Behind the façade of idyllic island paradise, Maldivians navigate a drug epidemic of huge proportions. FEATURES Battles and Banishments: Gender & Heroin Addiction in Maldives A. R. & R. A. Behind the façade of idyllic island paradise, Maldivians navigate a drug epidemic of huge proportions. Maldives has a long history of substance abuse. Its 1,192 coral islands lie at the intersection of major historical global sea routes in the Indian Ocean. Historically, traders from all over the world brought all kinds of illicit substances to its shores. Yet the archipelago has never been a producer or manufacturing point for illicit drugs. According to state official reports, it wasn’t until the early 1970s that Maldives opened for tourism, and a steady market for drugs began to develop in the Maldives. As the tourism industry began to boom in Malé, and people traveled from all over the world to enjoy its breathtakingly beautiful beaches, the demand for illicit drugs soared. Malé’s geographic location made it the ideal drop-off point for all kinds of drugs—among them cheap, low-grade heroin called “brown sugar.” Walking down the street, it is common to come across at least one woman high on brown sugar. What gives her away are her vacant expression and comatose demeanor. Even as nearly a third of the country’s population or at least one member of a family struggles with substance abuse, women tend to face greater ostracization and social exclusion. This is not to say that women in the Maldives do not struggle with drug abuse. During a crackdown on Malé’s (in)famous drug cafés last year, police arrested 65 women and 14 children. In fact, many Maldivians would have, at some point, viewed a moralistic YouTube video of such a woman on social media. The women in these videos are meant to serve as a cautionary tale against the wayward social behaviors and tendencies that lead to a life of substance abuse, destitution, and misery. If the social stigma around seeking harm reduction for substance use wasn’t enough, such representations of women addicts end up stigmatizing them even more. The stories of women who end up abusing heroin—or brown sugar, as it is more commonly called—are diverse, yet they share a common thread of desperation, growing addiction, and a feeling of helplessness. One such story is Zulaikha’s (names have been changed to protect anonymity). A 38-year-old Maldivian woman who, in another life, successfully pursued a career in modeling. She now lives on a scantily-populated island of a Northern atoll, but back in the day, she was known for her exceptional beauty and talents in the creative arts. A few months ago, she knew she had hit rock bottom when she walked up to someone on the street and said (in Dhivehi): “Excuse me, can I please have a tenner for food?” The person she had asked for money turned to look at her and they both recognized each other. Zulaikha had gone to high school with them. As her old classmate’s eyes followed a line of cigarette burn marks on her arms, Zulaikha’s face turned ashen. The stories of women who end up abusing heroin—or brown sugar, as it is more commonly called—are diverse, yet they share a common thread of desperation, growing addiction, and a feeling of helplessness. Back in high school, Zulaikha was someone younger students could count on to stand up to their bullies. Her classmates fondly recall her compassionate and empathetic conduct with those younger than her. She stood up for justice and the values that mattered to her the most, and was widely admired for it. But Zulaikha’s adolescent years were marked with notoriety after she began using heroin at such a young age. Soon after high school ended, she gave birth to a child and then checked into rehab. She relapsed several times, after which she moved away from her family’s house and began living with her partner on a Northern island. The man she lived with was physically and mentally abusive. At one point, in a fit of rage, he beat her senseless with a hammer. Despite the constant threat of physical violence, Zulaikha refused to leave her partner, who is also a heroin abuser. Deprived of the care she needed from her family, she insists that she preferred living with the person she also terms her abuser. Zulaikha’s story is like that of several women who, after becoming heavily dependent on substances, are abandoned by their families. People in the Maldives frequently associate women’s addiction with sex work. It is after the drug dependency kicks in that the actual cycle of abuse begins. After women addicts are abandoned by their families, many end up moving in with partners who also abuse drugs and them too. The plentiful supply of drugs in the region, combined with limited support to recover, means that the chances of an ex-user relapsing are high. Stories of women who managed to end their dependency on heroin and rebuild their lives are, in fact, painfully rare. They end up falling deeper and deeper into addiction, while their circumstances inhibit them from breaking patterns of drug abuse. In situations like these, family support is pivotal in enabling women to get back on their feet. Cycles of Addiction As a young undergraduate student in Malé in the early 2000s, Maryam had jumped at the chance to study abroad. The twenty-something was academically gifted and creative, and she believed the experience would open up several opportunities for her. It was during her time abroad with a cohort of heroin users from back home that she began using. She recalls that her time abroad was an incredibly vulnerable period for her. Away from her family and the security of home, she began using drugs experimentally, but soon became addicted to heroin. After returning to Malé, she remained hopelessly addicted. Her dreams and ambitions were no longer possibilities for her, and she became estranged from family and friends. A few months after she was turned away from home, Maryam was using heroin at a café frequented by criminal gangs involved with the drug trade, when the police raided the place and arrested her. Before the enactment of the 2011 Drugs Act, people arrested for drug use were often sentenced to spend as many as 25 years in prison, regardless of the quantity or potency of drugs in possession. It would not be a stretch to estimate that over 90 percent of all criminal cases in the Maldives are drug-related. Shortly after Maryam started serving her sentence in Maafushi prison in 2004, the devastating Indian Ocean tsunami hit. The recently constructed women’s wing where Maryam was being kept suffered severe damage. She incurred several injuries while trying to flee from the tidal swell and was subsequently sent home. After recovering from her injuries, she started using heroin again, but this time around, she was able to rely on her family. Her mother, Maryam recalls, was relentless in her efforts to get her off drugs. Maryam began to alternate between periods of staying clean and abusing heroin. Despite her protestations, her family sent her to the Himmafushi Rehabilitation Center several times to recover. During one of her drug abuse stints, she was arrested for drug possession, but managed to avoid a prison sentence because of her confession. Before the enactment of the 2011 Drugs Act, people arrested for drug use were often sentenced to spend as many as 25 years in prison, regardless of the quantity or potency of drugs in possession. It would not be a stretch to estimate that over 90 percent of all criminal cases in the Maldives are drug-related. Maryam’s recovery at the Himmafushi Rehabilitation Center was slow and interrupted by relapses, but the place was somewhere she could return to safely. This feeling of security and care began to help her thrive at the center. Maryam recalls her spells there as restful. Eventually, she developed a passion for helping other drug addicts overcome their patterns of abuse. She thrived in the company of other women who were also recovering addicts, and collaborated with them on several projects. When she returned to the rehab center for a third time, she decided to put her plans into motion. In collaboration with an NGO for vulnerable women and drug addicts, Maryam worked on building a safe space for vulnerable social groups within the rehab center. She also ran several vocational programs and capacity-building workshops. Things had begun to look up for Maryam. She was doing something that she believed in and regained her youthful confidence. After settling down and getting married in 2010, Maryam gave birth to a daughter. Her life seemed perfect—till it wasn’t. Three years after her daughter’s birth, Maryam’s marriage soured. Depressed and despondent, she returned to using heroin. It wasn’t long till she was arrested during a drug bust for a third time. This time, she was sentenced to imprisonment. “My relationship with my child suffered because of this,” she said sorrowfully. “It’s like I’m a stranger to my own child and there’s no way to gain back the time I’ve lost.” After three years of serving time in prison, she was released on parole. This time around, Maryam’s family decided to send her to India for treatment. She got better there and returned to her family a healthier and happier person. Since her return from treatment, she admits that she still struggles to stay sober and hold on to relationships. Her time in prison had greatly impacted her mental health and made her reticent and reluctant to talk to strangers or new acquaintances. As Maryam continues to attempt to get to know and care for her daughter, she treads a delicate balance of resentment and relapse. Facing a wicked system Zulaikha remembers her stay at Himmafushi Rehabilitation Center differently. A regular returnee at the center, she did not have the network of family and financial support that Maryam relied on, and faced several obstacles along the way. In fact, Zulaikha insists that she did not benefit from rehab in the slightest. She would prefer to stay with a partner she admits is abusive towards her. The reason for that, she elaborates, is that there are no alternatives for women who lack an emotional and material support base in the form of family or wealth. There are no state-run or community-run shelters for vulnerable women looking for a safe space, and neither are there any detoxification or rehabilitation facilities available to them. Most women jailed for drug-related offenses often end up there for refusing to complete their treatment at the rehabilitation facility. Zulaikha remembers the facility itself as lacking the necessary infrastructure and support for recovering addicts. The Himmafushi Rehab Center houses recovering men and women who are supposed to always be segregated. Women are told to stay within the confines of a small compound within the larger Himmafushi Rehab Center and are not allowed any outdoors time. Over at the men’s enclosure, the rehab center organizes outdoor activities and classes, but women are barred from participating in them. Zulaikha’s misgivings about the rehab center have been repeated by several other recovering addicts as well, which suggests that the rehab center is severely lacking in essential facilities for the recovering addicts. Even though the Drugs Act of 2011 mandates separate recovery centers for men, women, and juveniles, so far there has been no work on building separate centers. Hence, everyone gets sent to the Himmafushi Rehab Center. The clinicians and staff at the center follow a Therapeutic Community Program which aims to focus on recovery through lifestyle changes, and not simply abstinence from drugs. Yet the center’s facilities are stretched painfully thin. Prisons too are choked with people arrested for drug possession—almost 99 per cent of all criminal cases are drug-related, after all—and these are the conditions which have forced lawmakers to reform laws pertaining to drug abuse. Yet reform work is painfully slow, hence the problems accompanying drug abuse fester and worsen over time. One of the most frequently cited problems is one of alienation—from care and support networks, as well as fellow recovering addicts. In the 1990s, there were no custodial buildings for women arrested on drug-related charges. So, when Fatima was arrested in Malé and sent to jail, she was put in a small isolation cell with another woman who became the first Maldivian woman sentenced to imprisonment for drug possession. Both women were suffering from withdrawals and ill health, but since Fatima was the younger one, the prison authorities tasked her with caring for her fellow inmate. Fatima’s own condition deteriorated while she tried her best to help the woman in jail with her. The woman was undergoing severe withdrawals and needed medical attention, but none was available. Instead, she died an agonizing death within 48 hours of her sentencing, while a dehydrated and listless Fatima watched her suffer helplessly. The sight is etched in her memory forever, she says. The prison authorities hushed up the matter, while Fatima says she was left alone in the cell to tend to her psychological and physical scars. When Fatima was arrested in Malé and sent to jail, she was put in a small isolation cell with another woman who became the first Maldivian woman sentenced to imprisonment for drug possession. Both women were suffering from withdrawals and ill health, but since Fatima was the younger one, the prison authorities tasked her with caring for her fellow inmate. Life hadn’t always been unkind to Fatima. Her family was wealthy, and she had led a comfortable life. It was the early 1990s and she was barely out of her teens, gullible and eager to explore the world. She jumped at the chance to try heroin with her older friends, thoroughly convinced that she would never get addicted. By the time she became aware of her drug dependency, it was too late. When her family found out about her condition, they arranged to send her abroad for two years to recover. They also made her sever ties with the friends she used heroin with. In 1994, Fatima returned to Malé and, within no time, began using heroin again. That's when everything went downhill, she recalls. Shooting heroin was the only priority in life, she says. Her memories of youth all involve using heroin with friends at restaurants and other places. This was a time when heroin was not that common—this was not brown sugar—and most people were unaware of its effects on people. This is how they got away with using the drug in public and remained socially functional. But it wasn’t long before she was picked up by the police in a drug bust and sent to jail. That is where she met the inmate who passed away from withdrawals. In the aftermath of the whole episode, Fatima was “banished” to an island instead of a prison. Historically, the term “banishment” has referred to the commonly prescribed punishment of internal exile to one of the many Maldives islands. Banishment as punishment was finally repealed in 2015 after the enactment of a new Penal Code. However, for Fatima, the punishment of banishment entailed being sent to live among a close-knit community of locals on an island in the south of the Maldives. There, she suffered from loneliness and isolation. The local people shunned anyone sent there in exile, especially if it was for drug-related offenses. Fatima was neither welcomed nor acknowledged in the community and she lived as an outcast in the eyes of the island residents. “I was scorned and ridiculed,” she recalls. “Women struggling with addiction are not acceptable in this society.” “Back in the 1990s,” she says, “the inhabited islands were destitute places.” The islanders had limited access to drinking water and electricity, and had to struggle to make ends meet. This felt like a rude jolt to Fatima, who had been accustomed to a life of luxury and gratification her entire life. She recalls those days as a never-ending spiral into tedium, with no one to keep her company, save for occasional telephone calls from her family, which she received at the singular telephone booth on the island. Thoroughly bored and miserable, she attempted to find ways to numb her pain, but could not, and that made her desire drugs even more. After her sentence ended, she returned to her family in Malé. There, her mental health deteriorated significantly and she started using heroin again. She began feeling resentful towards her family, friends, and even her daughter. Anger and rage festered beneath her attempts to regain control of her life, and she found herself unable to share her feelings with anyone, even those closest to her. Refusing to give up or give in, Fatima reached out to rehab centers locally and abroad for help in recovering. The experience of treatment abroad was markedly different from back home. She terms the Maldivian rehabilitation program “the Garfield program, since their clients are programmed to eat, sleep and repeat.” At the rehab centers in the Maldives, she adds, recovering addicts are called to a meeting every morning, but the goals or takeaways from that meeting aren’t clear to anyone. While the men were allowed to engage in (albeit a limited number of) activities, the women addicts were left alone in their quarters. The counselors were not properly trained or certified, and most of their clients chose not to open up and be honest about their drug use with them. The way Fatima describes her experience makes it appear as if rehab is a place where one goes to escape a jail conviction, get away from annoying family members, or is just somewhere you can mentally check out and go through the motions day after day. Either way, there is no measurable positive outcome. Her time in rehab centers abroad was quite different. The day was filled with a long list of activities and tasks to complete. The recovering addicts would work hard at these tasks from sunrise to late evening, which included yoga and cooking classes. Fatima says her self-esteem improved greatly during her time there. The clients at rehab (abroad) were encouraged to journal their feelings and experiences daily, she says, and this would help them arrive at new insights into the nexus between their mental health and addiction. Fatima says these activities helped her recognize the obsessive-compulsive tendencies that she has had since her childhood (even though she had never been formally diagnosed). The Scale of the Drug Epidemic There are several detox and rehabilitation centers operated by the government across the Maldivian archipelago, but only two of them are currently being used to help drug addicts recover. Close to half of the country‘s population is below 25 years of age, and at least half of that population is addicted to brown sugar. Such is the notoriety of the Maldivian youth, that the term for youth, which is “ zuvaanun,” has a negative connotation. It is commonly deployed to accuse someone of miscreancy or addiction. Suppose you hear of a road accident caused by a speeding motorbike, or see someone getting mugged on a street: as the average Maldivian, chances are that you will shake your head and cuss at those rapscallion zuvaanun. Throughout the late 1980s and 1990s, society in Malé was undergoing a radical shift. The islands were opening up to the outside world and people were bringing in all kinds of new (mostly western) ideas and ways of life to the country. The population of the capital city boomed as residents of other islands flocked to Malé in search of higher education and basic services that were boosted by the then-burgeoning tourism industry. They dreamed of a life where they would get greater access to amenities and opportunities to better their lives. Despite the influx of so many people, or perhaps because of it, some communities and generations clung to their traditions and roots. Their children were expected to diligently study, find stable jobs, marry, and spend their lives working and raising a family. Yet the generations growing up in the 1980s and 1990s faced a more tumultuous time. Some call them a generation that was lost in between an unprecedented cultural shift. Combined with the skyrocketing demand and supply of drugs on the tiny islands, it was easy to fall prey to drug addiction. Given the massive scale of the drug problem, it is shocking that there are so few resources to help tackle it. In the centers that are operational, recovering addicts share that medical treatment is lacking, counseling is substandard and ineffective, and that the whole program is woefully incompetent. In February 2021, a client seeking treatment at the Hanimaadhoo Detoxification Center passed away from severe withdrawals after not receiving medical attention. The center was subsequently shut down. Recently, on 14 November 2021, local media reported that a client who had just returned to Malé from a detoxification center was found dead in an abandoned home after succumbing to a drug overdose. The government body tasked with the management of detoxification and drug treatment centers is the National Drug Agency (NDA) of the Maldives. Among journalists and related staff, there is much talk of inaction, incompetence, and even accusations of corruption plaguing this institution. The Sri Lankan counterpart to the Maldivian NDA, the National Dangerous Drugs Control Board, runs programs for addicts in 11 prisons, while managing four treatment centers in heavily populated areas. The Sri Lankan drug control body also engages with thirteen private treatment and rehabilitation centers where clients can seek services for payment. Some Maldivian addicts who can afford treatment abroad frequently enroll in treatment centers in Sri Lanka, India, and Malaysia. But most drug addicts are poor and cannot afford to go abroad for treatment. In February 2021, a client seeking treatment at the Hanimaadhoo Detoxification Center passed away from severe withdrawals after not receiving medical attention. The center was subsequently shut down. Recently, the health minister of the Maldives was called to the parliament regarding an enquiry on the obstacles faced in finding solutions to the Maldives’ drug problem. The health minister stated that there was no quick solution to the large issue, and that the relevant authorities do not know the way forward. He mentioned the lack of research on drug abuse as one of the problems. However, he acknowledged that drugs and drug addiction are the most severe twin crises the country is facing today. Change NDA and Hands Together are two movements launched by recovering addicts and members of their families and communities. Both movements have been calling for reforms in the NDA. Though the movements lack numbers in their demonstrations and protests, their members are vocal and persistent. Last year, they submitted a “Change NDA 2020” petition to the People’s Majlis with over 1,000 signatures, prompting a mass inspection of all rehabilitation and detoxification centers being run by the NDA. This petition also resulted in heavy scrutiny of the organization, and the operations of the NDA were shifted from the Gender Ministry to the Health Ministry, with a new chairman appointed. Citizen engagement efforts and advocacy initiatives, along with transnational solidarity campaigns among recovering drug addicts, can help provide the impetus necessary to push the government towards action. It is not enough to rely on the goodwill of authorities who themselves admit to state collusion with drug cartels operating in the region. At present, most detoxification centers in the country are closed and there is no headway in improving the rehab infrastructure and facilities for recovering addicts. While there is talk of the government bringing on board a foreign private company to design a new, more effective rehabilitation and detoxification program, people on the ground know not to put too much faith in these talks of plans. At the end of the day, those who suffer through drug abuse and its related problems rely on the solidarity of family members, friends, and organizations to help them navigate an otherwise incredibly dehumanizing system.∎ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Artwork "Where do we go from here?" by Firushana Naseem for SAAG. Mixed media on canvas. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Reportage Maldives Malé Addiction Drug Epidemic Rehabilitation Drug Trade Tourism Maafushi Prison Gender Violence Trauma Intimate Partner Violence Poverty Longform Change NDA People’s Majlis Hands Together State Repression Hanimaadhoo Detoxification Center Malé’s drug cafés Dhivehi Brown Sugar Heroin Substance Abuse Relapse 2011 Drugs Act 2004 Tsunami Himmafushi Rehabilitation Center NGOs Prison Structural Frameworks Detention Drug-Related Arrests Zuvaanun National Drug Agency National Dangerous Drugs Control Board Sri Lanka Banishment Police Action Internationalism Class Public Space Low-Income Workers Urban/Rural Humanitarian Crisis Local Politics Health Workers Gender Investigative Journalism The authors of this piece wish to remain anonymous. Reportage Maldives 28th Feb 2023 FIRUSHANA NASEEM practices abstract styles with acrylic and recycled materials, using anything that moves her. Her artistic process is mutable. She often finds the balance between thoughtful, intentional composition and the intuitive placement of color, shapes, texture, and gestural marks, conveying vibrant and uplifting abstract paintings. On That Note: COVID-19 and Faith in Cox's Bazar, Bangladesh 27th FEB Chats Ep. 11 · On Maldives' Transitional Justice Act 7th JUL A Dhivehi Artists Showcase 5th JUN

ARTIST Mohammad Sabir MOHAMMAD SABIR is an Afghan artist who graduated from Kabul University and recently completed his MFA at Goldsmiths, University of London. Through his practice, Sabir investigates the ongoing discrimination towards the ethnic Hazara minority in Afghanistan. Sabir highlights this in his Genocide series (2016-present), using intricate Hazaragi embroidery motifs on human bones as well as on cut trees, clay pots, and personal objects. His works have been exhibited in Kabul, Los Angeles, Tehran and Figueres. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

ARTIST Nur Danya Shamun NUR DANYA SHAMUN is a Maldivian abstract artist and interior designer. She is passionate about designing to mitigate and adapt to the impacts of climate change through assimilation and the creation of climate-responsive spaces. Her art uses mixed media and unconventional techniques such as impasto, sgraffito, and block printing. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

AUTHOR Asad Haider ASAD HAIDER is a founding Editor of Viewpoint Magazine , an investigative journal of contemporary politics. He is the author of Mistaken Identity and a co-editor for The Black Radical Tradition (forthcoming). His writing can be found in The Baffler , n+1 , The Point , Salon , and elsewhere. AUTHOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

On the Transitional Justice Act in the Maldives, the fractious political climate and repression, as well as the legal mechanisms and practices to seek accountability for past atrocities committed by the state. Could the volatile nature of Maldivian politics render the Act meaningless? INTERACTIVE Chats Ep. 11 · On Maldives' Transitional Justice Act Mushfiq Mohamed On the Transitional Justice Act in the Maldives, the fractious political climate and repression, as well as the legal mechanisms and practices to seek accountability for past atrocities committed by the state. Could the volatile nature of Maldivian politics render the Act meaningless? A discussion between lawyer, writer, activist, and Senior Editor Mushfiq Mohamed & Associate Editor Kamil Ahsan on the fractious political climate of the Maldives, repression, and the legal mechanisms and practices to seek accountability for past atrocities committed by the state detailed by the Transitional Justice Act, which passed in December 2020. What is the current political climate of the Maldives, and why should South Asians everywhere pay attention? How does the recent legislation comport with political realities? What would enforcement in today’s Maldives look like? As Mushfiq wrote in Himal : “When it comes to implementation, the elephant in the room remains: why would survivors feel comfortable seeking reparations when some of the perpetrators of atrocities hold high-level government positions?” ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Subscribe to our newsletter for updates on SAAG Chats, an informal series of live events on Instagram. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Live Maldives Transitional Justice Transitional Justice Act Ombudsman Local vs. National Politics Human Rights International Law Legal Regimes Human Rights Violations Reparations Survivors State Repression Militarism Military Coup Abdulla Yameen Mohamed Nasheed Assassination Attempts Ibrahim Mohamed Solih Legal Frameworks People’s Majlis Power Dynamics Housing State Violence Humanitarian Crisis Maldivian Democratic Party Malé Prosecutions Witness Protection Police Action Rehabilitation Reintegration Tourism Islamist Government Progressive Party of Maldives SAAG Chats MUSHFIQ MOHAMED is a lawyer, writer, and activist based in London. Live Maldives 7th Jul 2021 On That Note: Battles and Banishments: Gender & Heroin Addiction in Maldives 28th FEB Chats Ep. 8 · On Migrations in Global History 4th MAY Chats Ep. 6 · Imagery of the Baloch Movement 28th FEB

In the immediate aftermath of the May 2025 India-Pakistan conflict, sensationalist television coverage amplified misinformation, turning a volatile border crisis into a media-fueled spectacle. As fact-checks lagged behind viral falsehoods and unverified claims of tactical victories, nationalist fervor surged on both sides of the border, eroding the credibility of journalism before the public’s eyes. THE VERTICAL Khabristan In the immediate aftermath of the May 2025 India-Pakistan conflict, sensationalist television coverage amplified misinformation, turning a volatile border crisis into a media-fueled spectacle. As fact-checks lagged behind viral falsehoods and unverified claims of tactical victories, nationalist fervor surged on both sides of the border, eroding the credibility of journalism before the public’s eyes. Uzair Rizvi On the night of May 9, 2025, I closely tracked the unfolding hostilities between two nuclear-armed neighbours. I was watching a debate on the ongoing border situation on the Times Now Navbhara t news channel when the TV anchor, Sushant Sinha, abruptly paused the discussion to announce with glee that “Indian forces have entered Pakistan.” A panelist in the debate, a retired Indian Army veteran, trying to whip up jingoistic fervour, urged the Indian Navy to launch an attack on Karachi, declaring, “Set fire to Karachi Port and reduce the entire city to ashes.” While India and Pakistan’s firepower echoed on the borders, another battle was taking place inside the television studios. The latest surge in violence came in the aftermath of armed militants killing 26 tourists in the meadows of Indian Kashmir in April. India labelled these as terrorist attacks and blamed Pakistan, an allegation Pakistan denies. Following the attack on Indian tourists, some in the Indian TV media adopted an aggressive nationalistic stance . They further escalated tensions by calling for retaliation against Pakistan. Some newsrooms even openly endorsed military strikes against the country, which ignited a wave of hysteria in India. In the days that followed, I spent even more time on social media monitoring India TV broadcasts, noticing frequent bursts of misinformation. A casual scroll on X (formerly Twitter) revealed a post from an obscure account alleging that India had fired towards Pakistan. Within minutes, I searched the keywords #India and #Pakistan , and my timeline was flooded with similar claims. Indian mainstream media outlets like Aaj Tak and Times Now quickly picked up these unconfirmed posts, and within an hour, they snowballed into a full-blown conflict of speculations as early as day 1. As new events unfolded on the border on successive days, the media kept broadcasting unverified content. The onslaught of misinformation that followed was staggering: images of missile strikes, anti-air defence guns firing at targets, and armed forces downing each other's fighter jets. Editors and readers alike seemed unaware that the information was from a popular tactical shooter simulation video game, Arma 3 . Archival clips also resurfaced and were presented as proof of Pakistan’s devastation of the Indian military . Many of these images and videos were not of real-time offences but came from the Russia–Ukraine war and Israeli air raids on Gaza. As the conflict escalated on day two and three, the deluge of misinformation went into full throttle. In these moments of crisis, both the Indian and Pakistani television media ditched accuracy altogether. They deceived audiences with unverified claims , manipulated visuals, and emotionally charged distortions of the ground reality. "Across Bodies and Land" (2024), graphite on handmade paper, courtesy of Rahul Tiwari. India Today reported a breaking news story that claimed that the Karachi port had been attacked by the Indian Navy; Zee News told viewers that the capital city of Islamabad had been captured. The latter even claimed that the Prime Minister of Pakistan had surrendered . ABP and NDTV news showed exclusive visuals of India’s air defence downing Pakistan drones, even though the original video was from Israel. Besides the mainstream English and Hindi media, the regional TV media joined the bandwagon as well, amplifying the misinformation. The Karachi Port Trust posted on X, denying that an attack had occurred. However, some of the newspapers had already picked up and published this news in the following day's edition.A report from the Reuters Institute said that almost half of Indian online users receive their news from television, which makes these instances of misinformation especially egregious and impactful. One of the anchors at an Indian television station did apologise for an “error,” however, the apology came nearly 12 hours after that segment had been seen by millions of viewers in India. Meanwhile, in Pakistan, the media passed off old visuals of fighter plane crashes as evidence of recent strikes on Indian fighter planes by Pakistan. Things escalated beyond newsrooms when an official X (Twitter) account of the Government of Pakistan posted footage from Arma 3 of what it claimed was real videotape of Pakistan downing India’s Rafale fighter jet. The rise of artificial intelligence played a significant role in augmenting the falsification of the conflict. AI-generated disinformation, including a deepfake video of a Pakistani military officer admitting that the country lost some of its fighter jets, was widely circulated in Indian media. Another AI-generated clip featured US President Donald Trump promising to “wipe out Pakistan,” giving fodder to Indians who believed that the United States would enter the war against Pakistan. Other AI-generated images claimed to show Pakistan’s defeat, while pictures of a Turkish pilot were falsely presented as proof that India had captured a Pakistani air force officer. A doctored version of a letter was also shared. It was falsely positioned to be from Pakistan’s government and claimed that Pakistan’s former prime minister, Imran Khan, had died in judicial custody. TV media do not operate in a vacuum, these viral clips quickly find their way to social media platforms and instant messaging mobile applications like WhatsApp. Social media users on both sides consume and share misinformation at lightning speed, especially when it aligns with nationalistic sentiment. "Across Bodies and Land" (2024), graphite on handmade paper, courtesy of Rahul Tiwari. The World Economic Forum ranked India as the country most at risk for misinformation and disinformation, which is defined as incorrect information shared to purposefully obfuscate the truth. But, false reports surged in Pakistan during the crisis as well. A Pakistani politician praised —in Parliament—about the might of his country’s air force based on an AI-generated image of a British newspaper. Of course, most military crises lead to a surge in falsehoods and unverified claims. While the media is supposed to inform the public, during these delicate moments, much of the television coverage descends into a spectacle of exaggeration, rumor, and nationalistic war mongering . From fabricated airstrikes to altered footage , the focus shifts away from facts toward constructing a narrative of preemptive victory and toward manufacturing consent for potential war crimes. In today’s digital world, this misinformation is not limited to local viewers. It moves quickly, heightening tensions and fueling broader cycles of global propaganda. The long-term consequences of such wartime fallacies are deeply damaging. By amplifying rumors and unverified stories, both Indian and Pakistani television media deepened public divisions, pushing citizens into isolated, conflicting realities. A similar situation occurred in 2019, after the killing of Indian paramilitary soldiers in Kashmir. False and misleading images and videos circulating on social media were republished by mainstream media, fuelling the calls for military retaliation against rival Pakistan. This conduct erodes the ethos of journalism. Audiences start to see all media as biased or deceptive. For fact-checkers in the field, debunking these falsehoods is an enormous challenge, and by the time fact-checked content reaches the general public, truth has already become the ultimate casualty. ∎ On the night of May 9, 2025, I closely tracked the unfolding hostilities between two nuclear-armed neighbours. I was watching a debate on the ongoing border situation on the Times Now Navbhara t news channel when the TV anchor, Sushant Sinha, abruptly paused the discussion to announce with glee that “Indian forces have entered Pakistan.” A panelist in the debate, a retired Indian Army veteran, trying to whip up jingoistic fervour, urged the Indian Navy to launch an attack on Karachi, declaring, “Set fire to Karachi Port and reduce the entire city to ashes.” While India and Pakistan’s firepower echoed on the borders, another battle was taking place inside the television studios. The latest surge in violence came in the aftermath of armed militants killing 26 tourists in the meadows of Indian Kashmir in April. India labelled these as terrorist attacks and blamed Pakistan, an allegation Pakistan denies. Following the attack on Indian tourists, some in the Indian TV media adopted an aggressive nationalistic stance . They further escalated tensions by calling for retaliation against Pakistan. Some newsrooms even openly endorsed military strikes against the country, which ignited a wave of hysteria in India. In the days that followed, I spent even more time on social media monitoring India TV broadcasts, noticing frequent bursts of misinformation. A casual scroll on X (formerly Twitter) revealed a post from an obscure account alleging that India had fired towards Pakistan. Within minutes, I searched the keywords #India and #Pakistan, and my timeline was flooded with similar claims. Indian mainstream media outlets like Aaj Tak and Times Now quickly picked up these unconfirmed posts, and within an hour, they snowballed into a full-blown conflict of speculations as early as day 1. As new events unfolded on the border on successive days, the media kept broadcasting unverified content. The onslaught of misinformation that followed was staggering: images of missile strikes, anti-air defence guns firing at targets, and armed forces downing each other's fighter jets. Editors and readers alike seemed unaware that the information was from a popular tactical shooter simulation video game, Arma 3 . Archival clips also resurfaced and were presented as proof of Pakistan’s devastation of the Indian military . Many of these images and videos were not of real-time offences but came from the Russia–Ukraine war and Israeli air raids on Gaza. As the conflict escalated on day two and three, the deluge of misinformation went into full throttle. In these moments of crisis, both the Indian and Pakistani television media ditched accuracy altogether. They deceived audiences with unverified claims , manipulated visuals, and emotionally charged distortions of the ground reality. "Across Bodies and Land" (2024), graphite on handmade paper, courtesy of Rahul Tiwari. India Today reported a breaking news story that claimed that the Karachi port had been attacked by the Indian Navy; Zee News told viewers that the capital city of Islamabad had been captured. The latter even claimed that the Prime Minister of Pakistan had surrendered . ABP and NDTV news showed exclusive visuals of India’s air defence downing Pakistan drones, even though the original video was from Israel. Besides the mainstream English and Hindi media, the regional TV media joined the bandwagon as well, amplifying the misinformation. The Karachi Port Trust posted on X, denying that an attack had occurred. However, some of the newspapers had already picked up and published this news in the following day's edition.A report from the Reuters Institute said that almost half of Indian online users receive their news from television, which makes these instances of misinformation especially egregious and impactful. One of the anchors at an Indian television station did apologise for an “error,” however, the apology came nearly 12 hours after that segment had been seen by millions of viewers in India. Meanwhile, in Pakistan, the media passed off old visuals of fighter plane crashes as evidence of recent strikes on Indian fighter planes by Pakistan. Things escalated beyond newsrooms when an official X (Twitter) account of the Government of Pakistan posted footage from Arma 3 of what it claimed was real videotape of Pakistan downing India’s Rafale fighter jet. The rise of artificial intelligence played a significant role in augmenting the falsification of the conflict. AI-generated disinformation, including a deepfake video of a Pakistani military officer admitting that the country lost some of its fighter jets, was widely circulated in Indian media. Another AI-generated clip featured US President Donald Trump promising to “wipe out Pakistan,” giving fodder to Indians who believed that the United States would enter the war against Pakistan. Other AI-generated images claimed to show Pakistan’s defeat, while pictures of a Turkish pilot were falsely presented as proof that India had captured a Pakistani air force officer. A doctored version of a letter was also shared. It was falsely positioned to be from Pakistan’s government and claimed that Pakistan’s former prime minister, Imran Khan, had died in judicial custody. TV media do not operate in a vacuum, these viral clips quickly find their way to social media platforms and instant messaging mobile applications like WhatsApp. Social media users on both sides consume and share misinformation at lightning speed, especially when it aligns with nationalistic sentiment. "Across Bodies and Land" (2024), graphite on handmade paper, courtesy of Rahul Tiwari. The World Economic Forum ranked India as the country most at risk for misinformation and disinformation, which is defined as incorrect information shared to purposefully obfuscate the truth. But, false reports surged in Pakistan during the crisis as well. A Pakistani politician praised —in Parliament—about the might of his country’s air force based on an AI-generated image of a British newspaper. Of course, most military crises lead to a surge in falsehoods and unverified claims. While the media is supposed to inform the public, during these delicate moments, much of the television coverage descends into a spectacle of exaggeration, rumor, and nationalistic war mongering . From fabricated airstrikes to altered footage , the focus shifts away from facts toward constructing a narrative of preemptive victory and toward manufacturing consent for potential war crimes. In today’s digital world, this misinformation is not limited to local viewers. It moves quickly, heightening tensions and fueling broader cycles of global propaganda. The long-term consequences of such wartime fallacies are deeply damaging. By amplifying rumors and unverified stories, both Indian and Pakistani television media deepened public divisions, pushing citizens into isolated, conflicting realities. A similar situation occurred in 2019, after the killing of Indian paramilitary soldiers in Kashmir. False and misleading images and videos circulating on social media were republished by mainstream media, fuelling the calls for military retaliation against rival Pakistan. This conduct erodes the ethos of journalism. Audiences start to see all media as biased or deceptive. For fact-checkers in the field, debunking these falsehoods is an enormous challenge, and by the time fact-checked content reaches the general public, truth has already become the ultimate casualty. ∎ SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making "Across Bodies and Land" (2024), graphite on handmade paper, courtesy of Rahul Tiwari. SHARE Facebook Twitter LinkedIn Reportage Delhi India-Pakistan Border India Pakistan Conflict Pakistan-India Conflict Armed Conflict Media wars Disinformation Misinformation Virality Viral Clips Soft War Karachi Social Media Manufacturing Consent Nationalism UZAIR RIZVI is a journalist, formerly with the Agence France Presse (AFP), who covers misinformation, elections, and technology. He is based in Delhi 16 Aug 2025 Reportage Delhi 16th Aug 2025 RAHUL TIWARI grew up in Bhadwar, a small Bhojpuri speaking village in Bihar. Rahul received an MFA from Banaras Hindu University in 2018. Strongly informed by his place of origin, his work examines regional ecologies and folklore as they pertain to both societal and environmental wellbeing, justice, and change. The Changing Landscape of Heritage Saranya Subramanian 13th Feb How to Grow Flowers in a Bedroom Zara Chowdhary 19th Oct The Lakshadweep Gambit Rejimon Kuttapan 29th Mar Swat Youth Vanguards Manzoor Ali 24th Feb Chokepoint Manipur Makepeace Sitlhou 3rd Oct On That Note:

Author Chaitali Sen in conversation with Fiction Editor Hananah Zaheer. COMMUNITY Nation-State Constraints on Identity & Intimacy Author Chaitali Sen in conversation with Fiction Editor Hananah Zaheer. VOL. 1 INTERVIEW AUTHOR AUTHOR AUTHOR Watch the interview on YouTube or IGTV ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Literary Solidarity 17th Dec 2020 Interview Literary Solidarity Bengali Internationalist Solidarity Black Solidarities Satyajit Ray Statelessness Colonialism Language South Asian Women's Creative Collective South Asians Against Police Brutality Abner Louima Anthony Baez Literature & Liberation Diaspora Identity Community Building Post-George Floyd Moment Immigration Race & Genre Short Stories Fiction Avant-Garde Form Avant-Garde Traditions Emancipatory Politics Experimental Methods Rabindranath Tagore Mrinal Sen Separatism Tamil Separatists Punjabi Separatists Rajiv Gandhi Separatist Movements in India Indian Diaspora Syria Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. I fight for a world without borders, but they're borders wrenched in reaction to colonialism, and fortified against the spread of English. It's interesting how capitalism homogenizes while making people want to put up walls. RECOMMENDED: A New Race of Men from Heaven: Stories (Sarabande, 2023) by Chaitali Sen More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

MUSICIAN-COMPOSER Chris Sholar CHRIS SHOLAR is a world-renowned music producer and composer and one of the most in-demand guitarists in the world of R&B and Hip Hop music. He has worked with Stevie Wonder, Beyonce, A Tribe Called Quest, Frank Ocean, and Snoop Dogg, amongst many others, and as performed at numerous concerts, and arenas, including Carnegie Hall, the Glastonbury Festival, and the NFL Super Bowl Gala. He is a two-time GRAMMY Award winner from his collaborations with Jay-Z and Esperanza Spalding. MUSICIAN-COMPOSER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

ADVISORY EDITOR Tisya Mavuram Tisya Mavuram is currently the PR specialist for the American Prospect. She is a writer and organizer, previously a digital organizer at Act On Mass , a former staffer for Elizabeth Warren, and contributor at Data for Progress. She is based in Brooklyn. ADVISORY EDITOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

HISTORIAN Manan Ahmed Asif Manan Ahmed is an Associate Professor of History at Columbia University. He is a historian of South Asia and the littoral western Indian Ocean world from 1000-1800 CE. He is the author of four books, including The Loss of Hindustan: The Invention of India, and Disrupted City: Walking the Pathways of Memory and History in Lahore . HISTORIAN WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Descendants of enslaved and indentured labourers cultivated life amidst the ruins of climate catastrophe in nineteenth-century Mauritius. Today, deforestation and the sugar industry have left a legacy of natural disasters and public health crises. What path forward remains for the unification of the political and scientific in service of the island’s labouring population? Descendants of enslaved and indentured labourers cultivated life amidst the ruins of climate catastrophe in nineteenth-century Mauritius. Today, deforestation and the sugar industry have left a legacy of natural disasters and public health crises. What path forward remains for the unification of the political and scientific in service of the island’s labouring population? Sabrina Tirvengadum, Sugar Cane (2023). Archival images, collage, digital painting, and generative AI. Artist · FEATURES REPORTAGE · LOCATION Gardening at the End of the World LOCATION Ben Jacob . 3 Feb 2025 rd . Letter from our columnist . Mauritius shot up from beneath the waters of the Indian Ocean in a volcanic eruption eight million years ago. As the lava cooled and became rock, rain fell into the cracks, forming streams and rivers that ran down to the sea. The water fed forests that crept up the island’s young mountains. Before long, an unbroken chain of dense evergreen forest extended across the land. For eight million years, these trees sheltered a dense flourishing of life. The largest among them towered to seventy feet, suspended above the younger trees and the undergrowth. Bright pigeons and parakeets studded the canopy, ferns, flowers, and fungi abounded in the understorey, and, where the forest thinned, a community of giant tortoises grazed on the long grass. By the late nineteenth century, Mauritius was a byword for ecological disappearance. It began three centuries earlier, when Dutch colonists—the island’s first, known human inhabitants—began clearing the lowland forest for lumber. The colonists massacred the giant tortoises for the small deposits of fat on their backs, and introduced goats, pigs, and dogs, which devastated the indigenous plant and animal life. Within a century of Dutch arrival, the island’s tortoises and large birds were all either rare or extinct. Wild cattle fled from the settled areas, and the forests were overrun by millions of rats. But the destruction wasn’t complete until the arrival of sugar. Under French and British rule (1715-1810 and 1810-1968 respectively), the island was transformed into an enormous sugar factory; by 1840, all other large-scale cultivation had been abandoned. This, in turn, exposed Mauritius to an economic logic of growth at all costs. When sugar prices plummeted in the nineteenth century, the island was pressured to export ever greater quantities of sugar to sustain the colonial economy. The consequences were etched across the island’s landscape: massive deforestation, spiralling species loss, and ever larger sugar mills belching thick smoke into the air. By 1880, 43% of the entire island had been converted into canefields, and 80% of native tree cover had been lost. The result of these changes can only be described as a climate catastrophe. In precolonial Mauritius, a rich variety of forest life protected the island ecology from cyclones and fluctuating rains. Palm forests kept the low coastlands cool and humid, while mountain woods slowed the flow of rainwater and absorbed moisture into the subsoil. Colonial deforestation permanently altered the island’s climate. As the air grew hotter and drier, springs and rivulets near the coast disappeared. The few remaining coastal evergreens died, unable to adapt to the changed climate. Large quantities of water, previously retained in the highland forests, flowed directly into the sea during the annual rains. This, in turn, left the island exposed to fluctuations in annual rainfall: swamps, rivers, and streams dried up after a shortfall in the monsoon, while flash floods struck with grim regularity. Malarial mosquitoes, unknown on the island before 1860 , found a natural home amongst its stagnant marshes and congested plantation canals. By the turn of the twentieth century, malaria was endemic to Mauritius. This is a story about what comes after disappearance. It follows a little — known environmental struggle waged between Mauritius’ sugar capitalists, colonial scientists, and the island’s African- and Indian-descended working population. Faced with an increasingly volatile natural environment in the nineteenth century, the Mauritian sugar industry argued that the only way to keep the island from total ruination was to continue producing sugar, in ever larger quantities, for greater profit. Colonial officials, armed with growing meteorological data and population statistics, were all too aware of the ecological disaster threatened by sugar production. Yet at the same time, they accepted the argument — advanced by the powerful Mauritian sugar lobby—that the island’s survival was impossible without a flourishing sugar industry. To address this predicament, the colonial government turned to scientists working at the island’s botanical gardens and weather stations. Fusing imperial power with environmental science, it embraced early forms of geoengineering and climate adaptation, in an effort to stabilise the Mauritian plantation economy and protect it from the island’s precarious climate. For both the government scientists and the sugar industry, Mauritius was a site of experimentation—the question was how life, and the profits that depended on it, could be made to endure following the disappearance of the island’s indigenous ecology. But beyond the interests of state and capital, Mauritian working people had their own ideas about how to organise their lives in relation to the island’s disturbed ecologies. As the descendants of Africans and Indians shipped to Mauritius under brutal systems of slavery and indentureship, they held onto their own knowledge about the land, while cultivating seeds smuggled across the Indian Ocean by their predecessors. With these tools, Afro- and Indo-Mauritians in the nineteenth century sought out a future beyond the sugar estates and colonial environmental control. At the heart of the struggle lay a simple question: was life—human and non-human—condemned to simply endure the devastation of the natural world, or was it possible to cultivate something more than survival? On the Walk by Sabrina Tirvengadum Like today’s global climate crisis, the burden of Mauritius’ volatile ecology fell unevenly among the island’s inhabitants. Worst affected by far was the labouring population of the sugar plantations. For over a century, men, women, and children kidnapped in Madagascar and East Africa were sold into slavery on the Mauritian plantations; at its height in 1817, the enslaved population was 79,494—more than 80% of the total population of the island. Then, when slavery was abolished in 1835 , the former slave owners turned to a new source of bound, racialised labour: indentured workers, recruited in rural areas of north and south India under contracts granting free passage to Mauritius in exchange for five years of labour on the sugar estates. Indentureship sat somewhere between slavery and free labour: while only bound for a fixed period, indentured labourers inherited the former slave barracks, took the place of the enslaved in the canefields, and suffered the same daily humiliations at the hands of the white overseers. The enslaved and the indentured were on the frontlines of the transformation of Mauritius’ landscape. The labourers hacked away swathes of ancient forest at the orders of the overseers. They hauled the black volcanic rocks that scattered the island into neat rows marking the canefield boundaries. And they cultivated the fields with their bare hands: weeding, planting, and shovelling during the rainy season, and in the dry season, enduring long, exhausting days cutting cane and transporting it back to the sugar mill. At night, the canecutters slept in overcrowded huts, in dwelling areas shared with the plantation livestock, alongside the rats, scorpions, and snakes who were attracted to the sweetness of the canefields. Malaria, yellow fever, and cholera proliferated near the densely packed, unventilated huts. When epidemics hit the island, the enslaved and the indentured were the first to die. The sugar industry, in collusion with the colonial authorities, did everything in its power to keep the island’s working population bound to the canefields. Armed patrols scoured the island for maroons (runaway slaves). The colonial government paid a reward for the severed hands of dead maroons, while French law stipulated that captured runaways were to have their ears cut off. Even after the end of slavery, indentureship perpetuated the island’s system of racial control. Under the indenture contract, workers were banned from leaving the plantation without written permission from the estate manager. Discriminatory pass laws forced Indo-Mauritians to carry identity cards showing their occupation and residence; those without evidence of employment were arrested and imprisoned at the vagrant depot, before being re-indentured on a sugar estate for a year. Local police conducted weekly ‘vagrant hunts’, sweeping across the countryside and apprehending every Indo-Mauritian they found. Throughout two centuries of slavery and indentureship, the ultimate goal of the planters remained the same: to keep the plantation workforce ‘attached to the soil’ (a phrase often repeated by colonial officials), at the frontline of the colony’s environmental collapse. On 14 June 1886, Dr John Horne, director of Mauritius’ renowned botanical gardens, wrote to the Colonial Office in London on an “urgent” matter of “great importance.” Twelve months earlier, Dr Horne had returned to the island to reports from forest rangers about an infestation of what they called “the cuscuta creeper.” Cuscuta reflexa— or dodder, its English vernacular name—is a parasitic creeper plant native to India. It propagates from seeds dropped on the ground, which produce a threadlike yellow stem that gropes for assistance from any nearby plant. Contact made, the stem twines itself around its host, sinking tiny suckers into its flesh and stealing its nutrients. In this manner, the creeper grows up to six inches a day, quickly smothering its host. The creeper had never been seen in Mauritius, but now it was spreading quickly through the island’s forests and scrubland. Younger trees and shrubs were killed, unable to sustain the parasite during the worst drought in a generation. Older trees were soon garlanded with a thousand tiny threads, each studded with small, bell-shaped white flowers with bright yellow filaments. In his letter, Dr Horne pleaded for information from India about the creeper, and how to destroy it. Horne’s desperation was a product of the surprisingly long history of climate science and environmental policy in Mauritius. As early as 1645 , Dutch colonists fretted about the rate of deforestation, and enacted laws to curb the pigs and dogs which were ravaging the island. Under French rule, the colonial administration was heavily influenced by a school of scientists known as ‘desiccationists’, who argued that drought was caused by deforestation. The result was a series of forest reserves and laws restricting deforestation in the interior—some of the world’s earliest conservation measures aimed explicitly at climate change. In the second half of the nineteenth century, after a series of devastating droughts, floods and epidemics, these environmental policies intensified. The government pursued the creation of new forests along the island’s denuded mountains and rivers, spending millions of rupees purchasing land for reforestation from abandoned sugar estates. These they handed to Dr Horne, who cultivated the land with saplings taken from his botanical gardens. This is the context for Dr Horne’s urgency regarding the “ cuscuta creeper.” Fearing the destruction of his saplings by the parasite, Dr Horne successfully lobbied the colonial government for a law ordering its total eradication. In starkly martial language, the botanist mobilised his forest rangers to carry out an eradication order, advocating “attacking it in force, at one time, at all the places where it is growing.” But the creeper was not acting alone. As Dr Horne wrote to the Colonial Office, men, women, and children from the Indo-Mauritian community were intentionally spreading the parasite. They carried portions of the plant wherever they went, Horne reported, throwing it on trees and shrubs and allowing it to propagate. A year after it was first detected by the forest rangers, the creeper grew conspicuously in the bushes surrounding Indian villages and plantation tenements alike. To those spreading it, the creeper was not cuscuta reflexa or dodder, but akashbel or kodiyagundal (its Bhojpuri and Tamil name respectively). In the healing traditions of the rural recruiting heartlands, the plant was recognised for its medicinal properties, its stem ground into a paste as a treatment for rheumatism, and its juice used as an antiseptic. In Mauritius, indentured workers also fed the creeper to the goats and cows which lived around their dwellings, who were, according to Horne, “very fond of it.” If, to the state, the creeper was a parasite threatening the colonial management of the landscape, to the Indian-born estate workers, it was a valuable companion in the struggle for survival. From the earliest days of slavery, plantation labourers turned to the land as a means of collective nourishment. On provision grounds—patches of marginal plantation land used by enslaved workers for food cultivation—the enslaved adapted familiar farming practices to the Mauritian soil in order to grow the basic foodstuff that kept them alive. Indentured labourers inherited the provision grounds, to which they introduced seeds and cuttings carried in their jahaji bundles (ships belongings), from flowers and fruiting trees to vines and root vegetables. These they cultivated with great care in the early hours of the morning, before setting off for the canefields with their cutlass and hoe. Already by 1845, colonists complained that indentured labourers were spending all of their time “cultivating fruits and flowers” at the expense of the sugar estates. This ecological knowledge formed the first foundation of a life independent of the plantations. In the eighteenth century, maroon communities emerged in the forests to the southeast of the island, where the dense tangle of undergrowth formed a natural refuge from the colonial state. After emancipation, the majority of formerly enslaved workers left the plantations, squatting on the slopes of the island’s mountains and cultivating fruit and vegetables for the market in Port Louis. They put their familiarity with the landscape to use, foraging in the diminishing forest and scrubland for tamarind, ginger, and Mauritian raspberries, gathered by women and children and sold in the bazaar. Fruit by Sabrina Tirvengadum This pattern continued with indentureship. Upon the expiry of their indenture contract, “old immigrants,” as they were known, could either sign a new contract to remain on the plantation, or leave. Of those who left, thousands used the savings they had eked out on the plantation to purchase land, either from the sugar estates or from older Afro-Mauritian gardeners. Tentatively at first, but then in ever-increasing numbers, formerly indentured workers moved beyond the sugar estates and settled in the margins of the countryside. By the 1870s, their market gardens covered the hillsides of the Mauritian interior. These gardens cultivated a precious degree of independence amidst the colony’s steep racial hierarchies. Post-emancipation, they offered respite from the horrors of enforced labour, and an altogether different manner of working. Local magistrates reporting on the formerly enslaved population complained that Afro-Mauritians failed to cultivate their land in a suitably acquisitive manner. “They work to procure the immediate necessities of life,” one criticised, “and do not show any desire to increase their property.” The magistrates accused the gardeners of failing to treat agricultural work as an end in itself, rather than merely the means to secure a comfortable existence. “These people of African origin,” another wrote, “live…in the enjoyment of undisturbed repose, which they seem to think…is due to them for the labour and miseries endured during the period of slavery.” But the gardens also formed a more direct retaliation to the ecological devastation of the sugar estates, through the plants themselves. It is difficult to know exactly what was grown on these nineteenth-century garden plots. Unlike the sugar mills, whose ruined stacks still scatter the Mauritian landscape, the small garden patches left hardly any trace, except for what lies buried beneath layers of sediment. The archives of the colonial state offer little more: market gardeners were rarely an object of concern for imperial administrators, and when they were, it was usually in exceptional circumstances irrelevant to their cultivation of the soil. Occasionally, though, we are offered a glimpse, not through testimony itself, but in the form of large compendiums of the island’s flora, compiled and published by colonial botanists in the late nineteenth century. I found one of these while researching in the archives of Kew Gardens in London. It was published in 1886, making it one of the earliest written accounts of the Mauritian gardens. In the compendium, long lists of towering trees, hardy shrubs, fruiting vines and colourful flowers are printed alongside tantalising off-hand comments noting their presence in the hillside gardens. Little more is written. The plants, however, offer their own testimony. Some of them—mangoes, areca palms, bitter gourd, turmeric, and coriander—will have been grown from seeds brought by the indentured from India. Many, however, were products of the plantation world. Pigeon pea— ambredade in Mauritian Creole—a legume used as a rotation crop in the canefields and adopted by Mauritian gardeners as a multi-purpose hedgerow, abounded on abandoned plantations, from which the gardeners likely took cuttings. Shorter term cash crops were planted alongside subsistence provisions, decorative flowers, and medicinal herbs; small patches of sugarcane next to trees that took half a generation to yield fruit. This was an agricultural model far better suited to Mauritius than the factory-like system of the sugar plantations, with its reliance on a single, volatile cash crop. Many of the indentured had been gardeners in their homeland; all would have been familiar with the monsoon rhythms of the Indian Ocean world. Like the intercropping system of northern India, the sheer diversity of the Mauritian market gardens enabled some degree of protection from crop failures and monsoon fluctuations, with overlapping harvests taking place throughout the year. But the gardens were also a divergence from the reforestation projects with which the colonial state responded to Mauritius’ environmental collapse. The government reforestation projects envisioned trees as instruments of geoengineering. By keeping temperatures down, increasing humidity and retaining rainwater, the new forests would stabilise the island’s climate, and keep aridity—the colonial scientists’ great fear—at bay. In this plan, trees were a technological fix that could stabilise and preserve plantation production and enable the colonial order it underpinned to endure ecological catastrophe. The scientists and imperial bureaucrats behind reforestation did not challenge the dominance of the plantations, nor the conditions for life they had produced in Mauritius; in fact, by obstructing rural foragers’ access to the forests, they hampered a vital means of existence outside the orbit of the estates. The gardens, on the other hand, formed a deliberate alternative to the sugar estates, in which cultivation exceeded the ambition of enduring a fragile present. The plants themselves, carefully recorded in the botanical compendium, were suspended across multiple temporalities. Some were animated by memories of familiar landscapes and habits, transposed across the Indian Ocean: banyan and peepal trees planted next to makeshift plantation temples; turmeric, neem, and mango cultivated in the gardens, and used in rituals marking births, deaths, and marriages. Others responded to present needs: medicinal herbs from the Ayurveda, Siddha, and Unani-tibb healing traditions were grown in the gardens, and used to give comfort to aching bodies; market crops provided much-needed cash for families; cannabis ( gandia ) was planted, and smoked among friends at dusk beside their dwellings. Others still corresponded to desires for a relatively distant future: trees that would not fruit for half a generation, whose shade would shelter the grandchildren of their cultivators. Taken together, these plants suggest the cultivation of not only endurance in a damaged land, but also a degree of collective spiritual and material comfort. The plants, and the garden patches on which they were grown, embodied the idea that this landscape could be something more than a mechanism for profit: that life could survive in the ruins and that land could sustain something like home. To the sugar estates, the sale of land to former plantation labourers was a useful opportunity to cede uncultivated fields in return for much-needed cash during a protracted slump in the sugar market. Plots were kept as small as possible, to ensure that cultivators were not entirely independent of occasional plantation labour. Meanwhile, the colonial authorities treated the early gardeners with outright hostility. During the brutal anti-Indian vagrant hunts of the 1860s and 1870s, secluded communities of gardeners became a sanctuary for vulnerable Indo-Mauritians, particularly plantation deserters and the unemployed. In retaliation, the colonial police incessantly targeted areas of small-scale cultivation, described in government reports as “the resorts of vagrants, thieves, and other bad characters.” Government scientists deployed race science to blame high mortality rates on Indian-born cultivators, proposing limits to immigration and forced repatriation as a measure against disease. Local magistrates monitored the size of garden plots; where they determined that the plots were too small to sustain a living, the cultivators were declared vagrants and sent to the vagrant depot, resulting in a year’s re-indenture. Even beyond the colony’s political conditions, gardening was a hard life. The garden patches were exposed to flooding and drought, unlike the irrigated, dammed plantation lands. During the worst droughts, gardeners abandoned their plots and returned to the sugar estates in their thousands. Often the plots were on malarial land unwanted by estate managers. There was no assistance from the state in the face of disaster. When, in 1892, a cyclone tore through the island, leaving 50,000 homeless and devastating the exposed garden plots, the only government assistance consisted of four days of rice rations and state employment at one rupee a day. Meanwhile, the government advanced generous disaster relief loans to the sugar estates, enabling damaged mills to be not only swiftly repaired, but also enlarged and improved. Yet, throughout the nineteenth century, Indo- and Afro-Mauritians poured their labour and resources into garden plots and the compromised, partial freedom they offered, turning their enforced intimacy with the nonhuman landscape into a means of survival and nourishment. It was, to them, worth it. The sugar plantations, colonial reforestation projects, and the garden plots: each offered a different response to the devastation of Mauritius’ indigenous ecology. The plantations followed a logic of production at all costs; as the economic mainstay of the colony, the sugar planters argued that they alone stood against the total ruin of the island. Their response to the growing ecological vulnerability was to seek new ways to overcome environmental limits and convert more of the natural world into a mechanism for profit: importing high-yielding cane cultivars, building bigger sugar factories, and experimenting with new chemical fertilisers. It was, quite literally, the end of time: the replacement of seasonality and organic time with the flat production cycle of a single cash crop. Dr John Horne’s “tree plantations,” as he called the reforestation scheme, were ultimately no different. Sugar was the impetus for reforestation. Influenced by the powerful Mauritian sugar lobby, which directly funded many of their activities, colonial scientists conceived of the island as a closed system—a series of zones of experimentation and production in which the forests were maintained to feed the canefields with moisture. The leading proponents of tree planting were adamant, in the words of the island’s foremost meteorologist Charles Meldrum, that “every inch of land that can be spared should be devoted to agriculture [meaning sugarcane], which is the mainstay of the colony.” They saw no life without the plantation, and no world beyond sugar. Set against this essential nihilism, the gardens represented a choice about how to organise life in the ruins of ecological disturbance. The plants connected with a past that exceeded the plantation; their cultivation suggested a future beyond survival in the dead-end present. By 1889, akashbel —the cuscuta creeper—had won. Forest rangers reported its presence everywhere from the coastal lowlands to the heights of the interior. Dr John Horne abandoned his efforts to stamp out the parasite. Two years later, he left the island and returned to Britain. Today, the creeper can still be found in Mauritius, in almost the exact same locations mentioned in Dr Horne’s letter to the Colonial Office almost 140 years ago. As another climate catastrophe looms over the island, the yellow threads that appear sporadically in its trees and shrubs are a reminder of an earlier generation—a generation who, after the horrors of slavery and indentureship, and in the midst of ecological disaster, saw not the end of this world, but the beginning of the next one. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 BEN JACOB is a writer and historian whose work looks at the relationship between colonialism, labour and the environment. Based in London, he is an academic adviser at the Ameena Gafoor Institute for Indentureship Studies. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Essay Mauritius Climate Indentured Labour Climate Change Climate Catastrophe Nineteenth-Century Deforestation Sugar Cane Indian Ocean Volcanic Island Flora Fauna Ecology Colonization Indigenous Extinction Sugar Factory Export Colonial Economy Species Loss Sugar Mills Canefield Native Disappearance Capitalism Environmental Science Geoengineering Climate Adaptation Experiment Natural World Survival Labour Forced Disappearance Madagascar East Africa Racialised Labour Slavery Ancient Forest Volcanic Rock Dry Season Plantation Livestock Malaria Yellow Fever Cholera Endemic Militarism Violence Indo-Mauritian Indian Policing Workforce Attached to Soil Frontline Botanical Garden Cuscuta reflexa Climate Science Legislation History Community Medicinal Plants akashbel kodiyagundal Parasite Struggle Collective Food Cultivation Emancipation Afro-Mauritians Kew Gardens Archive Agriculture Reforestation anti-Indian vagrant hunts Sanctuary Freedom Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

· COMMUNITY Interview · Bangalore The Ghettoization of Dalit Journalists “People in mainstream journalism dismiss anti-caste media as activists. N. Ram goes to Tibet and comes back with a glowing story: that is not activism. But what Dalit Camera, Velivada, or Round Table India do is supposedly 'activism.'” Watch the interview on YouTube or IGTV. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Bangalore Dalit Histories Journalism Activist Media Jogendranath Mandal The Pakistani Dalit Brahmanical Colonialism Love Jihad Kancha Iliah N Ram Rohith Vemula Dalit Media Dalit Camera The Hindu Bajrang Dal Ambedkar Students' Association P. Sainath Sujatha Gidla Investigative Journalism Hindutva Student Movements Dalit Labor Dalit-Black Solidarities Labor Labor Reporting Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 14th Sep 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note: