An ambitious collaboration between Dhivehi visual and performance artists, experimental and folk musicians, typographers, and people from the many atolls of the Maldives creating vital cultural spaces in Malé—one that sheds light on how Maldivian artists use unified and disparate aesthetics to reflect on class, space, and politics. | Exhibition · BOOKS & ARTS Exhibition · Maldives A Dhivehi Artists Showcase An ambitious collaboration between Dhivehi visual and performance artists, experimental and folk musicians, typographers, and people from the many atolls of the Maldives creating vital cultural spaces in Malé—one that sheds light on how Maldivian artists use unified and disparate aesthetics to reflect on class, space, and politics. Follow our YouTube channel for updates from past or future events. For our event In Grief, In Solidarity on 5th June 2021, we featured the most ambitious collaboration SAAG has attempted to date, with over 20 Maldivian performance artists, visual artists, musicians, typographers, artist collectives, and poets in a wide-ranging showcase on a range of Dhivehi art. Curated by Kareen Adam and Associate Editor Nazish Chunara, the showcase was meant to glimpse the art practices in an overlooked country and demonstrate the perspectives one misses as a consequence of overlooking whole communities and peoples. It is a paradigmatic problem for the international Left: Why do we so often take borders for granted in practice, even if we fervently do not wish to in principle? The showcase also provides a counterpoint to what people often associate with Maldivian: as merely an exclusionary, elite haven for tourists. The music and poetry are intentionally not subtitled, as SAAG, the magazine, shifts into multilingual presentation. We hope to strike against the expectation that population size should dictate such expectations and consider Dhivehi aesthetics and politics on their terms. Artists and collectives featured include Afzal Shaafiu, Aishath Huda, Beatz Crew, Cartman Ayya, DIONYSIAC , Eagan Badeeu, Firushana Naseem, Little Faratas N’ Monkey, Mohamed Ikram, Mariyam Omar, Mary Halym, Meyna Hassaan, Nadee Rachey, Nashiu Zahir, Nur Danya, Raya Ali a.k.a. Echnoid, Symbolic Records , and Yazan. SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Exhibition Maldives Art Practice Internationalist Perspective Art Activism Indigenous Art Practice Oceans Islands Luxury Tourism Malé Painting Dhivehi Typography Fine Art Experimental Music Folk Music Music Video Performance Art Dance Repertory Dance Troupe Art Institutions Gatekeeping In Grief In Solidarity Curation Aesthetics Missing Aesthetics Hip Hop Un’dhun Urban/Rural Fuamulah Huvadu atoll Rasmadhoo Kulhudufushi Seascapes Class Struggle Environment Atolls Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 5th Jun 2021 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

Megha Majumdar in conversation with Fiction Editor Kartika Budhwar. COMMUNITY On Class & Character in Megha Majumdar's Debut Novel Megha Majumdar in conversation with Fiction Editor Kartika Budhwar. VOL. 1 INTERVIEW AUTHOR AUTHOR AUTHOR Watch the interview on YouTube or IGTV. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview West Bengal Politics 29th Sep 2020 Interview West Bengal Politics English as Class Signifier Hindutva National Book Award Longlist Debut Novel Humor Centering the Silly The Baby-Sitters Club Debut Authors Working-Class Stories Body Politics Queerness Trans Politics Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Bodily vulnerability is so crucial to confront with people who are shamed, opressed, and made to feel so aware of themselves—even with where they can stand in a street, or whether they can love. RECOMMENDED: A Burning by Megha Majumdar More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

DESIGN EDITOR Mira Khandpur Mira Khandpur is a graphic designer & art director, currently an Associate Partner at Pentagram. Her work has been recognized and featured by AIGA, Type Directors Club, Art Directors Club, PRINT, Adobe Design Achievement Awards , and Creative Review , among others. She is based in Brooklyn. DESIGN EDITOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

WRITERS A. R. & R. A. The authors of this piece wish to remain anonymous. WRITERS WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

“Formal preoccupations are presumed to be a part of the European avant-garde, even though what form and form can be has been deeply influenced by writings from other parts of the world, and the West's straitjacketed understanding of the Renaissance being exposed to that.” COMMUNITY Origins of Modernism & the Avant-Garde in India AUTHOR AUTHOR AUTHOR “Formal preoccupations are presumed to be a part of the European avant-garde, even though what form and form can be has been deeply influenced by writings from other parts of the world, and the West's straitjacketed understanding of the Renaissance being exposed to that.” SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Interview Avant-Garde Origins Modernism Anthology Traditions Vaikom Muhammad Basheer Avant-Garde Form Auto-Fiction Wendy Doniger Multimodal Stream of Consciousness Rabindranath Tagore Tagore as First Impulse of Modernism Literary Activism Impoverished Histories Contradiction Criticism Intellectual History Internationalist Perspective Performance Art Satyajit Ray Avant-Garde Beginnings in India Varavara Rao Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. DISPATCH Interview Avant-Garde Origins 4th Oct 2020 Author Amit Chaudhuri in conversation with Associate Editor Kamil Ahsan on his previous works, his preoccupations with the banal and the label of "autofiction" that haunts contemporary appraisals of his work. Further, they discuss modernism in India, in particular Tagore's children's books as possibly the first impulse of modernism writ large. In surveying the history of literature and art in colonial India, the consequences of Europe's mistaken claim to originating the avant-garde is a profound ahistorical act, one that patently must be rectified. RECOMMENDED: Sojourn by Amit Chaudhuri (New York Review Books, 2022). Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Next Up:

WRITER Sneha Krishnan SNEHA KRISHNAN is a writer, teacher, and translator. She is an Associate Professor for Studies in OP Jindal Global University and Founder-Director of ETCH Consultancy Services. Her poems have been published by Belongg, Analogies and Allegories, Indian Poetry Review, Lit Stream Magazine , and AllEars Magazine . Her translations and essays have appeared in Gulmohar Quarterly, The Hindu, The Statesman, Deccan Herald, Conversation, Medium, Feminism in India, Science Policy Forum and The Wire . Her short fiction has appeared in The Walled City Journal and the New Writing Anthology by Helter Skelter. WRITER WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Art historian Partha Mitter challenges the cultural purity predicated on nationalist myths: natural corollaries of the denial of both the existence of the avant-garde in colonial India. and the very real flow of politics and aesthetics that allowed for the emergence of global modernism. Indian avant-garde art was cosmopolitan, concentrated in Calcutta, Lahore, and Bombay, but it remains a challenge to art historiography nonetheless. COMMUNITY The Pre-Partition Indian Avant-Garde Art historian Partha Mitter challenges the cultural purity predicated on nationalist myths: natural corollaries of the denial of both the existence of the avant-garde in colonial India. and the very real flow of politics and aesthetics that allowed for the emergence of global modernism. Indian avant-garde art was cosmopolitan, concentrated in Calcutta, Lahore, and Bombay, but it remains a challenge to art historiography nonetheless. VOL. 1 INTERVIEW AUTHOR AUTHOR AUTHOR Watch the interview on YouTube or IGTV. ALSO IN THIS ISSUE: AUTHOR Heading 5 Heading 5 Heading 5 Heading 5 AUTHOR Heading 5 Watch the interview on YouTube or IGTV. SHARE Facebook ↗ Twitter ↗ LinkedIn ↗ Interview Art History 25th Aug 2020 Interview Art History Avant-Garde Origins 1922 Bauhaus Exhibition Rabindranath Tagore Colonialism Modernism Ernst Gombrich Eric Hobsbawm Primitivism Edward Said Ramkinkar Baij Bombay Progressive Artists Satyajit Ray Intellectual History Global History Avant-Garde Beginnings in India Avant-Garde Traditions Amrita Sher-Gil Academia Art Activism Avant-Garde Form Art Practice Bauhaus Calc Gender Jamini Roy Bidirectional Exchange The Nature of Global History Anti-Colonialism Partition Formalism Geometry Kunst Nationalism Internationalism Vanguardism Gaganendranath Tagore Santiniketan School Abstract Orientalism Art Nouveau Kandinsky Historicism Cubism Malevich Surrealism The Valorization of the Rural Mukhopadhyaya Nandalal Bose Lahore Bombay K. G. Subramanyan Baroda School Hemendranath Mazumdar Plurality of Avant-Gardes Exchange Picasso Manqué Syndrome Cosmopolitanism Hegelian Dialectic Kalighat Samuel Eyzee-Rahamin Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. South Asian artists often deny the past of our own avant-garde. This is predicated on the nationalist myth of cultural purity fabricated in the 19th century. But if you deny history, you can't do anything. RECOMMENDED: The Triumph of Modernism: India's Avant-Garde 1922-1947 by Partha Mitter (University of Chicago Press, 2007) More Fiction & Poetry: Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5 Date Authors Heading 5

Since this performance, Lal has been prolific: aside from his collaborations with Rajna Swaminathan, Ganavya, and others, he released raga shorts “Shuddha Sarang” in 2021 and “Bhairav” in 2024, as well as the EP “Raga Bhimpalasi” this August. | Live · INTERACTIVE Live · Brooklyn Between Notes: An Improvisational Set Since this performance, Lal has been prolific: aside from his collaborations with Rajna Swaminathan, Ganavya, and others, he released raga shorts “Shuddha Sarang” in 2021 and “Bhairav” in 2024, as well as the EP “Raga Bhimpalasi” this August. Follow our YouTube channel for updates from past or future events. As part of SAAG's live event In Grief, In Solidarity on June 5th, 2021, the raga and jazz pianist and composer Utsav Lal performed a set that kicked off the proceedings. With his quick-fingered approach, glimmering with deep pauses leading to swift digressions that slide through and between notes, Lal—who has been called “ the Phil Coulter of raga ” —began the event by offering a set that was at once meditative and immersive. Lal has performed solo at the Carnegie Hall, Southbank Centre, Kennedy Center, and Steinway Hall, among others, and has been honored as a Young Steinway Artist, amongst others. He has seven solo records, including a historic world’s first album on the microtonal Fluid Piano (2016). In 2023, Lal performed for SAAG's Volume 2 launch event as part of the “ Vagabonds Trio, ” which includes himself, Rajna Swaminathan, and Ganavya Doraiswamy. The performance heralded both a new volume of SAAG and Rajna Swaminathan's latest album, Apertures . Buy Lal's latest release, Raga Bhimpalasi: Indian Classical Music on the Piano, here . SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Live Brooklyn Raga Jazz Piano Music Performance Live Performance Improvisation Rajna Swaminathan Ganavya Carnegie Hall Fluid Piano Vagabonds Trio Raga Bhimpalasi Classical Music Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 5th Jun 2021 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

In the Kashmir Valley, the spirit of "Kashmiriyat"—a philosophy of inclusion and coexistence—remains strong. However, the struggle for the region's autonomy, known as Tehreek-e-Azadi, can sometimes overshadow the diverse identities that coexist there, whether religious or sexual. In this complex context, how can one live and assert their identities in a place where even the majority identity struggles to thrive under New Delhi’s control? The Vertical collected stories of everyday resilience, offering a glimpse into the lives of those who continue to navigate existence in a region where the broader independence movement can sometimes obscure the more intimate and plural realities of its minorities. · FEATURES Photo Essay · Kashmir In the Kashmir Valley, the spirit of "Kashmiriyat"—a philosophy of inclusion and coexistence—remains strong. However, the struggle for the region's autonomy, known as Tehreek-e-Azadi, can sometimes overshadow the diverse identities that coexist there, whether religious or sexual. In this complex context, how can one live and assert their identities in a place where even the majority identity struggles to thrive under New Delhi’s control? The Vertical collected stories of everyday resilience, offering a glimpse into the lives of those who continue to navigate existence in a region where the broader independence movement can sometimes obscure the more intimate and plural realities of its minorities. "The Long Bloom (the figure in white)" (2020), graphite on watercolour paper, courtesy of Moses Tan. Existing in Kashmir T he sun has disappeared behind the Pir Panjal range of the Himalayas, which encircles the Kashmir Valley. Administered under the Indian union territory of Jammu and Kashmir, the Valley is a Muslim-majority region, situated on the border with Pakistan. It has remained at the heart of a territorial conflict since 1947. At night, Suthsoo—a rural village near Srinagar, the summer state capital—is alive with men advancing along the main street, chanting slogans and religious hymns while rhythmically beating their chests. It is Eid al-Ghadir, a Shia festival commemorating Prophet Muhammad’s appointment of his son-in-law Ali as his successor in 632 AD, a moment that began the ongoing split between Sunni and Shia Muslims. The men gather in front of the mosque, raising their voices before entering; the women take a staircase to observe the celebrations from the first floor, which is reserved for them. Songs and speeches follow one another under a portrait of Ayatollah Khomeini, the founder of the Islamic Republic of Iran. Rohan, a young queer influencer, is one of the performers that evening, singing under the eyes of his family who have come to listen to him. The 29-year-old TikToker regularly visits a "cruising park" in central Srinagar to meet his partners. With its 1.7 million inhabitants, Srinagar is often seen as a more liberal space compared to the rest of the valley, offering sexual minorities a partial escape from cultural and religious pressures. "My village is very conservative," Rohan laments. "That's why I prefer the city centre." In Srinagar, Rohan enjoys the relative anonymity of urban areas. Members of the LGBTQ community interviewed by The Vertical regularly visit mosques and the sacred sites of Kashmir, such as the Hazratbal Shrine, which houses a relic of the Prophet Muhammad. "At the mosque, you pray for yourself," explains Zia*, a bisexual son of a police officer, "no one pays attention to us or judges us." Mahnoor*, 21, who identifies as a transgender woman and works part-time at a beauty salon in Srinagar, adds: "Allah gave me a body that I respect. I won't undergo gender reassignment surgery." Like her, many transgender women in Kashmir choose not to undergo surgery, partly to ensure they can have Muslim funeral rites. "Living in a region under Indian military occupation—where Kashmiri identity is constantly challenged—triggers a defensive reaction that leads sexual minorities to prioritise their Kashmiri and Muslim identities," explains Sadiya, a queer activist from New Delhi and a transgender woman. "Similarly, local politicians often subordinate all other demands to the cause of Azadi , seen as the absolute priority over social and individual issues." In this region, one of the most militarised in the world with nearly half a million Indian soldiers stationed, minority identities can sometimes be overshadowed by the independence movement, often viewed as the primary collective cause. Furthermore, Kashmiri society places great value on marriage and family formation, making the acceptance of relationships outside of marriage, whether heterosexual or homosexual, difficult. Under a chinar tree, a symbol of the region, Rohan shares: "My family is putting a lot of pressure on me to marry soon." Although the colonial-era law criminalising homosexuality was repealed in 2018, the subject remains taboo in the valley, as does transgender identity, despite the Indian Supreme Court’s official recognition of a third gender in 2014. Queer and transgender individuals are often forced to hide their sexual and gender identities from their families to protect their reputations. "In New Delhi, I wear crop tops and get compliments every day. In Srinagar, I don't dare dress as a woman or shave my beard," reveals Mahnoor*. Discrimination against sexual minorities sometimes takes tragic turns. Sadiya explains: “Sexual minorities live in constant fear in the Kashmir Valley. Some parents do not hesitate to resort to violence, even murder, when they discover that their child is queer. For lesbian women, the situation is even more distressing, as they face both homophobia and misogyny.” Faisal*, a 17-year-old gay man, was raped by two police officers in a police station in Srinagar. "Making a complaint would be pointless," he confides. Zia* speaks of the pervasive denial that exists within families: "My family does not want to acknowledge my sexuality. We never talk about it." In 2015, he received threats from masked and armed men who burst into his home. Following this incident, he decided to give up dancing, which he had pursued at a professional level. He now resides in New Delhi, where it is easier to perform his sexuality and find job opportunities, which have become even scarcer since the abrogation of the state's autonomy in 2019. Sadiya, who dreams of one day opening a queer artist residency in Srinagar, laments: "There is still much to be done regarding the rights of sexual minorities in Kashmir, where the queer community is poorly structured. Those who can leave the valley, where they suffocate." Furthermore, the revocation of Article 370 of the Indian Constitution, combined with the internet shutdowns and mobility restrictions that followed, has further intensified the isolation of sexual minority members, depriving them of essential means of communication and support networks. Additionally, some local activists denounce the Indian state’s "pinkwashing," accusing New Delhi of instrumentalising the rights of sexual minorities to position itself as a defender against a Muslim population perceived as homophobic. The discourse from New Delhi, highlighting the defence of LGBTQ rights in Kashmir to justify the abrogation of Article 370, has generated increasing distrust towards local LGBTQ activists, who are sometimes seen as colluding with the central government. Similarly, New Delhi seeks to exploit religious divides. LIVING AS A SHIITE IN KASHMIR At the Zadibaal Imambara, preparations for the evening majlis are in full swing. In front of the building, shop stalls overflow with various items related to Shia rituals, alongside flags bearing the image of Ibrahim Raisi, the former Iranian president who tragically died in a helicopter crash last May. Inside the Imambara, workers hang red and black banners. Women come to pray. On a patchwork of multicoloured carpets, idle workers sip their noon chai , the traditional Kashmiri tea, which is pink and salty. The papier-mâché ceiling fans, a source of pride for the faithful, help to dispel the heat. Daylight filters through the stained-glass windows made of wood. A devotee tests the microphone: "Ya Ali, ya Hussain." The Zadibal Imambara houses a relic: a hair of the third Imam, Hussain. According to legend, this hair turns red during Ashura, the day of commemoration of Imam Hussain’s martyrdom at the Battle of Karbala in 680. Located in a predominantly Shia neighbourhood of Srinagar, it has suffered no fewer than twelve arson attacks since its construction in the 16th century, reflecting the recurring outbreaks of intercommunal violence. Nevertheless, the imambara has not been set on fire since 1872 and intercommunal relations have improved. Author and art historian Hakim Sameer Hamdani attributes the easing of intercommunal tensions to two events. Firstly, a 1907 memorandum addressed to the Viceroy of India, Lord Minto, signed by leaders of both sects, presenting their traditions as part of a single integrated Muslim community. Secondly, the Ashura processions of 1923, which took place for the first time during the day, defying established routines. The Twelver Shiite minority constitutes about 10% of the population of Kashmir, which has been predominantly Sunni since its Islamisation in the 14th century. They are spread throughout the region, primarily in Srinagar, as well as in the districts of Baramulla and Budgam. This community has long remained marginalised from local political life. Kashmiri academic Dr. Siddiq Wahid, an expert in international relations and governance issues, explains that the limited involvement of Shiites in the armed movement of the 1990s, which was largely dominated by Sunni Islam, may have led to a certain mistrust towards them. Sameera, a seventy-year-old resident of the affluent Rajbagh neighbourhood, offers a nuanced perspective, recalling that many Shiites supported the independence cause by hiding militants and taking up arms. “In the valley, identities intertwine and overlap like Russian dolls,” explains Dr. Siddiq Wahid, highlighting a complexity that goes beyond apparent divides. During the recent Indian general elections, the first since the revocation of Kashmir's autonomy in 2019, one of the strategies employed by the Indian central government was to exploit divisions between Sunnis and Shiites. However, this strategy did not succeed in Kashmir, where the population remains united against New Delhi: the residents of the valley came together against the local parties allied with the BJP. Cleric Agha Rahullah, from the influential Shiite Agha clan of Budgam, even won one of the seats in Srinagar on the National Conference ticket, a historic local party that secured two of the three seats in the Kashmir district. This victory has instilled pride within the Shiite community. Enayat, a Shiite resident of Srinagar, expressed his "great pride in seeing a member of his community represent Kashmir as a whole," noting that his election would not have been possible without the support of Sunni voters. CONNECTING MINORITIES BEYOND ETHNIC OR RELIGIOUS BOUNDARIES Despite the challenges of breaking the taboo around sexual minorities and advancing their rights — issues often overshadowed by the region’s political uncertainty — some NGOs are engaging in grassroots efforts. The People's Social and Cultural Society (PSCS), active since 2008, is dedicated to the sexual health of transgender individuals and men who have sex with men (MSM). It provides HIV testing, distributes condoms, lubricants, and antibiotics free of charge. A true "safe place" in the heart of Srinagar, the PSCS premises offer a refuge where everyone is welcome. "The people who come here feel supported and find a haven here. Many things have changed in the valley. Ignorance about HIV was once widespread, but thanks to nurse training nurses and prevention campaigns, attitudes have evolved," explains Dr. Rafi Razaqi, the director of PSCS. In this building, tucked away at the end of a quiet courtyard, bonds of solidarity transcend divisions, and struggles intersect. A visibly religious man jokes with visitors and social workers at the centre. This is Mustafa*, who works in the NGO’s branch that provides support for drug users. Sadiya, who also works as a tour guide, is organising an upcoming five-day inclusive trip to Srinagar for members of the LGBTQ community from New Delhi. She intends to take the group to PSCS to help them build networks with the local LGBTQ community and to meet a Kashmiri Hijra guru, who will share personal experience from the 1990s insurgency. “This programme aims to raise awareness about the realities faced by sexual minorities in Kashmir while showcasing the rich Islamic heritage of Srinagar, including its Shiite legacy, and fostering connections across ethnic and religious boundaries,” she explains. “The goal is to challenge the Kashmiriphobia and Islamophobia that persist among some queer activists in India,” she adds, referring to the controversy during Mumbai Pride 2020, where certain members of the organising committee distanced themselves from slogans supporting Kashmiri independence. She concludes: “this trip offers a unique opportunity to engage directly with Kashmiris. After all, isn’t it the essence of humanity to seek understanding of what is unfamiliar?”∎ SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Photo Essay Kashmir Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 24th Oct 2025 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

WRITER, CURATOR Pramodha Weerasekera PRAMODHA WEERASEKERA is an art writer and curator based in Sri Lanka. She writes regularly about feminist artistic practices and occasionally about art books from South Asia. Her writing has appeared in e-flux , Art Review, Hyperallergic , BOMB , and several exhibition publications. Her curatorial projects have been presented at the Khoj International Artists Association in New Delhi, the Museum of Modern and Contemporary Art, Sri Lanka, and the Ceylon Literary and Arts Festival in Colombo. She is the Assistant Curator of Edition 9 of Colomboscope. WRITER, CURATOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE

Author Chaitali Sen in conversation with Fiction Editor Hananah Zaheer. | · COMMUNITY Interview · Literary Solidarity Nation-State Constraints on Identity & Intimacy Author Chaitali Sen in conversation with Fiction Editor Hananah Zaheer. Watch the interview on YouTube or IGTV I fight for a world without borders, but they're borders wrenched in reaction to colonialism, and fortified against the spread of English. It's interesting how capitalism homogenizes while making people want to put up walls. RECOMMENDED: A New Race of Men from Heaven: Stories (Sarabande, 2023) by Chaitali Sen SUB-HEAD Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Interview Literary Solidarity Bengali Internationalist Solidarity Black Solidarities Satyajit Ray Statelessness Colonialism Language South Asian Women's Creative Collective South Asians Against Police Brutality Abner Louima Anthony Baez Literature & Liberation Diaspora Identity Community Building Post-George Floyd Moment Immigration Race & Genre Short Stories Fiction Avant-Garde Form Avant-Garde Traditions Emancipatory Politics Experimental Methods Rabindranath Tagore Mrinal Sen Separatism Tamil Separatists Punjabi Separatists Rajiv Gandhi Separatist Movements in India Indian Diaspora Syria Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. Add paragraph text. Click “Edit Text” to customize this theme across your site. You can update and reuse text themes. 17th Dec 2020 AUTHOR · AUTHOR Facebook Twitter LinkedIn Add paragraph text. Click “Edit Text” to customize this theme across your site. 1 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 Heading 6 On That Note:

ADVISORY EDITOR, EXECUTIVE DIRECTOR Aditya Desai ADITYA DESAI is the Program Officer of literary programming at Maryland Humanities, as well as a teacher of English and writing. His stories and essays have appeared in B O D Y, Barrelhouse, The Rumpus , The Margins and others. He is based in Baltimore. ADVISORY EDITOR, EXECUTIVE DIRECTOR WEBSITE INSTAGRAM TWITTER Heading 5 Heading 6 Heading 6 Heading 5 Heading 6 Heading 6 LOAD MORE