Literary theorist Aneil Rallin rejects the conventions of academic, scholarly writing being didactic. Instead of kowtowing to the distrust of playfulness in academia, he brings to the fore in his research poesis that can purposely by “playful or elliptical or weird or whimsical or mixed-genre or creative.” COMMUNITY Radical Rhetoric, Pedagogy & Academic Complicity Literary theorist Aneil Rallin rejects the conventions of academic, scholarly writing being didactic. Instead of kowtowing to the distrust of playfulness in academia, he brings to the fore in his research poesis that can purposely by “playful or elliptical or weird or whimsical or mixed-genre or creative.” VOL. 1 INTERVIEW AUTHOR AUTHOR AUTHOR Watch the interview on YouTube or IGTV. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Radical Rhetoric 18th Jan 2021 Interview Radical Rhetoric Politics of Citation Rhetoric Rupture Composition Queer Spaces Pedagogy June Jordan Susan Griffin Politics of Location Location Adrienne Rich Complicity Complicity of the Academy Academia Nature of Credibility Corporate Queer Identity Gloria E. Anzaldúa Eunice de Souza Women's Participation Gender Gender Studies Women and Gender Studies in India Queer Activism Nature of Radical Activism Universities Experimental Methods Trinh T. Minh-ha Whimsy Playfulness Centering the Silly Fragments Mixed-Genre Multimodal Personal History Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Along with scholars like Trinh T. Minh-ha and Susan Griffin, I want to reject the notion that academic scholarly writing has to be pedantic, or that it can't be playful or elliptical or weird or whimsical or mixed-genre or creative. There seems to be a distrust in academia, of playfulness and creativity, it's not seen as serious or critical or important. But, I like bringing together lots of different forms, critical writing and anecdotes and notes and analysis and snippets of conversations and fragments and juxtapositions. RECOMMENDED: Dreads and Open Mouth: Living/Teaching/Writing Queerly by Aneil Rallin. More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

“How do you laugh at untrammeled power? Either you are completely terrorized by it, or you completely delegitimize its authority by laughing in its face and doing the most absurd things.” COMMUNITY Experimentalism in the Face of Fascism AUTHOR AUTHOR AUTHOR “How do you laugh at untrammeled power? Either you are completely terrorized by it, or you completely delegitimize its authority by laughing in its face and doing the most absurd things.” SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Interview Chennai Sociolinguistics Avant-Garde Form Experimental Methods Dalit Literature Dalit Histories Indian Fascism Liberation Tigers of Tamil Eelam Tamil Tigers Auto-Fiction Bhima Koregaon Marxist Theory André Breton Absurdity Explanation Affect Translation Tamil Eelam Personal History Failure Narrative Structure Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Interview Chennai 7th Sep 2020 RECOMMENDED: The Orders Were to Rape You: Tigresses in the Tamil Eelam Struggle , the newest book by Meena Kandasamy (Navayana, 2021). Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

Why have India’s ultranationalist aspirations made Lakshadweep the unlikely locus of its tourist aspirations and exacerbated tensions with the Maldives? | · FEATURES Reportage · Lakshadweep The Lakshadweep Gambit Why have India’s ultranationalist aspirations made Lakshadweep the unlikely locus of its tourist aspirations and exacerbated tensions with the Maldives? Artwork courtesy of N.K.P Muthukoya. Kerala: On 4 January, pictures of Indian Prime Minister Narendra Modi snorkeling in Lakshadweep hit social media. The pictures were accompanied by his invitation “for those who wish to embrace the adventurer in them, Lakshadweep has to be on your list,” and incited a cascade of unanticipated events in the Indian archipelago of 36 islands lying to the west of India’s southwestern coast, in the Laccadive Sea between the Arabian Sea to and the Bay of Bengal. The photos triggered a surge in Google searches unseen in 20 years. Maldivian ministers in Malé, a mere 900 kilometres southwest of Lakshadweep, were alarmed. A few vented against Modi on social media. Hassan Zihan, Mariyam Shiuna, and Malsha Shareef, all deputy ministers, were suspended for the social media posts they made against Modi. Maldivian ministers have been sacked for lesser blunders, however, the president has chosen to keep them on government payroll following a temporary suspension. At a time when the Israeli-Palestinian conflict had escalated to levels previously unseen following the Hamas-led terror attacks in October 2023 and in the wider context of Israeli settler violence in the West Bank, Shiuna pointed out India’s ties with Israel. Other public officials joined in and said that Modi’s visit to Lakshadweep was aimed at undermining Maldives’ luxury tourism industry, which prides itself on its secluded pristine beaches. Indian travel and tourism agencies and celebrities added fuel to the controversy by using hashtags #MaldivesOut and #ExploreIndianIslands. In January, Maldivian President Mohamed Muizzu broke with tradition and prioritized visits to Turkey and China, flouting India's “ first-visit ” protocol. He flew to China, signed 20 deals , secured a massive 1000 crore aid package, and upon his return, urged India to withdraw its 80-member army contingent stationed in the Maldives by 15 March. The first well-known Indian presence in the Maldives was in response to the 1988 coup, under Operation Cactus , following a request from then-president Maumoon Abdul Gayoom, which protected the Maldives from Sri Lankan militants. There were 77 Indian officers stationed in Maldives since 2010 when the Indian government gifted two helicopters and a Dornier aircraft. Recent news suggests the first batch of Indian troops, some 25 soldiers, have already left the island country. In short, Modi’s Lakshadweep pictures created something of a diplomatic crisis that could significantly reshape Indian and Maldivian relations. Muizzu’s moves while in power have signalled a subtle but important shift in Maldivian foreign policy, with China gaining significant ground and India's traditional influence facing a challenge. But as diplomatic tensions between India and the Maldives have simmered, Muizzu’s deals with China, aimed at turbocharging tourism through large-scale construction projects and marketing to new countries, have raised crucial questions about the fragile archipelago’s environmental sustainability. Lakshadweep is similarly threatened—and if Modi’s agenda is realized, also poses a threat to the tourism sector pivotal to the Maldivian economy. Swallowed By the Ocean While Maldives-China 20-point MoU cooperation in disaster management and green and low-carbon sounds positive, deepening blue economy cooperation and accelerating the Belt and Road initiative raises serious concerns for the low-lying island country. In late 2021, highlighting the Maldives’ extreme environmental vulnerability, Aminath Shauna, the former environment and climate change minister noted, in an interview with the International Monetary Fund (IMF), that a staggering 80% of the country's islands sit less than a meter above sea level, over 90 percent of the islands report flooding annually, 97 percent are reporting shoreline erosion. “Fifty percent of all our housing structures are within just 100 meters of the coastline. So most really cannot withstand tidal floods, let alone tsunamis. Really, everything is at stake,” she had said. In 2008, concerned about the rising sea levels threatening the Maldives, then-President Mohamed Nasheed proposed relocation to neighbouring countries. However, in comparison, the current president’s plans differ greatly. He envisions reclaiming land, building elevated islands, and fortifying them. A report from the Economic Society of New Delhi-based Shri Ram College of Commerce reveals how extensive extraction for development disrupts beaches, harming marine life, compromising conservation for commerce, fuelling rapid biodiversity loss, around 21 percent of daily waste comes from tourists, polluting water and endangering health and untreated sewage and depletion threaten freshwater resources. But tourism continues to be integral to the Maldives economy, with growth in the sector in 2022 exceeding pre-pandemic levels with a remarkable 13.9% growth, outpacing even optimistic forecasts, fuelled by pent-up demand from both European and Asian tourists. Indeed, tourist arrivals and revenue in the Maldives have rebounded sharply, with total receipts soaring by 28% from $3.5 billion in 2021 to an estimated $4.5 billion in 2022. Fascinatingly, leading the charge was the recent upsurge in Indian travellers , some of them prominent Bollywood stars, with 209,198 visiting the island paradise in 2023. Close behind were 209,146 Russian visitors, followed by 187,118 Chinese tourists ranking third. According to the Maldives Monetary Authority, fuelled by a booming tourism sector, Maldives’ total government revenue surged 38 percent to USD 1.82 billion in 2022, outpacing both tax and non-tax revenue hikes. Financial figures show strong tourism recovery in the Maldives, raising concerns about its impact on the region's fragile ecosystem. However, the nation's latest partnerships, especially with China, may offer opportunities for balancing economic growth with environmental protection. Chalo Lakshadweep Can India reasonably pitch in Lakshadweep as a competitor for Maldives? While the idea of Lakshadweep as a competitor to the Maldives might be tempting, environmental concerns raise serious doubts about its feasibility. Lakshadweep’s environmental fragility, limited infrastructure, and local concerns cannot be ignored. A fresh study paints a grim picture for the Lakshadweep Islands, revealing that all of them are facing significant threats from rising sea levels, regardless of future emission scenarios. This marks the first time climate models have been used to assess potential inundation across the archipelago. The study predicts drastic land loss for smaller islands like Chetlat and Amini, with 60 to 70 percent and 70 to 80 percent of their shorelines vanishing under rising waters. Even larger islands like Minicoy and Kavaratti, including the capital, are not spared, facing potential land loss along 60 percent of their coastlines. The only relatively safe haven appears to be Androth Island, though it too will be impacted. Minicoy , the second largest and southernmost island in Lakshadweep, shares a unique historical connection with the Maldives. Known locally as “Maliku” in the Maldivian-Minicoy language, Minicoy was separated from the Maldives in 1752 by the Ali Rajas of Malabar (Kerala) and remained distinct ever since. The remaining northern islands of Lakshadweep, the Amindivi group, fell under British control much earlier in 1799, following their victory over Tipu Sultan of Mysore (who ruled them from 1787). The Laccadive Islands (southern group) and Minicoy were annexed to the British Empire later, with the suzerainty of Minicoy transferring to the British Indian Empire in 1875. However, the Arakkal House held a trade monopoly over these islands until 1905, when they were fully surrendered to the British. When India gained independence in 1947, the Union Jack continued to fly over the Minicoy lighthouse until 1956, when a representative of the Queen lowered it, marking Minicoy's official integration into the Indian Union. Lakshadweep’s current infrastructure caters to its 60,000 residents and a limited tourist influx. In 2021, the islands welcomed 13,500 tourists, a number that jumped to 22,800 in 2022. While this growth is encouraging, it also strains existing resources. There is only one airline operating flights to Lakshadweep and six ships ferrying people, and any Indian, who is not a native of Lakshadweep, shall have to obtain an entry permit . The reason for this, as per the Lakshadweep Tourism website, is to protect the Indigenous peoples residing there. Following a Supreme Court order in the 2012 case of M/s Sea Shell Beach Resorts v. Union Territory of Lakshadweep and Others, an expert committee led by Justice R.V. Raveendran evaluated the Integrated Island Management Plan (IIMP) for Lakshadweep. The IIMP is a crucial document that outlines the vision and strategies for sustainable development in Lakshadweep. The Supreme Court's order emphasized the need for balancing development with environmental protection in the islands. The Raveendran Committee's report made several recommendations, including, strict adherence to environmental laws and regulations, prioritization of sustainable tourism and eco-friendly practices, protection of the islands' fragile ecosystems and cultural heritage. Having said that, recently, the Lakshadweep administration planned to develop eco-tourism projects in 11 islands in public-private partnerships. NITI Aayog, the Indian government’s policy body, had sought proposals from consultants. The administration of the union territory identified the islands of Bangaram, Thinnakara, Pareli-II, Pareli- III, Chariyam, Kalpitti, Tilakkam, Kavaratti, Perumal par, Viringili island, and Minicoy. Additionally, branded hotels are coming up , while water villas are also on the horizon. However, the one and only parliamentarian from Lakshadweep has already raised his concern over tourism development projects. Talking to the media , he said the “Chalo Lakshadweep” call may not even get off the ground given multiple constraints, including the lack of direct flights and the minuscule number—150—of hotel rooms. “Even if it does, the tourist inflow has to be controlled in view of the fragile ecology of the island that has been propped up by a rulebook that lays down the number of tourists the islands can contain each day,” Mohammad Faizal, the parliamentarian from Lakshadweep, told media. Faizal cited Justice R.V. Raveendran’s suggestions to protect the island. The media quoted him, adding that the island is looking for high-end controlled tourism. Meanwhile, in a phone conversation with SAAG from Androth, the largest island in Lakshadweep, Mohammed Althaf Hussain, a former Panchayath president, discussed the potential benefits and drawbacks of increased tourism focus in the islands. Hussain noted that “pumping more money into tourism development can create job opportunities, help locals diversify their income, boost earnings, and popularize local culture.” However, he also acknowledged environmental concerns, stating, “Like any other place, our islands face environmental challenges due to climate change, including waste management woes.” He concluded by expressing optimism that “with scientific solutions, we can overcome these challenges.” Dr Naveen Namboothri, Trustee and Programme Head at Dakshin Foundation, a non-profit organization dedicated to environmental conservation and sustainable development, shared a note prepared by Lakshadweep Research Collective. This note responds to the draft development plan for the island proposed by the Indian government. The note shared by Naveen, who is part of Lakshadweep Research Collective, states that, the then development plan poses a dangerous threat to Lakshadweep's ecology, community, and culture. The note adds that the plan ignores Lakshadweep's unique ecology and climate vulnerabilities, proposing unsustainable development that endangers reefs and livelihoods. “It grants authorities power to take land and resources, jeopardizing traditional practices and local economies. Proposes a narrow, “fast-track” approach focused on infrastructure and exploitation, neglecting social well-being and ecological integrity,” the note adds. On 1 February, while presenting the interim budget, Indian Finance Minister Nirmala Sitaram, named Lakshadweep. “To address the emerging fervour for domestic tourism, projects for port connectivity, tourism infrastructure, and amenities will be taken up on our islands, including Lakshadweep,” she said . And there are reports that India has proposed a ₹3,600-crore infrastructure upgrade plan for the Lakshadweep islands, aiming to transform them into a tourist hub. Back in 2021, the Lakshadweep administrator was accused of introducing policies that could harm the environment and cultural heritage of the islands. The controversial proposals included a beef ban and restrictions on those contesting in local elections. At the time, India’s opposition leader Rahul Gandhi also raised his concerns. The tensions between India and the Maldives can be attributed to hypernationalism displayed by both state and non-state actors. While Maldivian deputy ministers criticized Prime Minister Modi, Indian social media users fueled the issue with their own brand of hypernationalism and unrealistic expectations regarding Lakshadweep. For India, boycotting the Maldives may well have negative political consequences. Meanwhile, losing the trust of a long-standing strategic partner whose culture is intertwined with its own would be a major detriment for the Maldives. Fueled by budget allocations and amplified by media buzz, India seems intent on making a "Maldives™" out of Lakshadweep, propelling ultra-nationalist sentiments in both countries. This move suggests that India is far from closing the chapter on instigating a previously non-existent tourism rivalry between Lakshadweep and the Maldives. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Reportage Lakshadweep Maldives India Nationalism China Foreign Policy Environment Climate Change Islands Lakshadweep archipelago Operation Cactus Mohamed Muizzu Modi Minicoy Tourism Belt and Road Initiative Luxury Tourism Mohamed Nasheed IMF Maldives Monetary Authority Sea Shell Beach Resorts Integrated Island Management Plan Laccadive Maliku Kavaratti Androth Chalo Lakshadweep Amindivi Eco-tourism Turkey Maumoon Abdul Gayoom Infrastructure Diplomatic Relations Malé Maldivian Economy Environmental Disaster Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 29th Mar 2024 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Botany, diaspora, and the entangled legacies of migration, plant knowledge, and colonial collecting proclivities | Essay · BOOKS & ARTS Essay · Paris (Our) Worlds and (Plant) Wisdoms Botany, diaspora, and the entangled legacies of migration, plant knowledge, and colonial collecting proclivities Installation view, Enso House (London), September 2024 There are certain phrases that stick with me—even better if they’re in a song—that reference planting seeds in new places. What it might be to plant something and watch it grow, not knowing the lands or the contexts it has been embedded into? Curiously, this sentiment can metaphorically link heroes, victims, and villains of much of migratory history. Colonial exploits continue to transplant and overtake natural vegetation displaced by invasive species. Inversely, guerrilla planting tactics of indentured Mauritian labourers initiated a sense of placemaking, making accessible familiar ingredients while asserting their own agricultural intervention on the land. Go to any British National Trust garden gift shop, and you’ll likely find bundles of seed-related gifts, even “seed-bombs” – seemingly so-named without an ounce of irony or awareness. In Stockholm, there were “seed passports,” and in Cape Town, they’re packaged as “bundles.” Now, perhaps more than ever before, the convergence of environmental awareness, ecological degradation, and global conflict has enabled a heightened recognition of the importance of planting, access to land, and the preservation of soil and heirloom seeds. Continuing lineages of migration with a practice that thinks through seeds, roots, and shoots, and what to do with them as forms, Cynthia Fan is a South African Chinese artist, now based in the UK. With a PhD in molecular plant biology, her work weaves together scientific inquiry and visual expression. While navigating transitions, the anchoring of flowers and their cyclical presence has, for her, become a motif of placemaking. Moving away from home comforts and across oceans, working with plants offers solace and reassurance. “Buying bunches of flowers there became a small ritual that mirrored something I had observed throughout my life”, she explains in her forthcoming collection of essays, Among Willows : “my mother’s weekly routine of bringing home fresh flowers for our house, along with the groceries. Though my surroundings were unfamiliar, the presence of fresh flowers in my room facilitated my adjustment to a very different place to the one I had grown up in.” Portrait, Cynthia Fan by Jesse Navarre Vos Dialogues of duality and precipices of balance recur in Fan’s practice. Perhaps mirroring her own lived history, she moves lightly between disciplines and materials, as if to propose a method of querying rather than asserting one. In gravity-defying floral installations, the structural potential of plants and flowers becomes focal and calls forward a further tilting of perspectives. Straddling scientific inquiry, creative writing, and ephemeral intervention, Fan creates works that centre plants, humans, and their environments in an investigation. She writes about reciprocity. Across the book’s pages, she traces the push and pull of her history through plant analysis, folding it into inquiries around morphological development. RBGE 1 , From Silent Archive, 2024. Leaf scans, installations using found garden materials from the garden, and photography. Balancing culture, migration, history and exploration, her investigation of botany is documented in photographs and installations. These evidence the process of physicalising ideas which gesture and meditate yet remain fleeting. As temporal objects, Fan’s sculptures exist momentarily. In her photographs, sculptural forms are presented within tableaus, set against inserted backdrops that echo a practice of recording and cataloguing, yet are disrupted through the showing of her structures of armatures and clips. The works illuminate an approach to collecting that sits against hegemonic discipline, even resisting preservation through the necessary ephemerality of each work. Clasped into something that can be kept only through documentation, Fan’s practice necessarily evades ownership. The works contend with their plant material qualities, as if poised for musical activation, as if about to dance off as an elfin creature or poised to be turned into one of Rachel Youn’s robotic floral articulations. Using unexpected but familiar materials, Fan raises questions of excursions and voyaging, cultivation and gathering with a kind of intimate observational approach. Highlighting her own proximity to the environment, the works present organic materials within collections to query contemporary relationships to transgenerational concerns of ownership and study. I'm interested in how changing environments impel movement, in turn creating relational narratives and impacting social and artistic discourse. I situate this interest within conversations around diaspora, transnational collaboration, and ecological investigation. In Fan’s work, these themes swirl and echo across her personal experience and the scientific trajectory of her subjects. Where Kapwani Kiwanga’s Flowers for Africa (2020) delineates timelines through decay, gesturing to the futility of politicking among bureaucracies, Fan homes in on impulses of construction and collecting, highlighting colonial histories of ownership through access, cataloguing, and storing. With sculptural investigations of organic form, she uses networks of interaction as a research focus. This approach enables her practice to manifest manifold, across science and art – in exhibitions, installations, and writing. RBGE 3 , From Silent Archive, 2024. Leaf scans, installations using found garden materials from the garden, and photography. Last year, I visited two exhibitions that showcased the delicate precision of Indian miniatures: one at the Met in New York and the other at the CSMVS Museum in Bombay. In thinking between exhibitions, I’m struck by the criticality of contextual reading and how different these exhibitions felt physically. One sweaty and loud in the middle of a heaving city, pumped full of recycled air and extracted wealth. The other, quiet and sticky, with muffled street sounds carried through thick stone and sparse spending. The collecting of objects, seeds, artefacts, artworks, and talismans has long been the work of museums, while the work of care is only now coming into focus, largely thanks to curators and activists who engage contemporary transnational decolonial practices. Thinking about writing this piece, I came across a review by Guardian critic Jonathan Jones of In Bloom , a recently opened exhibition at Oxford’s Ashmolean Museum. “Here is where the story of botany takes flight from science to sensuality, from interest to addiction”, he writes. By noting differing cultural interactions with flowers, Jones points out botanical strategies in the colonial project: “As well as cultivating new species of poppy, the Dutch at the height of their commercial power in the 1600s became obsessed with tulips, which came from the Islamic world and were particularly cultivated at the Ottoman court.” Interactions with these flowers today are weighted by this cultivation and proliferation. Thinking about flowers and their presence, I keep returning to Fan’s practice and the way she prompts questions about engaging with and interpreting the natural world, both globally and hyperlocally. Phormium nets and a single Delphinium , 2024 In Fan’s Silent Archive at the RBGE (2024), she peels back a veil of botanical investigation and preservation in search of origins and context. Where her PhD research pivoted around the Begonia leaf, Fan became preoccupied with the notion of a living Begonia collection at the Royal Botanic Gardens Edinburgh (RBGE) – a plant not indigenous to the region. In creating this series, she opens up a questioning of routes and place, confronting the colonial past and present of the institution in Edinburgh, which continues to house and encase species extracted from their original contexts in the name of scientific method. Of the work, she reflects: “By creating morphologically distorted configurations using bamboo and Begonia leaves, I invite the viewer to question which of these physical states are considered ‘ordinary’ and assess the impact of human involvement within these interactions.” I’m sitting at my window, which overlooks an intersection. At the corner is a bakery, and opposite that is a vacant former tech repairs store. There’s a constant flow of people, families strolling with prams and scooters and various backpacks and balloons; there’s an older woman bundled up and carrying a bushel branch. Waiting for the light to turn is another woman in a navy coat over what looks like a green dress or skirt that flows to just above her boots. I notice these colours because they perfectly complement the buttercup sunshine yellow of the ranunculi and freesias in her arms. An ordinary, fleeting, yet magnificent moment. The flowers might have been daffodils, except Spring appeared so early this year, and all the flowers are being shocked into blooming before shrinking back again as the temperatures swing. It is a bouquet of yellow, with springs of bright green and silver greenery perfectly contrasting the deeper forest colours of her clothing. Her blonde hair wisps around her face, and I watch the sun catch the bunch of joy she’s carrying. A momentary glimpse of a passing passage, yet the colours hit across the block. There are at least four florists within ten minutes’ walk from my apartment, two of them on my street just a few steps from each other. The seasons are traced in the display of wares here, like nowhere else I’ve lived. From blood oranges to Helleborus blooms, the temporality of fleeting lives feels ever-present, while being endlessly celebrated. This living presence of plant lives seems pertinent when considering Fan’s work, both scientific and creative, as her practice dialogues across disciplines. Able to encounter and swerve expected preservations, collections, and records, her practice revels in observations of tiny blooms as they momentarily appear within a landscape. In this approach, she activates knowledge with an observational present, manifesting in a perpetually delicate balance of disciplines. While Iranian tulip motifs contrast the hyperrealism of Dutch Nature Morte vanitas, and the Indian miniatures are made to dance differently in New York while they hold court in Bombay, Fan’s floral sculptures assert a poised suspension. Like an intake of breath, the pieces balance in the precarious querying of place, placement, and ownership. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Essay Paris Cynthia Fan Museums Museum Culture New York Bombay Environment Botany Material Culture Exhibitions Planting Seeds The Local and Global British National Trust Stockholm Cape Town South Africa Migration Colonialism Guerilla Planting Flowers Visual Art Science Reflection Cyclical Patterns Among Willows Duality Multimodal Floral Installations Ephemeral Art Morphology Sculpture Rachel Youn Kapwani Kiwanga Colonial Histories Discourse Jonathan Jones Ashmolean Museum Metropolitan Museum of Art The Met Chhatrapati Shivaji Maharaj Vastu Sangrahalaya CSMVS Museum History of Botany Colonial Prospecting Bioprospecting Dutch Empire Royal Botanic Gardens Edinburgh Miniatures Multivocal Practice Art Practice Color Florists Placemaking Care Work Curation Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 1st Jun 2026 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Wielding terror and fear in the absence of credibility, extrajudicial detention is a defining strategy of political terror. In this comprehensive survey of the tactics of illegal detention employed by the American, Israeli, and Assad regimes, enforced disappearance emerges as the swan song of decaying empires on the brink of collapse. Wielding terror and fear in the absence of credibility, extrajudicial detention is a defining strategy of political terror. In this comprehensive survey of the tactics of illegal detention employed by the American, Israeli, and Assad regimes, enforced disappearance emerges as the swan song of decaying empires on the brink of collapse. Jacobo Alonso, Periplo - Safe Migration (2024). 18 laser-cut modules of polyester felt, 300cm each. Artist · FEATURES REPORTAGE · LOCATION Damnatio Memoriae LOCATION Ayah Kutmah . 22 Jan 2025 nd . Letter from our columnist . In his Prison Notebooks , Gramsci describes the interregnum of a dying civilization as it gives birth to a new state order. “Now,” he writes, “is the time of monsters.” In our time of monsters, enforced disappearance reemerges as an extrajudicial tool for “extraordinary” times. Such Orwellian simplicity belies the systematic practice of one of the worst crimes of the twenty-first century. Millions of people across the globe have disappeared in political terror schemes as part of a practice that has only increased over the last few decades, tied to the wars of the current era. Enforced disappearance is a crime distinct even from arbitrary detention or mass incarceration–rather than leveraging the known carceral architectures of the state, enforced disappearance relies on parallel hidden networks created to remove someone entirely from visibility. The International Convention for the Protection of All Persons from Enforced Disappearance formally defines the practice as: the “arrest, detention, abduction, or any other form of deprivation of liberty” by state or para-state agents followed by the state’s “refusal to acknowledge the deprivation of liberty or by concealment of the fate or whereabouts of the disappeared person, which place such a person outside the protection of the law.” There are no exceptions to this protection under international law. The practice of enforced disappearance, when widespread or systematic, constitutes its own independent crime against humanity. While kidnapping by the state is deemed extrajudicial—exceeding boundaries of the law and the ordinary—the state, in emergency, engages in the conspiracy to kidnap with impunity. Total wars waged by imperial powers abroad, dictatorial regimes within, and occupying powers against indigenous populations deploy enforced disappearance as a defining strategy of political terror. Three contemporary cases exemplify, even define, each horrific model: the U.S.’s global war on terror, the Assad regime in Syria, and the Israeli genocide in Gaza. In each case, the carceral architectures of the state or occupying power expanded grossly in wartime settings to conduct systematic disappearance campaigns against tens and hundreds of thousands of people. Such campaigns were inevitably, and by design, tied to a litany of other crimes including torture, sexual violence, arbitrary detention, collective punishment, and extrajudicial killing. Collectively, they represent among the worst cases of enforced disappearance in this century. An Archipelago of Disappearance: the U.S. Global War on Terror In 2001, the United States launched its ‘global war on terror,’ initiating a new mode of warfare for the many imperial wars and military campaigns fought thereafter, including the U.S. invasions of Iraq and Afghanistan, and the expansive military campaigns undertaken in the Middle East, North and East Africa, and Southeast Asia. As part of this global war, the U.S. developed a conglomerate of overseas carceral architectures to facilitate the capture and detention of individuals across territorial borders or even arenas of war. The physical infrastructure of these architectures were created in tandem with new legal arguments inventing new categories of persons—i.e., the “unlawful combatant”—to systematically deprive those taken of their fundamental rights and protections. In Iraq and Afghanistan, these structures took on more traditional forms of carceral architectures under foreign military occupation: military detention camps, internment facilities, and converted prisons run by U.S. and coalition forces. Hundreds of thousands of Iraqis and Afghans, overwhelmingly civilians, were captured and held indefinitely without charge. One report puts the total number of Iraqis arrested in the first five years of the invasion alone at 200,000, of whom 96,000 spent time in U.S.-run prisons and camps. Their capture under the new “unlawful combatants” regime stripped them of age-old prisoner of war protections under the Geneva Conventions. Arbitrary detention, torture, abuse, and sexual violence were widespread and systematic in these prisons, cemented in infamy by Abu Ghraib in Iraq and Bagram in Afghanistan. ‘ De facto’ disappearance, first termed in a 2004 ICRC report , was endemic to the mass detention campaigns undertaken by U.S. forces, who rarely informed the detained individual or their family where or how long they would be taken. Beyond the localized carceral architectures in Iraq and Afghanistan, the United States, as part of a broader war aim superseding delineated boundaries and war zones, created new extraterritorial carceral architectures to facilitate the forcible disappearance of hundreds of Muslim men and boys. Perhaps no site symbolizes this more than the notorious penal colony in Guantánamo Bay. Yet it was not the only one. Between 2001 and 2009, the CIA Rendition, Detention, and Interrogation Program ran a transnational network of covert prisons, known as black sites, for the secret detention and brutal torture of men captured in the “war on terror.” Euphemisms served as a doublespeak to conceal a secret disappearance scheme of an unprecedented transnational scope. “Rendition” was the act of enforced disappearance, “detention,” secret and incommunicado, and “interrogation,” simply torture. The locations of the secret prisons remain classified. Information that has been declassified is enough to paint a macabre network of torture sites across the world. Some sites were run entirely by local “host” nations, some collaborated with local security forces, and others remained under exclusive American control on foreign territory. Men captured and transferred to CIA custody were “rendered” across black sites, in what a Guantánamo defense lawyer once described as an “international criminal enterprise” of human trafficking between foreign “torture pits.” According to the U.S. Senate report on torture, at least 119 men were known to have been held in the CIA torture program. Torture in the black sites, authorized by secret legal memos written by the U.S. Department of Justice, took on perverse and methodical forms including waterboarding, sleep deprivation, walling, sodomy, mock executions, and pure human experimentation. At least one detainee died in CIA custody; no exact number is known. An untold number of individuals died in U.S. custody elsewhere in Iraq and Afghanistan. Then there is Guantánamo, the most infamous and enduring piece of the extraterritorial carceral architecture created in the U.S.’s global war on terror. A prison island—or, more accurately, an American penal colony on Cuban territory—the military detention camp encompassed the most diverse population of Muslim men and boys captured by U.S. or allied forces and disappeared across seas. Nearly eight hundred men from 48 countries were held in Guantánamo. When the prison first opened in 2002, only the nationalities of prisoners were disclosed. In 2004, the U.S. began revealing the names of the men and boys held, propelling efforts by international organizations, monitoring groups, and civil society to represent the men and contact their families. Testimony by survivors reveal the physical and psychological torture endemic to the first several years of the camp. Two decades of domestic and global backlash, litigation, and advocacy campaigns forced the release of most of the men. Twenty-seven prisoners still remain , including sixteen approved for transfer and three “forever prisoners.” Each carceral site or network in Iraq, Afghanistan, Cuba, or undisclosed locations across the world did not operate in isolation. Rather, they formed parallel and at times intersecting networks under the U.S.’s global war on terror. Many Muslim men captured and held in the U.S. military detention center in Bagram, Afghanistan, or tortured in CIA black sites, for example, were sent to Guantánamo. For many, the revolving door between carceral institutions across nations continued even after release. In this era, the U.S. pioneered powerful models of war and propaganda to conceal and acquit a disappearance and torture campaign amounting to war crimes and crimes against humanity under international law. Their proclaimed success foretold models others sought to follow. "Apátrida / Stateless" (2024), performance, isothermal emergency flag, 210x180cm. Courtesy of Jacobo Alonso. Annihilation and Enforced Disappearance in Syria Post-2011 Enforced disappearance has deep roots in Syria, practiced for decades under the Assad regime of both father and son—Hafez and Bashar al-Assad. Political dissidents, activists, and their relatives were routinely disappeared in secret intelligence and military prisons across Syria. These numbers first climaxed in the late 1970s and early 1980s under the reign of Hafez al-Assad, when tens of thousands of Syrians were disappeared in a systematic campaign culminating in the Tadmur prison massacre of 1980 and the Hama massacre of 1982. By then, Syrian prisons had gained a reputation for depravity, torture, and extrajudicial killings in an Arab world dominated by carceral states. The regime, entrenched in permanent ‘emergency’ doctrines and past successes quelling rebellion, was primed to respond existentially to any threat to its rule. In March 2011, a popular revolution arose in Syria, as Syrians joined the wave of Arab revolutions unfolding in the region. The response of the son mimicked the father: a total campaign of arrests, indiscriminate killings, siege, and collective punishment. In post-2001 fashion, Bashar borrowed the discourse du jour of an existential ‘war on terror’ necessitating extreme violence to ensure internal state survival. The results of the ensuing war were catastrophic: at least 350,000 Syrians were killed , 14 million displaced , and 155,000 forcibly disappeared . In this war, enforced disappearance became a primary tactic of state political terror and collective punishment. An integrated military-intelligence regime targeted civilians for mass arrest and torture. Hundreds of thousands of men, women, and children were kidnapped during protests, at military checkpoints, schools, hospitals, and from their homes, held incommunicado, and subject to horrific physical and psychological torture, including rape and sexual violence. The carceral architecture of the state expanded vastly to absorb the sheer volume of detainees. Military field courts issued interminable prison sentences and thousands of extrajudicial death sentences in secret trials lasting minutes. Sites like Tadmur military prison, closed in 2001, were reopened in 2011 to hold new populations of prisoners. The disappeared did not vanish in the fog of war. Smuggled documents, photos, and testimonies by survivors, defectors, and witnesses alike prove a meticulous record of the regime’s own systematic disappearance scheme. As early as 2014, the ‘Caesar’ photographs revealed over 28,000 pictures smuggled out by a military forensic photographer tasked with documenting the deaths of those killed in regime detention centers. The pictures evidence a perverse organizational scheme run by the state with bodies clearly marked by torture. State documentation and witness testimony elsewhere further uncovered the secret network of military hospitals, military-intelligence branches, ad-hoc detention sites, and prisons responsible for directing the arrest, torture, and killings of hundreds of thousands of civilians. In 2016, Amnesty International collaborated with Forensic Architecture to create the first 3D model of one such site: the infamous death chambers of Saydnaya Military Prison, where a then-estimated 13,000 prisoners were executed. Silence imposed on prisoners held in Saydnaya became a crude weapon of torture by the regime. Digital reconstruction of Saydnaya relied on architectural and acoustic modeling based on interviews with four survivors in a counter mapping effort that sought to break down both the physical and psychological architecture of silence imposed by disappearance. It was a powerful disruption to a structure that, until mere weeks ago, was impervious to time or human cost. The regime, backed by an impunity ‘won’ territorially in a war of annihilation, began issuing hundreds of death certificates for prisoners disappeared years earlier. Families who received the certificates were denied access to their bodies or any other means of verification. Enforced disappearance became its own phenomenon in Syria, spurring countless UN reports and proposed mechanisms that were all but paralyzed in achieving any resolution or accountability. In November 2023, the International Court of Justice issued a ruling against Syria, recognizing enforced disappearance as a violation of the Convention Against Torture, but fell short of ordering specific measures such as providing information of detainees’ whereabouts or allowing access to independent monitors. Elsewhere in Europe, former Syrian detainees and families of the disappeared pursued new avenues of accountability to bring individual perpetrators to account. In 2020, the first trial dealing with state torture in Syria took place in Germany against two former state officials who were convicted of crimes against humanity for their role in overseeing torture, sexual violence, forced imprisonment, and extrajudicial killings. As the fight for Syria’s disappeared stagnated, a Syrian rebel offensive launched in late November radically shifted the territorial status quo, culminating in the overthrow of the Assad regime ten days later. The liberation of each city was marked by the liberation of each prison within it, a metaphor physically upended by the breaking of each cell door. Once at Saydnaya, excavation teams worked for days to secure the release of the remaining detainees, some in levels below ground, captivating a nation scrambling to find their loved ones. Even now, the fate of over 100,000 detainees remains unknown . Enforced Disappearance As Genocide: Gaza After October 7 In Palestine, carcerality fundamentally underpins Israel’s settler-colonial project. Military occupation and an expansive apartheid regime form the larger prison within which the physical carceral architecture organizes the mass incarceration of hundreds of thousands of Palestinians. Since 1967, over 850,000 Palestinians have been arrested and imprisoned under the auspices of the Israeli military judicial system, the central mechanism of the occupation ruling over the West Bank and Gaza. Under this system, civilians are routinely arrested and tried according to an expanding set of Israeli military orders in military courts at a conviction rate of over 99%. Hundreds more are held indefinitely without charge or trial under administrative detention. It is a system bound up in innumerable individual human rights violations—arbitrary detention, fair trial violations, torture, forced deportation, the systematic prosecution of children—amid larger war crimes and crimes against humanity. One of them is the crime against humanity of apartheid. International human rights organizations and UN reports all describe dual legal regimes—military courts for Palestinians and civilian courts for Israeli settlers—that systematically privilege one racial group over another in a broader policy of domination and control under an apartheid regime. Other war crimes include the widespread prosecution of Palestinian civilians in military courts, the intentional deprivation of their right to a fair trial, the deportation of the occupied population to prisons and detention centers in the occupying power, and torture . Enforced disappearance comprises yet another feature of the Israeli carceral regime. Disappearance predates the creation of the military judicial system in 1967 and continued as an intermittent practice over the next several decades, often disguised by a patchwork of legal frameworks. In 2002, the Israeli Knesset passed the Unlawful Combatants Law , modeled after its U.S. post-9/11 predecessor , to retroactively legitimate the indefinite detention of Lebanese hostages. Three years later, the same law was applied to Palestinians from Gaza, enabling periods of secret and indefinite detention constituting de facto disappearance. More sinisterly, it laid the legal and structural groundwork for the total war on prisoners waged today. In retaliation to the breach of Gaza’s open-air prison on October 7, the Israeli regime issued a series of orders dramatically expanding its carceral architecture as it launched its genocidal war on Gaza. Palestinian prisoners held in Israeli prisons were cut off from almost all outside contact as conditions drastically deteriorated, prisoner abuse escalated, and Israeli occupation forces ramped up arrests across the occupied territory. Emergency amendments to the 2002 Unlawful Combatants Law broadened the scope of secret detention, which Israeli authorities immediately leveraged against the Gazan population. New secret military detention camps were erected exclusively to detain Gazans: Sde Teiman in the south and Anatot near Jerusalem. Elsewhere at Ofer Military Prison, Gazan detainees were cordoned off to open-air tent camps and the secret wing of Section 23 , held incommunicado, and hidden even from the larger Palestinian prisoner population. Beyond the known existence of these three sites, Israeli occupation forces disappeared thousands of Gazan men, women, and children across makeshift military barracks, settlements, prisons, hospitals, and open fields. The new clandestine regime served as an appendage to Israel’s larger carceral architecture. Whistleblower reports and testimonies by former detainees point to an integrated network of horrific torture camps across Palestine’s occupied geography. Among them, Sde Teiman stands as an emblem of the torture and abuse of Palestinian detainees, acquiring the same diseased colonial reputation of Abu Ghraib. Palestinians held in Sde Teiman are kept blindfolded in barbed wire ‘pens,’ starved, severely beaten, and subject to interrogations and torture that include electrocution, sexual violence, rape, waterboarding, and medical experimentation. In an adjoining ‘field hospital,’ injured Palestinian detainees were tied to hospital beds and practiced on by medical staff. Elsewhere across Israeli prisons and detention camps, Palestinian prisoners were subject to the same practices of torture, starvation, and deliberate medical negligence. The crime of enforced disappearance is central to the larger crime of genocide, a conclusion outlined months ago by Palestinian human rights groups and echoed in Amnesty’s latest report . Disappearance, like genocide, is practiced methodically: the population of Gaza is physically tagged, catalogued, and, if not forcibly displaced or killed , disappeared to unknown sites. Numbers accounting for the full magnitude of these crimes are still unknown, ranging between the tens and hundreds of thousands. They are, at the time of this writing, enduring crimes of no known boundaries. In October 2024, shortly after Israel launched its full war on Lebanon, a new amendment to the Unlawful Combatants Law designated two new military camps for detention in the north, prompting concerns they may be used to hold Lebanese detainees. This is the circular expansion of a law that first sought to legitimate the enforced disappearance of Lebanese detainees twenty-two years ago and which commandeers the legal architecture of disappearance today. The fate of the disappeared and detained remains central to ceasefire negotiations and emerging forums of accountability. "UN-Safe Migration" (2024), Polyester felt and laser cut fabric installation. Courtesy of Jacobo Alonso. The disappeared, in their absence, loom large over the present. Impunity granted to one political terror scheme emboldens another, cementing permanent states of emergency and creating varied national, transnational, and extranational architectures of disappearance. They are examples of a twenty-first century reality with the potential to produce even more destructive results, leveraging evolving surveillance technologies and age-old carceral traditions. It is an inevitability readily taken for granted; an inevitability, too, that serves the fear intended by these schemes. And yet, the enormity of resources required to sustain the secret disappearance of tens of thousands of people ultimately fail under their own grandiosity. The secrecy and structures of such crimes are untenable, even as they undeniably produce incalculable human loss. Our current moment only proves their frailty. Across the globe, the edifices of once horrific sites are being quietly shuttered by the state or actively dismantled by popular forces in the face of enduring local and global resistance. As Guantánamo turns twenty-three this month, another eleven Yemeni detainees held without charge were transferred to Oman, leaving only fifteen men remaining. In Palestine, the fight for tabyeed el-sujoun —to ‘cleanse the prison walls’—is carried on across all fronts by resistance groups, civil society, and transnational coalitions, including prisoners’ coalitions in the U.S. The breaking of prison doors in Syria, inspiring renewed efforts in places like Egypt , now beckons the daunting task of what comes after. New modes of documentation, accountability, and rehabilitation seek to tackle the crime of disappearance, with a particular focus on the survivors and families of the disappeared. The future of these structures, whether carcerality may emerge in new forms, will always remain a threat to the hard-won achievements of the present. Nevertheless, a rupture of a sort has begun, and the seam must be unraveled to its end. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 AYAH KUTMAH is a Syrian writer and researcher. She has worked on prisoners' defense and advocacy in military tribunals in Guantánamo Bay and occupied Palestine. Ayah is U.S. Fulbright recipient and former visiting researcher at Birzeit University in the occupied West Bank. Her writing has been published in The Nation, Middle Eastern and North Africa Prison Forum, Institute for Palestine Studies, Inkstick, and Mondoweiss. Currently, Ayah is a J.D. candidate and Global Law Scholar at Georgetown Law, where she continues to work on a defense team representing a detainee held without charge in Guantánamo Bay, Cuba. JACOBO ALONSO holds bachelor's degrees in Computer Systems and Fine Arts. From 2014 to 2015, he studied at the University of Rennes 2 France. Alonso's work has been shown in 22 countries. He explores the opacity and versatility of the concept of the "Body" and the displacements it may have in different contexts and disciplines. Essay Syria Enforced Disappearances Disappearance Dissent Discourses of War Forced Disappearance Guantanamo Bay Gitmo Alienation Archive of Absence Archive Assad Regime Israeli Regime Sedneya Sednaya Prison Sde Teiman detention carcerality 9/11 post-9/11 world order prisoner's coalitions Hama War on Terror War Crimes CIA Abu Ghraib unlawful combatant Muslim Invisibilizing Muslims West Bank Gaza Palestine fair trial unfair trial Unlawful Combatants Law Anatot Nageb Ofer Military Prison Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

The Aahvaan Project was founded in 2016 based on the nirgun philosophy of love and the works of sufi saints such as kabir, lal ded and lalon fakir. A folk and storytelling collective, founded by Vedi Sinha in 2016, their music is avowedly political and inclusive. | Live · INTERACTIVE Live · Delhi The Aahvaan Project · Performance The Aahvaan Project was founded in 2016 based on the nirgun philosophy of love and the works of sufi saints such as kabir, lal ded and lalon fakir. A folk and storytelling collective, founded by Vedi Sinha in 2016, their music is avowedly political and inclusive. Follow our YouTube channel for updates from past or future events. The Aahvaan Project was founded by Vedi Sinha in 2016 as a collective “ journey and an experience, an attempt to understand Nirgun—the mystic idea of love spoken about in various time periods by philosophers through the lived experience of saints and sufis. ” They perform across communities, educational institutions, and art spaces. For our event In Grief, In Solidarity in 2021, Vedi Sinha, who founded the folk music & storytelling collective and does not often perform alone, joined us for a beautiful performance of new songs. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Live Delhi Music Performance Folk Storytelling Narratives Nirgun Sufism Sufi Saints Kabir Lal Ded Lalon Fakir Community Building Contemporary Music Love Prahlad Tipaniya Compassion Pyaar National Institute of Design Ahmedabad Folk Music Rajasthan Kabir Yatra In Grief In Solidarity Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 5th Jun 2021 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

WRITER Nabarun Bhattacharya NABARUN BHATTACHARYA (1948-2014) was a poet, short-story writer and novelist. Harbart , his first novel, won him the Narasimha Das award, Bankim Puraskar, and Sahitya Akademi Award. He published over 15 works of fiction, three volumes of poetry, and several collections of prose. The only child of the renowned writer Mahasweta Devi and theatre personality Bijon Bhattacharya, he lived and wrote in Kolkata. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Behind the façade of idyllic island paradise, Maldivians navigate a drug epidemic of huge proportions. FEATURES Battles and Banishments: Gender & Heroin Addiction in Maldives AUTHOR AUTHOR AUTHOR Behind the façade of idyllic island paradise, Maldivians navigate a drug epidemic of huge proportions. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Reportage Maldives Malé Addiction Drug Epidemic Rehabilitation Drug Trade Tourism Maafushi Prison Gender Violence Trauma Intimate Partner Violence Poverty Longform Change NDA People’s Majlis Hands Together State Repression Hanimaadhoo Detoxification Center Malé’s drug cafés Dhivehi Brown Sugar Heroin Substance Abuse Relapse 2011 Drugs Act 2004 Tsunami Himmafushi Rehabilitation Center NGOs Prison Structural Frameworks Detention Drug-Related Arrests Zuvaanun National Drug Agency National Dangerous Drugs Control Board Sri Lanka Banishment Police Action Internationalism Class Public Space Low-Income Workers Urban/Rural Humanitarian Crisis Local Politics Health Workers Gender Investigative Journalism Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Reportage Maldives 28th Feb 2023 Maldives has a long history of substance abuse. Its 1,192 coral islands lie at the intersection of major historical global sea routes in the Indian Ocean. Historically, traders from all over the world brought all kinds of illicit substances to its shores. Yet the archipelago has never been a producer or manufacturing point for illicit drugs. According to state official reports, it wasn’t until the early 1970s that Maldives opened for tourism, and a steady market for drugs began to develop in the Maldives. As the tourism industry began to boom in Malé, and people traveled from all over the world to enjoy its breathtakingly beautiful beaches, the demand for illicit drugs soared. Malé’s geographic location made it the ideal drop-off point for all kinds of drugs—among them cheap, low-grade heroin called “brown sugar.” Walking down the street, it is common to come across at least one woman high on brown sugar. What gives her away are her vacant expression and comatose demeanor. Even as nearly a third of the country’s population or at least one member of a family struggles with substance abuse, women tend to face greater ostracization and social exclusion. This is not to say that women in the Maldives do not struggle with drug abuse. During a crackdown on Malé’s (in)famous drug cafés last year, police arrested 65 women and 14 children. In fact, many Maldivians would have, at some point, viewed a moralistic YouTube video of such a woman on social media. The women in these videos are meant to serve as a cautionary tale against the wayward social behaviors and tendencies that lead to a life of substance abuse, destitution, and misery. If the social stigma around seeking harm reduction for substance use wasn’t enough, such representations of women addicts end up stigmatizing them even more. The stories of women who end up abusing heroin—or brown sugar, as it is more commonly called—are diverse, yet they share a common thread of desperation, growing addiction, and a feeling of helplessness. One such story is Zulaikha’s (names have been changed to protect anonymity). A 38-year-old Maldivian woman who, in another life, successfully pursued a career in modeling. She now lives on a scantily-populated island of a Northern atoll, but back in the day, she was known for her exceptional beauty and talents in the creative arts. A few months ago, she knew she had hit rock bottom when she walked up to someone on the street and said (in Dhivehi): “Excuse me, can I please have a tenner for food?” The person she had asked for money turned to look at her and they both recognized each other. Zulaikha had gone to high school with them. As her old classmate’s eyes followed a line of cigarette burn marks on her arms, Zulaikha’s face turned ashen. The stories of women who end up abusing heroin—or brown sugar, as it is more commonly called—are diverse, yet they share a common thread of desperation, growing addiction, and a feeling of helplessness. Back in high school, Zulaikha was someone younger students could count on to stand up to their bullies. Her classmates fondly recall her compassionate and empathetic conduct with those younger than her. She stood up for justice and the values that mattered to her the most, and was widely admired for it. But Zulaikha’s adolescent years were marked with notoriety after she began using heroin at such a young age. Soon after high school ended, she gave birth to a child and then checked into rehab. She relapsed several times, after which she moved away from her family’s house and began living with her partner on a Northern island. The man she lived with was physically and mentally abusive. At one point, in a fit of rage, he beat her senseless with a hammer. Despite the constant threat of physical violence, Zulaikha refused to leave her partner, who is also a heroin abuser. Deprived of the care she needed from her family, she insists that she preferred living with the person she also terms her abuser. Zulaikha’s story is like that of several women who, after becoming heavily dependent on substances, are abandoned by their families. People in the Maldives frequently associate women’s addiction with sex work. It is after the drug dependency kicks in that the actual cycle of abuse begins. After women addicts are abandoned by their families, many end up moving in with partners who also abuse drugs and them too. The plentiful supply of drugs in the region, combined with limited support to recover, means that the chances of an ex-user relapsing are high. Stories of women who managed to end their dependency on heroin and rebuild their lives are, in fact, painfully rare. They end up falling deeper and deeper into addiction, while their circumstances inhibit them from breaking patterns of drug abuse. In situations like these, family support is pivotal in enabling women to get back on their feet. Cycles of Addiction As a young undergraduate student in Malé in the early 2000s, Maryam had jumped at the chance to study abroad. The twenty-something was academically gifted and creative, and she believed the experience would open up several opportunities for her. It was during her time abroad with a cohort of heroin users from back home that she began using. She recalls that her time abroad was an incredibly vulnerable period for her. Away from her family and the security of home, she began using drugs experimentally, but soon became addicted to heroin. After returning to Malé, she remained hopelessly addicted. Her dreams and ambitions were no longer possibilities for her, and she became estranged from family and friends. A few months after she was turned away from home, Maryam was using heroin at a café frequented by criminal gangs involved with the drug trade, when the police raided the place and arrested her. Before the enactment of the 2011 Drugs Act, people arrested for drug use were often sentenced to spend as many as 25 years in prison, regardless of the quantity or potency of drugs in possession. It would not be a stretch to estimate that over 90 percent of all criminal cases in the Maldives are drug-related. Shortly after Maryam started serving her sentence in Maafushi prison in 2004, the devastating Indian Ocean tsunami hit. The recently constructed women’s wing where Maryam was being kept suffered severe damage. She incurred several injuries while trying to flee from the tidal swell and was subsequently sent home. After recovering from her injuries, she started using heroin again, but this time around, she was able to rely on her family. Her mother, Maryam recalls, was relentless in her efforts to get her off drugs. Maryam began to alternate between periods of staying clean and abusing heroin. Despite her protestations, her family sent her to the Himmafushi Rehabilitation Center several times to recover. During one of her drug abuse stints, she was arrested for drug possession, but managed to avoid a prison sentence because of her confession. Before the enactment of the 2011 Drugs Act, people arrested for drug use were often sentenced to spend as many as 25 years in prison, regardless of the quantity or potency of drugs in possession. It would not be a stretch to estimate that over 90 percent of all criminal cases in the Maldives are drug-related. Maryam’s recovery at the Himmafushi Rehabilitation Center was slow and interrupted by relapses, but the place was somewhere she could return to safely. This feeling of security and care began to help her thrive at the center. Maryam recalls her spells there as restful. Eventually, she developed a passion for helping other drug addicts overcome their patterns of abuse. She thrived in the company of other women who were also recovering addicts, and collaborated with them on several projects. When she returned to the rehab center for a third time, she decided to put her plans into motion. In collaboration with an NGO for vulnerable women and drug addicts, Maryam worked on building a safe space for vulnerable social groups within the rehab center. She also ran several vocational programs and capacity-building workshops. Things had begun to look up for Maryam. She was doing something that she believed in and regained her youthful confidence. After settling down and getting married in 2010, Maryam gave birth to a daughter. Her life seemed perfect—till it wasn’t. Three years after her daughter’s birth, Maryam’s marriage soured. Depressed and despondent, she returned to using heroin. It wasn’t long till she was arrested during a drug bust for a third time. This time, she was sentenced to imprisonment. “My relationship with my child suffered because of this,” she said sorrowfully. “It’s like I’m a stranger to my own child and there’s no way to gain back the time I’ve lost.” After three years of serving time in prison, she was released on parole. This time around, Maryam’s family decided to send her to India for treatment. She got better there and returned to her family a healthier and happier person. Since her return from treatment, she admits that she still struggles to stay sober and hold on to relationships. Her time in prison had greatly impacted her mental health and made her reticent and reluctant to talk to strangers or new acquaintances. As Maryam continues to attempt to get to know and care for her daughter, she treads a delicate balance of resentment and relapse. Facing a wicked system Zulaikha remembers her stay at Himmafushi Rehabilitation Center differently. A regular returnee at the center, she did not have the network of family and financial support that Maryam relied on, and faced several obstacles along the way. In fact, Zulaikha insists that she did not benefit from rehab in the slightest. She would prefer to stay with a partner she admits is abusive towards her. The reason for that, she elaborates, is that there are no alternatives for women who lack an emotional and material support base in the form of family or wealth. There are no state-run or community-run shelters for vulnerable women looking for a safe space, and neither are there any detoxification or rehabilitation facilities available to them. Most women jailed for drug-related offenses often end up there for refusing to complete their treatment at the rehabilitation facility. Zulaikha remembers the facility itself as lacking the necessary infrastructure and support for recovering addicts. The Himmafushi Rehab Center houses recovering men and women who are supposed to always be segregated. Women are told to stay within the confines of a small compound within the larger Himmafushi Rehab Center and are not allowed any outdoors time. Over at the men’s enclosure, the rehab center organizes outdoor activities and classes, but women are barred from participating in them. Zulaikha’s misgivings about the rehab center have been repeated by several other recovering addicts as well, which suggests that the rehab center is severely lacking in essential facilities for the recovering addicts. Even though the Drugs Act of 2011 mandates separate recovery centers for men, women, and juveniles, so far there has been no work on building separate centers. Hence, everyone gets sent to the Himmafushi Rehab Center. The clinicians and staff at the center follow a Therapeutic Community Program which aims to focus on recovery through lifestyle changes, and not simply abstinence from drugs. Yet the center’s facilities are stretched painfully thin. Prisons too are choked with people arrested for drug possession—almost 99 per cent of all criminal cases are drug-related, after all—and these are the conditions which have forced lawmakers to reform laws pertaining to drug abuse. Yet reform work is painfully slow, hence the problems accompanying drug abuse fester and worsen over time. One of the most frequently cited problems is one of alienation—from care and support networks, as well as fellow recovering addicts. In the 1990s, there were no custodial buildings for women arrested on drug-related charges. So, when Fatima was arrested in Malé and sent to jail, she was put in a small isolation cell with another woman who became the first Maldivian woman sentenced to imprisonment for drug possession. Both women were suffering from withdrawals and ill health, but since Fatima was the younger one, the prison authorities tasked her with caring for her fellow inmate. Fatima’s own condition deteriorated while she tried her best to help the woman in jail with her. The woman was undergoing severe withdrawals and needed medical attention, but none was available. Instead, she died an agonizing death within 48 hours of her sentencing, while a dehydrated and listless Fatima watched her suffer helplessly. The sight is etched in her memory forever, she says. The prison authorities hushed up the matter, while Fatima says she was left alone in the cell to tend to her psychological and physical scars. When Fatima was arrested in Malé and sent to jail, she was put in a small isolation cell with another woman who became the first Maldivian woman sentenced to imprisonment for drug possession. Both women were suffering from withdrawals and ill health, but since Fatima was the younger one, the prison authorities tasked her with caring for her fellow inmate. Life hadn’t always been unkind to Fatima. Her family was wealthy, and she had led a comfortable life. It was the early 1990s and she was barely out of her teens, gullible and eager to explore the world. She jumped at the chance to try heroin with her older friends, thoroughly convinced that she would never get addicted. By the time she became aware of her drug dependency, it was too late. When her family found out about her condition, they arranged to send her abroad for two years to recover. They also made her sever ties with the friends she used heroin with. In 1994, Fatima returned to Malé and, within no time, began using heroin again. That's when everything went downhill, she recalls. Shooting heroin was the only priority in life, she says. Her memories of youth all involve using heroin with friends at restaurants and other places. This was a time when heroin was not that common—this was not brown sugar—and most people were unaware of its effects on people. This is how they got away with using the drug in public and remained socially functional. But it wasn’t long before she was picked up by the police in a drug bust and sent to jail. That is where she met the inmate who passed away from withdrawals. In the aftermath of the whole episode, Fatima was “banished” to an island instead of a prison. Historically, the term “banishment” has referred to the commonly prescribed punishment of internal exile to one of the many Maldives islands. Banishment as punishment was finally repealed in 2015 after the enactment of a new Penal Code. However, for Fatima, the punishment of banishment entailed being sent to live among a close-knit community of locals on an island in the south of the Maldives. There, she suffered from loneliness and isolation. The local people shunned anyone sent there in exile, especially if it was for drug-related offenses. Fatima was neither welcomed nor acknowledged in the community and she lived as an outcast in the eyes of the island residents. “I was scorned and ridiculed,” she recalls. “Women struggling with addiction are not acceptable in this society.” “Back in the 1990s,” she says, “the inhabited islands were destitute places.” The islanders had limited access to drinking water and electricity, and had to struggle to make ends meet. This felt like a rude jolt to Fatima, who had been accustomed to a life of luxury and gratification her entire life. She recalls those days as a never-ending spiral into tedium, with no one to keep her company, save for occasional telephone calls from her family, which she received at the singular telephone booth on the island. Thoroughly bored and miserable, she attempted to find ways to numb her pain, but could not, and that made her desire drugs even more. After her sentence ended, she returned to her family in Malé. There, her mental health deteriorated significantly and she started using heroin again. She began feeling resentful towards her family, friends, and even her daughter. Anger and rage festered beneath her attempts to regain control of her life, and she found herself unable to share her feelings with anyone, even those closest to her. Refusing to give up or give in, Fatima reached out to rehab centers locally and abroad for help in recovering. The experience of treatment abroad was markedly different from back home. She terms the Maldivian rehabilitation program “the Garfield program, since their clients are programmed to eat, sleep and repeat.” At the rehab centers in the Maldives, she adds, recovering addicts are called to a meeting every morning, but the goals or takeaways from that meeting aren’t clear to anyone. While the men were allowed to engage in (albeit a limited number of) activities, the women addicts were left alone in their quarters. The counselors were not properly trained or certified, and most of their clients chose not to open up and be honest about their drug use with them. The way Fatima describes her experience makes it appear as if rehab is a place where one goes to escape a jail conviction, get away from annoying family members, or is just somewhere you can mentally check out and go through the motions day after day. Either way, there is no measurable positive outcome. Her time in rehab centers abroad was quite different. The day was filled with a long list of activities and tasks to complete. The recovering addicts would work hard at these tasks from sunrise to late evening, which included yoga and cooking classes. Fatima says her self-esteem improved greatly during her time there. The clients at rehab (abroad) were encouraged to journal their feelings and experiences daily, she says, and this would help them arrive at new insights into the nexus between their mental health and addiction. Fatima says these activities helped her recognize the obsessive-compulsive tendencies that she has had since her childhood (even though she had never been formally diagnosed). The Scale of the Drug Epidemic There are several detox and rehabilitation centers operated by the government across the Maldivian archipelago, but only two of them are currently being used to help drug addicts recover. Close to half of the country‘s population is below 25 years of age, and at least half of that population is addicted to brown sugar. Such is the notoriety of the Maldivian youth, that the term for youth, which is “ zuvaanun,” has a negative connotation. It is commonly deployed to accuse someone of miscreancy or addiction. Suppose you hear of a road accident caused by a speeding motorbike, or see someone getting mugged on a street: as the average Maldivian, chances are that you will shake your head and cuss at those rapscallion zuvaanun. Throughout the late 1980s and 1990s, society in Malé was undergoing a radical shift. The islands were opening up to the outside world and people were bringing in all kinds of new (mostly western) ideas and ways of life to the country. The population of the capital city boomed as residents of other islands flocked to Malé in search of higher education and basic services that were boosted by the then-burgeoning tourism industry. They dreamed of a life where they would get greater access to amenities and opportunities to better their lives. Despite the influx of so many people, or perhaps because of it, some communities and generations clung to their traditions and roots. Their children were expected to diligently study, find stable jobs, marry, and spend their lives working and raising a family. Yet the generations growing up in the 1980s and 1990s faced a more tumultuous time. Some call them a generation that was lost in between an unprecedented cultural shift. Combined with the skyrocketing demand and supply of drugs on the tiny islands, it was easy to fall prey to drug addiction. Given the massive scale of the drug problem, it is shocking that there are so few resources to help tackle it. In the centers that are operational, recovering addicts share that medical treatment is lacking, counseling is substandard and ineffective, and that the whole program is woefully incompetent. In February 2021, a client seeking treatment at the Hanimaadhoo Detoxification Center passed away from severe withdrawals after not receiving medical attention. The center was subsequently shut down. Recently, on 14 November 2021, local media reported that a client who had just returned to Malé from a detoxification center was found dead in an abandoned home after succumbing to a drug overdose. The government body tasked with the management of detoxification and drug treatment centers is the National Drug Agency (NDA) of the Maldives. Among journalists and related staff, there is much talk of inaction, incompetence, and even accusations of corruption plaguing this institution. The Sri Lankan counterpart to the Maldivian NDA, the National Dangerous Drugs Control Board, runs programs for addicts in 11 prisons, while managing four treatment centers in heavily populated areas. The Sri Lankan drug control body also engages with thirteen private treatment and rehabilitation centers where clients can seek services for payment. Some Maldivian addicts who can afford treatment abroad frequently enroll in treatment centers in Sri Lanka, India, and Malaysia. But most drug addicts are poor and cannot afford to go abroad for treatment. In February 2021, a client seeking treatment at the Hanimaadhoo Detoxification Center passed away from severe withdrawals after not receiving medical attention. The center was subsequently shut down. Recently, the health minister of the Maldives was called to the parliament regarding an enquiry on the obstacles faced in finding solutions to the Maldives’ drug problem. The health minister stated that there was no quick solution to the large issue, and that the relevant authorities do not know the way forward. He mentioned the lack of research on drug abuse as one of the problems. However, he acknowledged that drugs and drug addiction are the most severe twin crises the country is facing today. Change NDA and Hands Together are two movements launched by recovering addicts and members of their families and communities. Both movements have been calling for reforms in the NDA. Though the movements lack numbers in their demonstrations and protests, their members are vocal and persistent. Last year, they submitted a “Change NDA 2020” petition to the People’s Majlis with over 1,000 signatures, prompting a mass inspection of all rehabilitation and detoxification centers being run by the NDA. This petition also resulted in heavy scrutiny of the organization, and the operations of the NDA were shifted from the Gender Ministry to the Health Ministry, with a new chairman appointed. Citizen engagement efforts and advocacy initiatives, along with transnational solidarity campaigns among recovering drug addicts, can help provide the impetus necessary to push the government towards action. It is not enough to rely on the goodwill of authorities who themselves admit to state collusion with drug cartels operating in the region. At present, most detoxification centers in the country are closed and there is no headway in improving the rehab infrastructure and facilities for recovering addicts. While there is talk of the government bringing on board a foreign private company to design a new, more effective rehabilitation and detoxification program, people on the ground know not to put too much faith in these talks of plans. At the end of the day, those who suffer through drug abuse and its related problems rely on the solidarity of family members, friends, and organizations to help them navigate an otherwise incredibly dehumanizing system.∎ Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

“The most central aspect of what we call literary modernity is that it's centered around humans: Western humans. It's not just that it excludes other kinds of beings, it also excludes most of the species we now call humanity. This doesn't change with post-1945 Western avant-gardism. If anything, that experimentalism resulted into the absolute withdrawal of the human into abstractions.” | · COMMUNITY Interview · Sundarbans Returning to the Sundarbans “The most central aspect of what we call literary modernity is that it's centered around humans: Western humans. It's not just that it excludes other kinds of beings, it also excludes most of the species we now call humanity. This doesn't change with post-1945 Western avant-gardism. If anything, that experimentalism resulted into the absolute withdrawal of the human into abstractions.” Watch the interview on YouTube or IGTV. Amitav Ghosh speaks to Kartika Budhwar about the Sundarbans & climate change and its relationship with literature, literary modernity, and the Western avant-garde. During COVID lockdowns, nobody seems to have considered the fate of migrant workers who were stranded in cities. Many were so desperate they started walking home. And right then, Cyclone Amphan started in the Bay of Bengal. All these catastrophes intersect disastrously. RECOMMENDED: The Nutmeg's Curse: Parables for a Planet in Crisis (Penguin Allen Lane, 2021) by Amitav Ghosh. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Sundarbans Commonwealth Literature Climate Change and Literature Cyclone Amphan Evictions Migrant Workers Energy Crisis Geography Mythology Working-Class Stories Humanitarian Crisis Language Epistemology Gopinath Mohanty Failure of the Avant-Garde Debjani Bhattacharyya Modernism Bay of Bengal Climate Change Climate Anxiety Histories of Migrations Avant-Garde Origins Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 28th Oct 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

ART EDITOR Soumya Dhulekar SOUMYA DHULEKAR is an award-winning illustrator, designer, and author of the experimental art newsletter House Party . She is based in Brooklyn. ART EDITOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

MUSICIAN Meyna Hassaan MEYNA HASSAAN (or Hassaan Mohamed) is a Maldivian vocalist/composer. He released his first hit album, “Maldives Fantasy,” in 1992, followed a short time later by his second album, “Maldives Ecstasy.” His third studio album “Euphoria” was never officially released but is now available to stream. Hassaan's latest album is titled “Oevaru.” MUSICIAN WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Four South Asian authors talk about children's publishing & narratives that come from pain but create joy. COMMUNITY Dissident Kid Lit Four South Asian authors talk about children's publishing & narratives that come from pain but create joy. Saira Mir · Shelly Anand · Vashti Harrison · Simran Jeet Singh Political dissidence isn't often thought to be part of parenting discourse or children's reading practice—but it must be. In our third panel, four South Asian authors talk about navigating children's publishing and the balance of narratives that come from pain but create joy. Saira Mir, Simran Jeet Singh, Vashti Harrison, & Shelly Anand discussed why their books tackle issues including race, religion, age, and body image, and how children's literature can aim to decenter the white gaze, break out of victimized narratives, and spark conversations in young readers. Watch Deputy Editor Aditya Desai on how this panel came about. The panel opened with Shelly reading from her book, Laxmi's Mooch , that has since been published to great acclaim. It then moved into a conversation with Saira, Simran, and Vashti and their books, Muslim Girls Rise , Fauja Singh Keeps Going , and Festival of Colors , respectively, while tackling such questions as: How do you balance the desire to claim ownership of narratives or to offer representation? How do we navigate being asked to write about communal trauma, pain versus writing what we want? What are the strategies of breaking out of a victimizing framework? We conclude with an illustration demo from Vashti on how she collaborates with the writer's storylines and finds ways to place her own political stamp on the book! EDITOR'S NOTE: Since this panel on 20th December 2020, our panelists have published more notable books (some recent, others upcoming in 2023). Check for updates by navigating to their pages below. Political dissidence isn't often thought to be part of parenting discourse or children's reading practice—but it must be. In our third panel, four South Asian authors talk about navigating children's publishing and the balance of narratives that come from pain but create joy. Saira Mir, Simran Jeet Singh, Vashti Harrison, & Shelly Anand discussed why their books tackle issues including race, religion, age, and body image, and how children's literature can aim to decenter the white gaze, break out of victimized narratives, and spark conversations in young readers. Watch Deputy Editor Aditya Desai on how this panel came about. The panel opened with Shelly reading from her book, Laxmi's Mooch , that has since been published to great acclaim. It then moved into a conversation with Saira, Simran, and Vashti and their books, Muslim Girls Rise , Fauja Singh Keeps Going , and Festival of Colors , respectively, while tackling such questions as: How do you balance the desire to claim ownership of narratives or to offer representation? How do we navigate being asked to write about communal trauma, pain versus writing what we want? What are the strategies of breaking out of a victimizing framework? We conclude with an illustration demo from Vashti on how she collaborates with the writer's storylines and finds ways to place her own political stamp on the book! EDITOR'S NOTE: Since this panel on 20th December 2020, our panelists have published more notable books (some recent, others upcoming in 2023). Check for updates by navigating to their pages below. SUB-HEAD ALSO IN THIS ISSUE: Clare Patrick (Our) Worlds and (Plant) Wisdoms Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Watch the panel on YouTube or IGTV. SHARE Facebook Twitter LinkedIn Panel Kid Lit Children's Literature Age Ageism Black Solidarities Islamophobia Anti-Racism Publishing Industry Public History Colorism Leadership Future Dream Spaces Dreaming Spiritual Practice Art Practice Illustration Demonstration Reading Muslim-American Narrative Identity Procreate Sikh Spiritualism Biracial Diaspora Diasporic Distance Dreamers Legends Muslim Girls Brownness In-Progress Affirmation Art Knowledge Comics Debut Authors Public Arts Authenticity Genre Tropes Religion Generational Stories Kindness as Politics Personal History Experimental Methods Language Comic Humor Pedagogy Absurdity Literature & Liberation Art Activism Fiction Craft Race Metaphor Vernacular Literature Politics of Art Victimization Narratives SAIRA MIR is a physican and author of the award-winning picture book Muslim Girls Rise (2019). This biographic anthology was born out of the need to counter Islamophobia and fill her daughter’s heart with amazing Muslim women like her. Her new book, Always Sisters: A Story of Loss and Love will be published by Simon & Schuster in August 2023, available for preorder at her website. SHELLY ANAND was born and raised in Georgia by immigrant parents from India. She is a human rights attorney fighting for immigrant and workers' rights in the South, and Co-Founder and Executive Director of Sur Legal Collaborative. She lives in Decatur, Georgia with her husband and two children. She is the author of the picture book Laxmi's Mooch, (Kokila, 2019), and co-author with Nomi Ellenson of I Love My Body Because (Simon & Schuster Kids, 2022). VASHTI HARRISON is an NYT-bestselling author, illustrator, and filmmaker, originally from Onley, Virginia. She has a background in cinematography and screenwriting and a love for storytelling. She is the author and illustrator of the best-selling middle grade series Little Leaders , Little Dreamers , Little Legend s, the illustrator of the best-selling picture books Hair Love by Matthew Cherry, Sulwe by Lupita Nyong’o, which received a Coretta Scott King Illustrator Honor. Her latest children's book Big will be published by Little, Brown in May 2023. Vashti is a two-time recipient of the NAACP Image Award for Outstanding Literary Work for Children. Her experimental films have shown around the world at film festivals and venues including the New York Film Festival , Rotterdam International Film Festival and Edinburgh International Film Festival . SIMRAN JEET SINGH is Executive Director for the Aspen Institute’s Religion & Society Program and author of The Light We Give: How Sikh Wisdom Can Transform Your Life (Riverhead Books, 2022) and the award-winning children’s book Fauja Singh Keeps Going: The True Story of the Oldest Person to Ever Run a Marathon . He is a visiting professor of history and religion at Union Theological Seminary and a Soros Equality Fellow with the Open Society Foundations. In 2020 TIME Magazine recognized him among sixteen people fighting for a more equal America. His work has appeared in the New York Times, Washington Post , and CNN , and he is a columnist for Religion News Service . 20 Dec 2020 Panel Kid Lit 20th Dec 2020 Fictions of Unknowability Torsa Ghosal 28th Feb Chats Ep. 10 · On Ambition, Immigration, Class in “Gold Diggers” Sanjena Sathian 21st Jun Chats Ep. 9 · On the Essay Collection “Southbound” Anjali Enjeti 19th May Nation-State Constraints on Identity & Intimacy Chaitali Sen 17th Dec Public Art Projects as Feminist Reclamation Tehani Ariyaratne 29th Nov On That Note: