INTERACTIVE
The Assessment of Veracity: COVID-19 Mutual Aid Organizing
“Those first days in April was when I think I started to grasp the enormity of the crisis. People were live-tweeting themselves in death. I just stopped working. I was doing medical resources at the time, which meant I was calling to make sure if oxygen tanks and hospital beds were available.”
Riddhi Dastidar
Journalist and organizer Riddhi Dastidar worked tirelessly throughout 2020 and 2021 for pandemic relief in Delhi. In our event In Grief, In Solidarity, Dastidar recounts their experience of being in Delhi as a reporter in April 2020, when the enormity of the situation truly hit home. Amidst the many dead, dying, and a severe shortage of hospital beds, Dastidar was making urgent calls for oxygen tanks and hospital beds.
Here, with Art Director Priyanka Kumar, Dastidar explained how the grief and devastation motivated Mutual Aid India—an act of confusion and desperation as much as urgency. "If I compile a list of campaigns that are working on grassroots relief, would you be willing to volunteer?" they remember asking, imagining it would be a relatively small thing to begin.
The pandemic, of course, exacerbated the divisions and marginalization within Indian society. As Dastidar explains, how grassroots organizations seemed to assess the "veracity" of need seemed ignorant of what lived reality was like.
Dastidar later discusses, citing Kaveh Akbar, that this was the sort of time when art and poetry were simply not activism. Only organizing was. Their refusal of a conflation is, in itself, an act of demonstrating veracity.
Kumar, in turn, asked: How does somebody involved in both investigative journalism and mutual aid organizing also make sure to attend to one's own grief?
Journalist and organizer Riddhi Dastidar worked tirelessly throughout 2020 and 2021 for pandemic relief in Delhi. In our event In Grief, In Solidarity, Dastidar recounts their experience of being in Delhi as a reporter in April 2020, when the enormity of the situation truly hit home. Amidst the many dead, dying, and a severe shortage of hospital beds, Dastidar was making urgent calls for oxygen tanks and hospital beds.
Here, with Art Director Priyanka Kumar, Dastidar explained how the grief and devastation motivated Mutual Aid India—an act of confusion and desperation as much as urgency. "If I compile a list of campaigns that are working on grassroots relief, would you be willing to volunteer?" they remember asking, imagining it would be a relatively small thing to begin.
The pandemic, of course, exacerbated the divisions and marginalization within Indian society. As Dastidar explains, how grassroots organizations seemed to assess the "veracity" of need seemed ignorant of what lived reality was like.
Dastidar later discusses, citing Kaveh Akbar, that this was the sort of time when art and poetry were simply not activism. Only organizing was. Their refusal of a conflation is, in itself, an act of demonstrating veracity.
Kumar, in turn, asked: How does somebody involved in both investigative journalism and mutual aid organizing also make sure to attend to one's own grief?
SUB-HEAD
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Live
Delhi
COVID-19
Event
In Grief In Solidarity
Veracity
Essential Workers
Mutual Aid Organizing
Art Practice
Accountability
Affect
Exhaustion
Pretense
Fundraising
Social Media
Mutual Aid India
Diasporic Donors
Grassroots Organizing
Cyclone Hyat
NGOs
Direct Bank Transfer
Disaster Capitalism
RIDDHI DASTIDAR is an award-winning writer and reporter based in Delhi. Their work focuses on disability justice, public health, gender, rights and development, climate and culture. They are a contributing editor at Vogue India, and formerly worked at Khabar Lahariya. Their work has appeared in CNN, Foreign Policy, The Baffler, Vogue, and Wasafiri, amongst others, and been supported by the Pulitzer Center.