In December 2020, four of our founding editors discussed the origins of the South Asian Avant-Garde, what drew so many of us from our varied backgrounds to the thematic core of the avant-garde from an internationalist, leftist perspective, and where we hoped to go in the future. INTERACTIVE FLUX · A Panel on SAAG, So Far In December 2020, four of our founding editors discussed the origins of the South Asian Avant-Garde, what drew so many of us from our varied backgrounds to the thematic core of the avant-garde from an internationalist, leftist perspective, and where we hoped to go in the future. Vol. 1 FIRST TAG AUTHOR AUTHOR AUTHOR Watch the event in full on IGTV. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the event in full on IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Tags Tags 23rd Oct 2010 Tags Tags Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. FLUX: An Evening in Dissent For our first virtual event, in December of 2020, the SAAG founding editors looked to what we had managed to establish thus far—as a project begun in the pandemic with a diverse collective—and what we hoped to accomplish in the future. Aishwarya Kumar moderated a panel with fellow editors Kartika Budhwar, Shreyas R Krishnan, and Nur Nasreen Ibrahim to discuss our early interview series as well as reporting, fiction, comics, zines, and the broader community-building efforts that motivated us and continue to. Jaishri Abichandani's Art Studio Tour Kshama Sawant & Nikil Saval: A panel on US left electoralism, COVID-19, recent victories, & lasting problems. Natasha Noorani's Live Performance of "Choro" Bhavik Lathia & Jaya Sundaresh: A panel on the US Left & its relationship with media in the wake of Bernie Sanders' loss. Tarfia Faizullah: Poetry Reading Rajiv Mohabir: Poetry Reading DJ Kiran: A Celebratory Set More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

"Our priority is to meet the needs of people on this planet. Not just workers. Not workers at all." A multimedia short using video archival footage, this faux-advertisement is equal parts a history of advertising & the legacy of fossil fuel companies’ manipulation and a disturbing, singular dystopia from one aesthete's point of view. BOOKS & ARTS It's Only Human AUTHOR "Our priority is to meet the needs of people on this planet. Not just workers. Not workers at all." A multimedia short using video archival footage, this faux-advertisement is equal parts a history of advertising & the legacy of fossil fuel companies’ manipulation and a disturbing, singular dystopia from one aesthete's point of view. Like having the imagination to envision oblivion. And make it reality. Special Thanks to: Varshini Prakash Narration by: Jessica Flemming EDITOR'S NOTE: This multimedia piece, by graphic designer and artist Furqan Jawed, is the result of a collaborative effort, initially conceptualized as a story about the history of advertising & fossil fuel companies’ manipulation of the public across the world. It took place over a number of months, supplemented by reminiscences and stream-of-consciousness ideas by Varshini Prakash, co-founder and Executive Director of the Sunrise Movement, as well as exchange with editors Vishakha Darbha & Kamil Ahsan. Furqan plumbed the archives of advertising across a number of decades in India and the United States. The product was, at the time, an unanticipated, serendipitous, and surprising product of an inquisitive but seemingly-directionless collaboration. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Video Still by Furqan Jawed SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Tags Tags Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Tags Tags 23rd Oct 2010 Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. On That Note: Heading 5 23rd OCT Heading 5 23rd Oct Heading 5 23rd Oct

The Aahvaan Project was founded in 2016 based on the nirgun philosophy of love and the works of sufi saints such as kabir, lal ded and lalon fakir. A folk and storytelling collective, founded by Vedi Sinha in 2016, their music is avowedly political and inclusive. INTERACTIVE The Aahvaan Project · Performance The Aahvaan Project was founded in 2016 based on the nirgun philosophy of love and the works of sufi saints such as kabir, lal ded and lalon fakir. A folk and storytelling collective, founded by Vedi Sinha in 2016, their music is avowedly political and inclusive. Vedi Sinha The Aahvaan Project was founded by Vedi Sinha in 2016 as a collective “ journey and an experience, an attempt to understand Nirgun—the mystic idea of love spoken about in various time periods by philosophers through the lived experience of saints and sufis. ” They perform across communities, educational institutions, and art spaces. For our event In Grief, In Solidarity in 2021, Vedi Sinha, who founded the folk music & storytelling collective and does not often perform alone, joined us for a beautiful performance of new songs. The Aahvaan Project was founded by Vedi Sinha in 2016 as a collective “ journey and an experience, an attempt to understand Nirgun—the mystic idea of love spoken about in various time periods by philosophers through the lived experience of saints and sufis. ” They perform across communities, educational institutions, and art spaces. For our event In Grief, In Solidarity in 2021, Vedi Sinha, who founded the folk music & storytelling collective and does not often perform alone, joined us for a beautiful performance of new songs. SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making Follow our YouTube channel for updates from past or future events. SHARE Facebook Twitter LinkedIn Live Delhi Music Performance Folk Storytelling Narratives Nirgun Sufism Sufi Saints Kabir Lal Ded Lalon Fakir Community Building Contemporary Music Love Prahlad Tipaniya Compassion Pyaar National Institute of Design Ahmedabad Folk Music Rajasthan Kabir Yatra In Grief In Solidarity VEDI SINHA is a musician and performer based in Delhi. She founded The Aahvaan Project in 2016. 5 Jun 2021 Live Delhi 5th Jun 2021 A Set by Discostan Arshia Fatima Haq · Prithi Khalique 5th Jun Natasha Noorani's Retro Aesthetic Natasha Noorani 5th Jun India's Vector Capitalism Model Anumeha Yadav 5th Jun Kashmiri ProgRock and Experimentation as Privilege Zeeshaan Nabi 21st Dec FLUX · Natasha Noorani Unplugged: "Choro" Natasha Noorani 5th Dec On That Note:

WRITER Ben Jacob BEN JACOB is a writer and historian whose work looks at the relationship between colonialism, labour and the environment. Based in London, he is an academic adviser at the Ameena Gafoor Institute for Indentureship Studies. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

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ACADEMIC Fawzia Afzal-Khan FAWZIA AFZAL-KHAN is Professor of English and former Director of the Women and Gender Studies Program at Montclair State University. Dr. Afzal-Khan received her BA from Kinnaird College for Women, Lahore, Pakistan, and her MA and PhD in English Literature from Tufts University. Holding the title of University Distinguished Professor, she has received numerous accolades for her work, which include three monographs, two edited volumes, and extensive public intellectual writing, contributing to numerous conversations in postcolonal studies, feminism, and political Islam. Trained as a literary critic but also a performer, a trained vocalist in the north Indian classical tradition, actress, playwright, and critic. She is engaged in Pakistani theater and performance, in musical worlds, and performance studies in the Western academy. ACADEMIC WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

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 / باریک الگ Jayeeta Chatterjee and Chemould CoLab Dreaming With Open Eyes (2023) Woodcut Print and Nakshi Kantha Stitch on Saris مادری زبانیں SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Tags Tags Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 23rd Oct 2010 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

FOUNDER, BOARD CHAIR Kamil Ahsan KAMIL AHSAN is an environmental historian at Yale, a Franke Fellow in Science and the Humanities, and the founder of SAAG. He is an essayist and critic currently based in New Haven, Lahore, and New York. FOUNDER, BOARD CHAIR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

The Awami League’s think tank, the Center for Research Information, had a “flagship publication”: WhiteBoard magazine. Projecting a modern, Anglophone, elite identity, WhiteBoard was part of a small media ecosystem that helped to whitewash a despotic power, with youthful figures deploying their credentials in international academic and publishing circles. What to make of WhiteBoard’s advisory board members who distance themselves from the Awami League now? The Awami League’s think tank, the Center for Research Information, had a “flagship publication”: WhiteBoard magazine. Projecting a modern, Anglophone, elite identity, WhiteBoard was part of a small media ecosystem that helped to whitewash a despotic power, with youthful figures deploying their credentials in international academic and publishing circles. What to make of WhiteBoard’s advisory board members who distance themselves from the Awami League now? Kamil Ahsan, Untitled (2024). Digital collage. Artist · THE VERTICAL REPORTAGE · LOCATION The WhiteBoard Board LOCATION AUTHOR . AUTHOR . AUTHOR . 20 Oct 2024 th . Letter from our columnist . It’s been three weeks since the mass uprising in Bangladesh ousted the Awami League regime of Sheikh Hasina, and I remain glued to social media. Morning, noon, and night. One morning, eyes barely open, I wake up to several Facebook posts up in arms over an article in the Dhaka newspaper Bonik Barta, titled “CRI and WhiteBoard: Radwan Mujib Siddiq Bobby and his advisory board.” I see a screenshot from Bonik Barta with the faces of ten people. I recognize five. A few of them I have called my friends in the past, although distance crept in during the final years of the Hasina regime. Two have now shared Facebook posts denying they were ever a part of the advisory board of the Center for Research and Information (CRI). They say they had only been members of the editorial advisory board for CRI’s magazine, WhiteBoard, and had no association with CRI. Radwan Mujib Siddiq is the Editor-in-Chief of WhiteBoard and a trustee of CRI. He happens to be Sheikh Hasina’s nephew, the son of Sheikh Rehana, sometimes mentioned as Hasina’s successor. The CRI was the Awami League ’s think tank, the creator of projects such as the Sheikh Mujib comic book series, a volume of quotations from Sheikh Mujib , and, of course, WhiteBoard magazine. Earlier this year, the CRI came under scrutiny when news reports published some alarming information about the organization's activities. Meta had just published, in its Adversarial Threat Report for the first quarter of 2024, a section on Bangladesh that mentioned they had removed 50 Facebook accounts and 98 pages related to the Awami League (AL) and the CRI for “violating our policy against coordinated inauthentic behavior”: specifically the use of fake pages masquerading as real news outlets that spread pro-government propaganda. I am not surprised by the board members’ objections and disavowals. We are prone to compiling lists of “traitors” to be shunned and there’s a whiff of guilt by association. But the defensive explanations hardly seem adequate either. The websites for the CRI and WhiteBoard are no longer available. Thanks to the Wayback Machine, I’m able to read archived articles. I find some old press coverage of their activities from Netra News . It’s plainly stated that the CRI was considered the “research wing” of the AL, and WhiteBoard proudly declared itself as the CRI’s “flagship publication.” From the names of the editorial advisory board and other contributors, it’s clear they tried to rope in academic and civil society personalities. They also claim that WhiteBoard was “the first policy magazine in Bangladesh.” I doubt that. The AL has long tended to deny achievements in Bangladesh’s history not directly spearheaded by them. I read some of WhiteBoard ’'s old articles. They generally avoided issues of power and politics. I find two notable exceptions, however, that sing the glories of BaKSAL , the Bangladesh Krishak Sramik Awami League, the “one” party spearheaded by Sheikh Mujib when he established a one-party state in 1974, banning all opposition, and silencing all but four newspapers . One of the articles by Syed Badrul Ahsan, a well-known apologist for the AL, contains this delightful sentence: “When BaKSAL came in, the government approved four newspapers, two Bengali and two English. It would be simplistic to suggest that this was a measure to curb dissent. No, I would say it was a measure to bring about discipline in journalism.” Remember that the next time someone bans freedom of expression. It’s not meant to silence speech. Just to bring about some discipline . Of course, BaKSAL has long had a sordid reputation in Bangladesh, but during its latest rule, the AL—in creating the second edition of its authoritarian rule—was eager to rehabilitate its legacy, and WhiteBoard was eager to join in. Indeed, during the last fifteen years, the Awami League became well-known for crude remarks from its ministers and party leaders and the thuggery of its student and youth wings in the media. This was often embarrassing to the more suave apologists of the regime. I get the impression that WhiteBoard was aimed at projecting a smart, youthful, modern, and Westernized look for the AL regime. It was published in English. The board’s membership, dominated by people from the English-fluent posh neighborhoods of Dhaka, seemed geared towards gathering goodwill from the West and courting a younger elite within Bangladesh. The board includes figures involved in the corporate and tech sectors, private universities, the biggest NGO in the country, and the English-oriented literary and publishing spheres. The CRI was only one arm of the regime’s soft power projection. It also used other platforms managed by WhiteBoard advisors. The board member Kazi Anis Ahmed wears multiple hats, diverting “thousands of dollars…into a years-long covert lobbying effort in Washington DC” on behalf of AL, according to a recent report, which details Ahmed’s shadowy dealings with groups that lobbied for Tulsi Gabbard and conservative think tanks. Ahmed directs a family corporate group, publishes the Dhaka Tribune and Bangla Tribune newspapers, heads up a major private university, and runs the Dhaka Litfest . Through the festival, he cultivated connections in global literary and media circles that helped create goodwill towards the Hasina regime. He also penned op-eds locally and in the foreign press defending stolen elections. Unlike the Awami League’s central command, which claims that there was no rigging, Ahmed’s editorials took a different line—one for a “sophisticated” global audience. One example : “While their elections have been heavily questioned for their credibility, election interference is hardly unique to the Awami League.” He hammered home the regime’s appeal to India and the West–Hasina was the last line of defense against an Islamist takeover of Bangladesh. Some on the editorial advisory board are known AL supporters; others don’t have such clear affiliations. The upper class in Bangladesh is entangled in multiple webs of family and social ties. Some on the board joined because of such social connections, others perhaps because after a decade of entrenched power, the idea was simply: “the Awami League regime is the only game going, and if I want to get access to realize my policy ideas, how else do I get that?” Yet others signed up to get their photos and names in a slick-looking publication with clout. But when you put it all together, you can’t avoid the conclusion that no matter why each person joined—their intentions really don’t matter—they became part of a machine to promote the Hasina regime and bolster her cult of personality, as well as that of her father. After all, this was a regime that passed legislation outlawing any criticism of Mujib. The CRI and WhiteBoard helped provide an intellectual veneer to the Awami League’s rule. They deployed resources to boost Mujib and Hasina’s “thought” in recent years. WhiteBoard articles continually hammered in the theme of “development through political stability,” but they kept silent about the other side of the coin: the regime’s terror-fascistic methods of ruling, the disappearances, torture, extra-judicial executions, secret jails, and censorship. And in perfect nepotistic tradition, the CRI and the WhiteBoard ’s leadership teams included four members of the first family. The Awami League rigged three elections and dreamed of ruling forever. They truly believed that, by birthright, as the party that led the movement for independence, they had the sole right to rule. A regime like Hasina's rested on many legs. You cannot build an authoritarian regime with bullets, digital surveillance, security forces, and goondafied youth alone. You need compliant media and other ways to build up soft power. Whenever protests emerged on the streets, the youth squads were sent out to pummel and even shoot protesters. These squads wearing motorcycle helmets became popularly known as the Helmet League. Those intellectuals who supported or justified the AL’s power might claim that their role was different. But then, I recall a distasteful conversation in 2008 with a university professor in Dhaka lecturing me on the importance of a party having peshi shakti, muscle power. For many intellectuals, the lure of closeness to power and the rewards were seductive. And even for those journalists, NGO wallahs, and academics who wanted to preserve some independence but avoid marginalization, it wasn’t easy. I bet each editor, professor, reporter, talk show host, or NGO director who agreed to join the conveyor belts of the ruling power has a story to tell. Most won’t. But might some? Like those who wrote the Facebook posts claiming distance from the CRI and WhiteBoard ? Bring out the details, I say. At a time when much is being revealed about how this regime functioned, I wish some would be brave enough to spell out how the daily cultural and academic life worked under the now-departed regime. It would be far more enlightening than weak justifications about why we only did this much and not more. Open air, too, can be a robust disinfectant. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. 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Opinion Dhaka Bangladesh Awami League WhiteBoard CRI Sheikh Hasina Bonik Bharta Center for Research and Information Association Complicity Radwan Mujib Siddiq Sheikh Mujibur Rahman Student Protests Fascism Police Action Police Brutality Mass Protests Torture Enforced Disappearances Extrajudicial Killings Despotism Clientelism Chhatra League Dissent Bengali Nationalism Adversarial Threat Report Think Tank Meta Flagship Publication State & Media Bangladesh Krishak Sramik Awami League BaKSAL Media Crackdown Newspapers Board of Directors Free Speech Censorship One-Party State Authoritarianism Postcolonialism Postcolonial State 1971 Liberation of Bangladesh State Modernization Narratives Corporate Power Corporate Media Kazi Anis Ahmed Bengali Dhaka Tribune Bangla Tribune Dhaka Litfest Bonik Barta Netra News Modernization Islamism Cult of Personality Dynastic Politics Career Politicians Cosmopolitanism Electioneering Rigging Elections Secret Prisons Surveillance Nepotism NGOs Literary Activism Literary Spheres Publishing Literary Complicity NY Times Peshi Shakti Youth Squads Movements The Guise of Democracy BSF Surveillance Regimes Quota Movement Student-People's Uprising July Revolution Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Rahul Tiwari RAHUL TIWARI grew up in Bhadwar, a small Bhojpuri speaking village in Bihar. Rahul received an MFA from Banaras Hindu University in 2018. Strongly informed by his place of origin, his work examines regional ecologies and folklore as they pertain to both societal and environmental wellbeing, justice, and change. WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

SENIOR EDITOR Shubhanga Pandey Shubhanga Pandey is a historian at University of California, Los Angeles and formerly the Chief Editor of Himal Southasian . His work has appeared in The Caravan , London Review of Books , and Jacobin , among others. He is based in Los Angeles and Kathmandu. SENIOR EDITOR WEBSITE INSTAGRAM TWITTER SAAG’s 2024 In Reading Dec 25, 2024 The Editors Urgent Dispatch from Dhaka I Jul 20, 2024 Shahidul Alam Chokepoint Manipur Oct 3, 2023 Makepeace Sitlhou Photo Kathmandu & Public History in Nepal Nov 25, 2020 NayanTara Gurung Kakshapati The Ghettoization of Dalit Journalists Sep 14, 2020 Sudipto Mondal LOAD MORE

“I think of works like Shona N. Jackson's Creole Indigeneity, and fleshing out the narrative of brown movement. And, importantly, doing it in a way that decenters the United States, because, with indentureship we're talking about the movement from South Asia largely to the Caribbean.” COMMUNITY Romantic Literature and Colonialism “I think of works like Shona N. Jackson's Creole Indigeneity, and fleshing out the narrative of brown movement. And, importantly, doing it in a way that decenters the United States, because, with indentureship we're talking about the movement from South Asia largely to the Caribbean.” Vol. 1 FIRST TAG AUTHOR AUTHOR AUTHOR Watch the interview on YouTube or IGTV. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Tags Tags 23rd Oct 2010 Tags Tags Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. I couldn't imagine devoting any more time to Keats and Wordsworth and Shelley and Byron. So I turned to Brown Romantics where I looked at how Romantic ideas, philosophies, politics, and techniques were mobilized ends towards nationalist ends by 19th century writers in India, Australia and British Guyana. RECOMMENDED: Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century (Bucknell University Press, 2017), by Manu Samriti Chander. More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5