JOURNALIST Benislos Thushan BENISLOS THUSHAN is a citizen journalist, photographer, and lawyer. He is the founder of Digital Storytelling, which aims to empower citizen journalism in Sri Lanka, and the co-curator of Everyday Sri Lanka . JOURNALIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

TRANSLATOR Arunava Sinha ARUNAVA SINHA translates fiction, poetry and non-fiction from Bangla to English. Sixty of his translations have been published so far, with 12 of them having won or been shortlisted or longlisted for translation prizes in India and abroad. He is an associate professor of practice in the Creative Writing department at Ashoka University, and Co-Director of the Ashoka Centre of Translation. He is based in Delhi. TRANSLATOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

JOURNALIST Andrew Fidel Fernando ANDREW FIDEL FERNANDO is a journalist, senior writer at ESPNcricinfo , and the award-winning author of Upon a Sleepless Isle . JOURNALIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Acclaimed musician and composer Vijay Iyer on how the constraints of musical genre emerged from racial capitalism: the history of "jazz" itself narrated by delinking music from its Black radical and avant-garde traditions. COMMUNITY Musical Genre as a Creation of Racial Capitalism Vijay Iyer Acclaimed musician and composer Vijay Iyer on how the constraints of musical genre emerged from racial capitalism: the history of "jazz" itself narrated by delinking music from its Black radical and avant-garde traditions. We go through these cycles of the mainstream press declaring jazz dead, then rediscovering it. There's a savior! That narrative's really problematic. It excludes and erases countless Black musicians who have been at the vanguard for decades. RECOMMENDED: Uneasy (ECM, 2021): Vijay Iyer with Tyshawn Sorey and Linda May Han Oh. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Jazz Criticism Music Music Criticism Race & Genre Black Radical Traditions Amiri Baraka Roscoe Mitchell Racial Capitalism Avant-Garde Origins Village Vanguard Post-George Floyd Moment Historicity Black Speculative Musicalities Insurgence in Jazz Genre Fluidity Critical Improvisation Studies The Aesthetics of the Black Radical Tradition Fred Moten Charles Mingus VIJAY IYER is a composer-pianist who has been described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway.” He has received a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, and the Alpert Award in the Arts, and was voted Downbeat Magazine ’s Jazz Artist of the Year four times in the last decade. He has released twenty-four albums of his music, most recently UnEasy (ECM Records, 2021), a trio session with drummer Tyshawn Sorey and bassist Linda May Han Oh; The Transitory Poems (ECM, 2019), a live duo recording with pianist Craig Taborn; Far From Over (ECM, 2017) with the award-winning Vijay Iyer Sextet; and A Cosmic Rhythm with Each Stroke (ECM, 2016) a suite of duets with visionary composer-trumpeter Wadada Leo Smith. He recently served as composer-in-residence at London’s Wigmore Hall, music director of the Ojai Music Festival, and artist-in-residence at New York’s Metropolitan Museum of Art. He teaches at Harvard University in the Department of Music and the Department of African and African American Studies. Interview Jazz 8th Nov 2020 On That Note: Kashmiri ProgRock and Experimentation as Privilege 21st DEC Syncretism & the Contemporary Ghazal 14th OCT Origins of Modernism & the Avant-Garde in India 4th OCT

Paul Mesnager PAUL MESNAGER is a photographer, graphic designer, and journalist with a background in geopolitics, whose work often explores themes of social and political domination, repression, and exile, with a focus on minority communities and the materiality of power, using various media including satellite imagery. He is based between Tunis and Marseille. WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

