romantic Literature and Colonialism

The Vertical

Books & Arts

Devotion by Design

Community

Fiction & Poetry

Features

Interactive

Khabristan
Provocations on Empathy
Spiritually Chic
LIFE ON LINE
The Citizen's Vote
Speaking Through the Subaltern

TROUBLING THE ANTHROPOCENE

In the wake of the devastating effects of the monsoon season in 2022, villagers in Sindh contend with the loss of their livelihoods and the ecological disaster that’s become increasingly familiar. Sabu Khan Buriro was initially submerged, but the nearby Hamal Lake continued to overflow. Villagers, distrustful of the indifferent and lethargic Pakistani state, took it upon themselves to maintain and strengthen flood protection bunds.
"Our priority is to meet the needs of people on this planet. Not just workers. Not workers at all." A multimedia short using video archival footage, this faux-advertisement is equal parts a history of advertising & the legacy of fossil fuel companies’ manipulation and a disturbing, singular dystopia from one aesthete's point of view.
Information asymmetry, shadowy military operations, mining mafias, and the consent, or lack thereof, of the working class in how their information, labor, and presence are used are all tied to the production, distribution, and consumption of food, energy, and water in India. For climate journalist Aruna Chandrasekhar, this understanding, as well as the proximity of Operation Green Hunt to her hometown, led her to journalism.
T-Shirts
Totes
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COMING SOON
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