HISTORIAN Manan Ahmed Asif Manan Ahmed is an Associate Professor of History at Columbia University. He is a historian of South Asia and the littoral western Indian Ocean world from 1000-1800 CE. He is the author of four books, including The Loss of Hindustan: The Invention of India, and Disrupted City: Walking the Pathways of Memory and History in Lahore . HISTORIAN WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Descendants of enslaved and indentured labourers cultivated life amidst the ruins of climate catastrophe in nineteenth-century Mauritius. Today, deforestation and the sugar industry have left a legacy of natural disasters and public health crises. What path forward remains for the unification of the political and scientific in service of the island’s labouring population? Descendants of enslaved and indentured labourers cultivated life amidst the ruins of climate catastrophe in nineteenth-century Mauritius. Today, deforestation and the sugar industry have left a legacy of natural disasters and public health crises. What path forward remains for the unification of the political and scientific in service of the island’s labouring population? Sabrina Tirvengadum, Sugar Cane (2023). Archival images, collage, digital painting, and generative AI. Artist · FEATURES REPORTAGE · LOCATION Gardening at the End of the World LOCATION Ben Jacob . 3 Feb 2025 rd . Letter from our columnist . Mauritius shot up from beneath the waters of the Indian Ocean in a volcanic eruption eight million years ago. As the lava cooled and became rock, rain fell into the cracks, forming streams and rivers that ran down to the sea. The water fed forests that crept up the island’s young mountains. Before long, an unbroken chain of dense evergreen forest extended across the land. For eight million years, these trees sheltered a dense flourishing of life. The largest among them towered to seventy feet, suspended above the younger trees and the undergrowth. Bright pigeons and parakeets studded the canopy, ferns, flowers, and fungi abounded in the understorey, and, where the forest thinned, a community of giant tortoises grazed on the long grass. By the late nineteenth century, Mauritius was a byword for ecological disappearance. It began three centuries earlier, when Dutch colonists—the island’s first, known human inhabitants—began clearing the lowland forest for lumber. The colonists massacred the giant tortoises for the small deposits of fat on their backs, and introduced goats, pigs, and dogs, which devastated the indigenous plant and animal life. Within a century of Dutch arrival, the island’s tortoises and large birds were all either rare or extinct. Wild cattle fled from the settled areas, and the forests were overrun by millions of rats. But the destruction wasn’t complete until the arrival of sugar. Under French and British rule (1715-1810 and 1810-1968 respectively), the island was transformed into an enormous sugar factory; by 1840, all other large-scale cultivation had been abandoned. This, in turn, exposed Mauritius to an economic logic of growth at all costs. When sugar prices plummeted in the nineteenth century, the island was pressured to export ever greater quantities of sugar to sustain the colonial economy. The consequences were etched across the island’s landscape: massive deforestation, spiralling species loss, and ever larger sugar mills belching thick smoke into the air. By 1880, 43% of the entire island had been converted into canefields, and 80% of native tree cover had been lost. The result of these changes can only be described as a climate catastrophe. In precolonial Mauritius, a rich variety of forest life protected the island ecology from cyclones and fluctuating rains. Palm forests kept the low coastlands cool and humid, while mountain woods slowed the flow of rainwater and absorbed moisture into the subsoil. Colonial deforestation permanently altered the island’s climate. As the air grew hotter and drier, springs and rivulets near the coast disappeared. The few remaining coastal evergreens died, unable to adapt to the changed climate. Large quantities of water, previously retained in the highland forests, flowed directly into the sea during the annual rains. This, in turn, left the island exposed to fluctuations in annual rainfall: swamps, rivers, and streams dried up after a shortfall in the monsoon, while flash floods struck with grim regularity. Malarial mosquitoes, unknown on the island before 1860 , found a natural home amongst its stagnant marshes and congested plantation canals. By the turn of the twentieth century, malaria was endemic to Mauritius. This is a story about what comes after disappearance. It follows a little — known environmental struggle waged between Mauritius’ sugar capitalists, colonial scientists, and the island’s African- and Indian-descended working population. Faced with an increasingly volatile natural environment in the nineteenth century, the Mauritian sugar industry argued that the only way to keep the island from total ruination was to continue producing sugar, in ever larger quantities, for greater profit. Colonial officials, armed with growing meteorological data and population statistics, were all too aware of the ecological disaster threatened by sugar production. Yet at the same time, they accepted the argument — advanced by the powerful Mauritian sugar lobby—that the island’s survival was impossible without a flourishing sugar industry. To address this predicament, the colonial government turned to scientists working at the island’s botanical gardens and weather stations. Fusing imperial power with environmental science, it embraced early forms of geoengineering and climate adaptation, in an effort to stabilise the Mauritian plantation economy and protect it from the island’s precarious climate. For both the government scientists and the sugar industry, Mauritius was a site of experimentation—the question was how life, and the profits that depended on it, could be made to endure following the disappearance of the island’s indigenous ecology. But beyond the interests of state and capital, Mauritian working people had their own ideas about how to organise their lives in relation to the island’s disturbed ecologies. As the descendants of Africans and Indians shipped to Mauritius under brutal systems of slavery and indentureship, they held onto their own knowledge about the land, while cultivating seeds smuggled across the Indian Ocean by their predecessors. With these tools, Afro- and Indo-Mauritians in the nineteenth century sought out a future beyond the sugar estates and colonial environmental control. At the heart of the struggle lay a simple question: was life—human and non-human—condemned to simply endure the devastation of the natural world, or was it possible to cultivate something more than survival? On the Walk by Sabrina Tirvengadum Like today’s global climate crisis, the burden of Mauritius’ volatile ecology fell unevenly among the island’s inhabitants. Worst affected by far was the labouring population of the sugar plantations. For over a century, men, women, and children kidnapped in Madagascar and East Africa were sold into slavery on the Mauritian plantations; at its height in 1817, the enslaved population was 79,494—more than 80% of the total population of the island. Then, when slavery was abolished in 1835 , the former slave owners turned to a new source of bound, racialised labour: indentured workers, recruited in rural areas of north and south India under contracts granting free passage to Mauritius in exchange for five years of labour on the sugar estates. Indentureship sat somewhere between slavery and free labour: while only bound for a fixed period, indentured labourers inherited the former slave barracks, took the place of the enslaved in the canefields, and suffered the same daily humiliations at the hands of the white overseers. The enslaved and the indentured were on the frontlines of the transformation of Mauritius’ landscape. The labourers hacked away swathes of ancient forest at the orders of the overseers. They hauled the black volcanic rocks that scattered the island into neat rows marking the canefield boundaries. And they cultivated the fields with their bare hands: weeding, planting, and shovelling during the rainy season, and in the dry season, enduring long, exhausting days cutting cane and transporting it back to the sugar mill. At night, the canecutters slept in overcrowded huts, in dwelling areas shared with the plantation livestock, alongside the rats, scorpions, and snakes who were attracted to the sweetness of the canefields. Malaria, yellow fever, and cholera proliferated near the densely packed, unventilated huts. When epidemics hit the island, the enslaved and the indentured were the first to die. The sugar industry, in collusion with the colonial authorities, did everything in its power to keep the island’s working population bound to the canefields. Armed patrols scoured the island for maroons (runaway slaves). The colonial government paid a reward for the severed hands of dead maroons, while French law stipulated that captured runaways were to have their ears cut off. Even after the end of slavery, indentureship perpetuated the island’s system of racial control. Under the indenture contract, workers were banned from leaving the plantation without written permission from the estate manager. Discriminatory pass laws forced Indo-Mauritians to carry identity cards showing their occupation and residence; those without evidence of employment were arrested and imprisoned at the vagrant depot, before being re-indentured on a sugar estate for a year. Local police conducted weekly ‘vagrant hunts’, sweeping across the countryside and apprehending every Indo-Mauritian they found. Throughout two centuries of slavery and indentureship, the ultimate goal of the planters remained the same: to keep the plantation workforce ‘attached to the soil’ (a phrase often repeated by colonial officials), at the frontline of the colony’s environmental collapse. On 14 June 1886, Dr John Horne, director of Mauritius’ renowned botanical gardens, wrote to the Colonial Office in London on an “urgent” matter of “great importance.” Twelve months earlier, Dr Horne had returned to the island to reports from forest rangers about an infestation of what they called “the cuscuta creeper.” Cuscuta reflexa— or dodder, its English vernacular name—is a parasitic creeper plant native to India. It propagates from seeds dropped on the ground, which produce a threadlike yellow stem that gropes for assistance from any nearby plant. Contact made, the stem twines itself around its host, sinking tiny suckers into its flesh and stealing its nutrients. In this manner, the creeper grows up to six inches a day, quickly smothering its host. The creeper had never been seen in Mauritius, but now it was spreading quickly through the island’s forests and scrubland. Younger trees and shrubs were killed, unable to sustain the parasite during the worst drought in a generation. Older trees were soon garlanded with a thousand tiny threads, each studded with small, bell-shaped white flowers with bright yellow filaments. In his letter, Dr Horne pleaded for information from India about the creeper, and how to destroy it. Horne’s desperation was a product of the surprisingly long history of climate science and environmental policy in Mauritius. As early as 1645 , Dutch colonists fretted about the rate of deforestation, and enacted laws to curb the pigs and dogs which were ravaging the island. Under French rule, the colonial administration was heavily influenced by a school of scientists known as ‘desiccationists’, who argued that drought was caused by deforestation. The result was a series of forest reserves and laws restricting deforestation in the interior—some of the world’s earliest conservation measures aimed explicitly at climate change. In the second half of the nineteenth century, after a series of devastating droughts, floods and epidemics, these environmental policies intensified. The government pursued the creation of new forests along the island’s denuded mountains and rivers, spending millions of rupees purchasing land for reforestation from abandoned sugar estates. These they handed to Dr Horne, who cultivated the land with saplings taken from his botanical gardens. This is the context for Dr Horne’s urgency regarding the “ cuscuta creeper.” Fearing the destruction of his saplings by the parasite, Dr Horne successfully lobbied the colonial government for a law ordering its total eradication. In starkly martial language, the botanist mobilised his forest rangers to carry out an eradication order, advocating “attacking it in force, at one time, at all the places where it is growing.” But the creeper was not acting alone. As Dr Horne wrote to the Colonial Office, men, women, and children from the Indo-Mauritian community were intentionally spreading the parasite. They carried portions of the plant wherever they went, Horne reported, throwing it on trees and shrubs and allowing it to propagate. A year after it was first detected by the forest rangers, the creeper grew conspicuously in the bushes surrounding Indian villages and plantation tenements alike. To those spreading it, the creeper was not cuscuta reflexa or dodder, but akashbel or kodiyagundal (its Bhojpuri and Tamil name respectively). In the healing traditions of the rural recruiting heartlands, the plant was recognised for its medicinal properties, its stem ground into a paste as a treatment for rheumatism, and its juice used as an antiseptic. In Mauritius, indentured workers also fed the creeper to the goats and cows which lived around their dwellings, who were, according to Horne, “very fond of it.” If, to the state, the creeper was a parasite threatening the colonial management of the landscape, to the Indian-born estate workers, it was a valuable companion in the struggle for survival. From the earliest days of slavery, plantation labourers turned to the land as a means of collective nourishment. On provision grounds—patches of marginal plantation land used by enslaved workers for food cultivation—the enslaved adapted familiar farming practices to the Mauritian soil in order to grow the basic foodstuff that kept them alive. Indentured labourers inherited the provision grounds, to which they introduced seeds and cuttings carried in their jahaji bundles (ships belongings), from flowers and fruiting trees to vines and root vegetables. These they cultivated with great care in the early hours of the morning, before setting off for the canefields with their cutlass and hoe. Already by 1845, colonists complained that indentured labourers were spending all of their time “cultivating fruits and flowers” at the expense of the sugar estates. This ecological knowledge formed the first foundation of a life independent of the plantations. In the eighteenth century, maroon communities emerged in the forests to the southeast of the island, where the dense tangle of undergrowth formed a natural refuge from the colonial state. After emancipation, the majority of formerly enslaved workers left the plantations, squatting on the slopes of the island’s mountains and cultivating fruit and vegetables for the market in Port Louis. They put their familiarity with the landscape to use, foraging in the diminishing forest and scrubland for tamarind, ginger, and Mauritian raspberries, gathered by women and children and sold in the bazaar. Fruit by Sabrina Tirvengadum This pattern continued with indentureship. Upon the expiry of their indenture contract, “old immigrants,” as they were known, could either sign a new contract to remain on the plantation, or leave. Of those who left, thousands used the savings they had eked out on the plantation to purchase land, either from the sugar estates or from older Afro-Mauritian gardeners. Tentatively at first, but then in ever-increasing numbers, formerly indentured workers moved beyond the sugar estates and settled in the margins of the countryside. By the 1870s, their market gardens covered the hillsides of the Mauritian interior. These gardens cultivated a precious degree of independence amidst the colony’s steep racial hierarchies. Post-emancipation, they offered respite from the horrors of enforced labour, and an altogether different manner of working. Local magistrates reporting on the formerly enslaved population complained that Afro-Mauritians failed to cultivate their land in a suitably acquisitive manner. “They work to procure the immediate necessities of life,” one criticised, “and do not show any desire to increase their property.” The magistrates accused the gardeners of failing to treat agricultural work as an end in itself, rather than merely the means to secure a comfortable existence. “These people of African origin,” another wrote, “live…in the enjoyment of undisturbed repose, which they seem to think…is due to them for the labour and miseries endured during the period of slavery.” But the gardens also formed a more direct retaliation to the ecological devastation of the sugar estates, through the plants themselves. It is difficult to know exactly what was grown on these nineteenth-century garden plots. Unlike the sugar mills, whose ruined stacks still scatter the Mauritian landscape, the small garden patches left hardly any trace, except for what lies buried beneath layers of sediment. The archives of the colonial state offer little more: market gardeners were rarely an object of concern for imperial administrators, and when they were, it was usually in exceptional circumstances irrelevant to their cultivation of the soil. Occasionally, though, we are offered a glimpse, not through testimony itself, but in the form of large compendiums of the island’s flora, compiled and published by colonial botanists in the late nineteenth century. I found one of these while researching in the archives of Kew Gardens in London. It was published in 1886, making it one of the earliest written accounts of the Mauritian gardens. In the compendium, long lists of towering trees, hardy shrubs, fruiting vines and colourful flowers are printed alongside tantalising off-hand comments noting their presence in the hillside gardens. Little more is written. The plants, however, offer their own testimony. Some of them—mangoes, areca palms, bitter gourd, turmeric, and coriander—will have been grown from seeds brought by the indentured from India. Many, however, were products of the plantation world. Pigeon pea— ambredade in Mauritian Creole—a legume used as a rotation crop in the canefields and adopted by Mauritian gardeners as a multi-purpose hedgerow, abounded on abandoned plantations, from which the gardeners likely took cuttings. Shorter term cash crops were planted alongside subsistence provisions, decorative flowers, and medicinal herbs; small patches of sugarcane next to trees that took half a generation to yield fruit. This was an agricultural model far better suited to Mauritius than the factory-like system of the sugar plantations, with its reliance on a single, volatile cash crop. Many of the indentured had been gardeners in their homeland; all would have been familiar with the monsoon rhythms of the Indian Ocean world. Like the intercropping system of northern India, the sheer diversity of the Mauritian market gardens enabled some degree of protection from crop failures and monsoon fluctuations, with overlapping harvests taking place throughout the year. But the gardens were also a divergence from the reforestation projects with which the colonial state responded to Mauritius’ environmental collapse. The government reforestation projects envisioned trees as instruments of geoengineering. By keeping temperatures down, increasing humidity and retaining rainwater, the new forests would stabilise the island’s climate, and keep aridity—the colonial scientists’ great fear—at bay. In this plan, trees were a technological fix that could stabilise and preserve plantation production and enable the colonial order it underpinned to endure ecological catastrophe. The scientists and imperial bureaucrats behind reforestation did not challenge the dominance of the plantations, nor the conditions for life they had produced in Mauritius; in fact, by obstructing rural foragers’ access to the forests, they hampered a vital means of existence outside the orbit of the estates. The gardens, on the other hand, formed a deliberate alternative to the sugar estates, in which