Since this performance, Lal has been prolific: aside from his collaborations with Rajna Swaminathan, Ganavya, and others, he released raga shorts “Shuddha Sarang” in 2021 and “Bhairav” in 2024, as well as the EP “Raga Bhimpalasi” this August. INTERACTIVE Between Notes: An Improvisational Set Utsav Lal Since this performance, Lal has been prolific: aside from his collaborations with Rajna Swaminathan, Ganavya, and others, he released raga shorts “Shuddha Sarang” in 2021 and “Bhairav” in 2024, as well as the EP “Raga Bhimpalasi” this August. As part of SAAG's live event In Grief, In Solidarity on June 5th, 2021, the raga and jazz pianist and composer Utsav Lal performed a set that kicked off the proceedings. With his quick-fingered approach, glimmering with deep pauses leading to swift digressions that slide through and between notes, Lal—who has been called “ the Phil Coulter of raga ” —began the event by offering a set that was at once meditative and immersive. Lal has performed solo at the Carnegie Hall, Southbank Centre, Kennedy Center, and Steinway Hall, among others, and has been honored as a Young Steinway Artist, amongst others. He has seven solo records, including a historic world’s first album on the microtonal Fluid Piano (2016). In 2023, Lal performed for SAAG's Volume 2 launch event as part of the “ Vagabonds Trio, ” which includes himself, Rajna Swaminathan, and Ganavya Doraiswamy. The performance heralded both a new volume of SAAG and Rajna Swaminathan's latest album, Apertures . Buy Lal's latest release, Raga Bhimpalasi: Indian Classical Music on the Piano, here . ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Follow our YouTube channel for updates from past or future events. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Live Brooklyn Raga Jazz Piano Music Performance Live Performance Improvisation Rajna Swaminathan Ganavya Carnegie Hall Fluid Piano Vagabonds Trio Raga Bhimpalasi Classical Music UTSAV LAL is an Indian-American pianist-composer often known as the "Raga Pianist". Hailed by numerous media outlets as a ground-breaking performer, Lal has performed solo at the Carnegie Hall, Southbank Centre, Kennedy Center, Steinway Hall, among others, and honored as a Young Steinway Artist, amongst others. He has collaborated with Martin Hayes, Dennis Cahill, Winifred Horan, Australian Contemporary Circus Theatre CIRCA, Talvin Singh, George Brooks, Rajna Swaminathan, and has 7 solo records, including a historic world’s first album on the microtonal Fluid Piano (2016). Lal holds degrees in Contemporary Improvisation from the New England Conservatory of Music, and Jazz from the Royal Conservatoire of Scotland. Live Brooklyn 5th Jun 2021 On That Note: Quintet 25th APR “Apertures” with the Vagabonds Trio 19th MAY The Aahvaan Project · Performance 5th JUN

Beatrice Wangui's quest to challenge Kenya’s punitive seed laws tells a larger story about the nature of indigenous knowledge and preservation, as well as that of agrarian labour, situated in a longer history of the public and private approaches to agriculture that are promulgated under the guise of modernization. THE VERTICAL Beatrice Wangui's Fight for Seed Sovereignty in Kenya Beatrice Wangui's quest to challenge Kenya’s punitive seed laws tells a larger story about the nature of indigenous knowledge and preservation, as well as that of agrarian labour, situated in a longer history of the public and private approaches to agriculture that are promulgated under the guise of modernization. VOL. 2 PROFILE AUTHOR AUTHOR AUTHOR Rise by Ian Njuguna. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Rise by Ian Njuguna. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Profile Kenya 22nd Apr 2024 Profile Kenya Climate Seed Sovereignty Agriculture Farming Beatrice Wangui Seed Saving Indigeneity Indigenous Seed Exchange Seed and Plant Varieties Act Agrarian Economy Rural Farmers Seed Savers Network Seed Banks Community Building Gilgil Nakuru County Sustainability Food Systems Organic Farming Environment Climate Change Agricultural Labor Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Farming has always been a bonding point between my father and me. When I ventured into agriculture, I only understood food systems from the point of small-scale farming. As a way of learning, my father would often bring some seeds and cuttings when he went somewhere new. This was one of the ways we introduced new foods to our small farm and onto our plates. In 2012, the Kenyan government enacted a law that made seed saving and exchange illegal, thereby posing a threat to an indigenous system of seed exchange that has persisted for eons. When I arrived at Beatrice Wangui’s house she was showing farmers how to build a vertical garden. Her home is an oasis in the dry Gilgil area and a large group of farmers, local and from other countries, stood around her as she showed them how to make a blend of manure, charcoal dust, and soil to grow vegetables in. This is a regular activity on her small but well-sectioned agricultural island. One side of her farm is a thriving bunch of vertical gardens teeming with leafy greens. Corners on the ground spot herbs like mint and rosemary. There is a short spread of beds hosting at least six varieties of managu (black nightshade ) , terere (Amaranth ) , mitoo (slenderleaf) and saget (spider plant). Now 59 years old, Beatrice has been an organic farmer for many years as well as champion of seed sovereignty. Indigenous communities in Kenya have had to work around the systemic effects and hurdles in the way of corporate capture of seeds, promulgated in the form of millions of US dollars by international seed companies to monopolize the seed sectors in Africa. I wanted to dive into the world of seed saving to see how people responded to or worked around the law that criminalized these traditions. Beatrice training a group of visitors on creating vertical gardens. Photo courtesy of the author. Seed sovereignty upholds the farmer’s right to save, use, exchange, and sell his or her own seeds. Seed regulation in Kenya began in 1972, ten years after the country gained independence. The Seed and Plant Varieties Act of 1972 entered into force in 1975, was promulgated in 1991, and later amended in 1994. While Kenya joined the World Trade Organization (WTO) in 1995, the country had already enacted its own unique (sui generis) law on Plant Breeders' Rights (PBRs). However, this PBR law did not take effect until 1999 after Kenya ratified the 1978 Act of the International Union for the Protection of New Varieties of Plants (UPOV). In 2012, Kenya updated its PBR law through the Seeds and Plant Varieties (Amendment) Act . Then, in 2015, the country furthered its commitment to UPOV by ratifying the 1991 UPOV Convention, which outlines stronger protections for new plant varieties. Today, seed saving is an essential part of Kenyan livelihoods, especially in rural parts of the country. In Kenya, 70 percent of the rural population is dependent on agriculture. As a child, I remember when my parents would return from visiting new places with some form of seed propagation. They could be suckers for a new vegetable, vines, or a handful of seeds – all a means to grow the crops that caught my parents’ interest. This was how I came to know and love a vegetable called rhubarb. In many rural homes across Kenya, kitchens are not only a space to prepare food. Hanging on walls, under the traditional fire racks near the fireplace are seeds tied up in leaves along with calabashes. The warmth from the fire dries them out and the smoke makes them nearly pest-proof. Smoking is one of the most traditional modes of seed saving. In many communities, other methods such as diatomite, cow dung, soot, and ash are used. This is a tradition for most, if not all the communities in Kenya. Slenderleaf pods at Beatrice’s farm. Photo courtesy of the author. Punitive Seed Laws The Seed and Plant Varieties Act of 2012 criminalizes farmers from “selling, sharing and exchanging” unregistered or uncertified seeds. Farmers who break the law risk a prison sentence of up to two years or a fine of up to a million Kenyan shillings. Beatrice says she refused to keep silent in the face of laws that promote corporate greed over the lives and livelihoods of communities across the country. She joined other farmers and civil society organizations as a petitioner in a case against the law prohibiting seed saving. The alliance of farmers and activists has courageously spoken up against the laws, arguing for the rights of small-scale farmers to save, exchange, and use their seeds freely. Their persistence and hard work has inspired farmers across Kenya to join their cause. They hold seed exchange fairs to fight for the right to cultivate indigenously obtained and retained seeds. Apart from them, fifteen other small land-holding farmers have filed a petition to the court to amend the law. Speaking to Beatrice feels like a plunge in a well of seed preservation knowledge. On a tour of her seed-saving facility, she pointed out the strategic use of all the materials she had on hand. She explained how each element played a role in ensuring the survival of seeds for up to years in glass bottles. Even though her village has no piped water, the facility carries stacks of jerry cans filled with water. The water helps keep the temperature low which reduces heat damage. The room is also low and near the ground. Beatrice at her community seed bank. Courtesy of Gregory Onyango As custodian of the community seed bank, Beatrice is tasked with ensuring that the seeds are in tip-top shape by the time farmers come to collect them. “Farmers bring in their seeds after drying them,” she says. “And they must wait at least a season before they come to get seeds. A farmer cannot take all the seeds at the same time. There was a year we had two failed rainy seasons and only the last batch of the seeds made it.” It begins with inspecting the seeds for moisture content. If the seeds do not pass this test, the farmer is required to take them back and reduce the moisture content to the required level. The next step is to check out the seed's germination percentage. "This is done by picking about 10 seeds, placing them in a bowl, and covering them with a wet tissue. In about 5 days, we observe how many out of the ten have germinated," Beatrice explains. If three or fewer seeds germinate, it means the germination percentage is low and the seeds are not of good quality and cannot be stored. Depending on the quantity of seeds, some are stored in airtight glass bottles while others are stored in buckets. A film of ash from special trees and bushes is spread over the seeds to keep both moisture and pests off. With help from organizations such as The Seed Savers Network , Beatrice has been able to increase her knowledge and capacity for seed saving. The Seed Savers Network was registered in 2009 and to date, has helped establish more than 52 community seed banks, including one that Beatrice looks after. The Seed Savers Network, she says, taught them seed characterization which is a process they follow from when they plant a seed to when they harvest it. Beatrice Wangui in her garden. Courtesy of Gregory Onyango Beatrice is keen on passing on this knowledge to her children and grandchildren. Her granddaughter who is named after her and attends a local secondary school, is very hands-on with the project. She has grown up around her grandmother and has learned how to tell different varieties apart and how to preserve each of them. “When she is around and I have visitors, she teaches them just as well as I can. She understands how to handle seeds and crops alike,” she shares. For Beatrice and others like her, awareness of such methods and passing on their teaching is an integral part of the process without which indigenous knowledge would disappear. With help from organizations such as The Seed Savers Network, Beatrice can meet other seed savers from across Kenya and the world. As she shows me around, explaining varieties of maize, beans, tomatoes, and vegetables she hopes the indigenous knowledge, varieties, and preservation are not stifled by punitive seed laws. As she fights for indigenous seeds through the law and by practicing traditional methods, she hopes her cross-generational efforts pay off and the indigenous crop varieties stand the test. Beatrice is one of many people and organizations working to maintain the s tate of seed sovereignty . Despite the immense challenges posed by the corporate consolidation of the seed industry, the movement for seed sovereignty continues to gain momentum around the world. From seed libraries and seed swaps to on-the-ground breeding projects, countless individuals and communities are taking steps to reclaim their ancestral seed heritage and maintain biodiversity. By resisting the privatization of this vital common resource, seed savers stand as stewards of food security and biodiversity for present and future generations. Though the battle is an uphill one, the remarkable resilience and creative cross-pollination within the seed sovereignty movement offer a path toward a more regenerative, equitable, and sustainable food system. ∎ More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

ARTIST OCTO OCTO is a self-taught Malaysian artist from Mentakab, Pahang, whose multidisciplinary work focuses on the violent politics of the Malaysian state, creatively engaging his practice in themes of police brutality, statelessness, and urban poverty. His art has been featured in Amnesty International's We Make Our World exhibition and Patani Art Space's Kenduri Seni Patani exhibition. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

And what if they're union-busting but still paying really well? BOOKS & ARTS A Freelancer's Guide to Decision-Making Shebani Rao And what if they're union-busting but still paying really well? ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Not enough "choose your own adventure" content? Leave us an angry note & we will oblige. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Comic Freelancing Gig Work SHEBANI RAO is a comic artist, illustrator, and activist who creates work about race, mental health, feminism, pop culture, incarceration, and more. Comic Freelancing 22nd Feb 2023 On That Note: Dissident Kid Lit 20th DEC On the Ethics of Climate Journalism 22nd AUG

ARTIST Jayeeta Chatterjee JAYEETA CHATTERJEE completed her BFA in Printmaking from Kala Bhavana, Visva Bharati University, West Bengal. Through her practice, she highlights the issues within the domestic and monotonous lives of middle-class women, particularly from lower-income groups living in small towns. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

ARTIST Saara Nahar SAARA NAHAR is currently pursuing her UG in Visual Arts, Painting at MSU Baroda. She responds to the people and places/spaces in her surroundings, attempting to capture their essence. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

WRITER Harshana Rambukwella HARSHANA RABUKWELLA is the director of the Postgraduate Institute of English, Open University of Sri Lanka, and the author of Politics and Poetics of Authenticity: A Cultural Genealogy of Sinhala Nationalism (2018). His work has appeared in the Journal of Commonwealth Literature, boundary 2 , and Journal of Asian Studies , among others. He has been a fellow of the Institute for Advanced Social Studies and Humanities (IASH) at the University of Edinburgh. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Solidarity failed when it came to a dire Afghan refugee crisis, decades in the making. THE VERTICAL Everyone Failed Us Arash Azizzada · Irene Benedicto Solidarity failed when it came to a dire Afghan refugee crisis, decades in the making. “A group of women leaders are badly in danger and one of them is my mom. I really searching for a person who can help us. They attack our home at first…. I hope you can help us. Every one of us really get depressed, please help us to get out of here.” THE BARRAGE of messages I receive, like the one above from western Afghanistan on almost a daily basis has not stopped, even a year later. Desperate daily emails from Afghans seeking refuge and safety flood our inboxes. Some are social activists, human rights defenders, former interpreters, and women leaders at risk of retribution from the Taliban. Other marginalized groups such as Hazaras and Shias have already been victims of ethnic cleansing by the Taliban and remain targets of ISIS attacks. Women activists have been disappeared by the Taliban authorities. Afghans seeking evacuation hold onto hope in what seems to be a hopeless situation. No longer expecting the international community to come to their rescue, for governments and institutions to do what they’re supposed to do, they rely on community organizers like myself and others. For two decades, America bragged about what it was building in Afghanistan. Last summer, the “Afghanistan project” was exposed for the facade that it was: a hollow rentier-state that only held ever legitimacy with Western donors and not with the Afghan people. Despite obvious bubbles of progress where hope flourished amidst the violence, the impending threat of a drone strike or Taliban suicide blast was always around the corner. Some rural areas were battered and mired in misery due to violence and poverty; others flourished, led by Afghan women and marginalized communities. The only constant was never-ending conflict. It seems as if the U.S. built a house of cards in Afghanistan, created in its own image, a house that started falling when the chains of dependency were challenged. The alliance with human rights abusers, the elevation of notorious pedophiles, and funding of endemic corruption brought back to power an oppressive, authoritarian regime that is erasing women, marginalized ethnic groups, and the disabled from public and daily life. The U.S. ran prisons where innocent Afghans were tortured. Entire villages were wiped off the map, and this was excused away as collateral damage. The U.S. spent years telling Afghans to pursue their dreams, break barriers, and challenge cultural norms. Then, it turned its back on them and betrayed them. Perhaps those of us who dreamt of a better Afghanistan were at fault for having expectations of a country whose very existence was kickstarted by genocide, a country where American presidents attempt brazen coups and its own citizens storm its political headquarters. The grim reality that we bore witness to these past few months is one that anyone who has paid attention to Afghanistan could have seen coming. There is even a U.S. agency–the Special Inspector General for Afghanistan Reconstruction (SIGAR)--which is dedicated to overseeing how reconstruction money was used in Afghanistan. In report after report, year after year, quarter after quarter, SIGAR wrote about the ghosts that the U.S. created–schools and hospitals that didn’t exist and a 300,000-man army that only functioned on paper. The Washington Post even devoted a series titled “The Afghanistan Papers, ” to showcase how policymakers and Pentagon officials had lied and deceived the American people about its success and accomplishments for 20 successive years. Nobody cared. The failure to value Afghan lives, however, lies not just with policymakers and elected officials. Certainly, the list of those responsible for the current situation in Afghanistan is long, ranging from Afghan elites to American elected officials from both parties going back four decades. Administration after administration has deprioritized Afghan lives and centered the needs of American hegemony. Congress held hearings on Afghanistan and yet rarely featured any Afghans. Policy discussions on Afghanistan in Washington D.C. at influential think tanks left out Afghans entirely. Afghans were left invisible in an occupation that lasted so long that it became not the “forever war” but rather the “forgotten war.” Afghanistan had disappeared from the psyche of the American people. Even when SIGAR released a report on rampant corruption that was wasting billions or when the Washington Post talked about lie after lie coming from the Pentagon, America just didn’t seem to care. The right-wing was too busy destroying democracy, the Democratic party was too busy fundraising from defense contractors, and the anti-war Left was too white to put Afghans and other impacted communities at the forefront. In our own Afghan American community, too many in our diaspora were profiting off the occupation. Their kids will go to prestigious American colleges, while Afghan girls will not be able to go to school at all and are robbed of a future. An international audience did finally pay attention to us last summer. American media, though, centered on the feelings of almost a million veterans who served in Afghanistan rather than asking Afghans how a withdrawal would impact them. The images of Afghans clinging onto the bottom of a military cargo plane had the world hooked. What does it say about our humanity that it took those tragic images for everyone to ask what we can do to help? For just a few days, people across the globe valued Afghan life. But moments like that are fleeting–Afghan history is littered with broken promises. Some of us have read enough history to know that the international community will not learn the lessons of its failure in Afghanistan and begin centering on the needs of the Afghan people. The Taliban spends every day perfecting its repression while the world has moved on, despite empty tweets and statements of solidarity. Today, as a year has passed since the chaotic withdrawal, wide-ranging sanctions on Afghanistan and theft of Afghan assets by the U.S. continue to inflict immense pain on innocent Afghan people, causing a humanitarian crisis that will likely lead to mass-scale death through malnutrition and starvation, a policy that disproportionately impacts Afghan girls and women. The United States’ attitude remains the same: focusing only on self-interest, even if it harms Afghans, except now it is done through economic warfare rather than through bombs built by defense contractor companies like Lockheed Martin and Raytheon. Afghans deserve justice and reparations for the harm America has caused in my home country. Despite that vision for the future, what America leaves behind are closed immigration pathways and a desire to pretend Afghans don’t exist in the first place. Perhaps if a few more Afghans clung onto a plane leaving the Kabul airport, someone would care. ∎ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Photograph courtesy of Arash Azizzada (November 2019). SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Op-Ed Afghanistan Refugee Crisis US Imperialism The Failure of the Diaspora ARASH AZIZZADA is a writer, photographer, and community organizer based in Los Angeles, CA. The children of Afghan refugees, Arash is deeply committed to social justice and building communities. He co-founded Afghan Diaspora for Equality and Progress (ADEP) in 2016, aimed at elevating and empowering changemakers within the Afghan community. He recently co-launched Afghans For A Better Tomorrow (AFBT), and has focused on evacuation and rapid response coordination efforts in the wake of America’s military withdrawal from Afghanistan. He has written for the New York Times , Newsweek , and been featured on NPR and Vice News . IRENE BENEDICTO is an investigative and data reporter with ten years of experience working as a journalist. She has covered breaking news and written in-depth long-form stories, local and international news from eight different countries on three continents, including the political hubs of Washington DC and Brussels, and three investigative data projects on migration, public health, and social inequities. Op-Ed Afghanistan 24th Feb 2023 On That Note: Heading 5 23rd OCT Heading 5 23rd Oct Heading 5 23rd Oct

In 'Daha Rupaychi Note', Hamid Dalwai tells the story of Kareem, a poor clerk journeying from Mumbai to his Konkan village for Eid and Ganesh Chaturthi. Amidst nostalgia and hardship, Kareem witnesses his village’s stark poverty, confronting the harsh realities of his people’s suffering. Through his act of charity and the symbolism of the titular ten-rupee note, Dalwai blends personal, literary, and political ideologies, exploring themes of communal harmony, economic reform, and the complex interplay of religion and identity within the socio-political landscape of post-independence India. · FICTION & POETRY Translation · Maharashtra In 'Daha Rupaychi Note', Hamid Dalwai tells the story of Kareem, a poor clerk journeying from Mumbai to his Konkan village for Eid and Ganesh Chaturthi. Amidst nostalgia and hardship, Kareem witnesses his village’s stark poverty, confronting the harsh realities of his people’s suffering. Through his act of charity and the symbolism of the titular ten-rupee note, Dalwai blends personal, literary, and political ideologies, exploring themes of communal harmony, economic reform, and the complex interplay of religion and identity within the socio-political landscape of post-independence India. Vinay Ghodgeri, The Two Pontificators (2022). Ink, digital painting. Ten Rupee Note The story begins and ends with a bus ride. Kareem, an impoverished clerk living in Mumbai, decides to visit his village in the Konkan to celebrate both Eid and Ganesh Chaturthi. While his journey there is filled with both nostalgia and anticipation, his return is marked by a different set of emotions. As his aunt remarks, “everything is upside down in the village,” where everyone is impoverished and unemployed, and the starving can do nothing “except sit and wait hopefully for next year’s harvest.” Confronted with this catastrophic state of affairs, he gives away his scant savings in a “pathetic charity session” until he is left only with the titular ten rupee note. “Daha Rupaychi Note” was my first encounter with the Marathi Muslim journalist, writer, and reformer Hamid Dalwai . Written when Dalwai was just twenty years old and printed in the Marathi-language “Dhanurdhara” magazine on November 8, 1952, the story was his first published work. In a recent documentary directed by Jyoti Subhash and featuring Naseeruddin Shah, Husain Dalwai—Hamid’s brother and Congress politician—reminisced on its publication, recalling that the entire family had gathered under the dim light of a streetlamp to read it together. Despite his young age, his earliest work rings with the earnest idealism, unambiguous moral clarity, and straightforward, laconic prose that would characterize much of his later writing, fiction and non-fiction alike. Brusque and unambiguous in its endorsement of communal harmony, economic reform, and village uplift, “Daha Rupaychi Note” reads propagandistically at times, blurring the borders between literature, praxis, and even autobiography. Through this hybrid form, the interplay between Dalwai’s personal life, creative instinct, and political commitments is laid bare. Like his protagonist, Dalwai was born and raised in a working-class Ratnagiri family before moving to Mumbai in search of work. This migration story is a familiar one: my grandfather, also a Kokani Muslim, came to Mumbai in the 1940s as an officer in the merchant navy. Like Dalwai, he was of a literary bent, writing and translating between Marathi, Urdu, and English. He, too, was charming and mercurial, his disarmingly light eyes quick to anger and quicker to laughter and brandished his acerbic wit with a typical Konkan sting. If they ever met, I imagine Dalwai would have quickly adapted my grandfather’s sardonic catchphrase, “ naseebach gandu tar konashi bhandu. ” But whereas my grandfather spent those heady decades of independence hopping between port cities in Japan, Thailand, and the Soviet Union, Dalwai hopped between political organizations, from the Rashtra Seva Dal to the Samyukta Socialist Party. Frustrated by their timid stances on communalism, he eventually carved out his own political spaces by establishing the Indian Secular Society (1968) and the Muslim Satyashodak Samaj (1970); the latter modeled after Jyotirao Phule’s anti-caste reform society. Through his organizing and writing, his ultimate goal was to modernize Indian Muslim society by, in his own words, “creating a small class…of liberal and secular Muslims.” Dalwai is difficult to categorize and perhaps for that reason, he has been largely forgotten by historians, literary critics, and the public. On the one hand, he was, indisputably, a Marathi thinker. The landscape and rituals of the Konkan coast—its “distant green hillocks” and its “auspicious sounds of cymbals and mridanga”—were firmly imprinted in his literary and political consciousness. Influenced by his Marathi-medium education in Chiplun, he wrote exclusively in Marathi and encouraged Indian Muslims to embrace their regional languages rather than chasing after Urdu, Persian, or Arabic; when interrogated about his linguistic preferences, he quipped that his own Marathi-inflected Urdu, adulterated by Mumbai slang, would cause a “proper” Urdu speaker from Lucknow to collapse on the spot. His Maharashtrian contemporaries, from the humorist and performer P.L. Deshpande to the playwright Vijay Tendulkar, praised his tenacity and courage, with the former naming Dalwai as “one of the greatest enlighteners in that series from Jyotirao Phule to B.R. Ambedkar,” and, with characteristic fulsomeness, remarking that “when I say that Hamid was my friend, I feel it might come across as self-promotion: that was the extent of his greatness.” Yet, Dalwai is near impossible to locate in contemporary histories of Maharashtra, which, depending on their ideological predilections, have long sought to portray the state as the great bastion of resistance to Islamic rule, the progenitor of polemical politicians from Tilak to Ambedkar, or the financial center of independent India. In a historiography dominated by analyses of Marathas, Hindutva, and, increasingly, at long last, anti-caste mobilization, the history of Maharashtra's Muslims remains peripheral. On the other hand, Dalwai both identified with and critiqued a different lineage: that of Muslim reformers from Sir Syed Ahmed Khan to Muhammad Iqbal and Muhammad Ali Jinnah. In Muslim Politics in Secular India , a collection of his essays translated by Dilip Chitre in 1968, Dalwai compared the trajectory of Hinduism and Islam. Whereas the trajectory of Hindu modernism, he argued, progressed from Raja Rammohan Roy to Jawaharlal Nehru, the “process of Muslim modernization was arrested” when Iqbal and Jinnah’s embrace of “Islamism ultimately led to anti-Hinduism.” For Dalwai, these reformers fell short on several counts: they promoted an “obsession with [the Muslim community’s] minority status,” encouraged a “tribal…collectivist loyalty,” and ignored the unique plight of Muslim women. Indeed, Dalwai is perhaps most well-known for his attempts to remedy this third issue; on April 18, 1966, he led a group of seven women in India’s first march against triple talaq and polygamy, and in favor of a uniform civil code (UCC). Here, we may note that nearly sixty years after his march, from the controversial Shah Bano case to the BJP’s inclusion of a UCC in its 2024 manifesto, many of these issues remain deeply contested. Yet, unlike Sir Syed, Iqbal, or Jinnah, Dalwai’s idea of modernization demanded militant and uncompromising secularization. Clean-shaven on principle—at a speech in Solapur, he joked, “if I were in power, I would compel all Muslims to shave off their beards”—and adamant that he be cremated rather than buried, Dalwai was branded a kafir by his orthodox contemporaries. His dedication to Muslim reform was borne more from an accident of birth rather than any deep religious commitment: “I don’t pray, neither do I fast. I believe the Quran was not made by God, but rather by Muhammad,” he declared in an interview. “I am a Muslim by birth and a Hindu by tradition.” In “Daha Rupaychi Note,” we catch an early glimpse of this iconoclastic brand of Islamic secularism. The twin celebrations of Ganesh Chaturthi and Eid dictate the story’s pacing: they precipitate Kareem’s arrival in the village; they prompt his existential reckoning, and they frame the central tension of the narrative. Dalwai’s reclamation of Hindu tradition is also, perhaps, revealed through Kareem’s references to the Ramayana. By drawing parallels between Sriram, his closest friend who “embodied Gandhi’s call to ‘go to the village’,” and the Rama of legend, Dalwai intimates familiarity with Hindu mythology and suggests at least some amount of faith in its teachings. Here, we must underscore the complex, multivalent nature of Dalwai’s religious and regional identities: as a Marathi Muslim, his perspectives on secularism, socialism, and language politics were shaped by his negotiation of the two strands of thought I have traced above. His marginalization, then, constitutes multiple, overlapping disappearances: of Muslim thought from Maharashtrian history, of Marathi thought from Indian Muslim history, and of the Islamic secular from discourses of religion, nationalism, and modernity. As Kareem sets off from Chiplun, he is overwhelmed by emotions, his heart “darkened with despair.” Caught between the financial allure of Mumbai and the moral imperative to remain in the village, negotiating between the festivals of his birth and his tradition, he chooses to remain hopeful for the future of the Konkan. How many times did Dalwai make this same journey, his thoughts consumed by these same anxieties? How many times did my grandfather? I’ve never set foot on the red soil of his native land, never peered out into the Arabian Sea from that lush coastline dotted with jackfruit and cashew trees and since his passing more than two decades ago, any tether binding me to the region has unraveled. In any case, the Konkan of his—and Dalwai’s—time is long gone. Perhaps it is a fitting tribute to both men that his son, in the spirit of “Daha Rupaychi Note,” would go on to marry a Hindu woman and raise a family where, like Kareem and Sriram, we celebrate both Ganesh Chaturthi and Eid. Ten Rupee Note by Hamid Dalwai Translated by Ria Modak After spending a year in the noisy chaos of Mumbai, my mind drifts to my village in the Konkan. I remember the uninhibited, idyllic days of my childhood, and feel the temptation to meet old friends and relatives. Every summer, I take a week or two off to visit the village, setting foot on the boat from Ferry Wharf to Dabhol. This year, however, I was too consumed by work to make the journey. A few months later, though, I managed to negotiate a vacation; my aunt had sent a message telling me to come home for Eid. Besides, it had been many years since I’d been back to celebrate Ganesh Chaturthi. I decided that I would go, and booked an S.T. bus. At the Chiplun motor stand, a couple hours from Ratnagiri, some friends came to greet me. We traveled the rest of the way together, cracking jokes and chatting about nothing in particular to pass the time. Once we arrived at the village, they drank their tea and dispersed, promising to come see me again. I made my way to my aunt’s house. She lived alone, and we were very close. Since I was a child, my visits would incite a flurry of overexcitement: what shall I cook? What shall we do? Where shall we go? Even now, nothing has changed: how long will you stay? What shall we plan for Eid? Eventually, tired of her chattering, I interrupted: “Chachi, why haven’t I seen Sriram anywhere? He didn’t even come to meet me at Chiplun.” “Arrey ho! Did I forget to tell you? He’s lost everything. The farm, the land, everything has been auctioned off. But what’s to be done?” she said. “But why doesn’t he come to Mumbai then? Why is he wasting his time in this village? ‘Social work… social work…’” Kareem scoffed. “We might die of starvation, but we must still commit ourselves to social work. I don’t understand.” She let out a sigh. “I’ve told him so many times, but he always repeats the same thing: ‘we shouldn’t only look out for ourselves, kaki.’” Tears shone in her eyes. I was taken aback. I’d run into so many acquaintances from the village in Mumbai, but none of them had told me about Sriram’s condition. It’s true that we’d stopped writing letters to each other as the months passed. As I became increasingly caught up with work, I suppose I’d taken Sriram’s situation for granted. “Look, this is everyone’s story in the village. Everything is upside down. You lot who’ve gone and built a life in Mumbai, why will you remember your home in the village? You don’t even know who’s alive and who’s dead here. You haven’t sent a penny in four months. At least you haven’t settled down yet—there are some people who haven’t returned in five or ten years. Who will take care of their houses?” the old lady went on. Staying in Mumbai, my mind had become an emotionless machine. How could it be that I’d never once thought about the economic state of my village? Today my aunt had opened my eyes, and I turned inwards. The thick fog shrouding my mind evaporated. I let go of the day-to-day tedium of my clerical life, and the formality of my city sensibilities melted away. But what good could come from thinking? I’d renounced any golden dreams of idealism and ambition and was wandering in the lonely desert of pragmatism. For 120 rupees a month, I scribbled nonsense and passed it off as clerical work. I lived with a friend and ate my meals at a cheap mess. I couldn’t imagine ever having enough money to get married. The next day, I was awakened by a pair of raucous voices. At first, I didn’t pay attention, but once I heard my name, I perked up. An old woman said, “He hasn’t remembered me once in so many days. Has he returned from Africa with bags of cash or what?” Quickly, I got up and left. I didn’t see who had come. Only after my aunt explained did I begin to understand that the woman was having money problems for Eid. I felt terrible, but then my aunt prodded me: “Why are you feeling bad? This is everyone’s reality. How many people can you possibly help?” Then she took 100 rupees from me, buying what she needed for the house and paying back her debts with the rest. I felt as though she was getting even with me for not having sent money these past few months. From that day onwards, there was a line out the door. At any given moment, someone or the other came complaining of financial distress, expecting money. My tongue sat heavy and numb in my mouth. They came reluctantly, nursing their shame and hesitation, losing their courage as they asked favors. I’d only come with 200 rupees: of that, 100 had gone to my aunt. Of the rest, 90 were given here and there. Finally, I put an end to this pathetic charity session. I wanted to return to Mumbai, after all, and needed to set aside money for the return fare. Everyone I’d given money to had done me a favor at some point or the other. I was satisfied that, at the very least, those debts were paid. But my satisfaction didn’t last long. Ganesh Chaturthi came at last. In the old days, the village would ring with the auspicious sounds of cymbals and mridanga. But today, I heard nothing. Confused, I asked my aunt, who replied: “Arrey baba, how can people celebrate with nothing in their belly? The old days are gone. Two days before the Gauri Visarjan, there’ll be some dancing and that’s it, the festival will be over.” I felt like I’d been stabbed in the stomach with a sharp knife. Poverty hadn’t just made our daily life miserable: it had cast a dark shadow on our celebrations, our happiness, and our enthusiasm. I had no doubt that Eid, too, would be similarly dark. Eight days passed, but Sriram, my closest friend, still hadn’t come to see me. If anyone embodied Gandhi’s call to ‘go to the village,’ it was Sriram. Though he’d once settled in Mumbai, he had kicked aside his lucrative job in the city and instead devoted himself to uplifting the village. Finally, I went to see him the day before Gauri Visarjan. Standing in the corridor, his face lit up with joy when he saw me. At once, he enveloped me in a tight hug and cried out to his wife, “Hey, look who has come!” Coming out with a handful of ash from cleaning up, she said, “O Chakarmani! When did you come? Yesterday or what? Made it a point to come see us as early as you could manage, hm?” Ignoring the sarcasm dripping from her voice, I said, sagely: “If the mountain doesn’t come to Muhammad, Muhammad must go to the mountain.” “Enough is enough! Please don’t bore us with the same old phrases. I’ve been telling him, ‘that friend of yours has come, go and see him,’ but he always repeats the same thing…” Catching a glimpse of her husband, she fell silent. I couldn’t wrap my head around the situation, but Sriram explained. “Don’t be flustered, my friend. I told her that Kareem has come from Mumbai. His pockets are overflowing, everyone must want a piece of him. The poor must be going to see him again and again. How could I go at such a time? He’d think that I’m just after his money, too.” Sriram laughed loudly. His laughter pierced my heart. The poverty of the village, the sheer decline of the Kokan was all revealed to me through that laugh. I said, casually: “Listen, if you’d come to ask, would it really have been so terrible?” “That’s what I told him,” his wife jumped in excitedly. “There’s always some problem in the house. I told Sriram, ‘go to Kareem bhai and bring back 10 rupees.’ At least let the kids enjoy the festival. But he refuses. ‘Forget the money,’ he says. ‘I won’t go see him until Eid is over.’” “Kay re, when I came last year the situation didn’t seem so bad,” I said. “True, for two reasons. Firstly, you used to come in the summer. Even though the harvest wasn’t so bountiful, at least people had some grain in their hands. Besides, farm work was in full swing. There might not have been much money, but people could at least find some seasonal work. Now there’s no grain and no labor, either. What else can the starving do except sit and wait hopefully for next year’s harvest? And the other reason is that this poverty has been slowly getting worse over time. Today, you’re witnessing it, all at once, in its barest form. Planting his eyes on a distant green hillock, he said in a subdued and determined voice, “All this must change Kareem. It must be changed . We must give up our narrow, selfish attitudes. Capitalism is the culmination of our social structure and the naked form of our reality; it is our legacy. This situation isn’t any one person’s fault, but at the same time, it’s not any one person’s responsibility. We must reject this futile idea that we alone can enact meaningful change. We must work for everyone, for society at large. Last year I’d said, ‘let’s store some grain from the harvest for communal use.’ Nobody listened to me. Someone would’ve benefitted by now, wouldn’t they? But nobody has any sense of community wellbeing!” And he stopped for a while. I too was eager to give him an earful. Taking his silence as my cue, I said, “Really, Sriram. Why do you insist on working in this village? Haven’t you seen what kind of people live here? Why bother struggling for them in vain?” “Nahi re!” Placing his hand on my shoulder, he continued. “This work will bear fruit one day. I have faith in it. And consider for a moment if I decided to leave everything behind. What would happen to the work I’ve started, to the hope that’s been built up? I can’t turn back now.” Then, squeezing both my hands lovingly, he asked me, “Is everything okay with you? When are you going to get married?” I replied with a wry smile, “I’m okay. I’ve been eating at a mess and sleeping at a friend’s place, but he just got married, so I’ve had to move out. An acquaintance of mine knows someone who owns a building, so with his permission I’ve been sleeping in a room under the staircase. Where could I possibly fit a wife?” Then I asked him gently, “Do you really need money?” “If you put it like that, well then yes. But why should I make your life difficult?” Taking out the last ten rupee note from my pocket, I forced it into his hands. I drank my tea, bade farewell to his wife and child, and returned home. Eid and Ganesh Chaturthi came and went, and the day of my return to Mumbai drew closer. Both festivals had fallen short of my expectations. There was no warmth in people’s celebrations. They were just going through the motions, performing rituals with an emotionless formality. I couldn’t bear to see any more, and decided to return to Mumbai as soon as possible. Suddenly, I remembered I had no money. I needed ten rupees to return to the city, but couldn’t understand how to get them. Finally, I brought up the subject with my aunt. Angered by my ill-timed munificence and diminishing funds, she said, coldly: “Where will the money come from now? You’ll have to borrow from someone and just pay them back when you return to Mumbai.” The idea didn’t sit well with me, and I gave no answer. The next morning, while I mulled over the situation, confused, Sriram came and, to my surprise, placed a ten rupee note in my hand. Without letting me say anything, he explained, “If you were in trouble, why didn’t you just tell me, baba? Yesterday, kaki came to me and everything became clear. Aren’t you leaving tomorrow?” I took the note from his hand and looked closer. It was the very note that I’d given him! There was an unmistakable stain near the watermark where I’d spilled some ink earlier. “But this money was for your celebrations! Isn’t it the same note that I’d given you?” “That’s true enough. But on the very evening you’d come to see me, I got the money I needed from someone who owed me, and I was set. What business is it of yours?” The next day when the S.T. bus to Mumbai set off from the Chiplun motor stand, my heart was darkened with despair. I couldn’t stop thinking about the grim future of my village. I thought to myself, “won’t this situation ever change?” But then again, why not? Against the depressing backdrop of poverty, hunger, and unemployment emerged Sriram’s strength, patience, and courage. Why not, indeed! Just as Sri Ram released Ahalya from her curse, transforming her from hexed stone back into a beautiful woman with a brush of his foot, this Sriram too will surely rescue our Konkan. My mind filled with happiness and hope, I landed in Mumbai that evening.∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Translation Maharashtra Hamid Dalwai Muslim Marathi India Fiction Journalism Writer Reform Economy Borders Community Literature Working Class Migration Family Urdu English Political Will Anti-Caste Organizing Liberalism Secularism History Literary Criticism Regional Languages Linguistic Marathas Hindutva Maharashtra Muslim Modernization Civil Society Militant Disappearance Religion Nationalism Ten Rupee Note Mumbai Konkon Village Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 17th Feb 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Through this short work of fiction, a Tamil writer extends solidarity to Gaza, bringing to light the torment and suffering of ordinary lives during genocide. FICTION & POETRY Gaza’s Street AUTHOR AUTHOR AUTHOR Through this short work of fiction, a Tamil writer extends solidarity to Gaza, bringing to light the torment and suffering of ordinary lives during genocide. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Gaza Palestine Tamil Fiction Solidarity Short Story India Genocide Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Gaza Palestine 24th Jun 2026 The restless Mediterranean water struggles in endless desperation to lift the peace that lies within its ocean depths to meet the shores of Gaza. Humid winds awakened by the waves reach out to the refugee camp residing by its side to wipe away the imprints of tears and blood that weigh on the souls that dwell there. The salted air that once blew through houses undestroyed by bombs, through the babbling smiles of children, through the pranks and joys of its youth, through the resting elders, and through the pleasures of lust between couples now blows through tents filled with withering lives, in search of all that has been lost. Vulnerable to rain, cold, heat, and bombs, the refugee camp consists of hundreds of small tents so closely packed together that even hushed whispers are heard as cataclysmic inconveniences. When rumors of bombings spread, the people of the camp, like anxious flapping birds burrowing within their nests, bury themselves within the smallness of their tents. Through the tent opening, their eyes fearfully watch the skies with intent, as their bodies tremble on the soil. They only come out from hiding, in those fleeting moments when the skies bear no weapons, when only peaceful clouds dwell in the vastness of sunlight. In moments when the fear subsides, the elderly Fatima reminisces about the past. - It was only a few months ago that both her husband Ahmed, who had already lost his left leg, and their son Rashid, were swallowed whole by the bomb’s heat. Afterward, Salma, her young daughter-in-law, and Yasin, her two-year-old grandson, were her only roots of existence. In their small lives within the camp tents, Salma raised her son, shielding him from the memories of his father. Fatima, on the other hand, wanted Salma to be freed from the hauntings of her husband’s death. Yet even when Fatima cared for Salma as a mother, it was difficult for her to unburden the worry that had settled deep within Salma's eyes. “They are giving out relief supplies at the UN office. I will go and get them. Until then, you go speak with folks in the other tents,” Fatima told her daughter-in-law that day. Salma, however, retorted, “You stay at home and take care of Yasin; I will go and get them," and she walked the long journey to get the supplies. The most important reason why Salma went to get the supplies was because it allowed her to walk through the same streets where she had once happily lived with her family. But now, the Israeli army, alleging the presence of “terrorsim” on Gaza’s streets, brought entire roads under their sudden control. In these moments, they prohibited people from traveling that way. Even though the journey was long, Salma knew that to get the relief supplies, this street that they once lived on, was the best shortcut. She knew every nook and cranny of this path. If she travelled through the other streets, it would take her further and longer to reach, and by then the relief supplies would have finished as well. Without walking straight down the road, and using certain alleyways instead, you could reach the relief center easier. It was for this reason, too, that she used this street to travel. Whenever she passed through the alleys, Salma would be consumed by the scent of life that once came from these now desecrated houses. In those moments, blissful memories of her husband spread through her heart. Even when they brought her to tears, she would remember the memories fondly. They made each burdening moment much lighter to endure. Just like her, many people walked barefoot along that narrow, unpaved street. Some even travelled through the alleys, bringing their small children along with them. Yasin would often adamantly grab her scarf, saying, “I’m coming too,” in his babbling innocence, but she would firmly deny him. Salma didn't like the idea of seeing her child among the suffocating crowd, holding up a plate to beg for food. That is why, because she came alone, the three of them shared the relief supplies that were meant for one. - Today, the sun had reached its peak. Even though the scorching heat on the street was taking a toll on her bare feet, she continued walking down the street, bearing the longing that she would soon enter the street where they once lived. Her reminiscing led her mind to what once was. Her husband used to run a small provisions store in front of their house. The residents of the area bought their goods from that shop. They lived a bountiful life, with no shortage of food and necessities. Yet Rashid believed that the happiness of the nation was far greater than the happiness of individual life. He secretly contributed a part of his income to the liberation movement. “I should have been born in a liberated Palestine, but that has been made impossible. My son should have been born in a liberated Palestine, but that too was made impossible. But my grandson or granddaughter will learn to take their first steps on the soil of a liberated Palestine. Inshallah,” he would ritualistically say to Salma whenever they were alone. “Then why didn't you join the movement?” she once asked. A man drowning in sorrow, he took a deep breath and said, “In my childhood, because a bomb fell on our house, my father lost his left leg. After which my mother started a small shop while also looking after my father and the family. I have no siblings and I am an only child. Hence when I grew up, I had to take on the responsibility of the family. But I will have four or five sons, one for the house and the others for the nation, and for that, I am ready to face any anguish that may come my way.” “You may be ready, but as a mother, how can I sacrifice my children to war?” Salma said, jokingly, yet Rashid's face shrunk at these words. With furrowed skin on his forehead, reddened cheeks, and a depth in his eyes, he spoke. “No, Salma, you have to be prepared for that. Our land, which has lived prosperously for hundreds of years, was taken from us in decades by them. Through the help of imperialist nations, they first took our soil through sorcery. Then they destroyed our state through war. Through this, they reaped our happiness away from us. The soul of our nation now withers as flowers without pollen and as birds without wings. To reclaim the pollen that we have lost, to soar once more with the wings that we have lost, we need war, we need weapons. For that, I am contributing the wage from my labor towards that. War needs men, and for that war I want to raise and give my sons.” “Your wish can only come true if you stop talking,” Salma said with a smile. Rashid's eyes glistened with joy. Freed from the thoughts of the past, she now entered the street where she used to live. The narrow street was lined with collapsed apartments. The buildings that were not yet completely destroyed were wounded with bullet holes—evidence of gunfire between the two sides. Some of the collapsed buildings had been walled up with clothes. Within some of them, families were being raised. These people preferred the solitude of the ruins over living among the crowded camps. Today, unlike most days, the number of armed Israeli soldiers on this street was unusually high, making her feel a peculiar form of anxiety. Salma crossed the street where she had once lived and approached the relief camp. A great crowd was present, with plates in their hands, struggling amongst each other. The aggravating sound of the plates clashing with one another and the raised voices demanding food made Salma feel as if her heart were tearing. “Get it somehow. It seems that even relief supplies won't be coming after this. The Israeli army is blocking even the relief supplies that are coming to us at the border. We don’t know when this problem will be resolved. Until then, only this food will save us. So try to get it quickly somehow,” a middle-aged man told her camp, but Salma didn't have the heart to be among the crowd, begging for food with a plate. Even though she wanted to stay hungry until the problem at the border was over, the faces of Yasin and the elderly Fatima came before her eyes. Because of that, she too stood among the horde, pleading. The more she raised her plate and shouted for food, the more her heart wailed in shame. Usually, she would get wheat, rice, and tahini sauce, but today, she only got one packet of bread. The thought of the very few days three people could survive on the bread haunted her. Her heart yearned for the possibility of someone giving them two more packets of bread. “The kinds of lowly thoughts war subjects a person to. It first seeks to destroy the feelings of self-respect. This is what the Israelis expect from the Palestinians. Even if we die of hunger, it is alright. We should not give in and lose our self-respect,” she decided in her mind. At that moment, she felt as though her husband Rashid was walking by her side. With this thought, she returned to the camp along the street where she had once lived. When Fatima saw Salma's face and the plate she had brought, she said, "This is what they have been longing for for a long time. They may have been annoyed that even when they have taken our lands, homes, and lives, we still have our dignity. So they are trying to starve us to death and bring us to our knees. Ya Allah, is there no end to their brutality?” As she prayed to God, she took a piece of bread from the bag and fed it to Yasin, who was seated next to her. “Salma, you must be hungry too; take some and eat,” Fatima said. “I don’t want it, Ma; you eat it. You haven’t eaten since morning.” “Even if I die without eating, I will be happy. You and Yasin must live on. Our bloodline must not perish but survive for generations.” Her words, again, brought memories of her husband Rashid to her mind. - They survived a week on that bag of bread. Afterward, they wondered how many days can one go on with only water? Fatima's eyesight began to fade. Salma did not even have the strength to walk, so she remained lying down. Suddenly, the sounds of plates began to erupt in the camp. Salma, exhausted from hunger, began to feel a wave of energy spread through her body. On the other end, without any energy at all, Fatima lay on the floor. Salma was terrified that she would die of hunger. Looking at Salma, who had hurriedly come out, the woman in the neighboring tent told her, “Salma, take your pot. They have allowed relief supplies at the border. But the army has closed the street you usually take. They have also put up a warning sign saying, “If you cross, you will be shot.” The relief supplies may run out before you can go around the streets that the army has allowed, so leave immediately.” Salma looked at Fatima's face. Disturbed, Fatima immediately understood the meaning of Salma's gaze. “No… don't go that way!” she said softly but firmly, as hunger laced her voice. But Fatima's life was too important to Salma. She kissed her baby Yasin eagerly on the cheek. In that moment, Yasin felt the scent of motherhood embracing him in his entirety. Considering the need for time and relief, Salma quickly took the plate and left. At the end of the street where she had lived, more than twenty men, women, and children in the camp were hiding behind a wall, watching the army’s movement closely. If they were able to cross onto the lane on the other side of the street, while the army’s watch was relaxed for a few moments, they could reach the relief camp in no time. Their courage to play with death was catalyzed by the truth that in each of their homes, there were people like Fatima, whose lives were being held on by a thread. Salma joined them. Thinking that the army on either end of the street was asleep, they started walking, yet the eyes of one soldier caught them crossing. The alarm that he sounded awakened the other soldiers, and bullets began to rain from their guns. The eyes of the dead that fell remained wide open in thought of the starving. The plates brought to gather relief were splattered with blood. ∎ Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

ARTIST, CURATOR Hit Man Gurung HIT MAN GURUNG is an artist and curator based in Kathmandu by way of Lamjung. Gurung’s diverse practice concerns itself with the fabric of human mobilities, frictions of history, and failures of revolutions. While rooted in the recent history of Nepal, his works unravel a complex web of kinships and extraction across geographies that underscore the exploitative nature of capitalism. ARTIST, CURATOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

“We're not post-colonial. We're post-colonized...Even if purportedly colonialism ended, it didn't end for the languages we speak, for the passports we hold, for the laws that govern our lives. To claim post-coloniality is a mirage.” COMMUNITY Inventing South Asia Manan Ahmed Asif “We're not post-colonial. We're post-colonized...Even if purportedly colonialism ended, it didn't end for the languages we speak, for the passports we hold, for the laws that govern our lives. To claim post-coloniality is a mirage.” We're not post-colonial. We're post-colonized...Even if purportedly colonialism ended, it didn't end for the languages we speak, for the passports we hold, for the laws that govern our lives. To claim post-coloniality is a mirage. RECOMMENDED: The Loss of Hindustan: The Invention of India by Manan Ahmed Asif (Harvard University Press, 2020). ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Karachi The Loss of Hindustan Intellectual History South Asia as a Term Experimental Methods Language Postcolonialism Karachi University Chachnama KK Aziz Michel-Rolph Trouillot Nationalism Postcolonialism as Myth South Asian Studies Columbia University Partition Manan Ahmed is an Associate Professor of History at Columbia University. He is a historian of South Asia and the littoral western Indian Ocean world from 1000-1800 CE. He is the author of four books, including The Loss of Hindustan: The Invention of India, and Disrupted City: Walking the Pathways of Memory and History in Lahore . Interview Karachi 2nd Sep 2020 On That Note: Heading 5 23rd OCT Heading 5 23rd Oct Heading 5 23rd Oct