And what if they're union-busting but still paying really well? BOOKS & ARTS A Freelancer's Guide to Decision-Making And what if they're union-busting but still paying really well? Shebani Rao SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Jamil Jan Kochai A Premonition; Recollected Not enough "choose your own adventure" content? Leave us an angry note & we will oblige. SHARE Facebook Twitter LinkedIn Comic Freelancing Gig Work SHEBANI RAO is a comic artist, illustrator, and activist who creates work about race, mental health, feminism, pop culture, incarceration, and more. 22 Feb 2023 Comic Freelancing 22nd Feb 2023 Dissident Kid Lit Saira Mir · Shelly Anand · Vashti Harrison · Simran Jeet Singh 20th Dec On the Ethics of Climate Journalism Aruna Chandrasekhar 22nd Aug On That Note:

ARTIST Hoài-Phương HOAI PHUONG is a painter specializing in Oriental art. Currently residing in Italy, Phuong is an activist and organizer advocating for a free Palestine. Phuong co-founded the “Water for Mawasi” fund, which provides potable water weekly to displaced Palestinians and supports other local charities. Phuong also runs a blog called “Tho Palestine,” where she translates works by Palestinian poets and writers, along with news about Palestine, for the Vietnamese community. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

“When the student at Jamia Millia Islamia University first uttered ‘Dear Shahid’ right after the film's intertitle, I felt a tightening in my chest. It reminded me of my own days in Mumbai at Prithvi Theatre, where idealism was somehow removed from politics and the marginalization that was occurring. When I first saw the film, I felt like I knew this person.” INTERACTIVE On “Letter from Your Far-Off Country” “When the student at Jamia Millia Islamia University first uttered ‘Dear Shahid’ right after the film's intertitle, I felt a tightening in my chest. It reminded me of my own days in Mumbai at Prithvi Theatre, where idealism was somehow removed from politics and the marginalization that was occurring. When I first saw the film, I felt like I knew this person.” Suneil Sanzgiri · Ritesh Mehta Letter from Your Far-Off Country , a short film by Suneil Sanzgiri, was shot on 16mm film stock that expired in 2002—the same year as Gujarat’s state-sponsored anti-Muslim genocide. The film weaves through forms and footage of a dizzying variety, from epistolary family stories, Agha Shahid Ali’s poetry, the theater of Safdar Hashmi, the Muslim women-led Shaheen Bagh movement, and more, creating a mosaic of temporalities that probe the personal and political together within the context of a fraught nation. As part of our event In Grief, In Solidarity we screened the film, which had been screened just prior at the Indian Film Festival of LA (IFFLA). Here, we show the post-screening Q&A that followed the screening, where xenior editor Vamika Sinha talked to Suneil Sanzgiri and Ritesh Mehta, senior programmer at IFFLA, about the film, how Sanzgiri pulled off his very experimental film, what motivated it, and his intellectual and aesthetic preoccupations. In particular, Sanzgiri talks at length about how the weaving of his personal history connected not just with the Shaheen Bagh movement and CAA protests broadly, but with the fact that protests in India included books by Ambedkar and Arundhati Roy alongside those of Angela Davis, while protests in the US played or sang music by Faiz, Agha Shahid Ali, Iqbal Bano at Black Lives Matter protests. These evocations of a global struggle were key to his approach to filmmaking. Mehta discusses his own emotional response to the film, which was deeply connected to his own experience in theatre in Bombay, and what it felt like to process much of what India had undergone recently, as refracted through Sanzgiri's prism. Letter From Your Far-Off Country is available through the Criterion Collection. In March 2024, Sanzgiri discussed his approach to form at our launch event, “Solidarity: Beyond the Disaster-Verse.” Letter from Your Far-Off Country , a short film by Suneil Sanzgiri, was shot on 16mm film stock that expired in 2002—the same year as Gujarat’s state-sponsored anti-Muslim genocide. The film weaves through forms and footage of a dizzying variety, from epistolary family stories, Agha Shahid Ali’s poetry, the theater of Safdar Hashmi, the Muslim women-led Shaheen Bagh movement, and more, creating a mosaic of temporalities that probe the personal and political together within the context of a fraught nation. As part of our event In Grief, In Solidarity we screened the film, which had been screened just prior at the Indian Film Festival of LA (IFFLA). Here, we show the post-screening Q&A that followed the screening, where xenior editor Vamika Sinha talked to Suneil Sanzgiri and Ritesh Mehta, senior programmer at IFFLA, about the film, how Sanzgiri pulled off his very experimental film, what motivated it, and his intellectual and aesthetic preoccupations. In particular, Sanzgiri talks at length about how the weaving of his personal history connected not just with the Shaheen Bagh movement and CAA protests broadly, but with the fact that protests in India included books by Ambedkar and Arundhati Roy alongside those of Angela Davis, while protests in the US played or sang music by Faiz, Agha Shahid Ali, Iqbal Bano at Black Lives Matter protests. These evocations of a global struggle were key to his approach to filmmaking. Mehta discusses his own emotional response to the film, which was deeply connected to his own experience in theatre in Bombay, and what it felt like to process much of what India had undergone recently, as refracted through Sanzgiri's prism. Letter From Your Far-Off Country is available through the Criterion Collection. In March 2024, Sanzgiri discussed his approach to form at our launch event, “Solidarity: Beyond the Disaster-Verse.” SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making Follow our YouTube channel for updates from past or future events. SHARE Facebook Twitter LinkedIn Live Los Angeles Indian Film Festival of LA Film Film-Making Gujarat Pogroms Letter From Your Far-Off Country Gujarat Riots Genocide Jamia Millia Islamia Epistolary Form Shaheen Bagh Movement CAA Protests Ambedkar Arundhati Roy Black Solidarities Internationalist Solidarity Global Agha Shahid Ali Safdar Hashmi Avant-Garde Form Avant-Garde Traditions Communist Tradition Faiz Ahmed Faiz Iqbal Bano Avant-Garde Aesthetics & Protest Farmers' Movement Diasporas Temporality Avant-Garde Film Short Film Personal History Directors Intertext Mikhail Bakhtin Black Lives Matter Prithvi Theatre Diasporic Distance Unspeakable SUNEIL SANZGIRI is an artist, researcher, and filmmaker. Spanning experimental video and film, animations, essays, and installations, his work contends with questions of identity, heritage, culture, and diaspora in relation to structural violence and anticolonial struggles across the Global South. His first institutional solo exhibition Here the Earth Grows Gold opened at the Brooklyn Museum in October 2023. His films have circulated at film festivals and institutions globally, including at the International Film Festival Rotterdam, New York Film Festival, Hong Kong International Film Festival, Criterion Collection, among others. RITESH MEHTA works in film/TV development as a story consultant for production companies and mentorship labs, and as a festival programmer. He was raised in Mumbai and is based in Los Angeles. 5 Jun 2021 Live Los Angeles 5th Jun 2021 PRITHI KHALIQUE is a visual designer and animator based in Dhaka and Providence. Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

The debut essay collection "Southbound" explores evangelical Christianity's marriage with extremism & contemporary Georgia politics, published soon after the state was flipped blue by the efforts of many grassroots organizers, including the author. INTERACTIVE Chats Ep. 9 · On the Essay Collection “Southbound” AUTHOR AUTHOR AUTHOR The debut essay collection "Southbound" explores evangelical Christianity's marriage with extremism & contemporary Georgia politics, published soon after the state was flipped blue by the efforts of many grassroots organizers, including the author. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Tags Tags Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Tags Tags 23rd Oct 2010 In 2021, activist, journalist, and author Anjali Enjeti published her new essay collection Southbound: Essays on Identity, Inheritance, and Social Change , as well as her debut novel The Parted Earth . In May that year, she discussed the former, and briefly the latter, with Kamil Ahsan, on Instagram Live. The twenty essays of her debut collection tackle evangelical Christian extremism, white feminism at a national feminist organization, the early years of the AIDS epidemic in the South, voter suppression, gun violence and the gun sense movement, the whitewashing of southern literature, the 1982 racialized killing of Vincent Chin, social media’s role in political accountability, and the rise of nationalism worldwide. Here, Enjeti discusses the bargain between evangelical Christianity and fascism in the United States, as well as her efforts as a grassroots organizer for They See Blue in Atlanta, Georgia. Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

“It's very easy for us to talk about being in solidarity with somebody or groups of people, but what do we mean by that? What is the history of that?” COMMUNITY What Does Solidarity Mean? “It's very easy for us to talk about being in solidarity with somebody or groups of people, but what do we mean by that? What is the history of that?” Vol. 2 FIRST TAG AUTHOR AUTHOR AUTHOR Panel 1 of the event "Solidarity: Beyond the Disaster-Verse" held on 30th March 2024. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Panel 1 of the event "Solidarity: Beyond the Disaster-Verse" held on 30th March 2024. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Tags Tags 23rd Oct 2010 Tags Tags Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. The first panel from our event on 30th March 2024, “ Solidarity: Beyond the Disaster-Verse, ” at ShapeShifter Lab in Brooklyn, New York, which marked the close of Volume 2 Issue 1 of SAAG. Here, Kamil Ahsan, Azad Essa, Heba Gowayed, Tehila Sasson, and Suchitra Vijayan discuss what "solidarity" means as a concept, how it is used, and whether it is useful. It begins with some of the rhetoric that Kamil Ahsan discusses in his essay and editorial that closed Vol. 2 Issue 1 of SAAG, entitled Into the Disaster-Verse . What follows is a discussion of four books from the panelists, including: Azad Essa's Hostile Homelands: The New Alliance Between India and Israel (Pluto Press, November 2022), Heba Gowayed's Refuge: How the State Shapes Human Potential (April 2022, Princeton University Press), Suchitra Vijayan's How Long Can the Moon Be Caged? Voices of Indian Political Prisoners (co-authored with Francesca Recchia, Pluto Press, August 2023), and Tehila Sasson's forthcoming Solidarity Economy: Nonprofits and the Making of Neoliberalism after Empire (May 2024, Princeton University Press). Photographs courtesy of Josh Steinbauer SOLIDARITY: BEYOND THE DISASTER VERSE Panel 2: On the Relationship between Form & Resistance SOLIDARITY: BEYOND THE DISASTER VERSE Quintet Performance More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

Gujarat’s Surat was the capital of the global diamond trade before the Russia-Ukraine war, but sanctions imposed on Russia’s diamond exports since 2022 have placed a sword to the throats of diamond workers in the collapsing industry’s headquarters. Mass layoffs and obscene wage cuts have led to dozens of labourers dying by suicide, leaving hundreds of their family members to cope without support from the Indian government. THE VERTICAL Expunging India's Diamond City Gujarat’s Surat was the capital of the global diamond trade before the Russia-Ukraine war, but sanctions imposed on Russia’s diamond exports since 2022 have placed a sword to the throats of diamond workers in the collapsing industry’s headquarters. Mass layoffs and obscene wage cuts have led to dozens of labourers dying by suicide, leaving hundreds of their family members to cope without support from the Indian government. Hanan Zaffar · Danish Pandit Roshan, 20, remembers his father, Ram Nagina Singh , as a hardworking man who spent decades polishing diamonds that would glitter in luxury stores across the world. But this October, Singh’s life came to a devastating halt. Based in the western Indian city of Surat, he once earned a comfortable salary of ₹60,000-₹70,000 ($800-$900) a month but was soon barely scraping by on ₹10,000-₹12,000 ($120-$150) as the city’s diamond industry buckled under immense economic pressures. The stress proved too much. Singh took his own life, hanging himself from the ceiling fan in his bedroom. Roshan is still grappling with his father’s sudden death. “My father didn’t say much, but we knew he was under immense stress,” Roshan recalled. “There was no work in the company, and he wasn’t receiving his wages or bonuses. He used to come home and talk about it, but we didn’t realise the depth of his despair until it was too late.” Singh’s story is tragically common. He is one of at least 65 diamond workers in Surat who have died by suicide in the past 16 months as financial hardships have deepened following Russia’s invasion of Ukraine in 2022. For decades, Surat has been the world’s epicenter for diamond polishing, employing over 600,000 workers . However, since the onset of the war, sanctions targeting Russia —one of the largest exporters of rough diamonds— have sent shockwaves through the city’s once-thriving diamond industry. Both the supply of raw materials and the demand for polished Russian diamonds have drastically decreased. The European Union and G7 nations have implemented strict bans on Russian diamonds, including those routed through intermediary countries. This has severely disrupted the flow of raw diamonds to India’s factories, leaving thousands of workers in Surat unemployed and struggling to survive. The crisis has had a ripple effect, leading to widespread layoffs , wage cuts, and—tragically—suicides. A Suicide Epidemic Like Roshan, Jayantibhai’s world fell apart three months ago when her 28-year-old son, Mikunj, took his own life after losing his job. Once a diamond polisher, Mikunj had been out of work for over three months. Unable to secure another job as Surat’s diamond industry crumbled, he grew increasingly depressed. His sudden death left a gaping void in the family. “He never said anything to us,” Jayantibhai said. “What can we do now? He was our only son.” Without Mikunj, the family is struggling. At 60, Jayantibhai is too frail to work. She has already survived two heart attacks and relied on her son’s income to support the household. Her daughter-in-law, Rupali, has also stopped working. She used to tutor children from home, earning just enough to contribute. After Mikunj’s death, she withdrew entirely. “We needed him,” Jayantibhai said, her eyes welling up. “Now we are left to fend for ourselves, praying for help.” Her plight mirrors that of dozens of other families in Surat, staring at an uncertain future. Beyond the economic toll, the ongoing crisis in the diamond industry has triggered a significant mental health crisis among workers. The stress of unemployment and an uncertain future has pushed many to their breaking point. “Yes there are thoughts in my mind about suicide,” says Gohil Vijaybhai, another struggling diamond worker. For Vijaybhai, the past two years have been a relentless search for work. Once a steady earner in Surat’s diamond industry, he now moves from one labour site to another, hoping to make ₹500-700 ($6-8) per day. His company shut down when the economic slowdown, fuelled by the Russia-Ukraine war, cut off the supply of rough diamonds. “I’ve been doing this for 11 years, but now there’s nothing,” he shared. His income, once around ₹30,000 ($360) a month, has evaporated, leaving him in debt and unable to pay for necessities like rent and his children’s school fees. His three children, ranging from kindergarten to fifth grade, are now at risk of being forced out of school. “I told the school to wait for six or seven months for the fees,” he said, though he knows the money is unlikely to come. Without stable work, his family of seven depends on sporadic daily wages, and his debt continues to mount. “What can a single labourer do?” he asked. “We take out loans just to survive.” As his financial troubles deepen, Vijaybhai admits to feeling overwhelmed by despair. “When someone is under this much tension, what would he do? Suicide, right?” he asked. He is not alone; many diamond workers in Surat find themselves caught between a failing industry and rising debts. Deepak Rajendrabhai Purani, a diamond worker for over 10 years, describes the stark reality workers like him face. “I used to earn ₹25,000-₹27,000 ($300-$350) a month, but now I’m lucky if I make ₹15,000 ($180),” he said. “Some months, there is no work at all, and I have been sitting at home for weeks without any income.” Deepak, who lives in Surat with his parents, wife, and young son, is contemplating leaving the diamond industry but does not know where to turn after working there for so long. “I don’t know anything else. But how can I continue like this? We have bills to pay, mouths to feed, and no government support.” Deepak’s father, who once sold samosas from a cycle, is now bedridden with asthma. His brother, also a diamond worker, is one of the few fortunate ones who still has steady work. But Deepak knows this could change at any moment. “The companies keep only as many workers as they need,” he explained. “If there is no work, they tell us not to come in the next day. It’s as simple as that.” “There are no bombs thrown at us directly,” he added, “but this [Russia-Ukraine] war has killed us.” A Global Crisis Turning the Tide on Surat With disruptions in the supply of rough diamonds from Russia, many factories in Surat have either shut down or significantly scaled back their operations . This has left thousands of diamond workers, many of whom have spent decades in the industry, struggling to make ends meet. India’s diamond sector plays a vital role in the global diamond supply chain, with approximately 80% of the world's rough diamonds being cut and polished in the country. Surat, in particular, is the epicenter of this labour-intensive industry. However, the glitter of diamonds hides the harsh realities many of these workers face—low wages, erratic work conditions, and almost no social safety net. While Surat’s diamond workers have borne the brunt of this crisis, the impacts of the sanctions and war have rippled across the global diamond trade. India's diamond exports have experienced a steep decline, plummeting by 28% in the fiscal year 2024, and are projected to fall further, reaching their lowest levels in a decade. Luxury markets in the U.S. and Europe, traditionally strong buyers of diamonds, have also contracted as consumer spending patterns shift in response to economic uncertainties. Rising inflation has curbed discretionary spending , with more buyers focusing on essentials rather than luxury purchases. This trend has further depressed demand for polished diamonds, exacerbating the crisis for workers in Surat who depend on robust global sales. The price of rough diamonds has also skyrocketed due to supply shortages, making it harder for manufacturers to remain profitable. Factories in Surat and other diamond hubs have had to make tough decisions—either lay off workers or shut down altogether. A Helpless Union and Government Neglect As the number of suicides among diamond workers continues to rise, the local Diamond Workers Union has launched a helpline to provide emotional and financial support. Since its inception in July, the helpline number has received around 1800 distress calls. "We have saved lives," said Zilriya Rameshbhai, the president of the union, recounting how workers on the brink of suicide reached out for help. The union also provides temporary relief to struggling workers by paying school fees, supplying food, and helping them manage debt. Unfortunately, such measures are not enough to lift Vijaybhai and others like him out of financial distress. Despite its best efforts, the union is overwhelmed by demand and constrained by limited resources. “[The] union is doing what they can,” Vijaybhai said, “but we need the government to listen.” Many workers feel abandoned by the government, which has yet to meaningfully address the crisis. The Indian government, typically focused on bolstering exports to strengthen the economy, has done little to provide immediate relief to the struggling diamond sector, according to workers. Jayantibhai, who lives in Amroli, a suburb of Surat, is frustrated by the lack of response from the authorities. “They are dead silent. [PM] Modi considers Gujarat his home, but how can he not listen to our plight?” she asked bitterly. “We have tried contacting the party’s office, but nobody listens. We are just forgotten.” Other workers share this frustration. “The government isn’t talking about the diamond industry,” said Deepak. “If they were, we wouldn’t be in this mess. Workers are roaming around without jobs, and nobody is doing anything.” Government inaction has intensified feelings of helplessness among diamond workers. Ramesh Bhai, the president of the local union, stated that they have repeatedly requested an economic relief package to support both the industry and its employees, but their appeals have gone unanswered. “There is no support from the government,” he said. “All the workers have been left on their own. Nobody cares how much we have contributed to the growth of the state and country’s economy.” He also mentioned the union's proposal to establish a special board including workers, factory owners, and government representatives to address the industry's challenges, but there has been no progress on that front either. With no relief in sight, the future of Surat’s diamond industry remains uncertain. While some workers hope for improvement, others are less optimistic. “There is no guarantee that the diamond industry will see growth again,” said Deepak. “We are all just waiting and watching, but we don’t know what will happen. The future seems bleak.” For workers like Roshan, who lost his father to the industry’s collapse, the pain is still raw. Yet, he remains determined to stay in Surat, the city he has called home for over 20 years. “Everything is here,” he said. “After what happened to my father, I just hope that things get better.”∎ Roshan, 20, remembers his father, Ram Nagina Singh , as a hardworking man who spent decades polishing diamonds that would glitter in luxury stores across the world. But this October, Singh’s life came to a devastating halt. Based in the western Indian city of Surat, he once earned a comfortable salary of ₹60,000-₹70,000 ($800-$900) a month but was soon barely scraping by on ₹10,000-₹12,000 ($120-$150) as the city’s diamond industry buckled under immense economic pressures. The stress proved too much. Singh took his own life, hanging himself from the ceiling fan in his bedroom. Roshan is still grappling with his father’s sudden death. “My father didn’t say much, but we knew he was under immense stress,” Roshan recalled. “There was no work in the company, and he wasn’t receiving his wages or bonuses. He used to come home and talk about it, but we didn’t realise the depth of his despair until it was too late.” Singh’s story is tragically common. He is one of at least 65 diamond workers in Surat who have died by suicide in the past 16 months as financial hardships have deepened following Russia’s invasion of Ukraine in 2022. For decades, Surat has been the world’s epicenter for diamond polishing, employing over 600,000 workers . However, since the onset of the war, sanctions targeting Russia —one of the largest exporters of rough diamonds— have sent shockwaves through the city’s once-thriving diamond industry. Both the supply of raw materials and the demand for polished Russian diamonds have drastically decreased. The European Union and G7 nations have implemented strict bans on Russian diamonds, including those routed through intermediary countries. This has severely disrupted the flow of raw diamonds to India’s factories, leaving thousands of workers in Surat unemployed and struggling to survive. The crisis has had a ripple effect, leading to widespread layoffs , wage cuts, and—tragically—suicides. A Suicide Epidemic Like Roshan, Jayantibhai’s world fell apart three months ago when her 28-year-old son, Mikunj, took his own life after losing his job. Once a diamond polisher, Mikunj had been out of work for over three months. Unable to secure another job as Surat’s diamond industry crumbled, he grew increasingly depressed. His sudden death left a gaping void in the family. “He never said anything to us,” Jayantibhai said. “What can we do now? He was our only son.” Without Mikunj, the family is struggling. At 60, Jayantibhai is too frail to work. She has already survived two heart attacks and relied on her son’s income to support the household. Her daughter-in-law, Rupali, has also stopped working. She used to tutor children from home, earning just enough to contribute. After Mikunj’s death, she withdrew entirely. “We needed him,” Jayantibhai said, her eyes welling up. “Now we are left to fend for ourselves, praying for help.” Her plight mirrors that of dozens of other families in Surat, staring at an uncertain future. Beyond the economic toll, the ongoing crisis in the diamond industry has triggered a significant mental health crisis among workers. The stress of unemployment and an uncertain future has pushed many to their breaking point. “Yes there are thoughts in my mind about suicide,” says Gohil Vijaybhai, another struggling diamond worker. For Vijaybhai, the past two years have been a relentless search for work. Once a steady earner in Surat’s diamond industry, he now moves from one labour site to another, hoping to make ₹500-700 ($6-8) per day. His company shut down when the economic slowdown, fuelled by the Russia-Ukraine war, cut off the supply of rough diamonds. “I’ve been doing this for 11 years, but now there’s nothing,” he shared. His income, once around ₹30,000 ($360) a month, has evaporated, leaving him in debt and unable to pay for necessities like rent and his children’s school fees. His three children, ranging from kindergarten to fifth grade, are now at risk of being forced out of school. “I told the school to wait for six or seven months for the fees,” he said, though he knows the money is unlikely to come. Without stable work, his family of seven depends on sporadic daily wages, and his debt continues to mount. “What can a single labourer do?” he asked. “We take out loans just to survive.” As his financial troubles deepen, Vijaybhai admits to feeling overwhelmed by despair. “When someone is under this much tension, what would he do? Suicide, right?” he asked. He is not alone; many diamond workers in Surat find themselves caught between a failing industry and rising debts. Deepak Rajendrabhai Purani, a diamond worker for over 10 years, describes the stark reality workers like him face. “I used to earn ₹25,000-₹27,000 ($300-$350) a month, but now I’m lucky if I make ₹15,000 ($180),” he said. “Some months, there is no work at all, and I have been sitting at home for weeks without any income.” Deepak, who lives in Surat with his parents, wife, and young son, is contemplating leaving the diamond industry but does not know where to turn after working there for so long. “I don’t know anything else. But how can I continue like this? We have bills to pay, mouths to feed, and no government support.” Deepak’s father, who once sold samosas from a cycle, is now bedridden with asthma. His brother, also a diamond worker, is one of the few fortunate ones who still has steady work. But Deepak knows this could change at any moment. “The companies keep only as many workers as they need,” he explained. “If there is no work, they tell us not to come in the next day. It’s as simple as that.” “There are no bombs thrown at us directly,” he added, “but this [Russia-Ukraine] war has killed us.” A Global Crisis Turning the Tide on Surat With disruptions in the supply of rough diamonds from Russia, many factories in Surat have either shut down or significantly scaled back their operations . This has left thousands of diamond workers, many of whom have spent decades in the industry, struggling to make ends meet. India’s diamond sector plays a vital role in the global diamond supply chain, with approximately 80% of the world's rough diamonds being cut and polished in the country. Surat, in particular, is the epicenter of this labour-intensive industry. However, the glitter of diamonds hides the harsh realities many of these workers face—low wages, erratic work conditions, and almost no social safety net. While Surat’s diamond workers have borne the brunt of this crisis, the impacts of the sanctions and war have rippled across the global diamond trade. India's diamond exports have experienced a steep decline, plummeting by 28% in the fiscal year 2024, and are projected to fall further, reaching their lowest levels in a decade. Luxury markets in the U.S. and Europe, traditionally strong buyers of diamonds, have also contracted as consumer spending patterns shift in response to economic uncertainties. Rising inflation has curbed discretionary spending , with more buyers focusing on essentials rather than luxury purchases. This trend has further depressed demand for polished diamonds, exacerbating the crisis for workers in Surat who depend on robust global sales. The price of rough diamonds has also skyrocketed due to supply shortages, making it harder for manufacturers to remain profitable. Factories in Surat and other diamond hubs have had to make tough decisions—either lay off workers or shut down altogether. A Helpless Union and Government Neglect As the number of suicides among diamond workers continues to rise, the local Diamond Workers Union has launched a helpline to provide emotional and financial support. Since its inception in July, the helpline number has received around 1800 distress calls. "We have saved lives," said Zilriya Rameshbhai, the president of the union, recounting how workers on the brink of suicide reached out for help. The union also provides temporary relief to struggling workers by paying school fees, supplying food, and helping them manage debt. Unfortunately, such measures are not enough to lift Vijaybhai and others like him out of financial distress. Despite its best efforts, the union is overwhelmed by demand and constrained by limited resources. “[The] union is doing what they can,” Vijaybhai said, “but we need the government to listen.” Many workers feel abandoned by the government, which has yet to meaningfully address the crisis. The Indian government, typically focused on bolstering exports to strengthen the economy, has done little to provide immediate relief to the struggling diamond sector, according to workers. Jayantibhai, who lives in Amroli, a suburb of Surat, is frustrated by the lack of response from the authorities. “They are dead silent. [PM] Modi considers Gujarat his home, but how can he not listen to our plight?” she asked bitterly. “We have tried contacting the party’s office, but nobody listens. We are just forgotten.” Other workers share this frustration. “The government isn’t talking about the diamond industry,” said Deepak. “If they were, we wouldn’t be in this mess. Workers are roaming around without jobs, and nobody is doing anything.” Government inaction has intensified feelings of helplessness among diamond workers. Ramesh Bhai, the president of the local union, stated that they have repeatedly requested an economic relief package to support both the industry and its employees, but their appeals have gone unanswered. “There is no support from the government,” he said. “All the workers have been left on their own. Nobody cares how much we have contributed to the growth of the state and country’s economy.” He also mentioned the union's proposal to establish a special board including workers, factory owners, and government representatives to address the industry's challenges, but there has been no progress on that front either. With no relief in sight, the future of Surat’s diamond industry remains uncertain. While some workers hope for improvement, others are less optimistic. “There is no guarantee that the diamond industry will see growth again,” said Deepak. “We are all just waiting and watching, but we don’t know what will happen. The future seems bleak.” For workers like Roshan, who lost his father to the industry’s collapse, the pain is still raw. Yet, he remains determined to stay in Surat, the city he has called home for over 20 years. “Everything is here,” he said. “After what happened to my father, I just hope that things get better.”∎ SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making Trupti Patel Indian Landscape (2019) Terracruda, 29 Earth Pigments of 29 Political States of India, New Delhi Ash, Acrylic medium and Gold Leaf on Fabriano paper. SHARE Facebook Twitter LinkedIn Reportage Surat Gujarat India Diamond Trade Russia-Ukraine Conflict War Trade Route Working Class Labour Rights Banned Raw Materials Mental Health Suicide Layoffs G7 European Union Sanctions Unemployment Epidemic Global Crisis Supply Chain Luxury Market Consumer Spending Diamond Workers Union Trade Unions Government Neglect Inaction Economic Security Narendra Modi Industrialization Health Crisis HANAN ZAFFAR is an award-winning media practitioner and documentary filmmaker based out of South Asia. He teaches storytelling at OP Jindal Global University. DANISH PANDIT is a multimedia journalist based in New Delhi. He covers politics, human rights and environment. 2 Apr 2025 Reportage Surat 2nd Apr 2025 TRUPTI PATEL was born in Nairobi and studied sculpture in India at MSU Vadodara and in the UK as a Charles Wallace Scholar to the Royal College of Art. Patel works predominantly in clay, often using Indian terracotta, which is rich red when fired. Her sensuous and sensitive ceramic sculptures regularly depict the female form and question the role of women in contemporary society. Most recently, she participated in the India Art Fair 2025, New Delhi, with Project 88 Gallery, Mumbai, and was the artist-in-residence at the Clayarch Gimhae Museum in South Korea. Khabristan Uzair Rizvi 16th Aug Crossing Lines of Connection Arshad Ahmed · Chanchinmawia 14th Oct Buenos Aires, Shuttered María Constanza Costa 12th May The Artisan Labor Crisis of Ladakh Mir Seeneen 3rd May The Lakshadweep Gambit Rejimon Kuttapan 29th Mar On That Note:

“Those first days in April was when I think I started to grasp the enormity of the crisis. People were live-tweeting themselves in death. I just stopped working. I was doing medical resources at the time, which meant I was calling to make sure if oxygen tanks and hospital beds were available.” INTERACTIVE The Assessment of Veracity: COVID-19 Mutual Aid Organizing “Those first days in April was when I think I started to grasp the enormity of the crisis. People were live-tweeting themselves in death. I just stopped working. I was doing medical resources at the time, which meant I was calling to make sure if oxygen tanks and hospital beds were available.” Riddhi Dastidar Journalist and organizer Riddhi Dastidar worked tirelessly throughout 2020 and 2021 for pandemic relief in Delhi. In our event In Grief, In Solidarity , Dastidar recounts their experience of being in Delhi as a reporter in April 2020, when the enormity of the situation truly hit home. Amidst the many dead, dying, and a severe shortage of hospital beds, Dastidar was making urgent calls for oxygen tanks and hospital beds. Here, with Art Director Priyanka Kumar, Dastidar explained how the grief and devastation motivated Mutual Aid India —an act of confusion and desperation as much as urgency. "If I compile a list of campaigns that are working on grassroots relief, would you be willing to volunteer?" they remember asking, imagining it would be a relatively small thing to begin. The pandemic, of course, exacerbated the divisions and marginalization within Indian society. As Dastidar explains, how grassroots organizations seemed to assess the "veracity" of need seemed ignorant of what lived reality was like. Dastidar later discusses, citing Kaveh Akbar, that this was the sort of time when art and poetry were simply not activism. Only organizing was. Their refusal of a conflation is, in itself, an act of demonstrating veracity. Kumar, in turn, asked: How does somebody involved in both investigative journalism and mutual aid organizing also make sure to attend to one's own grief? Journalist and organizer Riddhi Dastidar worked tirelessly throughout 2020 and 2021 for pandemic relief in Delhi. In our event In Grief, In Solidarity , Dastidar recounts their experience of being in Delhi as a reporter in April 2020, when the enormity of the situation truly hit home. Amidst the many dead, dying, and a severe shortage of hospital beds, Dastidar was making urgent calls for oxygen tanks and hospital beds. Here, with Art Director Priyanka Kumar, Dastidar explained how the grief and devastation motivated Mutual Aid India —an act of confusion and desperation as much as urgency. "If I compile a list of campaigns that are working on grassroots relief, would you be willing to volunteer?" they remember asking, imagining it would be a relatively small thing to begin. The pandemic, of course, exacerbated the divisions and marginalization within Indian society. As Dastidar explains, how grassroots organizations seemed to assess the "veracity" of need seemed ignorant of what lived reality was like. Dastidar later discusses, citing Kaveh Akbar, that this was the sort of time when art and poetry were simply not activism. Only organizing was. Their refusal of a conflation is, in itself, an act of demonstrating veracity. Kumar, in turn, asked: How does somebody involved in both investigative journalism and mutual aid organizing also make sure to attend to one's own grief? SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making Follow our YouTube channel for updates from past or future events. SHARE Facebook Twitter LinkedIn Live Delhi COVID-19 Event In Grief In Solidarity Veracity Essential Workers Mutual Aid Organizing Art Practice Accountability Affect Exhaustion Pretense Fundraising Social Media Mutual Aid India Diasporic Donors Grassroots Organizing Cyclone Hyat NGOs Direct Bank Transfer Disaster Capitalism RIDDHI DASTIDAR is an award-winning writer and reporter based in Delhi. Their work focuses on disability justice, public health, gender, rights and development, climate and culture. They are a contributing editor at Vogue India , and formerly worked at Khabar Lahariya . Their work has appeared in CNN , Foreign Policy , The Baffler , Vogue , and Wasafiri , amongst others, and been supported by the Pulitzer Center. 5 Jun 2021 Live Delhi 5th Jun 2021 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

ARTIST Mohamed Ikram MOHAMED IKRAM is a music producer, engineer, and fine artist. He intuitively sketches and draws to reflect on his personal nature in Maldivian society and in a larger political context. ARTIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

JOURNALIST Ryan Biller RYAN BILLER is a journalist who covers politics, conflict and climate. JOURNALIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

That’s how I began my flight; full of doubt. FICTION & POETRY In the Yoma Foothills That’s how I began my flight; full of doubt. Tun Lin Soe IT WAS one of those foggy mornings. As if they were offering a wreath to a squad of soldiers off to war, a flock of birds sent me off with chirrups. That’s how I began my flight— full of doubt. My beloved parents, brothers and sisters, relatives from near and far, childhood friends who stay friends to this day, and above all, my girlfriend, my heart of hearts, for each of the teardrops they shed I was responsible. Now that I’d left them my soul got restless, my spirit drained of vigour I wept for hours. The tall trees in the jungle witnessed my creaky-creaky cries. I thanked them all, those who pushed me onto a raft upstream to drown, those who abased themselves before me, and those who, possessed with greed, lifted me higher so they could shove me off a cliff, and those who loved me back, I thanked them all. I thanked God for keeping me safe in the wilderness. He heard my prayers those nights and days in the Yoma foothills. ∎ This poem appeared in Picking Off New Shoots Will Not Stop the Spring: Witness Poems and Essays from Burma/Myanmar 1988-2021 , edited by Ko Ko Thett and Brian Haman, and published by Gaudy Boy in North America, Balestier Press in the UK, and Ethos Books in Singapore. IT WAS one of those foggy mornings. As if they were offering a wreath to a squad of soldiers off to war, a flock of birds sent me off with chirrups. That’s how I began my flight— full of doubt. My beloved parents, brothers and sisters, relatives from near and far, childhood friends who stay friends to this day, and above all, my girlfriend, my heart of hearts, for each of the teardrops they shed I was responsible. Now that I’d left them my soul got restless, my spirit drained of vigour I wept for hours. The tall trees in the jungle witnessed my creaky-creaky cries. I thanked them all, those who pushed me onto a raft upstream to drown, those who abased themselves before me, and those who, possessed with greed, lifted me higher so they could shove me off a cliff, and those who loved me back, I thanked them all. I thanked God for keeping me safe in the wilderness. He heard my prayers those nights and days in the Yoma foothills. ∎ This poem appeared in Picking Off New Shoots Will Not Stop the Spring: Witness Poems and Essays from Burma/Myanmar 1988-2021 , edited by Ko Ko Thett and Brian Haman, and published by Gaudy Boy in North America, Balestier Press in the UK, and Ethos Books in Singapore. SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making "Sleeping Mangroves" by Isma Gul Hasan. Mixed media (2021). The rapidly disappearing mangroves of Karachi viewed at night around Kemari. SHARE Facebook Twitter LinkedIn Poetry Myanmar Military Coup Dissident Writers Revolution Pogroms Tatmadaw Rohingya Rohingya Refugee Crisis Trauma Picking Off New Shoots Will Not Stop the Spring TUN LIN SOE , a Rohingya poet, was born in 1987, in Min Gyi Ywa (Tula Toli) in Maung Daw, Rakhine State, Myanmar. He was a final year English major at Sittway University, when a pogrom against the Rakhine Muslim population broke out in Sittwe in June 2012. At the end of 2012, his name was on a list of arrest warrants for 30 people, accused of colluding with insurgent groups and international media outlets. Since 2013 he has been living in Malaysia as a refugee. 26 Feb 2023 Poetry Myanmar 26th Feb 2023 ISMA GUL HASAN is an illustrator from Lahore, Pakistan. She completed a Master’s in Illustration from University of the Arts London in 2020, and has worked on various storytelling and social awareness projects, including the critically acclaimed animated short, Shehr-e-Tabassum. Their personal work, which has been exhibited locally and internationally, explores otherworldly landscapes and organic forms, feminist dreams and longing, and visual manifestations of trauma and despair. hasan is currently living, teaching and creating in Karachi, Pakistan. Into the Sea Mai Ishizawa · Polly Barton 27th Apr Skulls K Za Win 4th Apr Whose Footfall is Loudest? Thawda Aye Lei 24th Feb The Craft of Writing in Occupied Kashmir Huzaifa Pandit 24th Jan Discourses on Kashmir Huma Dar · Hilal Mir · Ather Zia 24th Oct On That Note:

In Mexico, over 116,000 people are registered as missing, many due to violence linked to the war on drugs. In the absence of timely support from the authorities, relatives of the missing are forced to create their own missing person posters, which serve as vital tools to mobilize local communities and gain leads, though they come with risks, such as extortion by criminals. With thousands of disappearances unresolved, unofficial, family-led searches for missing individuals continue, highlighting a broken system and the desperate need for more effective responses to the crisis. In Mexico, over 116,000 people are registered as missing, many due to violence linked to the war on drugs. In the absence of timely support from the authorities, relatives of the missing are forced to create their own missing person posters, which serve as vital tools to mobilize local communities and gain leads, though they come with risks, such as extortion by criminals. With thousands of disappearances unresolved, unofficial, family-led searches for missing individuals continue, highlighting a broken system and the desperate need for more effective responses to the crisis. Soumya Dhulekar, Untitled (2024). Digital collage. Artist · THE VERTICAL REPORTAGE · LOCATION The Faces of Mexico's Disappeared LOCATION AUTHOR . AUTHOR . AUTHOR . 31 Jan 2025 st . Letter from our columnist . On the afternoon of July 19, 2023, Abraham Flores and his wife, Beatriz Cárdenas, celebrated their daughter’s first birthday with a rainbow cake and a small family gathering at Flores’s parents’ house in northern Mexico. Around 10:30 pm, Flores dropped Cárdenas and their child off at their home. Flores, a 32-year-old ride-hailing driver, then went to pick up a passenger outside of the application. He assured his family he would be back soon. At 12:30 am, Cárdenas, 28 years old, warned her husband via WhatsApp about a shooting that had occurred a few blocks from their home in the municipality of Santa Catarina, Nuevo León. Flores didn’t respond. She messaged him an hour later and then fell asleep. Early in the morning, she tried to contact him once more and saw that his last connection was at 4:15 am. Since then, Cárdenas has been searching for him. “Hours passed. It was 5 p.m. and I couldn’t take it anymore. I went straight to my in-laws, and they said, ‘Maybe he went out with friends.’ But I knew it wasn’t normal,” Cárdenas asserted. “He could go out drinking or with friends, but he would always come back. I mean, he always came back. And now, he hasn’t.” Across Mexico, there are over 116,000 people officially registered as missing or disappeared, primarily since 2006 when the government launched the “war on drugs” and began militarizing the streets as part of its strategy. Families of the disappeared have united in search collectives , often risking their safety and facing numerous obstacles such as a lack of resources and information, physical threats, and a slow, negligent response from authorities. The missing person poster has emerged as a vital and accessible tool during the crucial early days of a disappearance, though it has its limitations. All images courtesy of the author (2024). Since the General Law on the Forced Disappearance of Persons was approved in 2017–following the intensive work and advocacy of families of the disappeared–the National Search Commission, the General Prosecutor’s Office, and their state counterparts have been responsible for investigating disappearances. However, the implementation of the law has been hampered by a lack of political will from authorities and insufficient human and material resources. The law mandates immediate searches, but