DESIGNER Hafsa Ashfaq Hafsa Ashfaq is a visual artist, graphic designer, currently an editorial designer for DAWN . She is based in Karachi. DESIGNER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Feminist Theorist and English Professor Fawzia Afzal-Khan, in conversation with Drama Editor Neilesh Bose. COMMUNITY Movements in Pakistani Theatre Fawzia Afzal-Khan Feminist Theorist and English Professor Fawzia Afzal-Khan, in conversation with Drama Editor Neilesh Bose. The work I started doing, like Sheherzade Goes West could be considered avant-garde in a certain way it did not conform to representational theatre even though I gave it a very self-ironizing subtitle—speaking out as a “Pakistani/American/wo/man, because I wanted the title itself to question certain ideas of self-representation. RECOMMENDED: A Critical State: The Role of Secular Alternative Theatre in Pakistan (Seagull Press, 2005) by Fawzia Afzal-Khan ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Theater Performance Art South Asian Theater Internationalist Solidarity Parallel Theatre Movement Realism Non-Realist Plays Sufism Ajoka Theatre Women Singers of Pakistan Madeeha Gauhar Women Democratic Front Shahid Nadeem Authenticity Avant-Garde Form Native Formats Nationalism FAWZIA AFZAL-KHAN is Professor of English and former Director of the Women and Gender Studies Program at Montclair State University. Dr. Afzal-Khan received her BA from Kinnaird College for Women, Lahore, Pakistan, and her MA and PhD in English Literature from Tufts University. Holding the title of University Distinguished Professor, she has received numerous accolades for her work, which include three monographs, two edited volumes, and extensive public intellectual writing, contributing to numerous conversations in postcolonal studies, feminism, and political Islam. Trained as a literary critic but also a performer, a trained vocalist in the north Indian classical tradition, actress, playwright, and critic. She is engaged in Pakistani theater and performance, in musical worlds, and performance studies in the Western academy. Interview Theater 24th Sep 2020 On That Note: Nation-State Constraints on Identity & Intimacy 17th DEC Origins of Modernism & the Avant-Garde in India 4th OCT Authenticity & Exoticism 4th SEP

JOURNALIST Irene Benedicto IRENE BENEDICTO is an investigative and data reporter with ten years of experience working as a journalist. She has covered breaking news and written in-depth long-form stories, local and international news from eight different countries on three continents, including the political hubs of Washington DC and Brussels, and three investigative data projects on migration, public health, and social inequities. JOURNALIST WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Art historian Partha Mitter challenges the cultural purity predicated on nationalist myths: natural corollaries of the denial of both the existence of the avant-garde in colonial India. and the very real flow of politics and aesthetics that allowed for the emergence of global modernism. Indian avant-garde art was cosmopolitan, concentrated in Calcutta, Lahore, and Bombay, but it remains a challenge to art historiography nonetheless. COMMUNITY The Pre-Partition Indian Avant-Garde AUTHOR AUTHOR AUTHOR Art historian Partha Mitter challenges the cultural purity predicated on nationalist myths: natural corollaries of the denial of both the existence of the avant-garde in colonial India. and the very real flow of politics and aesthetics that allowed for the emergence of global modernism. Indian avant-garde art was cosmopolitan, concentrated in Calcutta, Lahore, and Bombay, but it remains a challenge to art historiography nonetheless. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Interview Art History Avant-Garde Origins 1922 Bauhaus Exhibition Rabindranath Tagore Colonialism Modernism Ernst Gombrich Eric Hobsbawm Primitivism Edward Said Ramkinkar Baij Bombay Progressive Artists Satyajit Ray Intellectual History Global History Avant-Garde Beginnings in India Avant-Garde Traditions Amrita Sher-Gil Academia Art Activism Avant-Garde Form Art Practice Bauhaus Calc Gender Jamini Roy Bidirectional Exchange The Nature of Global History Anti-Colonialism Partition Formalism Geometry Kunst Nationalism Internationalism Vanguardism Gaganendranath Tagore Santiniketan School Abstract Orientalism Art Nouveau Kandinsky Historicism Cubism Malevich Surrealism The Valorization of the Rural Mukhopadhyaya Nandalal Bose Lahore Bombay K. G. Subramanyan Baroda School Hemendranath Mazumdar Plurality of Avant-Gardes Exchange Picasso Manqué Syndrome Cosmopolitanism Hegelian Dialectic Kalighat Samuel Eyzee-Rahamin Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Interview Art History 25th Aug 2020 South Asian artists often deny the past of our own avant-garde. This is predicated on the nationalist myth of cultural purity fabricated in the 19th century. But if you deny history, you can't do anything. RECOMMENDED: The Triumph of Modernism: India's Avant-Garde 1922-1947 by Partha Mitter (University of Chicago Press, 2007) Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

WRITER Arash Azizzada ARASH AZIZZADA is a writer, photographer, and community organizer based in Los Angeles, CA. The children of Afghan refugees, Arash is deeply committed to social justice and building communities. He co-founded Afghan Diaspora for Equality and Progress (ADEP) in 2016, aimed at elevating and empowering changemakers within the Afghan community. He recently co-launched Afghans For A Better Tomorrow (AFBT), and has focused on evacuation and rapid response coordination efforts in the wake of America’s military withdrawal from Afghanistan. He has written for the New York Times , Newsweek , and been featured on NPR and Vice News . WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

The co-founder of the women-led publication Karti Dharti discusses India's farmers' movement, the intersecting realities of gender, and Dalit labour, the motivation to create Karti Dharti, the fifth edition of which you can read in Gurmukhi. INTERACTIVE Chats Ep. 7 · Karti Dharti, Gender & India's Farmers Movement Sangeet Toor The co-founder of the women-led publication Karti Dharti discusses India's farmers' movement, the intersecting realities of gender, and Dalit labour, the motivation to create Karti Dharti, the fifth edition of which you can read in Gurmukhi. Karti Dharti is a women-led publication that highlights diverse voices from the farmers’ movement. Understanding how gender, the COVID crisis, and the farmers' movement in India intersect is of critical importance. In April 2021, Drama Editor Esthappen S. chatted with Karti Dharti's Founder-Editor, Sangeet Toor, on Instagram Live, about Karti Dharti's history, the state of the farmers' movement in India at the time. They mapped out the nature of the movement itself, especially as it pertains to gender, discuss the challenges it faced. Toor described how the magazine focuses on the intersection of gender and movement politics. Read the fifth edition of Karti Dharti here . ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Subscribe to our newsletter for updates on SAAG Chats, an informal series of live events on Instagram. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Live Punjab Farm Ordinances Movement Organization Gender Mass Protests Media Blackout Media Delhi Chandigarh Women's Participation Displacement Sit-ins Disinformation COVID-19 Urban/Rural Urbanization Police Action Policing Citizenship Amendment Act Protests CAA Protests NRC Protests Accountability Pragmatic Realities of Protest Kisan Mazdoor Ekta Sanyukt Kisan Morcha Labor Agricultural Labor Solidarity Organic Solidarity Dalit Histories Dalit Labor Class Struggle Caste Political Economy Village Economies Domestic Labor Farmers' Movement India Indian Fascism India Today Activist Media Agrarian Economy Agriculture Alienation Gurmukhi Protests Movement Strategy Labor Movement Workers Movements Haryana Working-Class Stories Women and Gender Studies in India SAAG Chats Environment Climate Change SANGEET TOOR is Founder/Editor of Karti Dharti , a women-led publication showcasing diverse voices from the farmers' movement in India. She is a writer and reporter who has written for The Wire and Caravan , focusing on the history of land rights and peasant struggles in Punjab. Live Punjab 29th Apr 2021 On That Note: Heading 5 23rd OCT Heading 5 23rd Oct Heading 5 23rd Oct

"Go back to sleep Ms. Chowdhury, the American situation is strange" FICTION & POETRY Alien of Extraordinary Ability Tarfia Faizullah "Go back to sleep Ms. Chowdhury, the American situation is strange" Editors' note: The following is an excerpt from a longer work-in-progress called “A lien of Extraordinary Ability. ” The artworks at the beginning and end of the poem are a result of a collaboration between the author and the artist. Alien of extraordinary ability is an alien classification by United States Citizenship and ______________ Services. The United States may grant a priority visa to an alien who is able to demonstrate “ extraordinary ability in the sciences, arts, education, business, or athletics” or through some other extraordinary career achievements. The ________________ version of the classification (EB-1A), which grants permanent residency, additionally requires the alien to demonstrate "sustained national or international acclaim”, “achievements recognized by others in the field of expertise,” and "a level of expertise indicating that the individual is one of that small percentage who have risen to the very top of the field of endeavor.” When one knows thee, then alien there is none, then no door is shut. —Rabindranath Tagore, Gitanjali “Why do you want this visa?” a home. is it here? is it here? is it here? “Why in this country?” everyone likes sweet stuff sometimes. “What are your plans?” To build a spaceship out of the years named Solace. so it is to be born a particular particle to no particular address on no particular day of a less-than particular week. so it is to be star-seer, sin-shelter, flower named nayantara, a rearview. so it is that the name∞ You were given is not the same. nonetheless You are chosen. so it is to sense in an other an otherworldly sweetness. Have we met? You ask. No— for I am talking to myself. Before You, Idea. so it is to walk towards a frame hoping for image vs error . . . for don’t You want to see Your own particles pictured in the museum mirrors? No? Ok. then forget continuum. be disruption ∞ go back to sleep Ms. Chowdhury, the American situation is strange but we have not met yet. this is a museum. i am making a list∞ Personal ornaments Collared disks Scepters & early imagery Neolithic axes of the _______________ culture Blades Dagger-axes arrowheads & knives Serrated disks Ceremonial blades Serrated and ________________ axes Handles Animal heads and masks Dragons Fish Birds Naturalistic animals Insects Surface decoration Dish with coiled bird & dragon interlacery Plaque Shroud∞ ∞this is a list to keep thoughts of you at bay ∞so it is to imagine your death. to hold a conversation with your absence: so good, this gallery, You say— yes, it is quite the door to a thousand years ago! cries the Past. sshhh, begs the Future. let’s watch the wall open . . . see, we’ll have time for the fields! see, we’ll consult the sun re the moon! see, now we’ll “see” other families. our own. is this a museum or a border? where there is a border, does there need to be patrol? “no touching the heart! i mean art!” security cries. okay, i say, okay. and part the regions of my torso that is how i learn the guard is blind to my mockingbird inside. “now walk towards flowering cherry and autumn maples,” Mockingbird commands. “do it. alone” ∞idea-You disappears. I leave the museum or linger. i become or engage in: an etching window shopping allusions to the sea light palette ewer & basin I once was and will never again be: virgin & child the rape of ____________ by _____________ Are you also trying to understand what it is to be: a master “Alien (Reflection)” by Saniya Kamal for SAAG. Mixed media, 2020. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 "Error" by Saniya Kamal, for SAAG. Mixed media, 2020. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Poetry Dallas Bangladesh Diaspora Immigration Cultural Narratives of Immigration Borders Visa Alien of Extraordinary Ability Alienation Work Authorization Poetic Form Particularity Temporality Ornamentation North American Diaspora TARFIA FAIZULLAH is the author of two poetry collections, Registers of Illuminated Villages (Graywolf, 2018) and Seam (SIU, 2014). Tarfia’s writing appears widely in the U.S. and abroad in the Daily Star, Hindu Business Line, BuzzFeed, PBS News Hour, Huffington Post, Poetry Magazine, Ms. Magazine, the Academy of American Poets, Oxford American, the New Republic, the Nation, Halal If You Hear Me (Haymarket, 2019), and has been displayed at the Smithsonian, the Rubin Museum of Art, and elsewhere. Tarfia is currently based in Dallas. Poetry Dallas 13th Oct 2020 SANIYA KAMAL is a writer and artist, currently and MFA student in Fiction at Brown University. On That Note: Chats Ep. 9 · On the Essay Collection “Southbound” 19th MAY Chats Ep. 8 · On Migrations in Global History 4th MAY FLUX · Tarfia Faizullah: Poetry Reading 5th DEC