cultivation exceeded the ambition of enduring a fragile present. The plants themselves, carefully recorded in the botanical compendium, were suspended across multiple temporalities. Some were animated by memories of familiar landscapes and habits, transposed across the Indian Ocean: banyan and peepal trees planted next to makeshift plantation temples; turmeric, neem, and mango cultivated in the gardens, and used in rituals marking births, deaths, and marriages. Others responded to present needs: medicinal herbs from the Ayurveda, Siddha, and Unani-tibb healing traditions were grown in the gardens, and used to give comfort to aching bodies; market crops provided much-needed cash for families; cannabis ( gandia ) was planted, and smoked among friends at dusk beside their dwellings. Others still corresponded to desires for a relatively distant future: trees that would not fruit for half a generation, whose shade would shelter the grandchildren of their cultivators. Taken together, these plants suggest the cultivation of not only endurance in a damaged land, but also a degree of collective spiritual and material comfort. The plants, and the garden patches on which they were grown, embodied the idea that this landscape could be something more than a mechanism for profit: that life could survive in the ruins and that land could sustain something like home. To the sugar estates, the sale of land to former plantation labourers was a useful opportunity to cede uncultivated fields in return for much-needed cash during a protracted slump in the sugar market. Plots were kept as small as possible, to ensure that cultivators were not entirely independent of occasional plantation labour. Meanwhile, the colonial authorities treated the early gardeners with outright hostility. During the brutal anti-Indian vagrant hunts of the 1860s and 1870s, secluded communities of gardeners became a sanctuary for vulnerable Indo-Mauritians, particularly plantation deserters and the unemployed. In retaliation, the colonial police incessantly targeted areas of small-scale cultivation, described in government reports as “the resorts of vagrants, thieves, and other bad characters.” Government scientists deployed race science to blame high mortality rates on Indian-born cultivators, proposing limits to immigration and forced repatriation as a measure against disease. Local magistrates monitored the size of garden plots; where they determined that the plots were too small to sustain a living, the cultivators were declared vagrants and sent to the vagrant depot, resulting in a year’s re-indenture. Even beyond the colony’s political conditions, gardening was a hard life. The garden patches were exposed to flooding and drought, unlike the irrigated, dammed plantation lands. During the worst droughts, gardeners abandoned their plots and returned to the sugar estates in their thousands. Often the plots were on malarial land unwanted by estate managers. There was no assistance from the state in the face of disaster. When, in 1892, a cyclone tore through the island, leaving 50,000 homeless and devastating the exposed garden plots, the only government assistance consisted of four days of rice rations and state employment at one rupee a day. Meanwhile, the government advanced generous disaster relief loans to the sugar estates, enabling damaged mills to be not only swiftly repaired, but also enlarged and improved. Yet, throughout the nineteenth century, Indo- and Afro-Mauritians poured their labour and resources into garden plots and the compromised, partial freedom they offered, turning their enforced intimacy with the nonhuman landscape into a means of survival and nourishment. It was, to them, worth it. The sugar plantations, colonial reforestation projects, and the garden plots: each offered a different response to the devastation of Mauritius’ indigenous ecology. The plantations followed a logic of production at all costs; as the economic mainstay of the colony, the sugar planters argued that they alone stood against the total ruin of the island. Their response to the growing ecological vulnerability was to seek new ways to overcome environmental limits and convert more of the natural world into a mechanism for profit: importing high-yielding cane cultivars, building bigger sugar factories, and experimenting with new chemical fertilisers. It was, quite literally, the end of time: the replacement of seasonality and organic time with the flat production cycle of a single cash crop. Dr John Horne’s “tree plantations,” as he called the reforestation scheme, were ultimately no different. Sugar was the impetus for reforestation. Influenced by the powerful Mauritian sugar lobby, which directly funded many of their activities, colonial scientists conceived of the island as a closed system—a series of zones of experimentation and production in which the forests were maintained to feed the canefields with moisture. The leading proponents of tree planting were adamant, in the words of the island’s foremost meteorologist Charles Meldrum, that “every inch of land that can be spared should be devoted to agriculture [meaning sugarcane], which is the mainstay of the colony.” They saw no life without the plantation, and no world beyond sugar. Set against this essential nihilism, the gardens represented a choice about how to organise life in the ruins of ecological disturbance. The plants connected with a past that exceeded the plantation; their cultivation suggested a future beyond survival in the dead-end present. By 1889, akashbel —the cuscuta creeper—had won. Forest rangers reported its presence everywhere from the coastal lowlands to the heights of the interior. Dr John Horne abandoned his efforts to stamp out the parasite. Two years later, he left the island and returned to Britain. Today, the creeper can still be found in Mauritius, in almost the exact same locations mentioned in Dr Horne’s letter to the Colonial Office almost 140 years ago. As another climate catastrophe looms over the island, the yellow threads that appear sporadically in its trees and shrubs are a reminder of an earlier generation—a generation who, after the horrors of slavery and indentureship, and in the midst of ecological disaster, saw not the end of this world, but the beginning of the next one. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 BEN JACOB is a writer and historian whose work looks at the relationship between colonialism, labour and the environment. Based in London, he is an academic adviser at the Ameena Gafoor Institute for Indentureship Studies. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Essay Mauritius Climate Indentured Labour Climate Change Climate Catastrophe Nineteenth-Century Deforestation Sugar Cane Indian Ocean Volcanic Island Flora Fauna Ecology Colonization Indigenous Extinction Sugar Factory Export Colonial Economy Species Loss Sugar Mills Canefield Native Disappearance Capitalism Environmental Science Geoengineering Climate Adaptation Experiment Natural World Survival Labour Forced Disappearance Madagascar East Africa Racialised Labour Slavery Ancient Forest Volcanic Rock Dry Season Plantation Livestock Malaria Yellow Fever Cholera Endemic Militarism Violence Indo-Mauritian Indian Policing Workforce Attached to Soil Frontline Botanical Garden Cuscuta reflexa Climate Science Legislation History Community Medicinal Plants akashbel kodiyagundal Parasite Struggle Collective Food Cultivation Emancipation Afro-Mauritians Kew Gardens Archive Agriculture Reforestation anti-Indian vagrant hunts Sanctuary Freedom Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

· COMMUNITY Interview · Bangalore The Ghettoization of Dalit Journalists “People in mainstream journalism dismiss anti-caste media as activists. N. Ram goes to Tibet and comes back with a glowing story: that is not activism. But what Dalit Camera, Velivada, or Round Table India do is supposedly 'activism.'” Watch the interview on YouTube or IGTV. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Bangalore Dalit Histories Journalism Activist Media Jogendranath Mandal The Pakistani Dalit Brahmanical Colonialism Love Jihad Kancha Iliah N Ram Rohith Vemula Dalit Media Dalit Camera The Hindu Bajrang Dal Ambedkar Students' Association P. Sainath Sujatha Gidla Investigative Journalism Hindutva Student Movements Dalit Labor Dalit-Black Solidarities Labor Labor Reporting Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 14th Sep 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

· THE VERTICAL Research · Bombay Saffronizing Bollywood An anthropologist explores Bollywood creatives to trace BJP's carrot-and-stick strategy with Bollywood creatives: both controlling and regulating Bollywood in order to create a consistent and normative film culture that perpetuates Hindutva ideology. Watching You Watching Me. Oil on wood. 36″ Tondo. Shyama Golden (2023). In 2022, India’s Hindi film industry was in the throes of a crisis. Bollywood, as the industry is colloquially known, was still bucking from a pandemic which had injured film industries worldwide. Multiple mainstream movies, helmed by some of the industry’s biggest stars, from Aamir Khan to Akshay Kumar to Ranveer Singh, were failing miserably at the box office. Since the tragic suicide of an actor named Sushant Singh Rajput in June 2020, a rabid social media movement in India had been calling for people to #BoycottBollywood for its alleged complicity in Rajput’s death and painted it as a hotbed of elitism, drugs, and moral bankruptcy. This was coordinated “collusive behavior”, one study suggested, to engineer a frenzy of conspiracy theories. Members affiliated with India’s ruling Bharatiya Janata Party (BJP), another study found, especially pushed the narrative of Rajput’s death being a “murder”, driving the hashtag #JusticeForSSR to receive over 65 million active interactions in just six months. Amid this political powder keg and socioeconomic crisis, one film gained unprecedented success. A film with no stars, no popular songs, and none of the typical, crowd-pleasing conventions of mainstream commercial Hindi cinema. Released on 11 March 2022, The Kashmir Files claims to depict the 1990 Kashmiri Pandit (Hindu) exodus, but through crucial omissions—of the Indian army’s pervasive presence, unlawful detentions, and rapes of women across religions; well-documented cases of Kashmiri Muslims risking peril to protect Hindu friends ; and the thousands of Kashmiri Muslims who also died and fled Kashmir —creates a dangerously one-sided representation of Muslim violence against Hindus. In one scene, the menacing, kohl-eyed Muslim antagonist Bitta compels a Hindu widow to eat rice soaked in her dead husband’s blood. In yet another, he shreds open a bright saffron kurta off a Hindu woman and publicly brutalises her. The film uses shock value to incite Hindus towards collective anger, humiliation, and anti-Muslim hatred. The Kashmir Files opened to a modest figure of INR 3.55 crores. The following day, however, Indian Prime Minister Narendra Modi personally met with its makers and took a picture with them that was widely circulated on social media. “More such movies should be made,” Modi publicly said three days later, praising the film for showing “the truth which has been suppressed for years”. Other BJP leaders also endorsed the film – they organised special screenings and events, while the BJP’s information and technology cell and copious sympathetic media outlets provided incessant buzz and press coverage . The film was also given the coveted tax-free status in several exclusively BJP-ruled states. Though made with a modest budget of only INR 25 crores, with a little bit of “help”, The Kashmir Files eventually collected a whopping INR 247 crores domestically. It was a certified blockbuster. The BJP and Hindutva Founded in 1980, the BJP functions as the political wing of the Rashtriya Swayamsevak Sangh (RSS), a Hindutva organisation active since 1925. Hindutva—the ideology of Hindu nationalism—conceives India as a Hindu nation, relegating Muslims and other minorities to second-class status. Historically, its ideologues drew inspiration from German Nazism and Italian fascism, while its closest ideological counterpart today is Israeli Zionism . The BJP has independently governed India since it won the national elections in 2014 by interlacing Hindutva with populist rhetoric under the leadership of Modi, a former RSS worker who oversaw an anti-Muslim pogrom in 2002 when he was the Chief Minister of the state of Gujarat. His purported victory, according to political scientist Christophe Jaffrelot, ushered in a new era for the nation, characterised by weakened state institutions, a distorted electoral process, and sanctioned violence against minorities, transforming India into an authoritarian Hindu state. The Bollywood industry is ultimately highly decentralised, commercially driven, and blockbuster-oriented. Politics seems peripheral to the eternal quest for the elusive box office hit. Then how has the BJP succeeded so profoundly? The Modi government has particularly weaponised the media to fuel Islamophobia. It has widely spread misinformation, enabling what media scholar Shakuntala Banaji has called the “mainstreaming” of intolerance. In his new book H-Pop (2023), independent journalist Kunal Purohit examines how the wider Hindu Right has harnessed popular culture forms such as music, poetry and books to disseminate and entrench Hindutva in popular and mass imagination. In this vein, Bollywood is a crucial fourth frontier. As India’s most prolific and powerful media industry, it is a key source of soft power and plays a crucial role in defining dominant conceptions of nationhood, belonging, and culture. As anthropologist Tejaswini Ganti writes in Bollywood: A Guidebook to Popular Hindi Cinema (2013) , Bollywood is also “perhaps the least religiously segregated place in India today where Hindus and Muslims work together as well as inter-marry”. Some of its most successful stars, directors, and other key members are Muslim. Many of its biggest hits over the years have celebrated Indian secularism and interreligious harmony, according to film scholar Rachel Dwyer, from Mughal-e-Azam (1960) and Amar Akbar Anthony (1977), to Veer-Zaara (2004), PK (2014), and Bajrangi Bhaijaan (2015) . Today, a slew of at least 10 brazenly Hindutva propaganda films are swamping Indian voters ahead of the upcoming national elections in May 2024. It is the outcome of many years of moulding and steadily saffronizing India’s Hindi film industry, most aggressively since the COVID-19 pandemic. This is the subject of my master’s dissertation, for which I conducted three months of fieldwork in Mumbai in the Summer of 2023, and conducted several interviews with prominent writers, directors, producers, actors, and journalists of Bollywood. All names have been anonymized in this essay. The BJP has used a carrot-and-stick strategy to control and regulate Bollywood ’s influence: a combination of bullying, along with promoting films that most brazenly perpetuate their Hindutva ideology. Yet for the most part, members of Bollywood have continued to eschew political binaries between left and right, instead seeing themselves as existing outside of the realms of politics and ideology. “The only God,” a veteran film critic and journalist told me, “is the box office.” The Bollywood industry is ultimately highly decentralised, commercially driven, and blockbuster-oriented. Politics seems peripheral to the eternal quest for the elusive box office hit. Then how has the BJP succeeded so profoundly? Fear and Censorship Alongside its elaborate army of online trolls, the BJP has not hesitated to use its hard power on Bollywood. They have incited mobs, engineered police cases, and orchestrated arbitrary arrests. When the Amazon series Tandav released in January 2021, for example, members of grassroots Hindu nationalist organisations filed police complaints against a Muslim actor Mohammed Zeeshaan Ayyub and the showrunners in four different Indian states, alleging offence to Hindu religious sentiments. The crime? A character named Shiva, played by Ayyub, uses profanity while portraying his namesake Hindu deity in a student play. When Amazon petitioned the Supreme Court to protect the showrunners from arrest while these cases were sub judice , this was denied. In another incident on 3 October 2021, inspectors of the Narcotics Control Bureau arrested Aryan Khan, the superstar Shah Rukh Khan’s then 23-year-old son, in a Mumbai port terminal. Despite lack of evidence, the agents imprisoned him for nearly a month before granting him bail, finally dropping all charges in early 2022. “Had a government agency really imprisoned Aryan Khan without proof, as pure intimidation?” questioned journalist Samanth Subramanian in The New Yorker . “The rest of Bollywood, meanwhile, absorbed the news as the most cautionary tale of all: if they could do this to the king, imagine what they could do to us.” In January 2023, the mammoth success of Shah Rukh Khan-starrer Pathaan , despite widespread calls for its boycott , not only revived Bollywood’s box office slump but was also touted as a victory over the Hindu Right . The social media boycotts, many in the industry concluded, were all bark and no bite. Subsequent consecutive successes of several Hindi films in 2023— Jawan, Animal, Gadar 2— compounded upon a palpable sense of triumph, with proclamations that “ Bollywood is back ”. But beyond boycotts and the habitually extreme ebbs and flows of the box office, the BJP has remained successful in its attempts at stoking fear and a pervading atmosphere of censorship, one that has now become naturalised in the industry. “You don't just deal with these issues when your film or your show is coming out,” one writer-director-producer said to me. “You're dealing with them while you are writing. There is a psychological aspect to it.” Many key Bollywood members I interviewed shared how their creative process now includes several additional considerations, like avoiding depicting green and saffron colours and any religious symbols and erasing any critiques of the police or politicians in the narrative. This was not the case before even 2020. A screenwriter named it the “chilling effect” – a perpetual state of cowering invoked in the face of the BJP’s “bullying tactics.” “You just have to stay in line,” he reflected, “ That builds a self-censorship inside you.” The New Blockbuster While the BJP suppresses, it also amplifies. In the case of The Kashmir Files , the party’s vigorous promotion of the film created a replicable template for a new kind of unabashedly bigoted blockbuster. In 2023, it was recreated by Sudipto Sen-directed The Kerala Story . Early promotions of the film claimed to tell a “spine-chilling, never told before true story” of 32,000 girls from Kerala who’ve been converted to Islam, manipulated into joining ISIS, and “buried in the deserts of Syria and Yemen”. This claim is demonstrably false , with the makers themselves later backtracking and saying they were showing the “true stories of three young girls from different parts of Kerala”. However, in the film, one character passionately declares to a policeman: “More than 30,000 girls are missing, sir. The unofficial number is 50,000. We all believe that, sir”. Simplistic and unsubtle, The Kerala Story cherry-picks and distorts disparate, extremely rare “true stories” and manipulates them to peddle the Hindu nationalist “Love Jihad” conspiracy theory and construct a heightened sense of fear and distrust of Muslims. In one scene, the protagonist Shalini’s (now Fatima) husband rapes her, using Islam as justification, and later slaps her for protesting as she cries. In another, a bearded Muslim man lays out the plan for love jihad: “Start giving them medicine, get close to them, make them estranged from their families, ... [and] if need be, get them pregnant”. By the end of the film, this plan results in the pregnancy, suicide, and gang rape of these Hindu girls. Like The Kashmir Files , then, The Kerala Story also uses shock value to arouse disgust and hatred towards Muslims in a Hindu audience. Similarly, the film was profusely praised by Modi and several other BJP ministers and declared tax-free in multiple states. Produced with a modest budget of INR 30 crores, it collected a whopping INR 242.2 crore in India, making it another bona fide blockbuster. Bollywood and literature scholar Priya Joshi argues in her book Bollywood’s India (2015) that since the 1950’s, blockbusters have “vitally captured dispersed anxieties and aspirations about the nation” and are a “testament to some of the public fantasies that accompanied the national project”. In essence, she writes, “Bollywood’s blockbusters have conducted a dialogue over the idea of “India””. As India’s new contemporary blockbusters, The Kashmir Files and The Kerala Story reflect a nation engulfed in Islamophobia and Hindutva rhetoric. “The only trend that seems to work,” a prominent writer-director-producer admitted to me, “is an anti-Muslim trend.” According to culture studies scholars John Hartley and Ien Ang, audiences for films and any large-scale culture industries are “literally unknowable”, forming what Tejaswini Ganti calls “the ultimate site of unpredictability”. To cope with the inherent uncertainty of the business, members of Bollywood use what Ganti terms “production fictions”—“fluid and flexible discourses” made mostly in hindsight to explain commercial outcomes. Production fictions, for Ganti, primarily function to rationalise inherently random, unpredictable, and inexplicable box office events. Commercial outcome, she explains, functions as a “form of imperfect communication between audiences and filmmakers”—a dialectic of sorts. Riding the Saffron Wave The Kashmir Files and The Kerala Story’s unprecedented success has created new production fictions that audiences actually want to watch more anti-Muslim, Hindutva stories, that consumer demand has simply swayed in that direction, and that such films are simply more likely to do better at the box office, not least due to possible, legitimizing promotion by the BJP. Many filmmakers, my interviewees claimed, “are riding on this whole saffron wave”, and many more, they expect, will “jump on the bandwagon” in order to achieve elusive box office triumph. It may be tempting to exceptionalize these films and view them as existing out of the scope of mainstream Hindi cinema, but this is misguided. These movies are only more extreme, brazen versions of an increasingly ubiquitous trend. From historical fiction films about Islamic invaders to cop and war films about fighting Islamic terrorism and Pakistan, Hindutva themes are dominating India’s cultural production and national consciousness. This type of cinema exists on a spectrum. There are those high on testosterone and muscular nationalism, like Uri (2019), Bhuj (2021), and recently, Gadar 2 (2023) and Fighter (2024), which involve masculinized army narratives, enforcing national borders, fighting “invaders”, espionage, violence, and the like. Then there are the rarer, more nuanced films on similar topics, like the female-centred Alia Bhatt-starrer Raazi (2018). Where there are explicitly propagandist, anti-Muslim examples of cinema like The Kashmir Files and The Kerala Story , there are also more subtly Islamophobic films peddling a quieter poison, like Sooryavanshi (2021), Mission Majnu (2022), and Indian Police Force (2023). Cumulatively, the hard ubiquity of these protecting-the-nation-state-narratives and the pervasive uber–Hindu-patriotism at their core reflects what scholars Edward Anderson and Arkotong Longkumer refer to as the mainstreaming of Hindu nationalism. By making Indian-ness synonymous with Hindu-ness, they normalise Islamophobia in public discourse. The BJP has evidently harnessed the uncertainty endemic to the film industry to push it to perpetuate its Hindutva ideology. They are ultimately succeeding at saffronizing Bollywood, not by turning its largely apolitical members into Hindu nationalists, but by influencing market forces to make Hindutva stories more profitable and marginalising dissenting or “deviant” voices. This new political order is increasingly being internalised, naturalised, and taken for granted by industry members, who appear, from my research, all too willing to compromise on their ideals for commercial success. In January 2019, the year of the last Indian national election, a group of Bollywood A-listers, none of whom were Muslim, were invited to meet Modi. They then posted a selfie of all of them together, which instantly went viral on social media. Later that April, Modi sat down for a sanitised, scripted, and avowedly “apolitical” interview with Bollywood superstar Akshay Kumar, known for being Hindutva’s poster boy . The same year saw the release of a slew of Hindutva propaganda films, many of which were officially promoted by the BJP , from hagiographic biopics of Hindutva figures like Thackeray and PM Narendra Modi to a film denigrating the opposition Congress party like The Accidental Prime Minister , to a pro-war, ultranationalist action film like Uri . With India heading towards another round of national elections this May, there is a lineup of propaganda films that peddle Hindutva conspiracies, celebrate Hindutva figures, and glorify the BJP while vilifying all its opponents: the Congress, academic institutions, activists, and of course, Muslims. These films share similar conventions: no A-list stars, lower budgets, saffron colour text in their trailers and posters, sensationalist hashtags hinting at conspiracies, and a neo-realist style colour grade. More importantly, they all seek to recreate the template created by The Kashmir Files and The Kerala Story , with the BJP and Modi’s promotion, tax-free status, and if they’re lucky, virality and box office glory. The first, Article 370 , exalts the Union Government for removing the eponymous article that conferred special status on Kashmir. Like clockwork, Modi praised the film even before its release. “I have heard that perhaps a film on Article 370 is going to be released this week,” he stated while addressing a rally in Jammu on 20 February 2024. "Good, it will be useful for people to get correct information." The film’s lead actor Yami Gautam shared a video of the speech immediately. “It is an absolute honour to watch PM @narendramodi Ji talk about #Article370Movie,” she wrote on X . Eventually released on 23 February, the film has made nearly INR 80 cr in India and is declared a super hit . More carnage is to follow. ∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Research Bombay BJP Bollywood Sushant Singh Rajput The Kashmir Files Films Cinema Hindutva Kashmir Shakuntala Banaji Kunal Purohit Censorship Shah Rukh Khan Rachel Dwyer Aryan Khan Samanth Subramaniam Love Jihad Box Office Commercialization Tejaswini Ganti Fascism Ethnography India Advertising Bhuj The Kerala Story Priya Joshi Article 370 Yami Gautam Ien Ang John Hartley Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 15th Apr 2024 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

· COMMUNITY Interview · Indigeneous Spaces Rethinking the Library with Sister Library Artist and activist-scholar Aqui Thami, in conversation with Comics Editor Shreyas R Krishnan. Watch the interview on YouTube or IGTV. I really wanted to rethink what a library could mean, and show that most libraries are funded by monies that come from the exploitation and relocation of indigenous peoples. [Sister Library] is what comes out of that. RECOMMENDED: Support Sister Library , the first ever community-owned feminist library in India, here . SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Indigeneous Spaces Feminist Spaces Decolonization Community Building Community-Owned Public Space Sister Library Sister Radio Kochi-Muziris Biennale Dharavi Bombay Underground Indigenous Art Practice Indigeneity Zines Pedagogy Public Arts Public History Archival Practice Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 21st Oct 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

· COMMUNITY Interview · Andhra Pradesh On the Ethics of Climate Journalism Information asymmetry, shadowy military operations, mining mafias, and the consent, or lack thereof, of the working class in how their information, labor, and presence are used are all tied to the production, distribution, and consumption of food, energy, and water in India. For climate journalist Aruna Chandrasekhar, this understanding, as well as the proximity of Operation Green Hunt to her hometown, led her to journalism. Watch the interview on YouTube or IGTV. There is an imbalance of power to be corrected—how do you level a playing field where, for centuries, you have oppressed, displaced communities, and always justified it for your own benefit? RECOMMENDED: " How One Billionaire Could Keep Three Countries Hooked on Coal for Decades " , NY Times . By Somini Sengupta, Jacqueline Williams, and Aruna Chandrasekhar. On how the Adani Group lobbied successfully to mine for coal in Australia and subsequently transporting it to India and contributing to energy and climate crises in both India and Bangladesh. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Andhra Pradesh Climate Climate Change Investigative Journalism Coastal Displacement Anthropocene Parachuting Mining Freelancing Environmental Disaster Environment Power Dynamics Operation Green Hunt Bombay Diaspora Diasporic Distance Journalism Ethics of Journalism Displacement Evictions COVID-19 Forest Collective Energy Crisis Telugu Tamil Movement Organization Corporate Power Adani Group Coal Visakhapatnam Vizag Port Cities Labor Rights Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 22nd Aug 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

WRITER Saranya Subramanian SARANYA SUBRAMANIAN is a poet, writer, and theatre practitioner based in Bombay. An MFA graduate from the University of San Francisco, she has been featured in the New York Times. Her writing has been published in Frontline , Lithub , The Caravan , Madras Courier , Aainanagar , Outlook , the Museum of Art and Photography, Scroll , The Bombay Literary Magazine, among others. Her essay, The Cockroach and I was published as an ebook by Penguin Random House after winning runner-up to the Financial Times/Bodley Head Essay Prize in 2020. She runs the Bombay Poetry Crawl , an archival and research space dedicated to 20th-century Bombay Poets. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Following the collapse of Myanmar’s healthcare infrastructure after the 2021 coup and India’s sudden suspension of free movement protocols in 2024, even the most basic access to medical care has become a perilous and expensive endeavor for many Burmese living in Mizoram-Myanmar border regions. As Indian authorities invoke criminal allegations against those seeking care for border security, tens of thousands have been denied essential services, and the burden on Myanmar’s remaining hospitals is further intensifying. THE VERTICAL LIFE ON LINE Following the collapse of Myanmar’s healthcare infrastructure after the 2021 coup and India’s sudden suspension of free movement protocols in 2024, even the most basic access to medical care has become a perilous and expensive endeavor for many Burmese living in Mizoram-Myanmar border regions. As Indian authorities invoke criminal allegations against those seeking care for border security, tens of thousands have been denied essential services, and the burden on Myanmar’s remaining hospitals is further intensifying. Umar Altaf Since the violent coup d’état in 2021, Myanmar’s healthcare system has nearly collapsed under the weight of political repression, worker exodus, and escalating conflict. The result is that what was once a robust public service has been transformed into fragmented emergency care provided largely by NGOs such as Médecins Sans Frontières (MSF). Field reports from MSF starkly document what international bodies like the Office of the United Nations High Commissioner for Human Rights, UN Special Rapporteur, and Associated Press have confirmed: hospitals shuttered, key disease programs disrupted, and millions left without reliable care. On the other hand, in forcibly returning vulnerable individuals to Myanmar without healthcare safeguards and under the shadow of rape accusations, Indian authorities violate international non-refoulement obligations while also inflicting profound harm on those already under physical and psychological duress. Amnesty warns that this practice “threatens to intensify the health crisis” for Burmese refugees, who find themselves trapped between persecution at home and denial of asylum with healthcare in India. Burmese refugee attempts to cross Tuai river for emergency medical treatment near Zokhawthar village in Mizoram, India. Courtesy of the author. A quiet yet complex world unfolds in the lush hills and deep valleys where Mizoram, in India, meets Chin State, Myanmar. While the official border stretches for 510KM, the boundary feels more like a line on a map than a real division in practice: villages often straddle both sides, and families share bloodlines across nations. The military-led coup of February 2021 brought with it the migration of thousands of people from Chin State, who sought refuge from violence and persecution in Mizoram. The people on both sides are predominantly from the Zo ethnic group , which includes Mizos in India and Chin in Myanmar. They speak related languages, share customs, and follow similar Christian beliefs. This has created a strong cultural bond, even in the face of political borders. Marriages, festivals, and trade are conducted informally across the border. Despite the Indian federal government’s cautious stance, the Mizoram state government and its people have welcomed the refugees on humanitarian grounds, housing them in makeshift camps and local homes. This has created a quiet tension between the Indian central government and the Mizoram state leadership. The Tuai River, a former key crossing point between Myanmar and India, is pictured near Zokhawthar village. Its significance waned after India suspended the Free Movement Regime (FMR) in 2024, which had allowed border residents to travel visa-free up to 16 kilometers into the neighboring country for 72 hours. Courtesy of the author. In Rikhawdar, a border town in western Myanmar, 52-year-old Thangi experiences first-hand the repercussions of disrupted healthcare and movement. Each month, she embarks on a grueling journey from her home in Rikhawdar to Zokhtwar, a distance of nearly 80 miles, just to get a medical checkup. The trip costs her nearly 70,000 kyats — about $22, a considerable sum in a region ravaged by conflict. Still, for Thangi, the opportunity to get a medical checkup and to hear her husband’s and son’s voices on the other end of a Facebook Messenger call is priceless. This is her small comfort in an otherwise onerous situation. She looks out of a tiny window in a home stay, facing the heavily guarded border with India. Once a key trading post and a vital escape route for those seeking refuge from the war, the border is now completely sealed off. 52-year-old Thangali experiences first-hand repercussions of disrupted healthcare and movement. Courtesy of the author. The closure of the border has also made it impossible for Thangali, a 28-year-old rebel fighter from the People’s Defense Forces, to get a crucial MRI scan at a hospital in Aizawl, India. Thangali, who was injured during a night ambush whilst fighting against the Junta forces, used to travel to India, almost 200 kilometres because there is nowhere within reach in Myanmar that has a functioning hospital offering the advanced services he needs. “We used to cross the border to get the care we needed,” Thangali said the next day, his voice weary but steady. “But now it’s too dangerous. With the border closed, we’re trapped—cut off from help. The treatment that once gave us hope is now out of reach, and we’re left to suffer in silence.” The sudden termination of the Free Movement Regime (FMR), which allowed for cross-border access to essential services between Mizoram in India and the border areas of Myanmar, has plunged his home township of Kale into a healthcare crisis. Kale Township connects central Myanmar to the Indian border through the Chin Hills, making it a key corridor for both humanitarian aid and displacement movements. It was in the lead-up to February’s national elections that the Indian government decided to end FMR, allegedly to address security concerns . Unfortunately, it has instead largely just stranded thousands of people and left them in urgent need of medical attention . "The closure of the border has dealt a heavy blow to our community," said Dr. Lalaramzaua, the only doctor at the RHI Hospital. "We're struggling to handle numerous cases with very limited resources. We rely on our neighbours in Mizoram for supplies and medication. With the border now closed, our ability to provide the care we need is severely compromised. "In several documented cases , including over 38 individuals deported in June 2024 from Moreh, local authorities reportedly used allegations of rape and other charges—without due process—to justify forced returns.” Amnesty International warns that this conflation of unverified crime allegations with border enforcement effectively bars these refugees from seeking vital healthcare in India, particularly for reproductive and mental health. Malsawm Puia lives in Kale township, on the border between India and Myanmar. He suffers from blood cancer. Malsawm was being treated at a hospital in the Indian state of Mizoram, but the Indian government’s decision to terminate a free movement agreement could mean a potential death sentence for the 28-year-old and dozens like him. Courtesy of the author. Among those severely impacted is Malsawm Puia, a 28-year-old from Kale township in Myanmar, battling blood cancer. Before the border closure, Malsawm Puia received treatment in Mizoram. With the end of the free movement agreement, he now faces an uncertain future as he is unable to access the necessary medical care. "The decision by the Indian government could be a death sentence for many of us," said Malsawm Puia's mother, who accompanied him to the hospital. Corpal Chanchu 23, stays in Kale township of Myanmar. Corpral got injured while fighting with the Myanmar forces last month. Courtesy of the author. Lalremtluanga, a 28-year-old rebel fighter, was injured in January during a mission. Initially treated in Aizawl's Greenwood Hospital, he had to leave due to worsening conditions and was then treated at the RHI Hospital. His condition, worsened by a broken leg and concerns about infection, makes it even more urgent to receive cross-border medical support. "The situation is dire," said Lalremtluanga. "We lack proper healthcare and medication here. The border closure has put us in a difficult position." The sudden end of the FMR and the ongoing construction of border fences have left nearly 100,000 residents of Kale township struggling with a failing healthcare system. The only hospital, already stretched thin by the ongoing conflict and injuries from the unrest, now faces an unprecedented challenge in providing care due to a severe shortage of medical supplies and facilities. "We have pregnant women and cancer patients here," Dr. Lalaramzaua said. "The lack of facilities means I can only treat basic conditions. The situation is heartbreaking, and we are doing everything we can with the limited resources available." Enok, a farmer in Kale township, gave birth to her fourth child at home with the help of a midwife. She considers herself lucky for managing a safe delivery amid the raging conflict in the region. Unable to travel to the hospital for a medical check-up, Enok still can’t obtain postnatal supplements and has to subsist on plain rice. Courtesy of the author. In terms of maternal health, women face perilous childbirths in Myanmar. Enok, a 38-year-old farmer in Kale township, gave birth to her fourth child at home with the help of a midwife. She considers herself lucky for managing a safe delivery amid the raging conflict in the region. Unable to travel to the hospital for a medical check-up, Enok still can’t obtain postnatal supplements and has to subsist on plain rice. “I can’t get enough sleep,” Enok, who used a pseudonym for security reasons, related, “People are so tired because they can’t sleep.” ∎ Civilians and fighters seek treatment inside the RHI Hospital. According to Insecurity Insight, a nonprofit collecting data on conflicts worldwide, nearly 1,200 attacks on healthcare workers and facilities have occurred in Myanmar since the junta seized power in February 2021. Courtesy of the author. Since the violent coup d’état in 2021, Myanmar’s healthcare system has nearly collapsed under the weight of political repression, worker exodus, and escalating conflict. The result is that what was once a robust public service has been transformed into fragmented emergency care provided largely by NGOs such as Médecins Sans Frontières (MSF). Field reports from MSF starkly document what international bodies like the Office of the United Nations High Commissioner for Human Rights, UN Special Rapporteur, and Associated Press have confirmed: hospitals shuttered, key disease programs disrupted, and millions left without reliable care. On the other hand, in forcibly returning vulnerable individuals to Myanmar without healthcare safeguards and under the shadow of rape accusations, Indian authorities violate international non-refoulement obligations while also inflicting profound harm on those already under physical and psychological duress. Amnesty warns that this practice “threatens to intensify the health crisis” for Burmese refugees, who find themselves trapped between persecution at home and denial of asylum with healthcare in India. Burmese refugee attempts to cross Tuai river for emergency medical treatment near Zokhawthar village in Mizoram, India. Courtesy of the author. A quiet yet complex world unfolds in the lush hills and deep valleys where Mizoram, in India, meets Chin State, Myanmar. While the official border stretches for 510KM, the boundary feels more like a line on a map than a real division in practice: villages often straddle both sides, and families share bloodlines across nations. The military-led coup of February 2021 brought with it the migration of thousands of people from Chin State, who sought refuge from violence and persecution in Mizoram. The people on both sides are predominantly from the Zo ethnic group , which includes Mizos in India and Chin in Myanmar. They speak related languages, share customs, and follow similar Christian beliefs. This has created a strong cultural bond, even in the face of political borders. Marriages, festivals, and trade are conducted informally across the border. Despite the Indian federal government’s cautious stance, the Mizoram state government and its people have welcomed the refugees on humanitarian grounds, housing them in makeshift camps and local homes. This has created a quiet tension between the Indian central government and the Mizoram state leadership. The Tuai River, a former key crossing point between Myanmar and India, is pictured near Zokhawthar village. Its significance waned after India suspended the Free Movement Regime (FMR) in 2024, which had allowed border residents to travel visa-free up to 16 kilometers into the neighboring country for 72 hours. Courtesy of the author. In Rikhawdar, a border town in western Myanmar, 52-year-old Thangi experiences first-hand the repercussions of disrupted healthcare and movement. Each month, she embarks on a grueling journey from her home in Rikhawdar to Zokhtwar, a distance of nearly 80 miles, just to get a medical checkup. The trip costs her nearly 70,000 kyats — about $22, a considerable sum in a region ravaged by conflict. Still, for Thangi, the opportunity to get a medical checkup and to hear her husband’s and son’s voices on the other end of a Facebook Messenger call is priceless. This is her small comfort in an otherwise onerous situation. She looks out of a tiny window in a home stay, facing the heavily guarded border with India. Once a key trading post and a vital escape route for those seeking refuge from the war, the border is now completely sealed off. 52-year-old Thangali experiences first-hand repercussions of disrupted healthcare and movement. Courtesy of the author. The closure of the border has also made it impossible for Thangali, a 28-year-old rebel fighter from the People’s Defense Forces, to get a crucial MRI scan at a hospital in Aizawl, India. Thangali, who was injured during a night ambush whilst fighting against the Junta forces, used to travel to India, almost 200 kilometres because there is nowhere within reach in Myanmar that has a functioning hospital offering the advanced services he needs. “We used to cross the border to get the care we needed,” Thangali said the next day, his voice weary but steady. “But now it’s too dangerous. With the border closed, we’re trapped—cut off from help. The treatment that once gave us hope is now out of reach, and we’re left to suffer in silence.” The sudden termination of the Free Movement Regime (FMR), which allowed for cross-border access to essential services between Mizoram in India and the border areas of Myanmar, has plunged his home township of Kale into a healthcare crisis. Kale Township connects central Myanmar to the Indian border through the Chin Hills, making it a key corridor for both humanitarian aid and displacement movements. It was in the lead-up to February’s national elections that the Indian government decided to end FMR, allegedly to address security concerns . Unfortunately, it has instead largely just stranded thousands of people and left them in urgent need of medical attention . "The closure of the border has dealt a heavy blow to our community," said Dr. Lalaramzaua, the only doctor at the RHI Hospital. "We're struggling to handle numerous cases with very limited resources. We rely on our neighbours in Mizoram for supplies and medication. With the border now closed, our ability to provide the care we need is severely compromised. "In several documented cases , including over 38 individuals deported in June 2024 from Moreh, local authorities reportedly used allegations of rape and other charges—without due process—to justify forced returns.” Amnesty International warns that this conflation of unverified crime allegations with border enforcement effectively bars these refugees from seeking vital healthcare in India, particularly for reproductive and mental health. Malsawm Puia lives in Kale township, on the border between India and Myanmar. He suffers from blood cancer. Malsawm was being treated at a hospital in the Indian state of Mizoram, but the Indian government’s decision to terminate a free movement agreement could mean a potential death sentence for the 28-year-old and dozens like him. Courtesy of the author. Among those severely impacted is Malsawm Puia, a 28-year-old from Kale township in Myanmar, battling blood cancer. Before the border closure, Malsawm Puia received treatment in Mizoram. With the end of the free movement agreement, he now faces an uncertain future as he is unable to access the necessary medical care. "The decision by the Indian government could be a death sentence for many of us," said Malsawm Puia's mother, who accompanied him to the hospital. Corpal Chanchu 23, stays in Kale township of Myanmar. Corpral got injured while fighting with the Myanmar forces last month. Courtesy of the author. Lalremtluanga, a 28-year-old rebel fighter, was injured in January during a mission. Initially treated in Aizawl's Greenwood Hospital, he had to leave due to worsening conditions and was then treated at the RHI Hospital. His condition, worsened by a broken leg and concerns about infection, makes it even more urgent to receive cross-border medical support. "The situation is dire," said Lalremtluanga. "We lack proper healthcare and medication here. The border closure has put us in a difficult position." The sudden end of the FMR and the ongoing construction of border fences have left nearly 100,000 residents of Kale township struggling with a failing healthcare system. The only hospital, already stretched thin by the ongoing conflict and injuries from the unrest, now faces an unprecedented challenge in providing care due to a severe shortage of medical supplies and facilities. "We have pregnant women and cancer patients here," Dr. Lalaramzaua said. "The lack of facilities means I can only treat basic conditions. The situation is heartbreaking, and we are doing everything we can with the limited resources available." Enok, a farmer in Kale township, gave birth to her fourth child at home with the help of a midwife. She considers herself lucky for managing a safe delivery amid the raging conflict in the region. Unable to travel to the hospital for a medical check-up, Enok still can’t obtain postnatal supplements and has to subsist on plain rice. Courtesy of the author. In terms of maternal health, women face perilous childbirths in Myanmar. Enok, a 38-year-old farmer in Kale township, gave birth to her fourth child at home with the help of a midwife. She considers herself lucky for managing a safe delivery amid the raging conflict in the region. Unable to travel to the hospital for a medical check-up, Enok still can’t obtain postnatal supplements and has to subsist on plain rice. “I can’t get enough sleep,” Enok, who used a pseudonym for security reasons, related, “People are so tired because they can’t sleep.” ∎ Civilians and fighters seek treatment inside the RHI Hospital. According to Insecurity Insight, a nonprofit collecting data on conflicts worldwide, nearly 1,200 attacks on healthcare workers and facilities have occurred in Myanmar since the junta seized power in February 2021. Courtesy of the author. SUB-HEAD ALSO IN THIS ISSUE: Kareen Adam · Nazish Chunara A Dhivehi Artists Showcase Shebani Rao A Freelancer's Guide to Decision-Making An injured rebel joined an armed group after the military junta’s 2021 coup. Last March, he was injured nine miles from the Myanmar-India border. He was treated in Chin State, but the doctor advised him to get a CT scan, which required travelling to India. Courtesy of the author. SHARE Facebook Twitter LinkedIn Photo-Essay Mizoram India 2024 Indian General Election Myanmar Health Crisis Health Maternal Health Border & Rule Borders Politics of Ethnic Identity Ethnic Division Zo Mizo Chin state Free Movement Regime Médecins Sans Frontières Freedom of Movement Christianity Rikhawdar Burma Chin Hills Healthcare State Repression UMAR ALTAF is a photographer and reporter based in New Delhi. Through working with different textures, mediums and forms, he challenges the preconceived notion and expectations of visual imagery. Umar’s work revolves around hate crimes, anti-Muslim encroachments, gender equality, human rights and climate change in India and Myanmar. 27 Jul 2025 Photo-Essay Mizoram 27th Jul 2025 Expunging India's Diamond City Hanan Zaffar · Danish Pandit 2nd Apr Ten Rupee Note Ria Modak 17th Feb Crossing Lines of Connection Arshad Ahmed · Chanchinmawia 14th Oct Skulls K Za Win 4th Apr Assam, Mizoram, and the Construction of the "Other" Joyona Medhi · Abhishek Basu 25th Feb On That Note:

· COMMUNITY Interview · Kerala Between Form & Solidarity Poet Chandramohan S in conversation with Advisory Editor Sarah Thankam Mathews Watch the interview on YouTube or IGTV. "One’s privilege cataracts one’s vision. Aspects of that privilege create a form of blindness, a cataracting of one’s advantage. My modus operandi is to illuminate as many blind spots as each of us have. It is not my fault that I may be born into a privilege, but it will become my fault if I do not make myself aware of it." RECOMMENDED: Love After Babel and other poems by Chandramohan S (Daraja Press, 2020) SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Kerala Language Vernacular Literature Internationalist Solidarity Dalit-Black Solidarities OV Vijayan Dalit Literature Ajay Navaria Avant-Garde Form Poetic Form Deepak Unnikrishnan Resistance Poetry Love After Babel Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 31st Aug 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Towards the end of FLUX, a key organizer with Muslims For Just Futures, Muslims for Abolitionist Futures, among others, performed a DJ set with Bhangra and urban music beats, featuring Major Lazer, Meesha Shafi & more, bringing a wide-ranging event about many intellectual and material shifts to an end. INTERACTIVE FLUX · A Celebratory Set by DJ Kiran AUTHOR AUTHOR AUTHOR Towards the end of FLUX, a key organizer with Muslims For Just Futures, Muslims for Abolitionist Futures, among others, performed a DJ set with Bhangra and urban music beats, featuring Major Lazer, Meesha Shafi & more, bringing a wide-ranging event about many intellectual and material shifts to an end. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Event Global Virtual Live FLUX Bhangra Music DJ Urban Desi Music Muslims For Just Futures North American Diaspora Muslim Abolitionist Futures Anti-Racism Islamophobia Major Lazer Meesha Shafi The Halluci Nation Boogey the Beat Northern Voice Jay Hun Sultaan Kisaan Bands Experimental Electronica Experimental Music Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Event Global 5th Dec 2020 FLUX: An Evening in Dissent An uplifting set by DJ Kiran to dance to at the end of a weighty virtual event. Jaishri Abichandani's Art Studio Tour Kshama Sawant & Nikil Saval: A panel on US left electoralism, COVID-19, recent victories, & lasting problems. Natasha Noorani's Live Performance of "Choro" Bhavik Lathia & Jaya Sundaresh: A panel on the US Left & its relationship with media in the wake of Bernie Sanders' loss. Tarfia Faizullah: Poetry Reading Rajiv Mohabir: Poetry Reading SAAG, So Far: A Panel with the Editors Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

COMICS EDITOR Shreyas R Krishnan Shreyas R Krishnan is an Assistant Professor in illustration, comics, and visual storytelling at Washington University in St. Louis. COMICS EDITOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

This essay traces the afterlife of queer activist Xulhaz Mannan’s words: once hidden in a drawer, now scrawled on Dhaka’s walls amid mass uprising. Through the collapse of Hasina’s regime, the co-option of gender rights, and the violent silencing of queer life, it asks: can a new Bangladesh truly emerge if it continues to deny the existence of those it has consistently tried to erase? This essay traces the afterlife of queer activist Xulhaz Mannan’s words: once hidden in a drawer, now scrawled on Dhaka’s walls amid mass uprising. Through the collapse of Hasina’s regime, the co-option of gender rights, and the violent silencing of queer life, it asks: can a new Bangladesh truly emerge if it continues to deny the existence of those it has consistently tried to erase? “Phobia Ends Here” (2023), acrylic in canvas, courtesy of Dipa Mahbuba Yasmin. Artist · THE VERTICAL REPORTAGE · LOCATION A Grammar of Disappearance LOCATION I Sayed . Rasel Ahmed . 24 Oct 2025 th . Letter from our columnist . Authors' Note: We wrote this article in the hopeful aftermath of the July 2024 uprising last year. But since then, we have witnessed a troubling resurgence of attacks on the trans and queer community in Bangladesh, some even led by organizers in the uprising. “ W hy would the ones—those I cannot stop thinking about—forget me? Why cannot I live out my love freely? This is so unfair. ” In 1994, gay rights activist Xulhaz Mannan wrote the above in a letter, possibly addressed to his lover. Twenty years later, Mannan was murdered for publishing Roopbaan , Bangladesh's first LGBT+ magazine. Since then, his letters have remained stashed away in a closet in his residence. Last year, two queer archivists, including the authors of this op-ed, retrieved and digitized them. Excerpts from Mannan’s letters now appear on one of Dhaka’s freshly graffitied walls. On 28 July 2024, Bangladesh’s then Prime Minister Sheikh Hasina imposed a curfew , issued a shoot-on-sight order, and cut off telecommunications in an attempt to suppress a student uprising. In response, coordinators of the student movement turned to guerrilla art. Armed with spray cans, they scrawled messages like "Hasina is a killer" on walls, streets, and riot vehicles before disappearing. People across the country joined in. The Hasina regime fell on 5 August 2024. Street art now covers the city. But Mannan’s graffiti stands apart—it is not a demand, nor a slogan, nor a call for justice. What does it mean to find a love letter rendered as political graffiti? In a country where homosexuality remains criminalized and queer lives are violently erased, this graffiti blends love and mass uprising. It now sits beside an image of the disappeared adibashi activist Kalpana Chakma . Together, they reveal the interwoven violences inflicted on queer people and dissenters under Hasina’s ultra-nationalist rule. “Phobia Ends Here ” (2023), acrylic on canvas, courtesy of Dipa Mahbuba Yasmin. Mannan was murdered in 2016, during Hasina’s tenure. The Home Minister at the time condemned the victims: “Our society does not allow any movement that promotes unnatural sex.” Hasina herself repeatedly denied the existence of queer people in Bangladesh. In a 2023 interview, when asked about the criminalization of homosexuality in the country’s constitution, she responded , “That is not a problem in our country.” The Hasina regime also attempted to co-opt the gender rights movement. A 2013 government gazette recognized hijra as a gender category, allowing inclusion in official documents and transgender women to run for reserved parliamentary seats . But instead of expanding public understanding, the policy collapsed hijra, intersex, and trans identities into a single vague category that enabled abuse. In 2015, hijras applying for government jobs were forcibly subjected to medical examinations . This flattening of gender identity eroded organizing efforts. In the years that followed, state-aligned gender activists and NGOs gained prominence. They argued that Hasina’s authoritarianism was necessary to protect gender rights from Islamist groups. But their fear-mongering proved hollow. Violence against gender and sexual minorities only intensified under Hasina, whose politics local organizers now describe as “hijra-washed.” “Phobia Ends Here ” (2023), acrylic on canvas, courtesy of Dipa Mahbuba Yasmin. One telling example came when progressive organisers included a subsection on trans rights in a school textbook. Islamist groups led by Asif Mahtab Utsho mobilised violently, forcing sexual and reproductive health NGOs to shut down. The Hasina regime offered no protection. The trans content was officially removed in June 2024. Queer people were targeted not only in public but also in digital spaces. The regime’s Cyber Security Act 2023 severely restricted internet freedom , forcing queer Bangladeshis into online silence. From dating to organizing, their digital presence was strangled. As the Hasina regime collapses and new proposals for justice emerge, we must remember that the freedom of queer Bangladeshis is linked with the liberation of all marginalized groups. Mannan’s murder, the co-optation of gender rights, and the crackdown on queer life were all part of a broader regime—one marked by extrajudicial killings , the repression of journalists , activists, artists, and human rights defenders under the guise of digital security, and the systematic violation of women and girls, particularly in indigenous areas , in the name of development. Hasina's ouster does not mark the end of authoritarianism. When the dust settles, we may once again see the rule of Bengali Muslim cis-men. In such a moment, Mannan’s graffiti offers a sharp reminder that Bangladesh is made up of many communities. If queerness continues to be criminalized, denied, and erased, the country will simply reproduce the same systems of violence. Queer people in Bangladesh have always fought for collective liberation—including in this very uprising. The question now is not whether they exist. It is whether the new Bangladesh is willing to coexist with them. ∎ “Phobia Ends Here ” (2023), acrylic on canvas, courtesy of Dipa Mahbuba Yasmin. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 I SAYED is a queer poet and community archivist at the Queer Archives of the Bengal Delta. RASEL AHMED is an Assistant Professor at the Ohio State University. DIPA MAHBUBA YASMIN is a Bangladeshi visual artist, queer art curator, and asexual visionary whose life's work is rooted in queer aesthetic activism. She currently serves as the publisher of the first Aro-Ace Literature & Oral History Magazine in the region, preserving testimonies that would otherwise be erased. Opinion Dhaka Xulhaz Mannan Roopbaan Bangladesh Queerness Queer Life Gender Violence Gender Rights Queer Activism Magazine Culture Sheikh Hasina Mass Protests Movement mourning in schizophrenic time Jaan-e-Haseena 27th Oct The WhiteBoard Board Mahmud Rahman 20th Oct Update from Dhaka III Shahidul Alam 23rd Jul Update from Dhaka II Shahidul Alam 21st Jul Urgent Dispatch from Dhaka I Shahidul Alam 20th Jul On That Note: