Solidarity failed when it came to a dire Afghan refugee crisis, decades in the making. | · THE VERTICAL Op-Ed · Afghanistan Everyone Failed Us Solidarity failed when it came to a dire Afghan refugee crisis, decades in the making. Photograph courtesy of Arash Azizzada (November 2019). “A group of women leaders are badly in danger and one of them is my mom. I really searching for a person who can help us. They attack our home at first…. I hope you can help us. Every one of us really get depressed, please help us to get out of here.” THE BARRAGE of messages I receive, like the one above from western Afghanistan on almost a daily basis has not stopped, even a year later. Desperate daily emails from Afghans seeking refuge and safety flood our inboxes. Some are social activists, human rights defenders, former interpreters, and women leaders at risk of retribution from the Taliban. Other marginalized groups such as Hazaras and Shias have already been victims of ethnic cleansing by the Taliban and remain targets of ISIS attacks. Women activists have been disappeared by the Taliban authorities. Afghans seeking evacuation hold onto hope in what seems to be a hopeless situation. No longer expecting the international community to come to their rescue, for governments and institutions to do what they’re supposed to do, they rely on community organizers like myself and others. For two decades, America bragged about what it was building in Afghanistan. Last summer, the “Afghanistan project” was exposed for the facade that it was: a hollow rentier-state that only held ever legitimacy with Western donors and not with the Afghan people. Despite obvious bubbles of progress where hope flourished amidst the violence, the impending threat of a drone strike or Taliban suicide blast was always around the corner. Some rural areas were battered and mired in misery due to violence and poverty; others flourished, led by Afghan women and marginalized communities. The only constant was never-ending conflict. It seems as if the U.S. built a house of cards in Afghanistan, created in its own image, a house that started falling when the chains of dependency were challenged. The alliance with human rights abusers, the elevation of notorious pedophiles, and funding of endemic corruption brought back to power an oppressive, authoritarian regime that is erasing women, marginalized ethnic groups, and the disabled from public and daily life. The U.S. ran prisons where innocent Afghans were tortured. Entire villages were wiped off the map, and this was excused away as collateral damage. The U.S. spent years telling Afghans to pursue their dreams, break barriers, and challenge cultural norms. Then, it turned its back on them and betrayed them. Perhaps those of us who dreamt of a better Afghanistan were at fault for having expectations of a country whose very existence was kickstarted by genocide, a country where American presidents attempt brazen coups and its own citizens storm its political headquarters. The grim reality that we bore witness to these past few months is one that anyone who has paid attention to Afghanistan could have seen coming. There is even a U.S. agency–the Special Inspector General for Afghanistan Reconstruction (SIGAR)--which is dedicated to overseeing how reconstruction money was used in Afghanistan. In report after report, year after year, quarter after quarter, SIGAR wrote about the ghosts that the U.S. created–schools and hospitals that didn’t exist and a 300,000-man army that only functioned on paper. The Washington Post even devoted a series titled “The Afghanistan Papers, ” to showcase how policymakers and Pentagon officials had lied and deceived the American people about its success and accomplishments for 20 successive years. Nobody cared. The failure to value Afghan lives, however, lies not just with policymakers and elected officials. Certainly, the list of those responsible for the current situation in Afghanistan is long, ranging from Afghan elites to American elected officials from both parties going back four decades. Administration after administration has deprioritized Afghan lives and centered the needs of American hegemony. Congress held hearings on Afghanistan and yet rarely featured any Afghans. Policy discussions on Afghanistan in Washington D.C. at influential think tanks left out Afghans entirely. Afghans were left invisible in an occupation that lasted so long that it became not the “forever war” but rather the “forgotten war.” Afghanistan had disappeared from the psyche of the American people. Even when SIGAR released a report on rampant corruption that was wasting billions or when the Washington Post talked about lie after lie coming from the Pentagon, America just didn’t seem to care. The right-wing was too busy destroying democracy, the Democratic party was too busy fundraising from defense contractors, and the anti-war Left was too white to put Afghans and other impacted communities at the forefront. In our own Afghan American community, too many in our diaspora were profiting off the occupation. Their kids will go to prestigious American colleges, while Afghan girls will not be able to go to school at all and are robbed of a future. An international audience did finally pay attention to us last summer. American media, though, centered on the feelings of almost a million veterans who served in Afghanistan rather than asking Afghans how a withdrawal would impact them. The images of Afghans clinging onto the bottom of a military cargo plane had the world hooked. What does it say about our humanity that it took those tragic images for everyone to ask what we can do to help? For just a few days, people across the globe valued Afghan life. But moments like that are fleeting–Afghan history is littered with broken promises. Some of us have read enough history to know that the international community will not learn the lessons of its failure in Afghanistan and begin centering on the needs of the Afghan people. The Taliban spends every day perfecting its repression while the world has moved on, despite empty tweets and statements of solidarity. Today, as a year has passed since the chaotic withdrawal, wide-ranging sanctions on Afghanistan and theft of Afghan assets by the U.S. continue to inflict immense pain on innocent Afghan people, causing a humanitarian crisis that will likely lead to mass-scale death through malnutrition and starvation, a policy that disproportionately impacts Afghan girls and women. The United States’ attitude remains the same: focusing only on self-interest, even if it harms Afghans, except now it is done through economic warfare rather than through bombs built by defense contractor companies like Lockheed Martin and Raytheon. Afghans deserve justice and reparations for the harm America has caused in my home country. Despite that vision for the future, what America leaves behind are closed immigration pathways and a desire to pretend Afghans don’t exist in the first place. Perhaps if a few more Afghans clung onto a plane leaving the Kabul airport, someone would care. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Op-Ed Afghanistan Refugee Crisis US Imperialism The Failure of the Diaspora Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 24th Feb 2023 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

A panel on dominant narratives about Kashmir: the longue durée of Kashmiri struggle, the continued movement-building between Kashmir & Palestine, the People's Alliance for Gupkar, and what the repeal of Article 370 really entailed. | · COMMUNITY Panel · Kashmir Discourses on Kashmir A panel on dominant narratives about Kashmir: the longue durée of Kashmiri struggle, the continued movement-building between Kashmir & Palestine, the People's Alliance for Gupkar, and what the repeal of Article 370 really entailed. Watch the panel on YouTube or IGTV. Just over a year after the repeal of Article 370 from India's constitution, pro-India Kashmiri political parties called for an alliance. What did it all mean? In our second panel from October 2020, Kashmiri activist-scholars Ather Zia & Huma Dar, and journalist Hilal Mir, discuss the predominant discourses of Kashmir that pervade public and international narratives with Editor Kamil Ahsan. The wide-ranging discussion discusses Indian-occupied-Kashmir, India as a settler-colonial state, journalism & how the Azadi Movement and the repeal of Article 370 are depicted, and the many self-serving narratives that don’t take Kashmiri realities into account. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Panel Kashmir Intellectual History Settler-Colonialism Longue-Duree of Kashmiri Struggle Movement Organization Revolution Colonialism Burhan Wani People's Alliance for Gupkar Subaltern Studies Palestine Affect Internationalist Solidarity Media Blackout Radicalization Narratives Bollywood Occupation Genocide Pogroms Erasure Mass Protests War Crimes Movement Strategy Emancipatory Politics Humanitarian Crisis Activist Media International Law Hindutva Military Crackdown Military Operations Kashmiri Struggle Discourses of War Nationalism Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 24th Oct 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

MUSIC LABEL Symbolic Records SYMBOLIC RECORDS is the first hip-hop music label in the Maldives. MUSIC LABEL WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Mimi Mondal in conversation with Associate Editor Nur Nasreen Ibrahim. COMMUNITY Dalit Legacies in Mythology, Sci-Fi & Fantasy Mimi Mondal Mimi Mondal in conversation with Associate Editor Nur Nasreen Ibrahim. How are some gods' stories mythology and some folklore? It depends on how much political power they hold. RECOMMENDED: His Footsteps, Through Darkness and Light , a Nebula Award-shortlisted novelette by Mimi Mondal. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Speculative Fiction Dalit Histories Mythology Genre Tropes Octavia Butler Samit Basu Hugo Award Nebula Award Satyajit Ray Rabindranath Tagore Jazz in India English MIMI MONDAL is a Hugo and Nebula Award-nominated author of science fiction and fantasy. Her novelette His Footsteps, Through Darkness and Light was shortlisted for the Nebula Award in 2020. Her first book, Luminescent Threads: Connections to Octavia E. Butler , co-edited with Alexandra Pierce, received the Locus Award in Non-fiction and was shortlisted for the Hugo Award in Best Related Work and the British Fantasy Award in Non-fiction, among others. She is the recipient of the Immigrant Artist Fellowship from the New York Foundation for the Arts in 2017, the Octavia E. Butler Scholarship for the Clarion West Writing Workshop in 2015, a Commonwealth Shared Scholarship at University of Stirling in 2013, and the Poetry with Prakriti Prize in 2010. She has written both sci-fi and fantasy, as well as columns about being a Dalit woman, Indian fantasy genres, the #MeToo movement in India, and more. Interview Speculative Fiction 1st Oct 2020 On That Note: Nation-State Constraints on Identity & Intimacy 17th DEC Origins of Modernism & the Avant-Garde in India 4th OCT The Pre-Partition Indian Avant-Garde 25th AUG

WRITER Shahidul Alam SHAHIDUL ALAM is a Bangladeshi photographer, writer and social activist. He co-founded the photo agencies Drik and Majority World . He founded Pathshala , a photography school in Dhaka, and Chobi Mela , Asia’s first photo festival. He is the author of Nature's Fury (2007) and My Journey as a Witness (2011). His work has been featured and exhibited in MOMA , Centre Pompidou , Tate Modern , Tehran Museum of Contemporary Art , the Royal Albert Hall , among others. He was one of TIME Magazine's person's of the year in 2018. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

These reflections do not aim to present a neat list of 2024’s "best" books or "essential reads." Instead, they are fragments of what stayed with us: works that lingered and called us back. BOOKS & ARTS SAAG’s 2024 In Reading These reflections do not aim to present a neat list of 2024’s "best" books or "essential reads." Instead, they are fragments of what stayed with us: works that lingered and called us back. VOL. 2 FROM THE EDITORS AUTHOR AUTHOR AUTHOR Digital Illustration by Iman Iftikhar. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Digital Illustration by Iman Iftikhar. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ From the Editors 2024 in Reading 25th Dec 2024 From the Editors 2024 in Reading Fiction Chain-Gang All Stars Poor Artists Write Like a Man Yellowface Scripts of Power Aster of Ceremonies Wolfsong The Melancholy of Resistance Border & Rule Nana Kwame Adjei-Brenyah Ten Days of The Strike Rita Bullwinkel Ernest Cole Lawrence Abu Hamdan The Singularity Fady Joudah Behind You Is the Sea When the Tiger Came Down the Mountain Sex with a Brain Injury Arts Presently Poetry Literature & Liberation The White Pube Hybrid Multimodal Prachi Deshpande Ronnie Grinberg Dorothea Lasky R.F. Kuang Taymour Soomro Deepa Anappara Frances Canon Priya Hein Christine Kitano Franz Kafka Carvell Wallace Kenzie Allen Alysia Li Ying Sawchyn Dwight Turner JJJJJerome Ellis Craft Ali Hazelwood Adania Shibli Kaliane Bradley Xin Wen Laura Robson László Krasznahorkai Harsha Walia Sanya Rushdi Bengali Literature Tamil Literature Nepalese Literature Malayali Literature Sandipan Chattopadhyay Appadurai Muttulingam V.V. Ganeshanathan Shripad Sinnakaar Han Kang Mark Sealy Luvuyo Nyawose Susan Muaddi Darraj Sahar Romani Chapbook Ross Gay Matthew Desmond Emily Nagoski Annie Liontas bell hooks Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Reading in 2024 often felt like fumbling for grounding amidst relentless upheaval. At times, it offered escape and solace. At others, it demanded grappling, interrogation, and a necessary confrontation. Whether through poetry, history, fiction, or essays, our reading this year insisted on engagement: on seeing, feeling, and remembering to live, even when it felt unbearable. These reflections do not aim to present a neat list of 2024’s "best" books or "essential reads." Instead, they are fragments of what stayed with us: works that lingered and called us back. Our favorites include a novel set in Baltimore tracing the lives of the Palestinian diaspora, texts that provide much needed clarity on revolutionary politics, a quiet yet searing study of sound and space, some comfort reads, and much more. These books held mirrors to the year and world we lived through, compelling us to look even closer when we could not look away. Here, in the voices of those who read and felt with these works, we share not only our most loved reads of the year but the struggles they opened up for us, allowing us to see anew. #1 I have an enduring love for novels that are political yet rise above preachiness or self-absorption to deliver an actual narrative. This year, I needed something visceral to help process the anger I carried: at the personally testing situations I faced over the past year, at myself, at politics everywhere, and at the state of the world we inhabit. My mind feels oversaturated by the relentless stream of online clickbaity content, which so often tells you how to feel rather than inviting you to actually think. My two favourite novels from my year in reading are Chain-Gang All Stars by Nana Kwame Adjei-Brenyah and Headshot by Rita Bullwinkel . Fiction, though it might seem an escape from reality on the surface, teaches imagination and heart like nothing else. Reading about people in combat—be it dystopian televised death matches among the incarcerated or teenage girl boxers—transported me this year to worlds where I could quietly take stock of do-or-die battles: from the expansive and deadly to the taut and fleeting. — Zoya Rehman, Associate Editor #2 Although I had a thinner reading year in general, I waited quite excitedly for the release of Poor Artists , a hybrid work of fiction and non-fiction by art writing duo The White Pube (Zarina Muhammad and Gabrielle de la Puente). It follows a young brown artist in the UK named Quest Talukdar and includes anonymous material from real art world figures. The book is so refreshing, lucid, and plainly radical. As a young person working in the arts in the UK right now, it simultaneously felt crazy and comforting to imagine other ways of being creative under capitalism, with mutual care at the forefront. In short: I am so glad this book exists in published form. — Vamika Sinha, Senior Editor #3 How many ways are there to write histories of a language, or more specifically, histories of a script? In Scripts of Power: Writing, Language Practices, and Cultural History in Western India , Prachi Deshpande outlines at least two methods, weaving a fascinating history of Modi writing, a cursive Marathi script that has, since the early 20th century, fallen into disuse. There’s a cherished dogma among some South Asians who see the subcontinental patchwork of regional linguistic blocs as somehow more organic an entity than the bloc of nation-states that we have today. The book makes one wonder how true that is. My second pick, Thomas S. Mullaney’s book on the Chinese computer , is a direct descendent of his earlier work on the Chinese typewriter (which carries one my favorite acknowledgments of any academic monographs; it begins: “What is your problem?”). This one asks how different generations of engineers, enthusiasts, eccentrics, and entrepreneurs tried to solve the fundamental problem of computing in Chinese: how does one input a language with no alphabet into a digital computer? Lastly, I chose Write like a Man: Jewish Masculinity and the New York Intellectuals by Ronnie Grinberg , partly because it is about a bunch of people who read, wrote for, and edited longform, literary-political magazines based out of New York (much like SAAG), and were interested in engaging with the world through argument. And partly because I have a weakness for anything having to do with the midcentury, Partisan Review-Commentary-Encounter crowd. Grinberg’s book, thankfully, is a refreshing departure from the exhausted genre that is the lament for the decline of (often New York-based) public intellectuals. — Shubhanga Pandey, Senior Editor #4 This year, every book I read felt like a knock-out including: Animal by Dorothea Lasky , Yellowface by R.F. Kuang , Letters to a Writer of Color edited by Deepa Anappara and Taymour Soomro , Fling Diction by Frances Canon , Riambel by Priya Hein , Dumb Luck and Other Poems by Christine Kitano , Letter to the Father by Franz Kafka , Another Word for Love by Carvell Wallace , Cloud Missives by Kenzie Allen , A Fish Growing Lungs by Alysia Li Ying Sawchyn , and The Psychology of Supremacy by Dwight Turner , among many others. Each book I read challenged and changed my approach to creative writing craft, human psychology, how we process social trauma, and what we can learn from community, as well as demanding systemic change. One poetry collection that showed me how form could explode on the page, and how polyvocality and the acknowledgement of our ancestors could be conveyed, was JJJJJerome Ellis’s Aster of Ceremonies . The collection plays with the idea of “Master of Ceremonies” as someone who both entertains and has authority over the stage. With his stutter, Ellis has difficulty pronouncing “master” (which then becomes “aster” in his work). Throughout the collection, Ellis interrogates the notion of master, both as the figurehead who controls the lives of others, often under authoritarian or tyrannical rule, and as a symbol of accomplishment and the mastery of craft. — Rita Banerjee, Fiction Editor #5 2024 has been a difficult reading year for me because of the state of the world. I often relied on comfort reads, including contemporary romances and "romantasies," but even within these genres, I encountered books that were surprising, thoughtful, and heartbreaking. A series I became hooked on was Wolfsong by TJ Klune (Green Creek, #1), which was both difficult and troubling to read (many trigger warnings), yet its writing wore its heart on its sleeve—it was raw, unabashed, and unrestrained. That's why I appreciate love stories—they give the reader permission to feel all the uncomfortable, awkward, dramatic, and unrestrained emotions. Ali Hazelwood was my favorite go-to read in contemporary romances. Another kind of comfort came from revisiting decades-old books. I read older Kazuo Ishiguro books and re-read Elena Ferrante's Neapolitan Quartet , drawn by their effortless, soothing prose, even when the novels explored difficult situations. Two books stood out to me this year. First, Minor Detail by Adania Shibli . The novel begins in 1949, through the perspective of an Israeli soldier. As the story unfolds, small, seemingly "minor" details catch his eye, details that take on deeper meaning as the novel shifts to the perspective of a Palestinian woman in the present day. The sense of dread builds slowly but relentlessly. It is a difficult read; many trigger warnings for rape, violence, and sexual assault. I also loved The Ministry of Time by Kaliane Bradley . This year, while leaning into lighthearted romances for a mental health break, this novel struck the perfect balance—lighthearted in moments, but deeply moving and beautifully written. The story follows a bureaucrat hired to work in a study and keep an eye on an "expat" that the government has brought from history: Graham Gore, who originally died on a doomed Arctic expedition in the 1800s. The novel broke my heart, transformed me, made me laugh, and gasp. I could not put it down. — Nur Nasreen Ibrahim, Senior Editor #6 2024 wasn’t a year for pleasure reading; it was a year for intentional reading. Scrambling to decide what to read, compounded by the weight of world events, brought into focus all the things I knew I didn’t know. This year, I actively sought out new sources of information, embracing a practical and necessary discomfort. That commitment began with the search for knowledge about a region my research focuses on: Central Asia. I happened upon one of the best reads of the year, The King’s Road: Diplomacy and the Remaking of the Silk Road by Xin Wen . This 300-page deep dive into the history and culture of the Silk Road examines ancient trade and cultural exchanges during a distinctive age of exploration. Wen argues that diplomacy–unlike how we see or use it today–was central to fostering dialogue, trade, and mutual respect, all while navigating conflict without resorting to war. If you love history, travel, economics, or international relations, this one's for you. The idea of traversing conflict without resorting to war was also the focus of a graduate course I completed just two days ago. Another favorite read of the year, spurred by our course discussions, was Human Capital: A History of Putting Refugees to Work by Laura Robson . I kept returning to this book all throughout term; every time I opened it, there was a new thread to follow. In this 250-page work, Robson examines how capital is often prioritised over human dignity, showing how economic forces undermine individual security and lead to physical, emotional, and psychological dislocation. And what kind of reading year would it be without a novel? In The Melancholy of Resistance by László Krasznahorkai , I was confronted with despair, power, and the fragility of society. This atmospheric novel taught me how to confront the eerie wonders of the world while living under the looming shadow of societal collapse. — Nazish Chunara, Associate Editor #7 I loved Border and Rule by Harsha Walia . With microscopic clarity, and a postcolonial lens, Walia’s book is an indictment of the smoke-and-mirrors narratives used by states to obfuscate the horrible realities of displacement, forced migration, and statelessness. These realities, Walia argues, are hardwired into today’s capitalist and insidiously racist border control systems of Western capitals. The book further demonstrates how these practices, benefiting a few while exploiting those on the move, are being deployed by Middle Powers in the so-called Global South—such as the UAE, India, and Brazil—against the backdrop of rising populism and the widening gulf between rich and poor. — Mushfiq Mohamed, Senior Editor #8 As South Asians, we are all acutely familiar with the India-Pakistan hegemony on the intellectual discourse in the region (language, caste, class, ethnicity, and gender, of course, further complicate who from within these regions gets to speak, if at all). Particularly, as a Pakistani woman, rarely have I had an opportunity to concertedly engage with literature by Bengali, Nepalese, Tamil, or Malayali (to name a few) writers from beyond the Hindu/Urdu speaking world. In 2024, I sought to change this and read translated writing from across the South Asian diaspora. In particular, I would like to recommend Hospital by Sanya Rushdi –a short yet powerful novel exploring the psychosis experienced by a young Bangladeshi woman in a psychiatric facility in Melbourne. I also loved Ten Days of The Strike by Sandipan Chattopadhyay , with the titular essay serving as a powerful reminder of the politics of shitting. In general, a Bengali translation by Arunava Sinha , I realised, will never disappoint a reader. Honorary mentions among my SA reading list include: Password and Other Stories by Appadurai Muttulingam , and the award-winning Brotherless Night by V.V. Ganeshanathan . — Iman Iftikhar, Associate Editor #9 More than any other year, 2024 left me feeling like I don't know anything about my world. More often than not, I didn't have the vocabulary and, more disturbingly, the emotional-spiritual bandwidth to articulate or sit with what was/is happening in the world and how it can/could/should impact how I move through life. I learnt a lot from reading Strangers to Ourselves by Rachel Aviv, Human Acts by Han Kang , Minor Detail by Adania Shibli, and the poetry and writing Shripad Sinnakaar shared on social media. These writers gave me words, feelings and narrative clarity to sustain my engagement with the world and not shut it out in the face of incomprehension. — Esthappen S., Drama Editor #10 I’ve been reflecting a lot on sound and space this year. Live Audio Essays by Lawrence Abu Hamdan is a collection of transcribed and edited texts from the performances and films he has written and compiled. Moving through excerpt-like recounts, it situates sound through text, blending anecdote with punctuated investigations. It’s a fascinating push to think more deeply about how sound is interpreted and engaged with in different contexts, from the power of sumud to police tip offs, to studying the biological effects of noise pollution. Over the summer, I visited Autograph in London to see Ernest Cole: A Lens in Exile , curated by Mark Sealy . This remarkable exhibition presented images from Cole’s time in New York and his travels around the USA during his exile from South Africa in the 1960s. I also appreciated the catalogue-style book accompanying the exhibition, The True America: Photographs by Ernest Cole , as well as Raoul Peck’s documentary, Ernest Cole: Lost and Found . While working in Paris, I attended Offprint . I had sternly instructed myself to just look and not buy more books(!), but then a small, palm-sized monotone blue book caught my eye. Hold the Sound: Notes on Auditories , edited by Justine Stella Knuchel and Jan Steinbach, is a compilation of texts by artists and researchers attempting to encapsulate descriptions of sound. The book gathers words by Apichatpong Weerasethakul, John Cage, Mosab Abu Toha, Sun Ra, and many others. On my way out I squealed embarrassingly—like an auntie remarking on how much I’ve grown—when I saw Luvuyo Nyawose’s eBhish’ . — Clare Patrick, Art Editor #11 This year, I read in the hour or so I had while our one-year-old slept and I could still keep my eyes open. Reading was both urgent, pressurized by the devastating plight of Palestinians, and a moment to breathe: a space for contemplation, and to feel. I read history, horror, and grief, grief, grief. Rarely is political analysis as exhilarating as in my first favourite read of 2024: The Selected Writings of Eqbal Ahmad , edited by Carollee Bengelsoorf, Margaret Cerullo, and Yogesh Chandrani . From revolutionary movements to “pathologies of power,” to Palestine, the cold war, and Pakistan-India, Ahmad’s insights are crystal clear, provocative, moral, and startlingly prescient. I want to emphasize the clarity of his writing, perhaps owed to his pedagogy as a teacher. I meant to read selections but ended up reading it straight through. My second pick is The Singularity by Balsam Karam (translated by Saskia Vogel) . In an unnamed coastal city, a refugee woman searches for her daughter until, in despair, she leaps to her death, an act witnessed by another woman who narrates this aching, fragmentary testimony of grief–for children, for home. Lastly, [...] by Fady Joudah : what we read this year, we read through a genocide. Fady’s scathing poems left no brutality or complicity unnamed, while speaking with tender sorrow to the dead and wounded. If nothing else, listen to Fady read Dedication here . — Ahsan Butt, Fiction Editor #12 I would like to offer Behind You Is the Sea , a novel by Susan Muaddi Darraj. Released in January 2024, just months after the events of October 7, Darraj’s novel follows three Palestinian American families in Baltimore. Its tender, nuanced characterizations of women and men, young and old, navigating their place in a city burdened by legacies of racial, economic, and legal apartheid, offer an honest exploration of immigrant life in America. Although written before the current conflict in Gaza and Occupied Palestine, it reminds us of the generational trauma and resilience that all Palestinians in the diaspora carry with them. — Aditya Desai, Advisory Editor #13 This year, I loved Sahar Romani’s poetry chapbook, The Opening , a beautiful, tender collage of poems on family, love, and coming into yourself, and into the world. For fiction, I recommend two very different books. When the Tiger Came Down the Mountain is a speculative fiction novella by Hugo Award winning author Nghi Vo. It’s wildly inventive, lyrically written, menacing, beautiful, and queer. Also on the novella tip, Berlin-based Palestinian author Adania Shibli’s novel, Minor Detail , stunned me. Written in clear, marching prose, its focus on minor details, set against the backdrop of occupation, sexual violence, death, and exile, is a portrait and a protest. In nonfiction, I loved: 1) Inciting Joy , a book of essays by Ross Gay, each one luminous with generosity, perceptiveness, and yes, joy. 2) Come Together by sex researcher Emily Nagoski, about sex in long-term relationships, though my biggest takeaway came from two chapters on the gender mirage (women as givers, men as winners) and how this construct within our patriarchal society undermines and destroys heterosexual relationships. 3) Poverty by America is sociologist Matthew Desmond’s heartbreaking follow-up to his even sadder book, Eviction . I grew up middle class, and it was infuriating and eye-opening–I’d recommend it to anyone, especially if you didn’t grow up poor. 4) Sex with a Brain Injury by Annie Liontas was another revelation, giving me enormous empathy for those with acute brain injuries (more common than you know!) and all their attendant furies. 5) Last but certainly not least, I listened to All About Love by African American legend bell hooks, twice, back to back, as the American election season came to a terrifying close. In 2025, I want to internalize hooks’ commitment to love as an ethic—in the family, in friendships, in the workplace, and in politics. — Abeer Hoque, Senior Editor With love, gratitude, and in solidarity, The Editors at SAAG. More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

DESIGN EDITOR Mira Khandpur Mira Khandpur is a graphic designer & art director, currently an Associate Partner at Pentagram. Her work has been recognized and featured by AIGA, Type Directors Club, Art Directors Club, PRINT, Adobe Design Achievement Awards , and Creative Review , among others. She is based in Brooklyn. DESIGN EDITOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

In New Caledonia, a collectivity of the French Republic, a mainland political ploy to subvert the indigenous Kanak people’s right to self-determination faced waves of protest in the summer of 2024. With liberal international institutions failing to enforce meaningful solutions, the Melanesian island’s struggle for liberation parallels global indigenous movements for sovereignty and exposes the settler-colonial logic of displacement and democratic dilution. In New Caledonia, a collectivity of the French Republic, a mainland political ploy to subvert the indigenous Kanak people’s right to self-determination faced waves of protest in the summer of 2024. With liberal international institutions failing to enforce meaningful solutions, the Melanesian island’s struggle for liberation parallels global indigenous movements for sovereignty and exposes the settler-colonial logic of displacement and democratic dilution. Mahnoor Azeem, Untitled (2025). Digital illustration. Artist · FEATURES REPORTAGE · LOCATION Dissipated Self-Determination LOCATION Zahra Yarali . 26 Mar 2025 th . Letter from our columnist . In 1853, the French established the Saint-Denis Church of Balade, the first Catholic church in the small archipelago of Kanaky, known more widely today by its colonial name, New Caledonia . Ten years later, France seized control of the land and began to subtly but substantially desecrate the identity of the indigenous Melanesian Kanak people for imperial gain. On September 10, 2024, more than 160 years later, the Church became the fifth Catholic mission to be burned in response to the ongoing political violence and electoral erasure waged against the Kanak people by the French government. “Some elements of the Catholic Church are regarded by some younger Kanak militants as being symbolic of French state repression,” said David Robie, a New Zealand author and founder of the Asia Pacific Media Network, in an interview with SAAG . He noted, however, that Protestant Christian denominations in the Pacific have been found to support Kanak freedom. This repression was never more evident in New Caledonia—so marked in its démodé political approach—than in May 2024, when the French government weakened the pro-Kanaky voter base beyond any point of electoral voice. A proposed constitutional amendment, approved by the French National Assembly that month, sought to alter voting rights in a way many indigenous Kanak people feared would further diminish their political representation. In response, mass demonstrations erupted in frustration and protest. The unrest resulted in a revised death toll of 14, alongside hundreds of injuries. Numerous businesses and vehicles were destroyed, with the looting and damage on May 16 alone amounting to at least 200 million euros . In response to the escalating violence, France declared a state of emergency in New Caledonia, laying the ground for a brutal deployment of additional police and military forces to restore order. Many movement leaders, including the notable Christian Tien, were extradited to France under charges of “ organized crime .” Ultimately, the French government postponed the provincial elections scheduled for December 2024 to December 2025, aiming to address the underlying issues and restore stability. But this was a clear act of democratic erasure, aimed at further denigrating the humanity of the island’s Kanak people. “Sadly, three decades of goodwill and apparent goodwill from Paris and all sides have dissipated unjustly,” Robie added, “flaunting the United Nations Decolonization Committee provisions.” This ideological reversion to the fundamentals of neoliberal democracy has enraged the indigenous Kanak people of New Caledonia. It also raises questions about whether France ever intended to grant them sovereignty. It has further highlighted the historical deception that undergirds the self-sustenance of settler-colonies in the modern world, perpetuating disappearance under the guise of citizenship and electoral democracy. Kanaky Remains A French Colony After nearly a century of French colonization, Kanak populations were granted citizenship and the right to vote after 1946. This granting is a turning point in every colonial enterprise’s teleology to clinch onto their sovereignty. Following a feigned investment in the population of the exploitee, a colonizer must decide what tools of population disappearance will be most palatable to the populations’ particular land and labor context. New Caledonia was essentially an autonomously governed territory for a generation after World War II—until another war spotlighted the strategic value of the archipelago’s nickel resources. The Vietnam War, an imperialist venture in its own right, brought the small island back into focus, and Charles De Gaulle decided the nickel profits were too lucrative an exploit to pass up. The Union Calédonienne lost its majority voter base in the years surrounding the Vietnam War, as an influx of mainland French citizens arrived to disenfranchise the Kanak by shifting the weight of the body politic towards mainland sympathy. In the company of the U.S. Virgin Islands, Western Sahara, Gibraltar, and other de jure-occupied “territories” throughout Oceania, New Caledonia remains one of the last standing administrative colonies in the world. It also shares with states like Algeria a history of exploitation characteristic of French colonial enterprises. The French overseas department-turned-collectivity is now at a political standstill, partially because the indigenous people placed faith in France’s supposed goodwill efforts in the 1990s to pave the way for Kanak self-determination. The culmination of those efforts—the Nouméa Accord of 1998 —then enshrined into the French constitution a purportedly pragmatic approach to Kanak self-determination and the eventual establishment of New Caledonia as Kanaky. The accord stipulated that after 20 years, the people of New Caledonia would have three opportunities to vote for independence via referendum. David Chappell, a scholar on the modern revolutionary history of the Kanak people and Professor Emeritus at the University of Hawaii, told SAAG that while the Nouméa accord may be viewed as a successful negotiation following a period of intense Kanak rebellion, it was likely only ever an attempt to “delay decolonization.” In 2018 and 2020, the Kanak population, currently comprising around 40% of New Caledonia, fell just short of their goal. Between the first and the second referendums, their base grew by enough percentage points that movement leaders were optimistic about their imminent third chance at independence. “It was supposed to be held in 2022, but Macron moved it up [to 2021] at the last minute,” Chappell told SAAG . In response to concerns regarding a COVID-19 outbreak that had struck the island, particularly the Kanak community leading up to the vote, and given the mourning procedures of the Kanak people that often lasted up to a year, movement leaders demanded the referendum be postponed. None of these demands were taken seriously. An active Kanak boycott of the vote in tandem with many abstentions based on COVID-19 cautiousness thus manifested in low voter turnout. The election results, where only 43% of all voting-eligible New Caledonians participated and voted overwhelmingly in favor of staying with France, were immediately—and naturally—called into question. “The last [two and a half] decades had allowed pacification and progress on the path to decolonization,” French New Caledonian organizer Francis Sitel wrote to SAAG . “This is what was spoiled by the government's power grabs.” Beyond rejecting calls for a revote on the grounds of unfair voting circumstances, in May 2024, the French government decided the moment was opportune for a constitutional amendment granting voting rights to New Caledonians who arrived in the past two decades—in other words, those with weakest historical claim to the land. This decision, coming on the heels of the boycotted referendum that had already left the Kanak people scorned by France, has triggered a dramatic response—protests that have escalated to the brink of insurrection. This sequence of events has been entirely predictable and preventable,” Robie detailed. “However, the French state (under Macron) is completely tone-deaf and dogmatic in its responses to the indigenous Kanaks’ aspirations for independence.” New Leader, Same Strategy Today, New Caledonia remains one of the world’s top five nickel producers . The industry is crucial to the Kanak people’s future self-governance and sustenance, but it is clear that France is unwilling to relinquish control easily. According to Robie, Macron’s “rescue” initiative for the nickel industry was staunchly contested by the Kanak people, as it “favor[ed] the incumbent industry players and [did little] to spread the economy to support Kanaks.” However, South Africa has shown interest in reviving the nickel industry—what Robie called a “glimmer of hope—while France has seemingly taken the cue to venture for capital elsewhere. “France is interested in the 200-mile maritime Exclusive Economic Zone (EEZ),” Robie explained. An EEZ grants a country exclusive rights to exploit natural resources within 200 miles of its shores. Due to the former empire’s vast ownership of islands territories globally, France possesses the world’s second-largest EEZ. The same colonial strategy of buying time endures. Former Prime Minister Michel Barnier behaved in the same fashion: on 1 October , he announced that elections in New Caledonia would be postponed for a year while also halting the progression of Macron’s controversial constitutional amendment, which sought to grant voting rights to newly resident French nationals in New Caledonia. Superficial gestures of good faith towards self-determination continue to be paired with the deliberate stalling of liberatory legal processes, inevitably leading to repression and violence. “France seems to be hellbent on a militarist and repressive response to the unrest in New Caledonia,” Robbie added, “instead of a negotiated, peaceful attempt to build a consensus.” He denounced the French government’s cruelty in deporting and jailing pro-independence leaders accused of incitement, forcing them to await trial in metropolitan France—over 10,000 miles away from the support of their families and communities. “It is reminiscent of some of the worst excesses of French 19th-century colonialism,” Robbie noted, “and has severely damaged French credibility in the South Pacific region at a time when it is pursuing an Indo-Pacific security strategy.” Are there any liberatory legal procedures in a settler colony that can legislate independence amicably, in something like an electoral handshake? Colonial Anachronism Robie called the state-sponsored violence a “colonial anachronism” of this day and age. Yet this reality persists across countless other regions of the world, where dispossessed peoples must overcome endless obstacles to prove their voices deserve legitimacy in the democratic process—even as they are actively erased from claiming authority over their indigenous identity. Perhaps most relevantly, Zionism stands as a prime example of a revisionist historical enterprise that simultaneously operates as a democratic ethnostate—one that, through violence and displacement, diminishes an indigenous population to render it democratically negligible. For there to be a Jewish democracy in the land of historic Palestine, the Palestinians there must cease to exist. The initial mechanisms of this disappearance were manifest in the atrocities of the Nakba. But later, throughout the 1950s and 1960s, a heavier emphasis was placed on the suppression of Palestinian political and social organizing. For example, Al-Ard , the first Palestinian party to attempt participation in the Israeli parliament (Knesset), was outlawed within years on fabricated and unfounded grounds. There could never be a fair playing field if democratically warranted self-determination is what one was after. It is even harder to accuse a state of engaging in the logic of elimination endemic to settler colonialism when it simply appears as though there are not enough indigenous people on this island in the Pacific—seldom making international headlines—for it to be a worthwhile pursuit. But proximity to the metropole should not be the criterion for concern over an indigenous group’s right to self-determination, or the pressure placed on the neocolonial state to secure that right—especially when it was, in effect, promised mere decades ago. As Dr. Chappell posed in conversation, “What if almost half the population of the United States, Canada, Australia, or New Zealand were indigenous? What kind of politics might result?” The logic of democracy—”one person, one vote”—negates the inviolable right of the colonized indigenous Kanak people to self-determination. Robie elaborates, “It merely ensures that the 'tyranny of the majority'—mostly imported French settlers—imposes its will over the Indigenous Kanak minority. French colonial policy has deliberately encouraged settlers from the metropole to migrate to New Caledonia to ensure the electoral disenfranchisement of the Kanaks.” Interestingly, but perhaps unsurprisingly, when it comes time to imagine solutions, few arise that are not at the behest of international institutions that have, in the context of the Kanaks, the Palestinians, and indigenous people around the world, fallen short in their ability to enforce international law or solidify paths towards self-determination. In Chappell’s words, “The UN Declaration on the Rights of Indigenous People gave them more ideas, but it allows only autonomy over resources and cultural rights for indigenous minorities—not independence from the territorial state.” Robie anticipated progress from a more localized approach of institutional action within the Pacific Island region. “The Pacific Islands Forum, Melanesian Spearhead Group, and the United Nations need to step up diplomatic and political pressure on France to change its course of action,” he said. "It is imperative," he argued, "for Paris to step back from its militarist approach and make a commitment to seeking a pathway for the Kanak self-determination aspirations.” The question remains: how much longer can France suppress Kanak self-determination before the façade of democracy collapses entirely?∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 ZAHRA YARALI is an Iranian-American writer and researcher with interests at the nexus of gender, education, and Middle East studies. She is based in Murray, Kentucky. MAHNOOR AZEEM is an illustrator, writer, and recent graduate of the Savannah College of Art and Design. She is based in Lahore. Essay New Caledonia French Republic Indigenous Kanak Indigenous self-governance Protest Liberation Sovereignty Colonialism Displacement Kanaky Melanesia Imperialism Political Violence Violence Identity Catholicism Church Electoral Politics Erasure French State Erasure State Sanctioned Violence Repression Militarism Militant David Robie Freedom Civilian Unrest Mass Protests Organized Crime Movements Neoliberalism Disappearance Administrative Colony Exploitation Oceania Self-determination David Chappell Revolutionary Revolution 17th Century Decolonization Independence Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Our live event FLUX: An Evening in Dissent began with an unplugged performance by Pakistani folk-pop musician Natasha Noorani of the unreleased title track from her upcoming album. INTERACTIVE FLUX · Natasha Noorani Unplugged: "Choro" Natasha Noorani Our live event FLUX: An Evening in Dissent began with an unplugged performance by Pakistani folk-pop musician Natasha Noorani of the unreleased title track from her upcoming album. FLUX: An Evening in Dissent A pre-release, unplugged version of Natasha Noorani's as-yet-unreleased single "Choro." The official music video followed by a Q&A on the video's aesthetic was subsequently featured in our 2021 event "In Grief, In Solidarity." Jaishri Abichandani's Art Studio Tour Kshama Sawant & Nikil Saval: A panel on US left electoralism, COVID19, recent victories, & lasting problems. Tarfia Faizullah: Poetry Reading Bhavik Lathia & Jaya Sundaresh: A panel on the US Left & its relationship with media in the wake of Bernie Sanders' loss. Rajiv Mohabir: Poetry Reading SAAG, So Far: A Panel with the Editors DJ Kiran: A Celebratory Set ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the event in full on IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Live Lahore Event FLUX Pakistan Pakistani Pop Women Singers of Pakistan Pop Music Retro Music Contemporary Music Contemporary Pop Unplugged Musician Folk Progressive Rock Experimental Music Khayal Gayaki Choro Munaasib Urdu Music Urdu NATASHA NOORANI is a musician, festival director and ethnomusicologist from Lahore. Noorani has a diverse range as a singer-songwriter, playback singer and voice-over artist. While pursuing contemporary Pakistani pop music, she has also been training in khayal gayaki, and was awarded the Goethe Talents Scholarship in 2019. Her solo EP Munaasib is inspired by r’n’b, neo-soul, and prog rock. Noorani is part of the band Biryani Brothers, and has collaborated on recordings with Strings, Abdullah Siddiqui, Sikandar Ka Mandar, Talal Qureshi, Gentle Robot & Jamal Rahman. Noorani was featured on Velo Sound Station (2020), and has also recorded on soundtracks for the films Baaji (2019) and Chalay Thay Saath (2017). Live Lahore 5th Dec 2020 On That Note: Natasha Noorani's Retro Aesthetic 5th JUN The Aahvaan Project · Performance 5th JUN FLUX · A Celebratory Set by DJ Kiran 5th DEC

WRITER Chaitali Sen CHAITALI SEN is the author of the novel The Pathless Sky (Europa Editions 2015) and the short story collection A New Race of Men from Heaven (Sarabande Books, January 2023) which won the Mary McCarthy Prize for Short Fiction. Her stories and essays have appeared in Boulevard , Ecotone, Shenandoah, New England Review, LitHub, Los Angeles Review of Books, Catapult , and others. A graduate of the Hunter College MFA in Fiction, she is the founder of the interview series Borderless: Conversations on Art, Action, and Justice. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Three prominent Pakistani feminist activists convene with Associate Editor Nur Nasreen Ibrahim in the wake of the Motorway Incident in 2020. COMMUNITY Pakistan's Feminist Wave: A Panel Three prominent Pakistani feminist activists convene with Associate Editor Nur Nasreen Ibrahim in the wake of the Motorway Incident in 2020. VOL. 1 PANEL AUTHOR AUTHOR AUTHOR Watch the panel on YouTube or IGTV. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the panel on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Panel Pakistan 27th Sep 2020 Panel Pakistan Feminist Organizing Women Democratic Front Motorway Incident Body Politics Women's Action Forum (WAF) Awami Workers Party Public Space Gender Violence Girls at Dhabas Khwaja Siras Nirbhaya Movement Organization Pashtun Tahafuz Movement Internationalist Perspective Postcolonial Feminist Theory Contradiction Movement Strategy Aurat March Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. After the motorway rape case in September 2020, SAAG convened a panel of prominent feminist activists to discuss why Pakistan has seen growing violence against women and marginalized communities, and what movement-building and strategies they are involved in at a particularly charged moment in Pakistani feminist activism. More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

And what if they're union-busting but still paying really well? | · BOOKS & ARTS Comic · Freelancing A Freelancer's Guide to Decision-Making And what if they're union-busting but still paying really well? Not enough "choose your own adventure" content? Leave us an angry note & we will oblige. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Comic Freelancing Gig Work Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 22nd Feb 2023 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note: