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Syncretism & the Contemporary Ghazal

Musician Ali Sethi in conversation with Associate Editor Kamil Ahsan
The Ghazal originated in Arabia in the 8th century. That's the funny stuff right? That in order to retrieve legitimate cosmopolitanism, we have to go back to a medieval multicultural moment.

The Ghazal originated in Arabia in the 8th century. That's the funny stuff right? That in order to retrieve legitimate cosmopolitanism, we have to go back to a medieval multicultural moment.

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ALSO IN THIS ISSUE:
Kareen Adam · Nazish Chunara
A Dhivehi Artists Showcase
Shebani Rao
A Freelancer's Guide to Decision-Making

Watch the interview on YouTube or IGTV.

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Interview
Music
Ghazal
Art History
Historicity
Syncretism
State Repression
Faiz Ahmed Faiz
Khabar-e-Tahayyar-e-Ishq
Siraj Aurangabadi
Mah Laqa Bai
Sensuality
Metaphor
Cultural Repression
Art Practice
Sound
Poetic Form
Performance Art
Grief
Raaga

ALI SETHI is a Lahore-born writer and musician. He is the author of the novel The Wish Maker and a contributor to The New York Times op-ed page. Ali is also a classically trained vocalist. He made his singing debut on Season 8 of Coke Studio Pakistan and was featured on the soundtracks of Mira Nair’s The Reluctant Fundamentalist (2013) and Sarmad Khoosat’s Manto (2015). In 2019 he performed as a soloist at Carnegie Hall. As of July 2018 he is working on a record with producer Noah Georgeson.

14 Oct 2020
Interview
Music
14th
Oct
2020
The Craft of Writing in Occupied Kashmir
24th
Jan
Kashmiri ProgRock and Experimentation as Privilege
21st
Dec
The Pakistani Left, Separatism & Student Movements
14th
Dec
Public Art Projects as Feminist Reclamation
29th
Nov
Musical Genre as a Creation of Racial Capitalism
8th
Nov

On That Note:

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