authorities often refuse to file reports in the initial hours, despite the increased likelihood of finding a person alive during this critical period. Without a filed report, the official missing person poster, known as “ficha de búsqueda” (search form), cannot be issued. May-ek Querales, an anthropologist with the Social and Forensic Anthropology Research Group (GIASF) , explained that issuing a missing person poster also means that an investigation is officially opened. "Therefore it [authorities] will always have it on its agenda and will not stop looking for your loved one, in theory. Unfortunately, that’s not always the case,” Querales added. Despite official protocols, authorities told Cárdenas that they needed to wait at least 24 hours before filing a disappearance report. Many families are forced to create their own posters and distribute them through personal networks, such as WhatsApp chats, Facebook neighborhood groups, and word-of-mouth, in order to initiate the search for their missing loved ones. María de la Luz López Castruita, who has been searching for her daughter Irma Claribel since 2008 in the northern state of Coahuila, highlights the importance of the poster as an accessible search tool for families, but also as a communication tool to engage with society and ask for help. “It's a huge support for us because we think if more people spread it, the more likely it is that it will reach people who have seen our loved ones,” she said. Despite the limitations that the poster may encounter in its circulation, it can also become a valuable emotional object for families experiencing the pain and uncertainty of a disappearance for the first time. Faced with the overwhelming prospect of beginning the search for a loved one in a country with thousands upon thousands of missing people, the poster can be the first step that a family member takes to proactively search without depending on the authorities. “It also has a symbolic function so that people do not go crazy in the process of not having an answer from their loved one,” Querales said. In the initial hours after her husband’s disappearance, Cárdenas felt she couldn’t wait any longer. She created a missing person poster in Word, using a photo from their daughter’s birthday celebration. “It was literally the photo we had taken of him that night,” explained Cárdenas. “It was that photo, with red letters saying ‘MISSING,’ a description of what he looked like, what he was wearing…exactly as he appears in the photo is what he was wearing [at the time he disappeared].” The lack of immediate institutional support often makes families more vulnerable. Cárdenas used her personal phone number in that initial poster she created herself, a common practice among families hoping that a relative’s number will ensure more attention to any leads via incoming calls. Querales warned that this can put families at risk of extortion by organized crime , who are always looking for opportunities to profit. Cárdenas and her in-laws were extorted for about $600 dollars. “In their desperation, when someone tells them that they have information about their loved one, families are often overwhelmed and begin to share personal information that can include transferring money,” Querales said. “The non-institutional missing person poster has that risk because you do not have a phone, separate from your personal ties, that can provide you with protection.” Disappearances in Mexico are perpetrated by various actors with diverse motivations. Mónica Meltis, founder of Data Cívica , an organization using data to support victims of human rights violations, explained that Mexico had a history of enforced disappearances from the 1960s to the 1980s —a period known as the ‘Dirty War’ — primarily used to target political dissidents . While enforced disappearances perpetrated by state agents have not ceased, various actors, mainly linked to organized crime , now carry out disappearances, often with the complicity of, or permission from, state agents. “Forced disappearance continues to exist, although in reality it is now more complex because there is not only disappearance by the State, but now something called ‘disappearance by individuals’,” Meltis added. Starting the Search It was not until three days after Flores’s disappearance that the official missing person poster began to circulate. Despite how recently the photograph used in the poster was taken, the Nuevo León Search Commission made two mistakes in the details. They incorrectly stated that Flores was wearing a white hat (it was black) and black pants (they were blue jeans). To date, the commission has only corrected the color of the pants. Often, families do not have a recent or updated photo, and sometimes the shock of the events they are experiencing causes memory lapses. It becomes difficult to remember the physical features of their loved one, their particularities, or the details of the clothes they were wearing. This cannot only take a great emotional toll on them, but can also make the search much harder. López, who also leads “ Voz que Claman Justicia ,” one of hundreds of search collectives led by families of the disappeared, said she has seen this frustration in family members who are unable to remember. That’s why she often suggests being accompanied by someone close when filing the report. “We often make the mistake of giving incorrect information because of the pain that it brings. It is a lot of pain,” she said. In many of these cases, having a distinctive feature that truly differentiates the person can be a significant advantage when filing a report. López explains how tattoos, for example, can help to further individualize the person, or even make visual identification easier if a body is found. “When there are scars or tattoos, it’s easier. [Previously] I used to be critical when someone got a tattoo, but now I say how important it is to have one. That way, when bodies are found, they can identify them easily. Or, not only bodies, but homeless people too,” López said. “When I see my compañeras immediately looking for the tattoo, it leaves me feeling helpless because my [missing] daughter didn’t have any.” Families, mostly mothers, lead local search groups and offer guidance about the steps to follow after a disappearance as institutions often don’t provide necessary information, or fail to coordinate or collaborate with other authorities. “If someone disappears, the recommendation is to look for the collectives. They are the ones who will truly help you search, not the State,” said Meltis. Séverine Durin, an anthropologist and researcher at the Center for Research and Higher Studies in Social Anthropology (CIESAS) , explained that families often find a lack of coordination among the institutions officially responsible for supporting them, which can be confusing and make the search process much more exhausting. If there is evidence that the person could have disappeared in a different state than the one in which they reside, it can be even more complicated. Frustrated by the inefficiency of the authorities and their slow response, Cárdenas decided to join a collective of families of the disappeared in Nuevo León a month after her husband went missing. “To see the inefficiency of the authorities, and then experience the advice, support, or guidance [the families] give you,” Cárdenas said. “It's such a different experience to be with them.” After a disappearance, most families go from government institution to government institution without finding any answers, impacting their job security or livelihood. Beyond sharing the pain of not knowing the whereabouts of a loved one, Durin explained that collectives of families offer mutual support, and are able to exert stronger pressure on authorities than a single person. “Definitely, they [collectives] will support you and you are going to be able to put pressure on the institutions to fulfill their duty of searching,” Durin added. "They can create search plans and agreements and obtain resources and security [for the searches].” Victims’ families primarily conduct two types of searches. One, where the search efforts are focused on finding their loved ones alive, involves roaming the streets, hospitals, prisons, and other such locations where someone under peril may find themselves. Although authorities must always act under the principle of presumption of life as mandated by the general law on disappearances, in practice authorities often suggest that the person might be dead, directing relatives to the Forensic Medical Service. This often revictimizes family members already contending with the trauma of losing a loved one in this manner. On the other hand, visits to the Forensic Medical Service have become increasingly important due to the country’s backlog of unidentified remains. "When the report is filed, the institutions immediately orient the search toward death,” explained Querales. “In other words, they talk about a field search, but in reality, it is already assumed that the person who disappeared has lost their life… the authorities themselves thus rule out the activation of immediate search protocols.” The other type of search involves hundreds of victims’ collectives combing through fields, hills, deserts, and vacant lots across the country to search for human remains, often in clandestine graves. According to local prosecutors, between 2006 and June 2023, 4,565 clandestine graves were identified, as reported by the Citizen Platform for Graves, a database created by Data Cívica and other organizations. At least 6,253 human bodies and 4,662 fragments were found during this period. Family members of the disappeared have learned about forensics to identify soil types, smells, and the proper care of human remains. They mobilize to obtain more detailed information for the missing person poster, and then circulate it to receive tips. They then start their own investigations, following the trail, and often putting their well-being at risk, to find any indication of clandestine burials. “They search in the mountains, or in other areas where they have information that there could be missing people,” explained Durin. “It’s difficult to understand for relatives of missing people, but it is important to find them, regardless of whether they are alive or not.” López, who focuses on both types of searches, emphasized the importance of sustaining searches under the presumption of life. While the official discourse often links disappearances to organized crime, the vast majority of cases suggest a complex web of factors, including militarization, corruption, impunity, and other forms of violence that disproportionately affect vulnerable populations. The search brigades that López carries out along with other families have found people who were reported as missing, incarcerated under a different name, or on the streets dealing with substance abuse. “We know that the searches of clandestine graves are there, and we cannot keep piling up so many remains and so many bodies. We know that there are many missing persons alive who want to be found, but nobody looks for them alive,” said López. “If we have seen that kind of search yields results, why not do it?” Information gap and Added Pressure on Families More than a year after her husband’s disappearance, Cárdenas still has no answers. At one point, authorities told her they had already identified two suspects but lacked enough evidence for an arrest. While balancing work and being a single parent to her now two-year-old daughter, Cárdenas also makes frequent efforts to review her case. Although the investigation is the duty of the prosecutors, families are often obliged to find the information on their own and deliver it to authorities in charge of the case. In most cases, if families do not provide the information, the authorities neglect the case. Being part of a collective helps, as there’s constant collective pressure to review the cases of all group members or pursue search actions. Additionally, authorities often warn families against making their case public, claiming it could jeopardize the investigation. However, in effect, this is likely to prevent any progress in the investigation. In fact, this tactic incites even more fear in families. Authorities also often suggest not publishing the search form or discussing the cases on social media or in the media. This is not in fact meant to aid the victim, but a method of subterfuge to downplay the growing numbers of disappearances. Although Cárdenas saw the poster she created immediately being shared on social media and in her group chats, she said that one of the challenges she encountered was social indifference. “The truth is, myself included, we don't really pay attention to other people's faces, you know? That's why I don't see much of a case for making a poster. In other words, people don’t take the time to observe the people around them,” Cárdenas said. While many families mobilize across Mexico and put up posters in public spaces, over 116,000 people remain missing. Querales explained that the collectives organize awareness brigades in different parts of the country, filling the streets or central plazas with missing person posters. However, the sheer number of posters can be overwhelming for people transiting through these public spaces. “Confronted with so many faces, how many people really stop to pay attention to those individualizing features?” Querales asked. “How are they to determine that perhaps that young boy in a street situation that they saw on the corner, or that person they crossed paths with on the metro, or someone who they ran into on any street, could be a face on a search poster?” Every day, new search posters are added to those already circulating in public and digital spaces as resistance against the state’s insistence on silence. The faces of Mexico’s disappeared are exposed over and over again in every place [that] families can access, defying government efforts to downplay the crisis. Families struggling in the wake of disappearances use the posters not only to mobilize the search, but also as daily reminders that their struggle will continue until all their loved ones are found. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Reportage Mexico Missing Person Disappearance Extortion Criminality Government Safety War on drugs Militarism Negligence General Law on the Forced Disappearances of Persons Forced Disappearance National Search Commission Political Will Search and Rescue Emergency Response Human Security Anthropology Social and Forensic Anthropology Research Group GIASF Missing Person Poster Social Media WhatsApp Facebook Community Collective Accessibility Vulnerable Populations Protection Data Civica Dirty War Political Dissidents Organized Crime Disappeared by individuals Nuevo Leon Search Commission Misinformation Missing Information Voz que Claman Justicia Memory Local search groups Center for Research and Higher Studies in Social Anthropology CIESAS Institutional Forgetfulness Citizen Platform for Graves Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

MUSICIAN-COMPOSER Max ZT MAX ZT is a Chicago native now based in Brooklyn who had his first encounter with the hammered dulcimer at the age of two. He has been lauded as the “Jimi Hendrix of dulcimer” by NPR , and performed with musicians like Ravi Shakar, Tinariwen, and Jimmy Cliff, among others. Max ZT and Moto Fukushima together form the Brooklyn-based power duo, House of Waters. The band has released two albums, with its debut album, Rising , reaching #2 on the iTunes World Music chart, and the second album hitting #4 on the iTunes Jazz chart. Its sophomore album, On Becoming (GroundUP Music, 2023), was recently nominated at the 66th GRAMMY Awards for Best Contemporary Instrumental Album. MUSICIAN-COMPOSER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE